Tilted Arc Controversy: Dangerous Precedent
by Harriet F. Senie
University of Minnesota Press, 2001
Cloth: 978-0-8166-3785-0 | Paper: 978-0-8166-3786-7

ABOUT THIS BOOK | TOC
ABOUT THIS BOOK
A comprehensive look at a controversy that continues to fuel debates about the role of public art in America.





Since its installation at and subsequent removal from New York City's Federal Plaza, noted sculptor Richard Serra's Tilted Arc has been a touchstone for debates over the role of public art. Installed in 1981, the 10-foot-high, 120-foot-long curved wall of Cor-Ten self-rusting steel instantly became a magnet for criticism. Art critics in the New York Times and the Village Voice labeled it the city's worst public sculpture, and many denounced it as an example of the elitism associated with art and as an obstacle to the use and enjoyment of the plaza.





Harriet F. Senie explores the history of Tilted Arc, including its 1979 commission and the heated public hearings that eventually led to its removal in 1989 (it was dismantled and is currently stored in a government warehouse in Maryland). Analyzing the archive of popular opinion, Senie shows how the sculpture was caught in an avalanche of shifting local and national discussions about public funding for the arts. She examines the tactics of those opposed to the sculpture and the media's superficial and sensational coverage of the controversy, reframing the dialogue in terms of public art, public space, and public policy instead of the question of whether the removal of Tilted Arc was poetic justice or a dangerous precedent. Senie provides an enlightening history and analysis of a controversy that will continue to inform our discussions about public art for years to come.





Harriet F. Senie is director of museum studies and professor of art history at the City University of New York's City College and professor of art history at CUNY's Graduate Center.











$21.95 Paper ISBN 0-8166-3786-5


224 pages | 53 halftones | 7 x 10 | 2001


TABLE OF CONTENTS
    
    
    
    
    
    List of Illustrations ix
    Preface  xi 
    Acknowledgments xix
    Prologue 1
    1. Commission, Installation, Removal 21
    2. Public Opinion 37
    3. Reframing the Controversy  55
     The Art (Historical) Context 56
     The Public Art Context 73
     The Public Space Context 88 
     The Public Policy Context 103
    4. After TiltedArc 121 
    Conclusion  147
    Notes  155
    Index  193
    
    
    
    
    
    
    

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