Gramsci’s Fall
Seagull Books, 2019
Paper: 978-1-80309-189-1 | Cloth: 978-0-85742-691-8 | eISBN: 978-0-85742-728-1
Paper: 978-1-80309-189-1 | Cloth: 978-0-85742-691-8 | eISBN: 978-0-85742-728-1
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS
ABOUT THIS BOOK
Is it possible to fight for social justice if you’ve never really loved another person? Can you save a country if you’re in love?
Forty-six-year-old Anton Stöver’s marriage is broken. His affairs are a thing of the past, and his career at the university has reached a dead end. One day he is offered the chance to go to Rome to conduct research on Antonio Gramsci, who was, at one time, the leading figure of Italian communism. Once there, he falls obsessively in love with a young woman. His attention now torn between past and present, he tries to stay focused on Gramsci’s story: frail, feverish, and recovering in a Soviet sanatorium. Though Gramsci is supposed to save Italy from Mussolini’s seizure of power, he falls in love with a Russian comrade instead. Moving backward and forward in time, the story is told from the alternating perspectives of Stover’s conversational first-person narrative and lyrical third-person prose that recreates Gramsci’s inner life. With a subtle sense of the absurd, Nora Bossong explores the conflicts between having intense feelings for another and fighting for great ideals.
Forty-six-year-old Anton Stöver’s marriage is broken. His affairs are a thing of the past, and his career at the university has reached a dead end. One day he is offered the chance to go to Rome to conduct research on Antonio Gramsci, who was, at one time, the leading figure of Italian communism. Once there, he falls obsessively in love with a young woman. His attention now torn between past and present, he tries to stay focused on Gramsci’s story: frail, feverish, and recovering in a Soviet sanatorium. Though Gramsci is supposed to save Italy from Mussolini’s seizure of power, he falls in love with a Russian comrade instead. Moving backward and forward in time, the story is told from the alternating perspectives of Stover’s conversational first-person narrative and lyrical third-person prose that recreates Gramsci’s inner life. With a subtle sense of the absurd, Nora Bossong explores the conflicts between having intense feelings for another and fighting for great ideals.
