Introduction, Linda Wagner-Martin
Part I: Recent Theoretical Approaches
"So I, Who Never Had a War. . .": William Faulkner, War,
and the Modern Imagination, Donald M. Kartiganer
Unquiet Ghosts: Memory and Determinism in Faulkner,
Lee Anne Fennell
"He was getting it involved with himself: Identity and Reflexivity
in William Faulkner's Light in August and Absalom, Absalom!,
Helen Lynne Sugarman
"Like a lady I et": Faulkner, Food, and Femininity, Christina Jarvis
Part II: Feminist, Woman-Centered, and Sexualized Approaches
The Abjection of Addie and Other Myths of the Maternal in
As I Lay Dying, Diana York Blaine
A Measure of Innocence: Sanctuary's Temple Drake,
Dianne Luce Cox
"All That Matters Is That I Wrote the Letters": Discourse, Discipline,
and Difference in Requiem for a Nun, Kelly Lynch Reames
(Re) Reading Faulkner as Father and Daughter of
His Own Text, Minrose C. Gwin
Faulkner and the Politics of Incest, Karl Zender
The "Incredibly Loud .... Miss-fire": A Sexual Reading
of Go Down, Moses, Neil Watson
Part III: The Sound and the Fury and Absalom, Absaloml, the Enduring Core
The Comic Structure of The Sound and the Fury, Fred Chappell
Faulkner's Commedia: Synecdoche and Anagogic Symbolism
in The Sound and the Fury, James M. Mellard
Faulkner's Family Dilemma: Quentin's Crucible, Gary Storhoff
Jason Compson: The Demands of Honor, Linda Welshimer Wagner
Opening Pandora's Box: Re-reading Compson's Letter
and Faulkner's Absalom, Absalom!, David Krause
Absalom, Absalom!: The Movie, Joseph Urgo
Part IV: Style, Humor, Genre, and Influence
Faulkner's Narrative Styles, . E. Bunselmeyer
Why Did the Snopeses Name their Son "Wallstreet Panic"?
Depression Humor in Faulkner's The Hamlet, Andrea Dimino
Knight's Gambit: Poe, Faulkner, and the Tradition
of the Detective Story, John T. Irwin
Madame Bovary and Flags in the Dust: Flaubert's Influence
on Faulkner, Philip Cohen
From Oxford: The Novels of William Faulkner, Richard Gray