Res 61/62, Sarcophagi, is guest edited by Wu Hung and Jas Elsner. It includes “Chinese coffins from the first millennium b.c. and early images of the afterworld” by Alain Thote; “Art and personhood” by Björn Ewald; “Western Han sarcophagi and the transformation of Chinese funerary art” by Zheng Yan; “Reading identity on Roman strigillated sarcophagi” by Janet Huskinson; “‘A Tomb Both Great and Blameless’” by Richard Neer; “Funerary Spatiality” by Lillian Lan-ying Tseng; “‘Nero’s Tomb’ and the crisis of the third century” by Edmund Thomas; “Jouissance of death?” by Eugene Wang; “Reading images without texts on Roman sarcophagi” by Paul Zanker; “Decorative imperatives between concealment and display” by Jas Elsner; “Han sarcophagi” by Wu Hung; “Framing the dead on Roman sarcophagi” by Verity Platt; “Presentation, (re)animation, and the enchantments of technology” by Finbarr Barry Flood; “Death panels” by T. J. Clark; and contributions to Documents and Discussions by Andrew Scherer and Roberta Bonetti. Also included are contributions to Lectures—Color by Alexandre Tokovinine, Cameron L. McNeil, Timothy W. Pugh and Leslie G. Cecil, Leonardo Lopez Lujàn, Douglas K. Charles, and Warren R. DeBoer.