"There is an America that has nourished us since childhood, an America made up of stories as raw, rough, endless and inconclusive as the immense landscapes in which they took place: those landscapes, after all, were stronger than the stories themselves, and they spoke to us from afar, from a place that did not concern us, and which yet was in us before us, as Pavese sensed, who started from Whitman's America to reach, at the end of his great poetic journey, an archaic Greece, pre-Olympic and wild, dripping with blood and mud."
––Giancarlo Pontiggia
"The poetry of Most of the Stars contrasts sharply with contemporary Italian poetry, also and above all with the poetry of Italian poets of my age. The poetry of my country has been focused for centuries (and still continues to focus) exclusively on the analysis and expression of emotional states and on the projection of oneself on reality, often making reality, nature, the cosmos disappear to the advantage of said projections, thus ending up reducing the Vision, the evocative force of reality to a point of view. What I try to do here, through epic and mimesis, is to re-activate our thousand-year-old tradition by re-proposing words as radiations of things (“Nomina sunt consequentia rerum”, as Dante says: names/words as consequences of things), as the result of the poet listening to the cosmos." –– PIETRO FEDERICO
"Most of the stars is a powerful, compact, realistic and visionary work, written in a language that well combines lyricism and narrative vein, a new work compared to the average of contemporary Italian poetry. It is not a journey through the States, it is much more, it is a journey in the spirit of America, of its culture, of the deep layers of its melting pot." –– GIUSEPPE CONTE