Though he has authored more than eleven novels including, Cassandra Singing, The Suicide’s
Wife, Abducted by Circumstance, and the recent London Bridge in Plague and Fire, David
Madden has been publishing short stories for all six decades of his active career. The Last
Bizarre Tale consists of works that appeared in journals but that have not appeared together
as a collection.

Madden used two stories, “The Singer” and “Second Look Presents: the Rape of an
Indian Brave,” as chapters in his 1980 novel On the Big Wind. “The Headless Girl’s Mother”
was first published as a chapter in a serialized novel entitled Hair of the Dog. Two other stories
developed out of longer versions of Madden’s novels. “A Demon in My View” is part of
a sequel, not yet published, to Bijou.

All of the stories in David Madden’s third collection are distinguished by variety of content
and by shifting styles and often innovative techniques. They are to varying degrees and
in various ways bizarre in their characters and their relationships, in the kinds of internal
and external conflicts, and in locales and themes. The title story, The Last Bizarre Tale, involving
a corpse that has hung on a hook in a funeral home garage for decades, is evocative
of Poe and, in its dark, grotesque humor, Flannery O’Connor and Carson McCullers.
“Process is as important as product to David Madden,” writes editor James Perkins,
“and one can learn as much about the process of writing as about the human condition by a
careful reading of these stories.”

“For anyone wishing to rediscover or discover the work of David Madden—and that should
include not only aspiring writers but all lovers of great literature—The Last Bizarre Tale is the
perfect place to start . . . yet another step toward a wider public recognition that Madden is a
master craftsman and an American storyteller of the first rank. I was nailed to the wall by the
autobiographical ‘James Agee Never Lived in This House.’”
—Mark Powell, author of The Dark Corner