The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which representations of witchcraft emerged from and coincided with the main cultural currents and artistic climate of an epoch chiefly celebrated for its humanistic and rational approaches. Through an in-depth examination of a panoply of arresting paintings, engravings, and drawings—variously portraying a hag-ridden colossal phallus, a horror-stricken necromancer dodging the devil’s scrabbling claws, and a nocturnal procession presided over by an infanticidal crone—Guy Tal offers new ways of reading witchcraft images through and beyond conventional iconography. Artists such as Parmigianino, Alessandro Allori, Leonello Spada, and Angelo Caroselli effected visual commentaries on demonological notions that engaged their audience in a tantalizing experience of interpretation.

Guy Tal is Senior Lecturer in the Unit of History and Philosophy at Shenkar College, Israel. His publications on imagination, body language, gender, and witchcraft in the art of early modern Italy and of Francisco Goya appeared in such venues as Simiolus, Word and Image, Print Quarterly, Zeitschrift für Kunstgeschichte, and Magic, Ritual, and Witchcraft.

Acknowledgements
List of Illustrations
Introduction
Chapter 1 Old Women under Investigation: The Drab Housewife and the Grotesque Hag
Chapter 2 Chimerical Procession: The Poetics of Inversion and Monstrosity
Chapter 3 Priapic Ride: Gigantic Genitals, Penile Theft, and Other Phallic Fantasies
Chapter 4 Magical Metamorphoses: Variations on the Myths of Circe and Medea
Chapter 5 A Visit from the Devil: Horror and Liminality in Caravaggesque Paintings
Epilogue
Bibliography
Index