Cloth: 978-0-226-18166-0 | Electronic: 978-0-226-18168-4
DOI: 10.7208/chicago/9780226181684.001.0001
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ABOUT THIS BOOK
When Hitler came to power and the German army began to sweep through Europe, almost 20,000 Jewish refugees fled to Shanghai. A remarkable collection of the letters, diary entries, poems, and short stories composed by these refugees in the years after they landed in China, Voices from Shanghai fills a gap in our historical understanding of what happened to so many Jews who were forced to board the first ship bound for anywhere.
Once they arrived, the refugees learned to navigate the various languages, belief systems, and ethnic traditions they encountered in an already booming international city, and faced challenges within their own community based on disparities in socioeconomic status, levels of religious observance, urban or rural origin, and philosophical differences. Recovered from archives, private collections, and now-defunct newspapers, these fascinating accounts make their English-languge debut in this volume. A rich new take on Holocaust literature, Voices from Shanghai reveals how refugees attempted to pursue a life of creativity despite the hardships of exile.
AUTHOR BIOGRAPHY
REVIEWS
“Irene Eber has constructed a fascinating insight into a little-known community of Jewish refugees who fled like blown leaves before the storm of Nazism, landing in Shanghai, where they clung to life, culture, and religion. Without this valuable record, a revealing piece of history might have gone unrecorded.”
“[Eber] has painted a colorful picture of how uprooted and displaced families exemplified courage, strength, and determination to survive and even thrive under the most difficult circumstances. . . . All writers and readers of history can learn a valuable lesson from Eber.”
“Irene Eber’s Voices from Shanghai is a unique document in the annals of Holocaust literature. The literary testimonies by Expressionist writers of the enchanting and also tortured mingling of Chinese and European culture that characterized Shanghai during the Second World War opens up for us a forgotten chapter of the Holocaust. I am confident that this book will be favorably received by scholars of China and the Holocaust as well as the wider reading public.”
“A literary and historical gem! Sinologist Irene Eber gives a marvelously fresh and enlightening overview of Jewish history in Shanghai, highlighting the complexity of Holocaust refugees interacting not only with Chinese culture and the Japanese occupation, but also with other Jews from strikingly varied cultural backgrounds. As a native speaker of Yiddish, Eber has poured her heart into these sensitive translations, which document the personal and cultural diversity of the writers and their remarkable ingenuity, creativity and resilience.”
“Thank goodness for Irene Eber and the University of Chicago Press. . . . [Voices from Shanghai] is a slim, lovingly produced collection of letters, poems, stories and diary entries written by a number of refugees after they’d settled in China. . . . Countless emotions are conveyed in these pages: both humor and anger over the situation; joy about being alive, but frustration about being unable to rise above certain circumstances; and fear, even depression and, at times, crippling inertia.”
TABLE OF CONTENTS
introduction
Meylekh Ravitch • “A Rickshaw Coolie Dies on a Shanghai Dawn”(1935)
Annie F. Witting • Letter (1939)
Alfred Friedlaender • “Prologue” (1939)
Egon Varro • “Well, That Too Is Shanghai” (1939) •
W. Y. Tonn • “Peculiar Shanghai” (1940)
Annie F. Witting • Letter (1940)
Lotte Margot • “The Chinese Woman Dances” (1940)
E. Simkhoni • “Three Countries Spat Me Out” (1941)
Kurt Lewin • “More Light” (1941) •
Yehoshua Rapoport • “And So It Begins . . .” (1941)
Yosl Mlotek • “The Lament of My Mother” (1941)
E. Simkhoni • “My God, My God, Why Hast Thou Forsaken Me” (1942)
Mordechai Rotenberg • “Sun in a Net” (1942) •
Yosl Mlotek • “Shanghai” (1942) •
Karl Heinz Wolff • “The Diligent Mason” (1942)
Hermann Goldfarb • “Wandering” (1942)
Jacob H. Fishman • “Miniatures” (1942)
Yosl Mlotek • “A Letter . . .” (1943)
Yehoshua Rapoport • Diary (excerpts, 1941–1943)
Anonymous • “Pins, Not for Me” (1944)
Yoni Fayn • “A Poem About Shanghai Ghetto” (1945)
Herbert Zernik • “A Monkey Turned Human” (1945)
Shoshana Kahan • In Fire and Flames: Diary of a Jewish Actress (excerpts, 1941–1945)
Kurt Lewin • “The Weekly Salad” (1946)
Jacob H. Fishman • “A Wedding” (1947)
acknowledgments
notes
index of names