Teaching Embodied Cultural Practice in Japanese Preschools
by Akiko Hayashi and Joseph Tobin
University of Chicago Press, 2015
Cloth: 978-0-226-26307-6 | Paper: 978-0-226-26310-6 | Electronic: 978-0-226-26324-3
DOI: 10.7208/chicago/9780226263243.001.0001
ABOUT THIS BOOKAUTHOR BIOGRAPHYREVIEWSTABLE OF CONTENTS

ABOUT THIS BOOK

When we look beyond lesson planning and curricula—those explicit facets that comprise so much of our discussion about education—we remember that teaching is an inherently social activity, shaped by a rich array of implicit habits, comportments, and ways of communicating. This is as true in the United States as it is in Japan, where Akiko Hayashi and Joseph Tobin have long studied early education from a cross-cultural perspective. Taking readers inside the classrooms of Japanese preschools, Teaching Embodied explores the everyday, implicit behaviors that form a crucially important—but grossly understudied—aspect of educational practice.
           
Akiko Hayashi and Joseph Tobin embed themselves in the classrooms of three different teachers at three different schools to examine how teachers act, think, and talk. Drawing on extended interviews, their own real-time observations, and hours of video footage, they focus on how teachers embody their lessons: how they use their hands to gesture, comfort, or discipline; how they direct their posture, gaze, or physical location to indicate degrees of attention; and how they use the tone of their voice to communicate empathy, frustration, disapproval, or enthusiasm. Comparing teachers across schools and over time, they offer an illuminating analysis of the gestures that comprise a total body language, something that, while hardly ever explicitly discussed, the teachers all share to a remarkable degree. Showcasing the tremendous importance of—and dearth of attention to—this body language, they offer a powerful new inroad into educational study and practice, a deeper understanding of how teaching actually works, no matter what culture or country it is being practiced in. 

AUTHOR BIOGRAPHY

Akiko Hayashi is a postdoctoral fellow in education at the University of Georgia. Joseph Tobin is professor of early childhood education at the University of Georgia and the author of several books, including Preschool in Three Cultures Revisited, also published by the University of Chicago Press. 

REVIEWS

Teaching Embodied is well written and clear—a delight to read. It does a beautiful job of illustrating, persuasively, culture as tacit, embodied, and intercorporeal.”
— Kathryn M. Anderson-Levitt, University of California, Los Angeles

“In the wonderful Teaching Embodied, Hayashi and Tobin remind us that teachers have bodies and that those bodies are formed in and are expressions of culture. Teaching is a cultural activity, but explorations of teaching remain abstract, disembodied—more mind than body, or heart. Any preschool teacher, as I was for a dozen years, understands the physicality of teaching. Hayashi and Tobin take the reader inside this wonderfully physical world. In this watershed study, they make visible what every teacher knows implicitly. The body is integral to understanding teaching.” 
— Daniel James Walsh, University of Illinois at Urbana-Champaign

 “Hayashi and Tobin’s study is an exemplar in contemporary psychological anthropology that builds upon and expands Tobin’s classic video ethnographic methods to paint a compelling portrait of teaching and learning in Japanese preschool classrooms as embodied, collective, and intercorporeal. The book offers a welcome antidote to overly rationalized efforts to quantify and manualize the daily lives of children and teachers in preschool classrooms.”
— Gail M. Boldt, Pennsylvania State University

“Even for those without children, Teaching Embodied offers cultural insights that explain many fascinating details of Japan’s group society.”
— Japan Times

“As someone who has spent twenty years living and working in Japan, both as a teacher of English and student of Japanese culture, and had the opportunity to work in kindergartens and nursery schools in both cultures, I found the descriptions in Teaching Embodied captivating and full of cultural insight. The Japanese government wisely sent out emissaries to the rest of the world in order to bring back knowledge to develop the nation after the Meiji Restoration in the late nineteenth century. America could also learn much from the Japanese regarding the implementation of an educational system that nurtures the development of sensitivity and consideration of others. This extremely important work is highly recommended for those interested in gaining a more in depth understanding of the Japanese and their culture, but also anyone involved in child development and education.”
 
— Teachers College Record

“Even readers unfamiliar with the prior comparative studies will find this volume engaging and enlightening on the topics of teaching and of cultural practice.”
 
— Education Review

“Education is one of the most parochial of all disciplines, and early childhood education practices are perhaps the most insulated of all. Accordingly, this examination of teaching in learning in Japanese preschools by Hayashi and Tobin (both, Univ. of Georgia) is especially welcome. Examining how Japanese preschool teachers act, talk, and think, Teaching Embodied closely follows three practitioners and is based upon extended observations, interviews, and analysis of video recordings of classroom behaviors. As a result of this detail, the reader is provided an unparalleled understanding of and appreciation for the practices of Japanese preschool teachers. Organized into seven chapters, the book explores mimamoru (teaching by watching and waiting), the pedagogy of feelings, the pedagogy of peripheral participation, learning embodied culture, expertise, early childhood education policy as a cultural practice, and the notion of reassembling the cultural. The book assists readers in thinking about the practices common in preschool settings and imagining alternative ways of doing things. Rich with photographs, anecdotes, and examples of practice, the book provides a marvelous complement to Carol Anne Wien's Emergent Curriculum in the Primary Classroom: Interpreting the Reggio Emilia Approach in Schools. . . . Highly recommended.”
 
— Choice

TABLE OF CONTENTS

Preface


DOI: 10.7208/chicago/9780226263243.003.0000
[embodiment, expertise, tacit knowledge, intercorporeality, video, ethnography, microanalysis, habitus, Mauss, Bourdieu]
This chapter lays out the central topics, conceptual framework, and methods of the study on which this book is based. The central topics are embodied and implicit practices of Japanese preschool teachers and how these practices are used to scaffold children’s social-emotional development. The conceptual framework draws on the theories of embodiment and body habitus of Marcel Mauss and Pierre Bourdieu; of Erving Goffman and Maurice Merleau-Ponty’s writings on intercorporeality; theories of tacit knowledge and practical expertise of Michael Polanyi, David Berliner, Max Van Manen, and Maurice Bloch. The methods combine video-cued ethnographic interviewing with microanalyses of video recordings of days in Japanese preschool classrooms. (pages 1 - 18)


DOI: 10.7208/chicago/9780226263243.003.0001
[Japan, preschool, teaching, mimamoru, bodily techniques, gaze, posture, attention, fights]
The focus of Chapter 1 is mimamoru, a term that literally means “watching and guarding.” The chapter suggests that mimamoru is an emic pedagogical concept that underlies the low-intervention approach in children’s fights that Japanese preschool teachers employ in each of the videos used in this study. Teachers enact mimamoru with techniques of their bodies, including how they use their gaze, posture, touch, and location in the classroom to perform varying levels of attention/inattention. If children seem too aware of her and dependent on her, a skilled teacher adjusts her gaze, posture, and facial expression to appear to be too busy with a task to pay careful attention to them. In contrast, when a teacher senses children are about to spin out of control, she adjusts her appearance to seem to be paying more attention. (pages 19 - 38)


DOI: 10.7208/chicago/9780226263243.003.0002
[Japan, preschool, teaching, empathy, feelings, amae, sadness, loneliness]
Chapter 2 is focused on feelings, and on the centrality in preschool pedagogy of the Japanese emic concepts of omoiyari (empathy) and amae (dependence), and of the value placed on the embodied experience of emotion, including being hurt, physically as well as emotionally. Sabishii, a Japanese word that is midway between the English terms “sad” and “lonely” is an emotion whose display is encouraged in Japanese preschools. Sadness and loneliness are seen as pro-social emotions because they serve to invite the empathetic concerns and responses of others and thus serve as building blocks of sociality. (pages 39 - 56)


DOI: 10.7208/chicago/9780226263243.003.0003
[Japan, preschool, teaching, peripheral participation, problem solving, gallery, sociality, bullying]
Chapter 3 is concerned with children’s peripheral participation in disputes, and with an emic Japanese pedagogical belief in the value of the gyarari (gallery) of children who participate on the periphery of disputes, and in this way not only have a vicarious experience of interpersonal conflict, but also act to mediate the dispute by creating an awareness among the fighters of the presence of “the eyes of society.” Instead of viewing those watching a fight and its aftermath as nosey bystanders, Japanese teachers implicitly encourage peripheral participation. This peripheral participation is believed to benefit both those watching and listening by providing them with vicarious experiences of emotions and problem solving and the fight protagonists by providing a chorus of concerned onlookers who create a sense of sociality and potential intervention. (pages 57 - 80)


DOI: 10.7208/chicago/9780226263243.003.0004
[Japan, preschool, context, teaching, kejime, bowing, gaze, touch, intercorporeality]
Chapter 4 is focused on how Japanese preschool teachers help children learn to modulate their language, posture, hand gestures, and head position to indicate a shift from informal to formal contexts and back. A key emic Japanese concept is kejime, which means “to draw a line between two situations," “to make distinctions," or “to act in a way appropriate to the context.” The argument of the chapter is that Japanese preschool provide young children with exposure to a range of clearly demarcated spatial, temporal, and social-emotional contexts and opportunities to develop the social skills and individual and intercorporeal techniques of the body appropriate to these contexts. A key bodily technique involves various forms of bowing, along a continuum of more informal and formal, polite registers. (pages 81 - 106)


DOI: 10.7208/chicago/9780226263243.003.0005
[Japan, preschool, teaching, expertise, apprenticeship learning , composure, professional development]
Chapter 5, which is on the development of pedagogical expertise, focuses on how the three featured teachers in our study reflect on their own development over time as teachers. The teachers suggest that earlier in their careers they lacked a sense of composure and timing; they were too self-conscious; too governed by rules and expectations; insufficiently present, spontaneous, responsive to children’s moods and needs and trusting in children; and physically awkward. They credit their professional growth less to systematic study, workshops, and direct guidance from supervisors than to hands-on experience and apprenticeship learning, concluding that it took them at least five years to develop real expertise. The chapter concluded with the suggestion that expertise in the context of Japanese preschool teaching should be conceptualized as a characteristic of a team of teachers, rather than as an individual ability, and as highly contextual, and therefore not easily transferred from one school to another. (pages 107 - 136)


DOI: 10.7208/chicago/9780226263243.003.0006
[Japan, preschool, teaching, policy, deaf education, education, guidelines]
Chapter 6 switches from an analysis of preschool pedagogy to an analysis of the role of government guidelines for preschools. The argument of this chapter is that education ministry policies and practices are also cultural. We argue that the Ministry of Education (MEXT) guideline’s lack of explicit direction to teachers on questions of pedagogy is itself a form of mimamoru – of minimal intervention, that gives preschools and teachers latitude to explore their own best practices. In this chapter the case of the Ministry of Education’s approach to deaf early childhood education in Japan is contrasted with the approach to regular early childhood education, to argue that Japanese ministries generally take a hands-off approach unless and until they are dealing with a population that is defined as needing special services. (pages 137 - 152)


DOI: 10.7208/chicago/9780226263243.003.0007
[Japan, preschool, teaching, culture, teaching, Latour, Actor Network Theory]
The concluding chapter demonstrates how the practices analyzed separately in the preceding chapters are simultaneously present in real life in preschool. The chapter begins with an analysis of a scene of an older child feeding a baby at a daycare center and a re-analysis of the Teddy Bear Fight discussed in early chapters, a re-analysis based on Latour’s Actor Network Theory, and that focuses on the interaction of mimamoru, the gyarari, touch, feelings, policy, and expertise. (pages 153 - 172)

Acknowledgments

References

Index