A SCHOLARLY BOOK REPOSITORY
Contributors: Allison Caplan, Martha Few, León García Garagarza, James Maley, John McCormack, Iris Montero Sobrevilla, Lisa Sousa
As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas—it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference between nature and society. In A Brief History of Nakedness psychologist Philip Carr-Gomm traces our inescapable preoccupation with nudity.
Rather than studying the history of the nude in art or detailing the ways in which the naked body has been denigrated in the media, A Brief History of Nakedness reveals the ways in which religious teachers, politicians, protesters, and cultural icons have used nudity to enlighten or empower themselves as well as entertain us. Among his many examples, Carr-Gomm discusses how advertisers and the media employ images of bare skin—or even simply the word “naked”—to garner our attention, how mystics have used nudity to get closer to God, and how political protesters have discovered that baring all is one of the most effective ways to gain publicity for their cause. Carr-Gomm investigates how this use of something as natural as nakedness actually gets under our skin and evokes complicated and complex emotional responses.
From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, A Brief History of Nakedness surveys the touching, sometimes tragic and often bizarre story of our relationships with our naked bodies.
"They wouldn't let him rest—even in his grave." Thus Charles Carver opens his story of the climactic years of a journalist who had poured out such blazing prose that readers from England to Hawaii mourned his murder.
The impact of William Cowper Brann's Iconoclast upon the town of Waco, Texas, in the 1890's was like a rocket burst in a quiet sky. Rebelling against Victorian hypocrisy, the newspaperman took aim at organized virtue, exemplified for him by Baylor University and other Baptist organizations.
Dr. Roy Bedichek, noted author and naturalist, knew Brann, and after reading this book in manuscript said, "I am at once delighted and disappointed: disappointed to find my teen-age hero reduced to size... delighted with the art of the biographer.... It has genuine literary excellence... is a chapter in the history of the publishing business in Texas that needs to be put into print...."
This volume considers Jeremy Bentham’s Australian writings. In the first part of the volume, Bentham’s works are placed in their historical contexts, while the second part provides a critical assessment of the historical accuracy and plausibility of Bentham’s arguments against transportation from the British Isles. In the third part, attention turns to Bentham’s claim that New South Wales was founded illegally and to the imperial and colonial constitutional ramifications of that claim. The authors also discuss Bentham’s work of 1831 in which he supports the establishment of a free colony on the southern coast of Australia. In the final part, the authors shed light on the history of Bentham’s panopticon penitentiary scheme, his views on the punishment and reform of criminals and what role, if any, religion had to play in that regard, and discuss apparently panopticon-inspired institutions built in the Australian colonies.
This collection will appeal to readers interested in Bentham’s life and thought, the history of transportation from the British Isles and of British penal policy more generally, colonial and imperial history, Indigenous history, legal and constitutional history, and religious history.
Caws takes us back to Pascal’s youth, when he was a child prodigy first engaging mathematics through the works of mathematicians such as Father Mersenne. She describes his early scientific experiments and his construction of mechanical calculating machines; she looks at his correspondence with important thinkers such as René Descartes and Pierre de Fermat; she surveys his many inventions, such as the first means of public transportation in Paris; and she considers his later religious exaltations in works such as the “Memorial.” Along the way, Caws examines Pascal’s various modes of writing—whether he is arguing with the strict puritanical modes of church politics, assuming the personality of a naïve provincial trying to understand the Jesuitical approach, offering pithy aphorisms in the Pensées, or meditating on thinking about thinking itself.
Altogether, this book lays side by side many aspects of Pascal’s life and work that are seldom found in a single volume: his religious motivations and faith, his scientific passions, and his practical savvy. The result is a comprehensive but easily approachable account of a fascinating and influential figure.
This study develops a new interpretation of The Decameron, Giovanni Boccaccio’s masterpiece, which has found new popularity in the wake of COVID. Dino S. Cervigni offers an inclusive and novel reading of the collection, theorizing that the first ninety tales offer a parodic rewriting of the Christian Middle Age, while the last ten tales craft a reconstruction of society based on human and liberal principles such as generosity and sacrifice.
Still relevant to this day, The Decameron offers a notable description of the bubonic plague of 1348 which devastated Western Europe—drawing striking parallels with the current global pandemic. Furthermore, Boccaccio’s concluding message applies to all of us in the present moment, plunged as we are into a world of intellectual and ethical chaos, exhorting us to practice forgiveness, compassion, tolerance, mutual acceptance, and generous open-mindedness. No other book on The Decameron offers such a relevant, up-to-date reading of the classic work.
Contributors: Walter Benjamin, Briankle G. Chang, Astrid Deuber-Mankowsky, Peter Fenves, Martin Jay, Matthew Lau, Duy Lap Nguyen, Richard A. Rand
In Becoming Lesbian, historian Tamara Chaplin argues that the history of female same-sex intimacy in France is central to understanding the struggle to control the public sphere in the twentieth century. This monumental study draws on a wide range of undiscovered sources from cabaret culture, sexology, police files, radio and TV broadcasts, photography, the Minitel (an early form of internet), and private letters, as well as over one hundred interviews that Chaplin conducted with women from France and its colonies. Becoming Lesbian demonstrates how women of diverse classes and races came to define themselves as lesbian and used public spaces and public media to exert claims on the world around them in ways that made possible new forms of gendered and sexual citizenship. Chaplin begins in the sapphic cabarets of interwar Paris. These venues, as she shows, exploited female same-sex desire for profit while simultaneously launching an incipient queer female counterpublic. Refuting claims that World War II destroyed this female world, Chaplin reveals instead how sapphic subcultures flourished into the postwar period, laying crucial groundwork for the collective politicization of lesbian identity in the decades that followed.
Becoming Lesbian brims with colorful vignettes about female cabaret owners, singers, TV personalities, writers, and lesbian activists, all of whom Chaplin brings to life to make larger points about rights, belonging, and citizenship. As a history of lesbianism, this book represents a major contribution to modern French history, queer studies, and genealogies of the media and its publics.
Bringing together Czech fiction published by women between 1890 and 1910, Beyond the World of Men presents works that confront pivotal issues of the time, including the “woman question” and women’s rights, class conflict, lesbian love, and the relationship between the aristocracy and the Czech peasantry (as in two stories originally written in German by the aristocrat Marie von Ebner-Eschenbach). The collection contains stories that are of literary merit, but also hold historical value. In these works, the authors offer trenchant social commentary while injecting both comic and sentimental elements into their writing, employing humanity and subtlety.
As a whole, the collection suggests a revision of the critical understanding of Czech literary modernism; these writers represent voices that were not usually heard in the male writing of the period. They also demand evaluation in their differing (but constant) reactions to earlier women’s writing in Czech and in other European languages, but particularly that of the central figure of Božena Nemcová, to whose canonic novel Babicka they constantly return.
Throughout the chapters in this book, the expert caregiver is one person who faces unbelievably daunting tasks of filling or reforming persistent institutional gaps, primarily in education and healthcare, and subverting ableist cultural norms. Without institutional support, answers to their questions, or pragmatic avenues to access resources, lay caregivers become the experts. Their trials and tribulations, especially when navigating the boundaries of professional/lay and private/public worlds, illuminate a type of carework that is increasingly relevant to a growing number of young families caring for neurodivergent, disabled, medically fragile, and/or chronically ill children. These stories offer a vivid picture of the often invisible complex challenges and structural forces that drive individuals to become expert caregivers in the first place.
The statesman on the history and practice of Roman oratory.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
A Brief History of the Bodleian Library takes readers through the Library’s history, from its founding in 1602 by Sir Thomas Bodley to the present day. Along the way, the book traces the development of the Library’s incomparable collection, complete with details that reveal the eccentricities of those who have helped shape it, including Bodley himself, who conceived of the Library as a “republic of the learned,” and King George VI, who inadvertently delayed the opening of the New Bodleian in 1946 when he broke the key in the lock. Covering the major moments in the Library’s history and with a great many fun facts—How did the Library come to own not one of Shakespeare’s First Folios but two?—the book also apprises readers of its present concerns, including the building of individual subject libraries across Oxford, the use of underground passages, and the perennial search for more space.
How did a library founded over four hundred years ago grow to become the world-renowned institution it is today, home to over thirteen million items? From its foundation by Sir Thomas Bodley in 1598 to the opening of the Weston Library in 2015, this illustrated account shows how the Library’s history has been involved with the British monarchy and political events throughout the centuries. The history of the Library is also a history of collectors and collections, and this book traces the story of major donations and purchases, making use of the Library’s own substantial archives to show how it came to house key items such as early confirmations of the Magna Carta, Shakespeare’s First Folio, and the manuscript of Jane Austen’s earliest writings, among many others.
This revised edition brings the history of the Bodleian Library up to the present moment. Beautifully illustrated with prints, portraits, manuscripts, and archival material, this book is essential reading for anyone interested in the history of libraries and collections.
With rich musical traditions, both classical and folk, and possessing a language like almost no other, Hungary is in the process of abandoning the trappings of its communist past while attempting to preserve its culture from creeping globalization. Clapton delights in the fact that certain old-fashioned attitudes of courtesy, at times stemming from the very structures of the Magyar tongue, are still deeply ingrained in Hungarian society. At the same time, despite its association with world-famous composers such as Bartók, Liszt, and Kodály, music is far from an activity enjoyed only by the elite. Including plenty of tips on food, drink, and sites of interest, Budapest describes the capital in uniquely melodic terms and will delight lovers of travel and music alike.
The Book Lovers’ Miscellany is a cornucopia for bibliophiles. With customary wisdom and wit, Claire Cock-Starkey presents a brief illustrated history of paper, binding, printing, and dust jackets, with a wealth of arcane facts that even the most avid book lovers may be hard-pressed to answer: Which natural pigments were used to decorate medieval bibles? Which animal is needed for the making of vellum? Curious facts are drawn from throughout the history of books and publishing, including many more recent examples, such as a short history of the comic and the story behind the massively successful Harlequin romance imprint Mills and Boon. Readers can explore the output of the most prolific writers and marvel at the youth of the youngest published authors—or lament the decisions of the publishers who rejected books that later became colossal bestsellers. The book also includes a collection of lists, including unfinished novels, books that have faced bans, books printed with mistakes, the most influential academic books of all time, and the longest established literary families.
The perfect gift for every bibliophile, The Book Lovers’ Miscellany is equally well suited to reading straight through or dipping into here and there.
With more than twelve million items and many priceless treasures, including the Gutenberg Bible, Shakespeare’s First Folio, five thirteenth-century copies of Magna Carta, and Tolkien’s original watercolors for The Hobbit, the Bodleian also boasts many strange events and eccentric characters through the ages that contributed to its world-class renown today. From deep within the archives, Cock-Starkey and Moller have compiled a great many lesser-known facts about the Bodleian Library’s fascinating history, organizing them into easily browsable lists, factoids, and statistics.
Beyond Words goes outside of linguistics and phonetics to focus on the popular conceptions of what language is, rather than what it actually is or how it works. From the moans and sobs of human grief to playful linguistic nonsense, Connor probes the fringes and limits of human language—and our definition of “voice” and meaning—to challenge our basic assumptions about what it is to communicate and where we find meaning in language. By engaging with vocal sounds and tics usually trivialized or ignored, Beyond Words presents a startling and fascinating new way to engage with language itself.
In eighteenth-century Britain, criminals were routinely whipped, branded, hanged, or transported to America. Only in the last quarter of the century—with the War of American Independence and legal and sociopolitical challenges to capital punishment—did the criminal justice system change, resulting in the reformed prison, or penitentiary, meant to educate, rehabilitate, and spiritualize even hardened felons. This volumeis the first to explore the relationship between historical penal reform and Romantic-era literary texts by luminaries such as Godwin, Keats, Byron, and Jane Austen. The works examined here treat incarceration as ambiguous: prison walls oppress and reinforce the arbitrary power of legal structures but can also heighten meditation, intensify the imagination, and awaken the conscience. Jonas Cope skillfully traces the important ideological work these texts attempt: to reconcile a culture devoted to freedom with the birth of the modern prison system that presents punishment as a form of rehabilitation.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
In the mid-nineteenth century, Boston fashioned itself as a global hub. By the early 1970s, it was barely a dot on the national picture. It had gained a reputation as a decaying city rife with crime and dysfunctional politics, as well as decidedly retrograde race relations, prominently exemplified by white resistance to school integration. Despite this historical ebb in its national and international presence, it still possessed the infrastructure—superb educational institutions such as Harvard and MIT, world-class sports teams like the Celtics and Red Sox, powerful media outlets like The Boston Globe, and extensive shipping capacity—required to eventually thrive in an age of global trade and mass communication.
In Boston Mass-Mediated, Stanley Corkin explores the power of mass media to define a place. He examines the tensions between the emergent and prosperous city of the late twentieth and early twenty-first centuries and its representation in a range of media genres such as news journalism, professional sports broadcasting, and popular films like Mystic River and The Departed. This mass media, with its ever-increasing digital reach, has emphasized a city restricted by tropes suggestive of an earlier Boston—racism, white ethnic crime, Catholicism, and a pre-modern insularity—even as it becomes increasingly international and multicultural. These tropes mediate our understanding and experience of the city. Using Boston as a case study, Corkin contends that our contemporary sense of place occurs through a media saturated world, a world created by the explosion of digital technology that is steeped in preconceptions.
Beards make frequent appearances in medieval German poetry—as esteemed markers of majestic wisdom or as hilarious props for undignified manhandling. In Beards and Texts, Sebastian Coxon traces this preeminent symbol of masculinity through four major poetic traditions across the twelfth and sixteenth centuries—Pfaffe Konrad’s Rolandslied, Wolfram von Eschenbach’s Willehalm, ‘Sangspruchdichtung’, and Heinrich Wittenwiler’s Ring. By attending to this hairy trope, Beards and Texts sheds new light on the construction of both poetic form and masculinity in the Middle Ages.
In the late eighteenth and early nineteenth centuries, Algerian piracy in the Mediterranean loomed large in the American imagination. An estimated seven hundred American citizens, sailors, and naval officers were taken captive over the course of the Barbary Crises (1784–1815), and this overseas danger threatened to grow and irreparably harm the young republic.
Blood and Ink reconstructs the largely forgotten influence of these early American conflicts with North Africa on notions of publicity, print culture, and racial and national identity from independence to the Civil War. Exploring the extensive archive of texts inspired by the conflicts—from captivity narratives, novels, plays, and poems to broadsides, travel narratives, children’s literature, newspaper articles, and visual ephemera—Jacob Crane connects anxieties surrounding North African piracy and white slavery to both the development of American abolitionism and representations of transatlantic African and Jewish identities in the early national and antebellum periods.
Soldier, sea captain, freebooter, courtier, writer, reformer, and informer, Barnaby Rich was a man of his time. In the service of Queen Elizabeth, Rich took part in numerous campaigns fraught with hardship and disaster in France, the Low Countries, and Ireland. After twenty years of soldiering, he wrote Riche His Farewell to Militarie Profession, which attracted the attention of the Queen herself, as well as William Shakespeare and many of the lesser among his contemporaries.
"I have preferred to be rich rather than to be called so," punned the Captain ruefully on his title pages, for he was usually in want and as often in trouble. The source of both misfortunes was his disdain for dodging a fight, and much that is known of his life comes from unpublished records of legal actions in which he was involved. Rich directed his satire primarily against the sinecures of the Anglican clergy in Ireland and against the papacy. "Sworne man" of both Elizabeth and James, he protested near the end of his life that his assaults with pike and pen were but the promptings of a "true harted subjecte."
Born in an age bright with stars, Rich must be considered a "minor" Elizabethan. Therein lies the novelty of this study: it treats the not-so-great, using unpublished court records to enrich our knowledge of Great Britain's grandest era. But the story of the man is not lost in the background of the period. With freshness and charm the present volume disinters Barnaby Rich from the footnote crediting him as Shakespeare's source for the plot of Twelfth Night and fleshes him forth a live Elizabethan.
Born in Memphis, Tennessee in 1939, Dr. Alvin Crawford grew up and attended medical school in a segregated world. Beginning with his early life in Orange Mound—a self-contained community for freed slaves established in the 1890s—Crawford’s autobiography describes his flirtation with a music degree and time spent playing in jazz bands through the segregated South. In 1960, Crawford began his ground-breaking medical career with his entrance into the University of Tennessee College of Medicine, becoming the school’s first African American student. After completing his medical training and traveling the world as a surgeon for the Navy, Crawford found himself in Cincinnati, where he established the Comprehensive Pediatric Orthopedic Clinic at Cincinnati Children’s Hospital, the first in the region.
Underlying this story are the systemic and very personal incidents of racism Crawford experienced throughout his career. His autobiography is a personal account of segregation, integration, ambition, hard work, and taking risks.
Cormac McCarthy told an interviewer for the New York Times Magazine that “books are made out of books,” but he was famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy was well aware of literary tradition and deliberately situating himself in a knowing relationship to precursors.
In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines McCarthy’s literary archive to identify over 150 writers and thinkers that McCarthy referenced in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy’s published works, the unpublished screenplay Whales and Men, and McCarthy’s correspondence. This updated edition now examines McCarthy’s final publications: the novel The Passenger and its play-like coda Stella Maris.
For each work, Crews identifies authors, artists, or other cultural figures that McCarthy referenced; gives the source of the reference in McCarthy’s papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy’s literary influences vastly expands our understanding of how one of America’s foremost authors engaged with the ideas, images, metaphors, and language of other thinkers and made them his own.
Cormac McCarthy told an interviewer for the New York Times Magazine that “books are made out of books,” but he was famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy was well aware of literary tradition and deliberately situating himself in a knowing relationship to precursors.
In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines McCarthy’s literary archive to identify over 150 writers and thinkers that McCarthy referenced in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy’s published works, the unpublished screenplay Whales and Men, and McCarthy’s correspondence. This updated edition now examines McCarthy’s final publications: the novel The Passenger and its play-like coda Stella Maris.
For each work, Crews identifies authors, artists, or other cultural figures that McCarthy referenced; gives the source of the reference in McCarthy’s papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy’s literary influences vastly expands our understanding of how one of America’s foremost authors engaged with the ideas, images, metaphors, and language of other thinkers and made them his own.
The Black Mind was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The comprehensive account of the development of African literature from its beginnings in oral tradition to its contemporary expression in the writings of Africans in various African and European languages provides insight, both broad and deep, into the Black intellect. Professor Dathorne examines the literature of Africans as spoken or written in their local languages and in Latin, French, Portuguese, and English. This extensive survey and interpretation gives the reader a remarkable pathway to an understanding of the Black imagination and its relevance to thought and creativity throughout the world.
The author himself lived in Africa for ten years, and his view in not that of an outsider, since it is as a Black man that he speaks about Black people. Throughout the book, a major theme is the demonstration that, despite slavery and colonialism, Africans remained very close to their own cultures. Professor Dathorne shows that African writers may be, like some Afro-American writers, "marginal men," but that they are Black men and it is as Black men that they feel the nostalgia of their past and the corrosive influences of their present.
The chapters are divided into sections: Tradition; Heritage; The Presence of Europe; and Crosscurrents. In the final chapters the author extends the thread of continuity to the New World—Africa as present in the work of Black writers in the United States and in the Caribbean.
In Big, Wild, and Connected, we travel the Eastern Wildway with Davis, viscerally experiencing the challenges large carnivores, with their need for vast territories, face in an ongoing search for food, water, shelter, and mates. On his self-propelled journey, Davis explores the wetlands, forests, and peaks that are the last strongholds for wildlife in the East. This includes strategically important segments of disturbed landscapes, from longleaf pine savanna in the Florida Panhandle to road-latticed woods of Pennsylvania. Despite the challenges, Davis argues that creation of an Eastern Wildway is within our reach and would serve as a powerful symbol of our natural and cultural heritage.
Big, Wild, and Connected reveals Eastern landscapes through wild eyes, a reminder that, for the creatures with which we share the land, movement is as essential to life as air, water, and food. Davis’ journey shows that a big, wild, and connected network of untamed places is the surest way to ensure wildlife survival through the coming centuries.
This E-ssential is a three-part series that covers John Davis's epic journey from Florida to Maine. In 2011, with support from the Wildlands Network, Davis traveled 7,600 miles in 10 months from Florida to Maine by foot, bicycle, skis, and canoe/kayak. His extensive travels were motivated by wanting to answer the question “Is it possible in the twenty-first century to identify and protect a continental-long wildlife corridor that could help to protect eastern nature into the future?”
John paints a vivid picture of the physical challenges of the trek, such as climbing the highest point in South Carolina with a heavily loaded bike and trying to consume the 8,000 calories per day he needed to fuel himself for the journey. As readers adventure with Davis, they will also share his evolving understanding of what it would take to implement an Eastern Wildway.
Eastern wildlife, both seen and unseen, from Florida panthers to North Carolina’s red wolves to the ghosts of cougars farther north, are the real focus of this adventure as John explores how such wildness can coexist with human development in the most populated regions of the United States. The science and conservation of large-scale connectivity are brought to life by his travels—offering unique insights into the challenges and opportunities for creating an Eastern Wildway. This is a must-read for enthusiasts of hiking narratives, as well as professionals and students interested in issues related to large-scale connectivity. Compelling photographs and other graphics complement John’s fascinating story.
John paints a vivid picture of the physical challenges of the trek, such as climbing the highest point in South Carolina with a heavily loaded bike and trying to consume the 8,000 calories per day he needed to fuel himself for the journey. As readers adventure with Davis, they will also share his evolving understanding of what it would take to implement an Eastern Wildway.
Eastern wildlife, both seen and unseen, from Florida panthers to North Carolina’s red wolves to the ghosts of cougars farther north, are the real focus of this adventure as John explores how such wildness can coexist with human development in the most populated regions of the United States. The science and conservation of large-scale connectivity are brought to life by his travels—offering unique insights into the challenges and opportunities for creating an Eastern Wildway. This is a must-read for enthusiasts of hiking narratives, as well as professionals and students interested in issues related to large-scale connectivity. Compelling photographs and other graphics complement John’s fascinating story.
John paints a vivid picture of the physical challenges of the trek, such as climbing the highest point in South Carolina with a heavily loaded bike and trying to consume the 8,000 calories per day he needed to fuel himself for the journey. As readers adventure with Davis, they will also share his evolving understanding of what it would take to implement an Eastern Wildway.
Eastern wildlife, both seen and unseen, from Florida panthers to North Carolina’s red wolves to the ghosts of cougars farther north, are the real focus of this adventure as John explores how such wildness can coexist with human development in the most populated regions of the United States. The science and conservation of large-scale connectivity are brought to life by his travels—offering unique insights into the challenges and opportunities for creating an Eastern Wildway. This is a must-read for enthusiasts of hiking narratives, as well as professionals and students interested in issues related to large-scale connectivity. Compelling photographs and other graphics complement John’s fascinating story.
In the two decades between its debut performance and the death of impresario Sergei Diaghilev in 1929, the Ballets Russes was an unrivalled sensation in Paris and around the world. But while scholarly attention has often centered on the links between Diaghilev’s troupe and modernist art and music, there has been surprisingly little analysis of the Ballets’ role in the area of tastemaking and trendsetting. Ballets Russes Style addresses this gap, revealing the extent of the ensemble’s influence in arenas of high style—including fashion, interior design, advertising, and the decorative arts.
In Ballets Russes Style, Mary E. Davis explores how the Ballets Russes performances were a laboratory for ambitious cultural experiments, often grounded in the aesthetic confrontation of Russian artists who traveled with the troupe from St. Petersburg—Bakst, Benois, and Stravinsky among them—and the Parisian avant-garde, including Picasso, Matisse, Derain, Satie, Debussy, and Ravel. She focuses on how the ensemble brought the stage and everyday life into direct contact, most noticeably in the world of fashion. The Ballets Russes and its audience played a key role in defining Paris style, which would echo in fashions throughout the century.
Beautifully illustrated, and drawing on unpublished images and memorabilia, this book illuminates the ways in which the troupe’s innovations in dance, music, and design mirrored and invigorated contemporary culture.
Contributors. Stephen Barker, Ed Cohen, Tom Cohen, Claire Colebrook, Arne De Boever, Benoît Dillet, Alexander R. Galloway, Mark B. N. Hansen, Jason R. LaRivière, Gerald Moore, Daniel Ross, Bernard Stiegler
In this vivid account, Ana Debenedetti reexamines the life and work of Renaissance artist Sandro Botticelli through a novel lens: his business acumen. Focusing on the organization of Botticelli’s workshop and the commercial strategies he devised to make his way in Florence’s very competitive art market, Debenedetti looks with fresh eyes at the remarkable career and output of this pivotal artist within the wider context of Florentine society and culture. Uniquely, Debenedetti evaluates Botticelli’s celebrated works, like The Birth of Venus, alongside less familiar forms such as tapestry and embroidery, showing the breadth of the artist’s oeuvre and his talent as a designer across media.
In four chapters, spanning centuries of Botticelli’s artistic fame and reception, Botticelli Past and Present engages with the significant debates about Botticelli. Each chapter collects several essays and includes a short introduction that positions them within the wider scholarly literature on Botticelli. The chapters are organized chronologically, beginning with discussion of the artist and his work in his own time, moving on to the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design.
In its second edition, Breaking New Ground for SLIFE builds on its model for supporting students who are new to English and may have experienced a disruption in their schooling. The practices presented in this book emerge from the belief that education for students with limited or interrupted formal education, also known as SLIFE, should not be remedial but should build on the students’ prior learning experiences and existing areas of knowledge. This second edition has been significantly updated, informed by recent research in the field, feedback from teachers, and new scholarly treatments of the topic. Breaking New Ground for SLIFE, second edition, explores the MALP approach, highlights how technology can be incorporated into classroom activities, and includes actual MALP projects implemented by MALP-trained teachers of both young and adolescent learners. In addition, the authors provide a newly revised MALP Teacher Planning Checklist.
By reading Breaking New Ground for SLIFE, educators will:
- Learn about the Mutually Adaptive Learning Paradigm (MALP) and how to integrate it into their classrooms
- Discover and learn about the MALP instructional approach and how to use it to develop a project-based curriculum using examples from teachers in the field
While focusing on Central American and Mexican immigrants in New York state, the contributors to this issue—scholars, activists, artists, and filmmakers—situate their work within a national context and consider the paradox of the experience of Latino/a immigrants, who face increasing repression on the one hand and emerging opportunities on the other. Essays address the experience of transnational mothers who leave their children in the care of extended family to pursue low-wage U.S. jobs; the politics of gender and sexuality in immigrant communities; the social practices of day laborers as they wait for work on street corners; and the unlikely pairing of the Virgen de Guadalupe and New York State attorney general Eliot Spitzer as figures to whom Mexican immigrants appeal in their demands for rights and dignity. Other articles address the upsurge of immigrant mobility, anti-immigrant activities, and immigrant advocacy in non-urban locations.
Contributors. James E. Claffey, Carlos Ulises Decena, Alyshia Gálvez, Margaret Gray, Angela Martínez, Melanie Nicholson, Pilar A. Parra, Max J. Pfeffer, Michele G. Shedlin, Carolyn Pinedo Turnovsky
The Byzantine Art of War explores the military history of the thousand-year empire of the eastern Mediterranean, Byzantium. Throughout its history the empire faced a multitude of challenges from foreign invaders seeking to plunder its wealth and to occupy its lands, from the deadly Hunnic hordes of Attila, to the Arab armies of Islam, to the western Crusaders bent on carving out a place in the empire or its former lands. In order to survive the Byzantines relied on their army that was for centuries the only standing, professional force in Europe. Leadership provided another key to survival; Byzantine society produced a number of capable strategic thinkers and tacticians—and several brilliant ones. These officers maintained a level of professionalism and organization inherited and adapted from Roman models. The innovations of the Byzantine military reforms of the sixth century included the use of steppe nomad equipment and tactics, the most important of which was the refinement of the Roman mounted archer. Strategy and tactics evolved in the face of victory and defeat; the shock of the Arab conquests led to a sharp decline in the number and quality of imperial forces. By the eighth and ninth centuries Byzantine commanders mastered the art of the small war, waging guerrilla campaigns, raids, and flying column attacks that injured the enemy but avoided the decisive confrontation the empire was no longer capable of winning. A century later they began the most sustained, glorious military expansion of their history. This work further sketches the key campaigns, battles, and sieges that illustrate Byzantine military doctrine, vital changes from one era to another, the composition of forces and the major victories and defeats that defined the territory and material well-being of its citizens. Through a summary of their strategies, tactics, and innovations in the tools of war, the book closes with an analysis of the contributions of this remarkable empire to world military history.
Blues in the Blood is an ode to the spring of 1932 in the Mississippi delta, when stifling heat crushed the countryside and threatened the harvest, pervasive injustice ruled the day, and ghostly riders of the Ku Klux Klan spread terror. A panoramic historical and musical portrait, Blues in the Blood follows a poor young Black couple who believe their love for each other will save them from this devastation. Julien Delmaire introduces us to a gallery of figures: Blacks, Whites, Native Americans, mulattos, landowners, itinerant bluesmen, preachers, witches, corrupt politicians, prisoners, bootleggers, and Legba, the voodoo god, “master of crossroads,” who, like an otherworldly detective, watches over people’s destinies. As the story unfolds, a world is reborn: the delta, the birthplace of the blues, in which oppressed women and men rediscover the voices and rhythms of their humanity.
Traveling to New Zealand for the Maori’s hangi, Hawaii for kalua pig, Mexico for barbacoa de cabeza, and Spain for a taste of bull roast, Barbecue looks at the incredible variety of the food around the world. Deutsch and Elias also discuss barbecue’s status as a masculine activity, the evolution of cooking techniques and barbecuing equipment technology, and the growth of competitive barbecuing in the United States. Rounding out the book are mouthwatering recipes, including an 1877 Minneapolis recipe for a whole roast sheep, a 1942 pork spare ribs recipe from the Ozarks, and instructions for tandoori lamb chops and Chinese roast duck. A celebration of all things smoky, meaty, and delicious, Barbecue makes the perfect gift for backyard grillers and professional roasters.
This book begins with a long-distance equestrian race in the 1890s and continues with the role of media in spectacle, celebrity, urban life, and gender from the 1890s to the 1920s.It then turns to grassroots sport participation and spectatorship as well as sport diplomacy at the elite international level during the postwar period and the years of German division. Next, it explores recreational sport associations within the context of immigration and youth counterculture. It concludes with the 2015 European Maccabi Games, an international Jewish sports festival through which Berlin sought to grapple with the infamous 1936 Olympics and showcase Berlin as a cosmopolitan and multicultural city. Taken together, the book’s scholarly essays on all of these sporting endeavors reveal the rich and varied sporting culture in Berlin and yield fresh insights into spectacle, recreation, and media in the city.
This volume discusses the Bhaikṣukī manuscript of the Candrālaṃkāra (“Ornament of the Moon”), a commentary of the twelfth century based on the Cāndravyākaraṇa, Candragomin’s seminal Buddhist grammar of Sanskrit. The discovery of the Bhaikṣukī script and of all available written sources are described. The detailed study of this codex unicus of the Candrālaṃkāra is accompanied by a facsimile edition and extensive tables of the script, a long-felt desideratum in the field of palaeography. The Buddhist author of the commentary has been identified for the first time, and the nature of his treatise and its position in the Cāndra school of grammar have been expounded. The history of the manuscript and newly discovered traces of the Bhaikṣukī script in Tibet are discussed. This publication will serve as a prolegomenon necessary for the preparation of a critical edition of the Candrālaṃkāra, which until now was believed to have been lost irretrievably.
The Bhaikṣukī Manuscript of the Candrālaṃkāra will appeal to specialists with interests in a variety of fields such as Indian palaeography, grammar, Buddhism, history, and Indo-Tibetan studies.
The image of Old West saloons as sites of violence and raucous entertainment has been perpetuated by film and legend, but the true story of such establishments is far more complex. In Boomtown Saloons, archaeologist Kelly J. Dixon recounts the excavation of four historic saloon sites in Nevada’s Virginia City, one of the West’s most important boomtowns, and shows how the physical traces of this handful of disparate drinking places offer a new perspective on authentic life in the mining West. During the second half of the nineteenth century, the Comstock Lode’s mineral wealth attracted people from all over the world. At its peak, Virginia City had a cosmopolitan population of over 20,000 people. Like people everywhere, they sought to pass their leisure time in congenial company, often in one or another of the four saloons studied here. Dixon’s account of the role these four establishments played in the social and economic life of Virginia City offers keen insight into the businesses and people who made up the backdrop of a mining boomtown. The saloons in this study were quieter than legend would have us believe; they served relatively distinct groups and offered their customers a place of refuge, solidarity, and social contact with peers in a city where few people had longtime ties or initially any close contacts. Boomtown Saloons also offers an equally vivid portrait of the modern historical archaeologist who combines time-honored digging, reconstruction, and analysis methods with such cutting-edge technology as DNA analysis of saliva traces on a 150-year-old pipestem and chemical analysis of the residue in discarded condiment bottles. The book is illustrated with historical photographs and maps, as well as photographs of artifacts uncovered during the excavations of the four sites. Dixon’s sparkling text and thoughtful interpretation of evidence reveal an unknown aspect of daily life in one of the West’s most storied boomtowns and demonstrate that, contrary to legend, the traditional western saloon served an vital and complex social role in its community.Available in hardcover and paperback.
The Ben Lilly Legend brings back to life a great American hunter—the greatest bear hunter in history after Davy Crockett, by his own account and also by the record. J. Frank Dobie met Lilly and was so struck by this extraordinary man that he collected everything he could find about him.
Lilly was born in Alabama in 1856, followed the bear and the panther westward through Mississippi and Louisiana to Texas, leaving a trail of stories about his prowess as a hunter and his goodness as a man. He was at one time "chief huntsman" to Teddy Roosevelt, hunted in Texas and Mexico, and came to be known as the master sign reader of the Rockies.
Here are all the stories Ben Lilly told and a great many more Frank Dobie heard about him, put together in a fresh and fascinating contribution to American folklore.
When we look at trees, we see a form of natural architecture, and yet we have seemingly always exploited trees to make new buildings of our own. Whereas a tree creates its own structure, humans generally destroy other things to build, with increasingly disastrous consequences. In Botanical Architecture, Paul Dobraszczyk looks closely at how elements of plants—seeds, roots, trunks, branches, leaves, flowers, and canopies—compare with and constitute human-made buildings.
Given the omnipresence of plant life in and around our structures, Dobraszczyk argues that we ought to build as much for plants as for ourselves, understanding that our lives are always totally dependent on theirs. Botanical Architecture offers a provocative and original take on the relationship between ecology and architecture.
Simple, healthy, and comforting, breakfast cereals are a perennially popular way to start the day. This book examines cereal’s long, distinguished, and surprising history—dating back to when, around 10,000 years ago, the agricultural revolution led people to break their fasts with wheat, rice, and corn porridges. Only in the second half of the nineteenth century did entrepreneurs and food reformers create the breakfast cereals we recognize today: Kellogg’s Corn Flakes, Cheerios, and Quaker Oats, among others. In this entertaining, well-illustrated account, Kathryn Cornell Dolan explores the history of breakfast cereals, including many historical and modern recipes that the reader can try at home.
---Csenge Virág Zalka, storyteller, author of Tales of Superhuman Powers and Dancing on Blades
Their tales, songs, riddles, proverbs, games, superstitions, and customs provide a wealth of living folklore presented here as it was recorded in the field. And this unvarnished folklore fact—retains the spicy flavor of authentic narrative, told in the vernacular of the skillful folk storyteller.
Folklore as it comes from the mouths of living storytellers has a matchless authority and conviction. Richard Dorson, living for five months among the Indians, Finns, Canadiens, Cornishmen, lumberjacks, sailors, miners, and sagamen of the Upper Peninsula of Michigan, has listened to their tales, which this book reproduces with all their native thunder and salt. With this lively evidence he proves that America still has its myth-makers and purveyors of myth, who represent, both ethnically and historically, an enormous range of traditional oral folklore.
We meet the Chippewa and Potawatomi Indians, who tell their own heroic versions of the wars with the white men, and whose chief delight is to relate the adventures of the folk hero, Winabijou. For them, as for the French-Canadians and Finns, magical beliefs have been part of their daily education and entertainment. Each group has its own version of European folk tales: the old fairy stories find new form as dragons are conquered with razors and soap, and giants talk in the idiom of the backwoods and pioneer towns.
Some of these myths center around imaginary and semi-imaginary folk heroes; others spring from local politics, and even more from local occupations. The woods tales of lumberjacks, the tragic mysteries of the mines, the weird adventures on the Lakes, each kind of tale has its representative teller. Sometimes the raconteur's most exciting fables concern his own wonderful exploits—with women, drink, and wicked employers. Rooted deep in storytelling tradition, these tales hark back to the frontier and immigrant past of an America shaped by many peoples with extraordinary experiences.
Mr. Dorson provides, in his introduction, a simple account of the idea behind the book and his methods of procuring the tales, in concise and closely written notes at the end of the book he furnishes annotations to the tales which should satisfy and stimulate every folklorist, professional or otherwise. Mr. Dorson did much of the fieldwork for this book under a Library of Congress Fellowship; he has also held a Harvard Sheldon Traveling Fellowship, a Guggenheim Fellowship, and a Faculty Study Fellowship from the American Council of Learned Societies.
This is an auto-narrated audiobook edition of this book.
There is little debate that health care in the United States is in need of reform. But where should those improvements begin? With insurers? Drug makers? The doctors themselves? In Big Med, David Dranove and Lawton Robert Burns argue that we’re overlooking the most ubiquitous cause of our costly and underperforming system: megaproviders, the expansive health care organizations that have become the face of American medicine. Your local hospital is likely part of one. Your doctors, too. And the megaproviders are bad news for your health and your wallet.
Drawing on decades of combined expertise in health care consolidation, Dranove and Burns trace Big Med’s emergence in the 1990s, followed by its swift rise amid false promises of scale economies and organizational collaboration. In the decades since, megaproviders have gobbled up market share and turned independent physicians into salaried employees of big bureaucracies, while delivering on none of their early promises. For patients this means higher costs and lesser care. Meanwhile, physicians report increasingly low morale, making it all but impossible for most systems to implement meaningful reforms.
In Big Med, Dranove and Burns combine their respective skills in economics and management to provide a nuanced explanation of how the provision of health care has been corrupted and submerged under consolidation. They offer practical recommendations for improving competition policies that would reform megaproviders to actually achieve the efficiencies and quality improvements they have long promised.
This is an essential read for understanding the current state of the health care system in America—and the steps urgently needed to create an environment of better care for all of us.
Against the backdrop of such scholarship, contributors look back to scholarly, legal, and literary treatments of the marriage question and address current concerns, from Beyoncé’s music and marriage to the issues of interracial coupling, marriage equality, and the much-discussed decline in African American marriage rates.
Contributors: Ann duCille, Oneka LaBennett, Mignon Moore, Kevin Quashie, Renee Romano, Hortense Spillers, Kendall Thomas, Rebecca Wanzo, Patricia Williams
Although Utpal Dutt is acknowledged as a trailblazer of post-Independence Indian theater, English readers have not had access to the range and wealth of his drama. Barricade is a political play that stages the Nazi takeover of Germany in 1933 with an eye on India. Today, the surge to power of far-right parties and fundamentalist fanaticism across the world means that the co-option of democracy and civil society that led to Nazi fascism can happen again—or indeed has already happened—granting Barricade its immediate urgency. Equipped with an introduction analyzing its historical context, this translation of Barricade is also a very rare product in dramatic literature, collating both the printed original as well as a documented performance of the production directed by Dutt.
Showing how escapism and entertainment function in Bollywood cinema, Rachel Dwyer argues that Hindi cinema’s interpretations of India over the last two decades are a reliable guide to understanding the nation’s changing hopes and dreams. She looks at the ways Bollywood has imagined and portrayed the unity and diversity of the country—what it believes and feels, as well as life at home and in public. Using Dwyer’s two decades spent working with filmmakers and discussing movies with critics and moviegoers,Bollywood’s India is an illuminating look at Hindi cinema.
The work of Austrian composer Bernhard Lang elides easy categorization. While rooted simultaneously in DJ culture, free jazz, pop culture and the Austro-European new music scene, his oeuvre explicitly foregrounds repetition. He is, in his own words, a “repeat offender.”
Bernhard Lang serves as a critical guide to the composer’s music and traces the phenomenon of repetition throughout his oeuvre. To examine Lang’s repetitive aesthetics, Christine Dysers employs various philosophical methods, such as Gilles Deleuze’s differential ontology. Fusing critical musicology, aesthetic theory, poststructuralist thought, and music analysis, Bernhard Lang brings fresh insight to the work of an award-winning contemporary composer.
Bhāviveka (ca. 500–560 CE) lived at a time of unusual creativity and ferment in the history of Indian Buddhist philosophy. The Mahayana movement was emerging as a vigorous and self-conscious intellectual force, while the earlier traditions of the eighteen “schools” (nikaya) resisted the authority of the Mahayana and continued to elaborate the fundamental concepts of Buddhist thought.
Bhāviveka’s “Verses on the Heart of the Middle Way” (Madhyamakahrdayakārikā) with their commentary, known as “The Flame of Reason” (Tarkajvālā), give a unique and authoritative account of the intellectual differences that stirred the Buddhist community in this creative period.
Bhāviveka and His Buddhist Opponents gives a clear and accessible translation of Chapters 4 and 5 of this text: the chapters on the Śrāvakas, or eighteen schools, and the Yogācāra, Bhāviveka’s most important Mahayana opponents. The translation is introduced by an essay that situates Bhāviveka in the intellectual context of sixth-century India, and it is accompanied by copious notes, commenting on Bhāviveka’s sources and explaining his controversial method. The book also contains a critical edition of the Sanskrit text of Bhāviveka’s verses and the Tibetan translation of the verses and commentary.
In Biscuits and Cookies, Anastasia Edwards explores the delectable past of these versatile snacks, from their earliest beginnings through Middle Eastern baking techniques, to cookies of Northern Europe in the Middle Ages, and on into the New World. From German lebkuchen to the animal cracker (more than half a billion of which are produced each year in the United States alone), from brownies and sugar cookies in the United States to shortbread and buttery tea biscuits in the United Kingdom, to Anzac and Girl-Guide biscuits in New Zealand and Australia, this book is crammed with biscuit and cookie facts, stories, images, and recipes from around the world and across time. And there’s no need to steal from the cookie jar.
Also introduced: “surplus freedom” a novel approach for gauging self-censorship by comparing the degree of free expression a legal system permits to what publications actually exercise.
Hecht also introduced a new heroic Jewish identity to the American stage, one that challenged popular stereotypes of villainy or weakness. This powerful and (still) controversial body of work stands as a striking testament to the power of theatre to rise to the moment. In his use of the stage to aggressively engage with history as it was happening, Hecht’s story is a compelling case of an artist who made a difference.
What is sleep? How can this most unproductive of human states—metaphorically called death’s shadow or considered the very pinnacle of indolence—be envisioned as action and agency? And what do we become in sleep? What happens to the waking selves we understand ourselves to be?
Written in the spring of 2013, as the Egyptian government of President Mohammed Morsi was unraveling in the face of widespread protests, The Book of Sleep is a landmark in contemporary Arabic literature. Drawing on the devices and forms of poetry, philosophical reflection, political analysis, and storytelling, this genre-defying work presents us with an assemblage of fragments that combine and recombine, circling around their central theme but refusing to fall into its gravity.
“My concern was not to create a literary product in the conventional sense, but to try and use literature as a methodology for thinking,” El Wardany explains. In this volume, sleep shapes sentences and distorts conventions. Its protean instability throws out memoir and memory, dreams and hallucinatory reverie, Sufi fables and capitalist parables, in the quest to shape a question. The Book of Sleep is a generous and generative attempt to reimagine possibility and hope in a world of stifling dualities and constrictions.
In Building for People, architect and ecodistrict planner Michael Eliason makes the case for low-carbon ecodistricts and presents tools for developing these residential and mixed-use quarters or neighborhoods. Drawing from his experience working in Europe and North America, he shows the potential for new climate-adaptive ecodistricts that directly and equitably address our housing shortages while simultaneously planning for climate change. Eliason explains that to create highly livable places with a low carbon impact, ecodistricts must incorporate ample social housing for a good economic and social mix of residents, invest in open space, create infrastructure that can adapt to a changing climate, and offer car-free or car-light realms. He also looks at the how public health, livability, climate adaptation, and quality of life are interconnected.
Full-color photos and illustrations show what is possible in ecodistricts around the world, drawing heavily from examples in German cities.
Building for People shows professionals involved in regulating, planning, or designing our communities that high-quality, low-carbon living is within reach.
Arboretums were idealized as microcosms of nature, miniature encapsulations of the globe and as living museums. This book critically examines different kinds of arboretum in order to understand the changing practical, scientific, aesthetic and pedagogical principles that underpinned their design, display and the way in which they were viewed. It is the first study of its kind and fills a gap in the literature on Victorian science and culture.
In this book, David Ellis traces Lord Byron’s life from rented lodgings in Aberdeen and the crumbling splendors of Newstead Abbey to his final grand tour of Asia. Describing his exile from England as well as his subsequent travels in Italy and Greece, Ellis shows just how completely Byron’s experiences colored both his serious and comic writings, such as Childe Harold’s Pilgrimage and The Corsair. This is a fresh, concise, and clear-eyed account of the flamboyant poet’s life and work.
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