Focusing on key subversive rock humorists, Brit Wits shows how and why humor has been such a powerful catalyst and expressive force in these artists’ work. Distinguishing rock humorists from rockers who are merely sometimes humorous, Iain Ellis trains his attention on those whose music and persona exude defiance—beginning with the Beatles, the Kinks, and Pink Floyd; and continuing through the Smiths, the Slits, and even the Spice Girls—to investigate the nature of rock humor and the ways in which these groups have used it to attack prevailing social structures. Politics and issues of gender, class, and race are all laid open to ridicule, as is the music industry itself—epitomized by the Sex Pistols’s scathing “EMI.” And although lyrics are foregrounded, Ellis demonstrates that a guitar solo, dissident dance move, or antisocial hairstyle may in context be every bit as subversive and humorous as a song.

At once an action-packed look at some of the most notorious rebels of British rock history and a celebration of an underexplored area of humor, Brit Wits compiles essays and critical profiles that look at one of the most effective—and entertaining—means of anti-establishment expression for half a century.

This book provides case studies from several higher education contexts to represent the diverse ways that L2 specialists can build up programs and courses that contribute to their institutions' internationalization by promoting language and cultural exchange. 

This volume contributes to emerging interdisciplinary conversations in higher education about how to refine internationalization in terms of praxis and how to coordinate curricular and pedagogical efforts to achieve meaningful learning outcomes for all students. The chapters provide suggestions for how L2 specialists can reframe their work in their individual programs to help internationalize the entire university in ways that lead to improved learning outcomes for students at different points in their degree programs, including: 

• Orientation programs (early arrival on campus, before classes start)
• Language Center contexts (support during studies)
• Volunteer programs for International Teaching Assistants (ITA) and undergraduate students
• Graduate-level writing support structures
• Instructional design (virtual learning spaces)
• Virtual Partner programs (co-curricular) 
• Intercultural composition (placement, interdisciplinary collaborations)

Made from distilled wine, brandy has a long, noble tradition of refined consumption, but it has also recently experienced a surge in popularity thanks to new cocktail trends. Brandy chronicles the history of this very popular spirit, traveling from medieval alchemists to present-day drink mixologists and exploring brandy’s production and consumption from the Middle Ages to today.

Delving into brandy’s fascinating story, Becky Sue Epstein reveals that many cultures have contributed to the history of the beverage, from the Dutch calling the drink “burnt wine” to the Spanish colonials in Peru and California who produced the first brandies in the New World. She also explores the distillation and aging processes, and she discusses the spirit’s many varieties, including the elegant, amber Cognac and the more overlooked Armagnac. In addition, Epstein offers advice on buying, storing, and serving brandy, while also providing recipes for both classic and new cocktails. Taken neat or mixed in a sidecar, Brandy is a tasty book for both connoisseurs and first-time drinkers to enjoy.

Bergeners is a love letter to a writer’s hometown. The book opens in New York City at the swanky Standard Hotel and closes in Berlin at Askanischer Hof, a hotel that has seen better days. But between these two global metropolises we find Bergen, Norway—its streets and buildings and the people who walk those streets and live in those buildings.

Using James Joyce’s Dubliners as a discrete guide, celebrated Norwegian writer Tomas Espedal wanders the streets of his hometown. On the journey, he takes notes, reflects, writes a diary, and draws portraits of the city and its inhabitants. Espedal writes tales and short stories, meets fellow writers, and listens to their anecdotes. In a way that anyone from a small town can relate to, he is drawn away from Bergen but at the same time he can’t seem to stay away. Espedal’s Bergeners is a book not just about Bergen, but about life—in a way no one else could have captured.

One of the first studies of the organization, life and meaning of the Nation of Islam and, by extension, all Black Nationalist movements, this classic work dispels the still common conception that the movement functioned primarily for political purposes. By observing the daily life of its members, Essien-Udom demonstrates that the Nation of Islam served primarily as a means for poor urban blacks to attain a national identity, a sense of ethnic consciousness, and empowerment in a society that denied them these privileges. Black Nationalism continues to hold profound implications for our understanding of the appeal of Black Nationalism as an ideology and a political force.

"An excellent standard treatment of black nationalist belief and practice in the 50's."—Michael Eric Dyson, New York Times Book Review

"This is an absorbing exercise in first class reporting. . . . In the light of his scrupulous fairness, the book is another illustration of how the press prejudges a story. And most provocatively, Essien-Udom has emphasized that even after the current campaigns for wide-scale integration are won, there will be an even wider chasm between the 'liberated' Negro middle class and the rootless Negro poor."—Nat Hentoff,Commonweal

You might not know the name Tyrus Wong, but you probably know some of the images he created, including scenes from the beloved Disney classic Bambi. Yet when he came to this country as a child, Tyrus was an illegal immigrant locked up in an offshore detention center. How did he go on to a long and prosperous career drawing animation cels, storyboards, and greeting cards that shaped the American imagination? 
 
Background Artist shares the inspiring story of Tyrus Wong’s remarkable 106-year life and showcases his wide array of creative work, from the paintings and fine art prints he made working for Roosevelt’s Works Progress Administration to the unique handmade kites he designed and flew on the Santa Monica beach. It tells how he came to the United States as a 10-year-old boy in 1920, at a time when the Chinese Exclusion Act barred him from legal citizenship. Yet it also shows how Wong found American communities that welcomed him and nurtured his artistic talent. Covering everything from his work as a studio sketch artist for Warner Bros. to the best-selling Christmas cards he designed for Hallmark and other greeting card companies, this book celebrates a multi-talented Asian-American artist and pioneer. 

The Important Study That Evaluates the Intelligence War Behind the Japanese Surprise Attack
“In this fascinating account. . . . Mr. Farago’s investigation suggests that the real villain was the system itself.”—New York Times
“In this well-written and informative account. . . Mr. Farago provides many new facts from both American and Japanese sources.”—Library Journal
“A good history of Japanese and American code-breaking operations between 1921 and December 7, 1941. . . . Farago is important because in this technical study of cryptology he has arrived independently at the same general conclusion as did the non-revisionist diplomatic historians: there was no plot by Roosevelt or his advisers.”—Choice
“His conclusions should act as a corrective to the enthusiasts who claim that intelligence always provides the complete answer.”—Times Literary Supplement
The Broken Seal: The Story of “Operation Magic” and the Pearl Harbor Disaster explores the questions of why, if the United States knew the Japanese codes, did we not anticipate the December 7, 1941 surprise attack and how did the Japanese spy system in Hawaii operate? As a chief of research and planning in the Special Warfare Branch of the Office of Naval Intelligence, the author had access to both Japanese and American classified material to write this study. The author’s intent was to independently ascertain the validity of earlier claims that the Pearl Harbor attack could have been avoided. The result is an eminently readable and engrossing story, first published in 1968, of the relationship between America and Japan in the interwar years and the relentless cat-and-mouse intelligence game conducted by both sides. Despite more recent suppositions that there was a conspiracy among American and British officials to ignore warnings of a Japanese attack that had been gleaned from deciphered diplomatic codes in order to force America into a world war, the author confirms that human error and misjudgment and the actual state of intelligence interpretation at the time made an accurate assessment of Japanese intentions impossible.

A pathbreaking study of the women who create electronic dance music, Beyond the Dance Floor focuses on the largely neglected relationship between these women and the conceptions of gender and technology that continue to inform the male-dominated culture surrounding electronic music. In this volume, Rebekah Farrugia explores a number of important issues, including the politics of identity and representation, the bonds formed by women within the DJ community, and the role female DJs and producers play in this dance music culture as well as in the larger public sphere.

 

Though Farrugia primarily focuses on women’s relationship to music-related technologies—including vinyl, mp3s, and digital production software—she also deftly extends her argument to the strategic use of the Internet and web design skills for purposes tied to publicity, networking, and music distribution.

Black males are disproportionately "in trouble" and suspended from the nation’s school systems. This is as true now as it was when Ann Arnett Ferguson’s now classic Bad Boys was first published.  Bad Boys offers a richly textured account of daily interactions between teachers and students in order to demonstrate how a group of eleven- and twelve-year-old males construct a sense of self under adverse circumstances. This new edition includes a foreword by Pedro A. Noguera, and an afterword and bibliographic essay by the author, all of which reflect on the continuing relevance of this work nearly two decades after its initial publication.

Whenever anything goes wrong our first instinct is often to find someone to blame. Blame infuses our society in myriad ways, seeding rancor and revenge, dividing lovers, coworkers, communities, and nations. Yet blame, appropriately placed and managed, safeguards moral order and legal culpability. In this book, Stephen Fineman explores this duality inherent in blame, taking us on a fascinating journey across blame’s sometimes bitter—sometimes just—landscape.
           
Fineman focuses on blame’s roots and enduring manifestations, from the witch hunts of the past to today’s more buttoned-up scapegoating and stigmatization; from an individual’s righteous anger to entire cultures shaped by its power. Addressing our era of increasing unease about governance in public and private enterprises, he delves behind the scenes of organizations infected with blame, profiling the people who keep its plates spinning. With a critical eye, he examines the vexing issue of public accountability and the political circus that so often characterizes our politicians and corporations lost in their “blame games.”

Ultimately, Fineman raises the challenging question of how we might mitigate blame’s corrosive effects, asking crucial and timely questions about the limits of remorse and forgiveness, the role of state apologies for historical wrongdoings, whether restorative justice can work, and many other topics. An absorbing look at something we all know intimately, this book deepens our understanding of blame and how it shapes our lives.

One of contemporary music’s most significant and controversial figures, Brian Ferneyhough’s complex and challenging music draws inspiration from painting, literature, and philosophy, as well as music from the recent and distant past. His dense, multilayered compositions intrigue musicians while pushing both performer and instrument to the limits of their abilities. A wide-ranging survey of his life and work to date, Brian Ferneyhough examines the critical issues fundamental to understanding the composer as a musician and a thinker. Debuting in celebration of Ferneyhough’s seventieth birthday in 2013, this book strikes a rich balance between critical analysis of the music and close scrutiny of its aesthetic and philosophical contexts, making possible a more rounded view of the composer than has been available.

Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field.

Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.

 The attraction of scary stories begins very early in childhood, but the fortitude to be truly scared comes later. So where are the scary stories for young children? Educators and storytellers, Ford and Norfolk deliver a silly and gently spooky collection of jumps, laughs, interactive moments, and mostly happy endings to satisfy the curious-for-creepy Pre-K through Grade 4 set. Their weirdly funny and gently scary collection of adapted folktales, original stories, and verses will delight those who enjoy being surprised more than being scared. 

This book is for: 

Parents, grandparents, and other mentors who work with children developmentally aged 4 to 9 

Educators, librarians and others serving young listeners, who like silly and creepy stories, but may not like very scary material 

Audiences ages 4-9, who like creepy but not-too-scary stories. 

Twelve pen-and-ink drawings based on folktale motifs complement the fanciful tone of the book.

The enigma of Cuba’s resistance to the collapse of socialism around the world is equaled by the fact—surprising to some outsiders—that the Cuban cultural movement remains healthy, even with the problems brought about by the breakup of the Soviet Union. Represented in this issue of South Atlantic Quarterly by artwork, essays, short stories, and interviews, Cuban art and literature continues to produce dramatic testimony to a struggle for survival and a shared belief in the Cuban revolutionary project’s right to exist and develop on its own terms.
Fostered by both caution and audacity, in a climate of both trust and tension, and in the face of sustained North American hostility through nearly four decades, Cuban artists and writers have succeeded in building bridges between domestic and foreign cultural institutions, partly offsetting the profound material deprivations under which they have labored. The work collected in this volume introduces a group of writers, artists, and filmmakers who provide a window on Cuban life, illuminating this enigmatic island and bridging the troubled waters it shares with its continental neighbor to the north.

Contributors. Arturo Arango, Emilio Bejel, Rosa Ileana Boudet, Roberto Fernández Retamar, Ambrosio Fornet, Rafael Hernández, Francisco López Sacha, Humberto Manduley López, Vivian Martínez Tabares, Margarita Mateo Palmer, Miguel Mejides, Reinaldo Montero, Lisandro Otero, Graziella Pogolotti, Magda Resik, Cintio Vitier

The 1992 presidential election campaign showed just how deep were the divisions within the Republican party.  In Beautiful Losers, Samuel Francis argues that the victory of the Democratic party marks not only the end of the Reagan-Bush era, but the failure of the American conservatism.

This book offers a lived defense of liberal education. How does a college professor, on a daily basis, help students feel the value of liberal education and get the most from that education? We answer this question, as professors, each day in the classroom. John William Miller, a philosophy professor at Williams College from 1924-1960 and someone noted for his exceptional teaching, developed one form that this lived defense can take. Though Miller published very little while he was alive, the archives at Williams College hold unpublished notes and essays of this master teacher. In this book, Jeff Frank offers an extended commentary on one of these unpublished essays where Miller develops his thinking on liberal education. Frank refines the idea that presence is central to liberal education and offers suggestions for how professors can become an educative presence for students. The goal of this book is an invitation to other professors who value liberal education to think with Miller about how to foster their own lived defense of liberal education, each day, in their own classrooms. The tone of the book is meant to be invitational, at times even conversational, and the book concludes with some direct suggestions for how professors can live their own defense of liberal education.

“In this eye-opening debut study, Frerick, an agricultural policy fellow at Yale University, reveals the ill-gained stranglehold that a handful of companies have on America’s food economy…It’s a disquieting critique of private monopolization of public necessities.” --Publishers Weekly, starred

Barons is the story of seven corporate titans, their rise to power, and the consequences for everyone else. Take Mike McCloskey, Chairman of Fair Oaks Farms. In a few short decades, he went from managing a modest dairy herd to running the Disneyland of agriculture, where school children ride trams through mechanized warehouses filled with tens of thousands of cows that never see the light of day. What was the key to his success? Hard work and exceptional business savvy? Maybe. But more than anything else, Mike benefitted from deregulation of the American food industry, a phenomenon that has consolidated wealth in the hands of select tycoons, and along the way, hollowed out the nation’s rural towns and local businesses.

Along with Mike McCloskey, readers will meet a secretive German family that took over the global coffee industry in less than a decade, relying on wealth traced back to the Nazis to gobble up countless independent roasters. They will discover how a small grain business transformed itself into an empire bigger than Koch Industries, with ample help from taxpayer dollars. And they will learn that in the food business, crime really does pay—especially when you can bribe and then double-cross the president of Brazil.

These, and the other stories in this book, are simply examples of the monopolies and ubiquitous corruption that today define American food. The tycoons profiled in these pages are hardly unique: many other companies have manipulated our lax laws and failed policies for their own benefit, to the detriment of our neighborhoods, livelihoods, and our democracy itself. Barons paints a stark portrait of the consequences of corporate consolidation, but it also shows we can choose a different path. A fair, healthy, and prosperous food industry is possible—if we take back power from the barons who have robbed us of it.

Eugenics -- the study of human racial progress through selective breeding -- frequently invokes images of social engineering, virulent racism, immigrant persecution, and Nazi genocide, but Vermont's little known adventure in eugenics shows the inherent adaptability of eugenics theory and methods to parochial social justice. Beginning with genealogies of Vermont's rural poor in the 1920s, and concluding in the 1930s with an exposé of ethnic prejudice in Vermont's largest city, this story of the Eugenics Survey of Vermont explores the scope, limits, and changing interpretations of eugenics in America and offers a new approach to the history of progressive politics and social reform in New England. Inspired and directed by Zoology Professor Henry F. Perkins, the survey, through social research, political agitation, and education campaigns, infused eugenic agendas into progressive programs for child welfare, mental health, and rural community development. Breeding Better Vermonters examines social, ethnic, and religious tensions and reveals how population studies, theories of human heredity, and a rhetoric of altruism became subtle, yet powerful tools of social control and exclusion in a state whose motto was "freedom and unity."

This book presents old-time Michigan, its songs and their tunes, collected and edited by Emelyn E. Gardner, a folklorist of wide experience, the author of Folklore from the Schoharie Hills, with the aid of Geraldine Jencks Chickering.Michigan's early settlers, coming from the older eastern states, both north and south, with many from England, Scotland, and the British North American possessions, brought with them their songs, which they sang happily at work and play, handing them down from generation to generation, and often adapting centuries-old ballads to their new environment. Many worked for a time in the woods and picked up the mournful, or jolly, ballads that were circulated through the camps by lumberjacks drifting in from the Maine and Canadian forests. There are old folks still alive who treasure these ancient songs, and young people who have learned them from their parents and grandparents—or even from the radio.Ballads and Songs of Southern Michigan collects and preserves these cherished possessions of the old frontier. With scholarly accuracy their history is recounted; the names of those who sang them are reported. The tunes of many are reproduced; there are ample indices and bibliography. Wilfred B. Shaw's ink drawings add much to the charm of the book. It is a worthy addition both to the literature of folklore and balladry, and to that of pioneer American history.

P. L. Gaus’s Blood of the Prodigal, a mystery in the tradition of Tony Hillerman, is back in a new edition, including an exclusive interview with the author, discussion questions for reading groups, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

In Holmes County, Ohio—home to the largest Amish and Mennonite settlements in the world—mystery and foreboding lurk in the quiet Old Order Amish community led by Bishop Eli Miller.

The illusion of peace is shattered one early morning when a young Amish boy goes missing—abducted from his home and from Bishop Miller’s care. At first, the bishop suspects the child’s father, who was exiled from the Old Order ten years ago, but a murder soon casts doubt on the bishop’s theory. With a strong distrust of law enforcement and the modern “English” ways, the bishop must put his faith in an unlikely partnership with Professor Michael Branden before it’s too late.

With the help of the peaceful pastor Cal Troyer and the reckless Sheriff Bruce Robertson, Branden plunges headlong into the closed culture to unravel the mystery of the missing child and uncover truths many would prefer to leave undisturbed.

In the late 1800s and early 1900s, the New York Fire Department permitted firemen to keep one dog, one cat, or singing birds in their firehouse. Since the firemen were required to live and work at the firehouse full time, these animal mascots—along with the horses that pulled the fire trucks—were their constant companions, making a dangerous workplace feel more like home. 
 
The Bravest Pets of Gotham takes readers on a fun historical tour of Old New York, sharing touching and comical stories about the bond between FDNY firefighters and their four-legged or feathered friends. The book contains more than 100 astonishing, emotional, and sometimes hilariously absurd tales of the FDNY animal mascots whose extraordinary intelligence, acts of bravery, and funny antics deserve to be remembered. Some anecdotes depict fire companies that broke the one-pet rule and welcomed a veritable menagerie of animals into their firehouses, including goats, turtles, and even monkeys. Whether you are an animal lover, a history buff, or a fan of firefighting, The Bravest Pets of Gotham is full of stories that will thrill and amuse you. 
 

As the aftermath of Brexit continues to unfold, people around the world are wondering just how Brexit happened, where post-referendum Britain is heading, and what lessons might be learned by the global community. Gary Gibbon, a preeminent political broadcaster who had extraordinary access to both sides of the campaign leading up to the referendum, explores all of these issues in Breaking Point.

Examining official and off-the-record meetings with both senior politicians and ordinary voters, Gibbon addresses tough questions that are troubling the entire European continent: Now that the United Kingdom has voted for Brexit, to what extent can it truly “leave” a set of relationships that extend to the country’s doorstep? And will the decision be a lethal blow to the European Union, perhaps spurring on copycat secession movements?

Rod Giblett came to live by Forrestdale Lake in southwestern Australia in 1986. Based in part on a nature journal he kept for several years, Black Swan Lake traces the life of the plants and animals of the surrounding area through the seasons. Presenting a wetlands calendar that charts the yearly cycle of the rising, falling, and drying waters of this internationally significant wetland, this book is a modern-day Walden. The first book to provide a cultural and natural history of this place—taking into account the indigenous people’s concept of the seasons (six instead of four)—Black Swan Lake will be enjoyed by conservationists, as well as others seeking connection with place, plants, and animals in their own bioregion.

Isambard Kingdom Brunel was the outstanding entrepreneurial Victorian engineer. He helped construct the Thames Tunnel, build the Great Western Railway and its terminus, Paddington Station, but his boldest endeavours were three gigantic ships.

A playwright, poet, and activist, Bertolt Brecht (1898–1956) was known for his theory of the epic theater and his attempts to break down the division between high art and popular culture. He was also a committed Marxist who lived through two world wars and a global depression. Looking at Brecht’s life and works through his plays, stories, poems, and political essays, Philip Glahn illustrates how they trace a lifelong attempt to relate to the specific social, economic, and political circumstances of the early twentieth century.
 
Glahn reveals how Brecht upended the language and gestures of philosophers, beggars, bureaucrats, thieves, priests, and workers, using them as weapons in his work. Following Brecht through the Weimar Republic, Nazism, exile, and East German Socialism, Glahn argues that the writer’s own life became a production of history that illuminates an ongoing crisis of modern experience shaped by capitalism, nationalism, and visions of social utopia. Sharp, accessible, and full of pleasures, this concise biography will interest anyone who wishes to know about this pivotal modern dramatist.

The Britpop movement of the mid-1990s defined a generation, and the films were just as exciting as the music. Beginning with Shallow Grave, hitting its stride with Trainspotting, and going global with The Full Monty, Lock, Stock and Two Smoking Barrels, Shaun of the Dead, and This Is England, Britpop cinema pushed boundaries, paid Hollywood no heed, and placed the United Kingdom all too briefly at the center of the movie universe. Featuring exclusive interviews with key players such as Simon Pegg, Irvine Welsh, Michael Winterbottom and Edgar Wright, Britpop Cinema combines eyewitness accounts, close analysis, and social history to celebrate a golden age for UK film.

Trees are not just natural resources; they are also cultural ones that present unique challenges and opportunities for public historians. Trees can serve as important objects of memory, recalling past triumphs or tragedies. They can be the last living witness to important events or community stories. Trees can also be objects of preservation, sometimes as individuals, other times as stands or even forests, all of which can take on historical significance for people, sites, and institutions. But as living entities they defy the kind of permanent legal preservation applicable to buildings and other non-living historical objects. Furthermore, their organic fragility can actually make them significant problems for historical sites and local preservation activities. For example, communities have had to cope with extensive tree loss from storm and fire damage, and dying trees can drop limbs or topple over, creating considerable danger to people and resources. Climate-change-driven increasing storm intensity has also highlighted the ways that trees—however historical or beloved—can become considerable threats.

The fourteen new, previously unpublished essays in this volume explore the many ways that trees are an integral part of public history practice and sites. The authors draw on a range of approaches and historiographies to look at how memories of race-based hate, patriotic stories, community identities, and changed places all have centered on trees. In addition to contributions from the volume editors, this collection features scholarship by Sonja Dümpelmann Andrew Hurley, Carolyn M. Barske Crawford, Brian Dempsey, Liz Sargent, Sasha Coles, Mariaelena DiBenigno, Evan Haefeli, Krista McCracken, Alena Pirok, Christian Kosmas Mayer Alaina Scapicchio, and David Glassberg. 

In the late 1960s and early 1970s, the number of African American undergraduates at the University of Pennsylvania grew dramatically. This book describes the circumstances surrounding the university's decision to increase its black enrollment and the consequences that followed. Focusing on the role of black student activism, Wayne C. Glasker traces the trajectory of controversy and debate over such issues as assimilation, integration, black nationalism, and cultural pluralism on a single university campus.

Glasker begins his study in the late 1960s, when the university's expansion into a predominantly black Philadelphia neighborhood precipitated a massive sit-in and protest. In response, Penn accelerated the process of admitting more black students, doubling the number of black matriculants by September 1969. Many came from inner city public high schools with backgrounds, ideas, and interests far different from those of the affluent middle- and upper-class white students who constituted the majority of the undergraduate population. As a result, the next decade was marked by recurrent tension and conflict, as black students at Penn rejected assimilation and agitated successfully for the creation of a variety of institutions that recognized their needs. These included an Afro-American studies program, a residence for students interested in black culture, and a Black Student League. Following a 1978 sit-in, they won a demand for an Inter-cultural Center and formed the United Minorities Council, and in 1986 they joined with white activists to press the university to divest its holdings from companies doing business in South Africa.

Throughout the book Glasker interweaves two parallel stories: that of an Ivy League university wrestling with questions of diversity, compensatory education, and the meaning of merit and qualification; and that of black students grappling with issues of assimilation, separatism, and cultural pluralism. In the end, he argues, the students sought to preserve their own distinctive ethnic culture, identity, and heritage while pursuing economic upward mobility. Rather than separatism, they aspired to a form of biculturalism that involved economic empowerment without cultural assimilation.

In this volume, the authors collect data from various sources on the excavations of two groups of prehistoric burial mounds: the Knight Mound Group in Calhoun County, Illinois, and the Norton Mound Group in Kent County, Michigan. Includes more than 200 b&w maps, illustrations, and photographs.

Taking 1959–1960 as a pivotal cultural and political moment, the contributors to Breathless Days reframe postwar Western art history, examining the aesthetic and ideological alliances and tensions in art throughout Western Europe and the Americas. The collection provides a heterogeneous account of the intersections of the fine art world with literature, jazz, film, and theater in New York, Paris, Milan, Brazil, and Cuba. This reveals the knotty and multilayered connections among these divergent artistic milieus. Whether discussing Duchamp’s With My Tongue in My Cheek, Brazilian abstraction, postrevolutionary Cuban art, Jean Tinguely’s self-destroying machines, or Burroughs’s Naked Lunch, the contributors show this brief period to be a key to the cultural and political development of Western Europe and the Americas during the Cold War.
 

Boomtown Blues examines the remarkable 100-year history of oil shale development and chronicles the social, environmental, and financial havoc created by the industry's continual cycles of boom and bust.

Bangladesh in 1971 showed vividly, and terribly, the deadly effects of war. Piles of corpses, torture cells, ash and destruction everywhere in the wake of the Pakistani army’s attacks on Bengali people. Blue Venom and Forbidden Incense, two novellas by Bangladeshi writer Syed Shamsul Haq, bear bleak witness to the mindless violence and death of that period. Blue Venom tells of a middle-aged middle manager who is arrested and taken to a cell, where he is slowly tortured to death for being a namesake of a rebel poet Kazi Nazrul Islam. Forbidden Incense, meanwhile, tells of a woman’s return to her paternal village after her husband was taken by the army. In the village, she meets a boy with a Muslim name whose entire family has been killed; as they attempt together to gather and bury scattered corpses, they, too, are caught by the killers. 
 

A Haunting Photograph and the Search to Uncover the Life and Family of a Young Man Lost to War
Since its first publication over fifty years ago, the haunting image of Private Edwin F. Jemison has attracted widespread attention from those interested in the Civil War and other wars. His likeness has been compared to that of the Mona Lisa, and it rivals Abraham Lincoln as being one of the Civil War’s most recognized photographs. And yet, his name is not widely known. Some believe that there is something about the mouth that is special, or his hands. Others, perhaps the majority, find his eyes to be powerful and thought provoking. Some wonder if they are looking into the future: Eddie’s own future or the future of all soldiers. Is there a sense of fear or a resignation to fate? He is, foremost, strikingly boyish.
Despite the great interest in the photograph almost nothing has been known of the young man himself, and misinformation about him has circulated since he was properly identified twenty years ago. The authors have spent decades researching the story behind the photograph seeking primary sources for accurate details of Jemison’s life. The result is The Boy Soldier: Edwin Jemison and the Story Behind the Most Remarkable Portrait of the Civil War, the only biography of this young Confederate soldier. We first encounter Eddie as he travels from Louisiana in 1857 to stay with relatives and attend school in Georgia. In the spring of 1861, after Louisiana had seceded from the Union, Eddie enlists in the Confederate army. A little over a week after enlistment, and with minimal training, he is sent to Virginia to fight in the greatest struggle this nation has ever endured. Over 150 years later the intrigue around his photograph is matched by the very peculiar accounts of his death, as well as the controversy of his burial location. The authors examine both issues to complete the story of the young soldier’s life and death.

Beyond the River, Under the Eye of Rome presents the Danube frontier of the Roman empire as the central stage for many of the most important political and military events of Roman history, from Trajan’s invasion of Dacia and the Marcomannic Wars, to the humbling of the Roman state power at the hands of the Goths and Huns. Hart delves into the cultural and political impacts of Rome’s interactions with Transdanubian peoples, emphasizing the Sarmatians of the Hungarian Plain, whose long encounter with the Roman Empire, he argues, created a problematic template for later dealings with Goths and Huns based on misapplied ethnographic and ecological tropes. Beyond the River, Under the Eye of Rome explores how Roman stereotypical perceptions of specific Danubian peoples directly influenced some of the most politically significant events of Roman antiquity. 

Drawing on textual, inscriptional, and archaeological evidence, Hart illustrates how Roman ethnic and ecological stereotypes were employed in the Danubian borderland to support the imperial frontier edifice fundamentally at odds with the region’s natural topography. Distorted Roman perceptions of these Danubian neighbors resulted in disastrous mismanagement of border wars and migrant crises throughout the first five centuries CE. Beyond the River demonstrates how state-supported stereotypes, when coupled with Roman military and economic power, exerted strong influences on the social structures and evolving group identities of the peoples dwelling in the borderland.

There is growing interest in re-connecting urban residents with nature, but most conservationists want to work in pristine areas, and most urban areas are considered too degraded to rank high on conservation priority lists. Bringing Conservation to Cities is a timely and informative exposé of what it takes to foster a conservation ethic in a major urban area—complete with critical lessons learned—and to simultaneously inspire and develop the next generation of urban conservationists. The book explores the new urban conservation frontier, with its numerous challenges and opportunities, and fosters more urban conservation initiatives throughout the world.

Jaroslav Hašek is a Czech writer most famous for his wickedly funny, widely read, yet incomplete novel The Good Soldier Schweik, a series of absurdist vignettes about a recalcitrant WWI soldier. Hašek—in spite of a life of buffoonery and debauchery—was remarkably prolific. He wrote hundreds of short stories that all display both his extraordinary gift for satire and his profound distrust of authority. Behind the Lines presents a series of nine short stories first published in the Prague Tribune and considered to be some of Hašek’s best. Based on his experiences as a Red Commissar in the Russian Civil War and his return to Czechoslovakia, Behind the Lines focuses on the Russian town of Bugulma, taking aim, with mordant wit, at the absurdities of a revolution.

Providing important background and insight into The Good Soldier Schweik, this collection by a writer some call the Bolshevik Mark Twain is nevertheless much more than a tool for understanding his better-known novel; it is a significant work in its own right. A hidden gem remarkable for its modern, ribald sense of humor, Behind the Lines is an enjoyable, fast-paced anthology of great literary and historical value.

Jaroslav Hašek is a Czech writer most famous for his wickedly funny, widely read, yet incomplete novel The Good Soldier Schweik, a series of absurdist vignettes about a recalcitrant WWI soldier. Hašek—in spite of a life of buffoonery and debauchery—was remarkably prolific. He wrote hundreds of short stories that all display both his extraordinary gift for satire and his profound distrust of authority. Behind the Lines presents a series of nine short stories first published in the Prague Tribune and considered to be some of Hašek’s best. Based on his experiences as a Red Commissar in the Russian Civil War and his return to Czechoslovakia, Behind the Lines focuses on the Russian town of Bugulma, taking aim, with mordant wit, at the absurdities of a revolution.

Providing important background and insight into The Good Soldier Schweik, this collection by a writer some call the Bolshevik Mark Twain is nevertheless much more than a tool for understanding his better-known novel; it is a significant work in its own right. A hidden gem remarkable for its modern, ribald sense of humor, Behind the Lines is an enjoyable, fast-paced anthology of great literary and historical value.

This book is written for the one percent of this world that desires to be the best and most importantly, will pay the price to get there. What you will find in life is that one hundred percent of the world wants to be great but it is that one percent that will pay the price to get there. The other ninety-nine percent will criticize you for trying to get there. Have courage and proceed anyway, even though you may be alone.

Beyond Decent Work explores the history of the Indonesian labor movement, using three contemporary case studies to shed light on the development of Indonesia’s labor struggles and trade union strategies. Drawing on extensive and recent qualitative fieldwork, Felix Hauf argues that the economic idea of “decent work” plays a central role in current trade union strategies at the expense of more radical—or traditional working-class—strategies of industrial action, even though the latter have been more effective in fulfilling workers’ demands for higher wages and better working conditions. Hauf’s analysis offers unique insight into the labor dynamics of Indonesia and Southeast Asia more broadly, revealing how genuinely democratic and independent unions—confronted with rival unions controlled by businesses, Indonesian subcontractors, multinational corporations, and the Indonesian state—struggle to create an economy outside the confines of neoliberal capitalism.

Originally published in 1986 (McGraw-Hill), The Black Lights was the first book that fully explored the sport and business of professional boxing. Upon joining the training camp of superlightweight Billy Costello, Thomas Hauser was given unprecedented access to the fighter, his manager, and trainer as well as to the real heavyweights of the boxing world, promoter Don King, and World Boxing Council president Jose Sulaiman. The result, according to Playboy in their review of the original, is a book that "explains why fighters fight, what they go through to win, and how they feel when they lose. It is a great book." In this gracefully written, fast-paced narrative, the author slips quietly into the background and gives us a firsthand look at a business that is often cruel and exploitative and a sport that is at once violent and beautiful. As the San Francisco Chronicle points out, The Black Lights provides ammunition for both sides in the debate over boxing: "Hauser has written what is clearly the most complete and fairminded work on the subject to date." In an age when the controversy surrounding the evils and merits of boxing still rages, this classic account is more timely than ever.

Here is a complete translation of all the published cuneiform tablets of the various Babylonian creation stories, of both the Semitic Babylonian and the Sumerian material. Each creation account is preceded by a brief introduction dealing with the age and provenance of the tablets, the aim and purpose of the story, etc. Also included is a translation and discussion of two Babylonian creation versions written in Greek. The final chapter presents a detailed examination of the Babylonian creation accounts in their relation to our Old Testament literature.

Thanks to Oktoberfest and the popularity of beer gardens, our thoughts on German food are usually relegated to beer, sausage, pretzels, and limburger cheese. But the inhabitants of modern-day Germany do not live exclusively on bratwurst. Defying popular perception of the meat and potatoes diet, Ursula Heinzelmann’s Beyond Bratwurst delves into the history of German cuisine and reveals the country’s long history of culinary innovation.
 
Surveying the many traditions that make up German food today, Heinzelmann shows that regional variations of the country’s food have not only been marked by geographic and climatic differences between north and south, but also by Germany’s political, cultural, and socioeconomic history. She explores the nineteenth century’s back-to-the-land movement, which called for people to grow food on their own land for themselves and others, as well as the development of modern mass-market products, rationing and shortages under the Nazis, postwar hunger, and divisions between the East and West. Throughout, she illustrates how Germans have been receptive to influences from the countries around them and frequently reinvented their cuisine, developing a food culture with remarkable flexibility.
 
Telling the story of beer, stollen, rye bread, lebkuchen, and other German favorites, the recipe-packed Beyond Bratwurst will find a place on the shelves of food historians, chefs, and spätzle lovers alike.

Ride along with the Bicycle Cowboy as he shares growing-up-in-small-town Michigan stories through free verse poetry