A SCHOLARLY BOOK REPOSITORY
Black Flag over Dixie: Racial Atrocities and Reprisals in the Civil War highlights the central role that race played in the Civil War by examining some of the ugliest incidents that played out on its battlefields. Challenging the American public’s perception of the Civil War as a chivalrous family quarrel, twelve rising and prominent historians show the conflict to be a wrenching social revolution whose bloody excesses were exacerbated by racial hatred.
Edited by Gregory J. W. Urwin, this compelling volume focuses on the tendency of Confederate troops to murder black Union soldiers and runaway slaves and divulges the details of black retaliation and the resulting cycle of fear and violence that poisoned race relations during Reconstruction. In a powerful introduction to the collection, Urwin reminds readers that the Civil War was both a social and a racial revolution. As the heirs and defenders of a slave society’s ideology, Confederates considered African Americans to be savages who were incapable of waging war in a civilized fashion. Ironically, this conviction caused white Southerners to behave savagely themselves. Under the threat of Union retaliation, the Confederate government backed away from failing to treat the white officers and black enlisted men of the United States Colored Troops as legitimate combatants. Nevertheless, many rebel commands adopted a no-prisoners policy in the field. When the Union’s black defenders responded in kind, the Civil War descended to a level of inhumanity that most Americans prefer to forget.
In addition to covering the war’s most notorious massacres at Olustee, Fort Pillow, Poison Spring, and the Crater, Black Flag over Dixie examines the responses of Union soldiers and politicians to these disturbing and unpleasant events, as well as the military, legal, and moral considerations that sometimes deterred Confederates from killing all black Federals who fell into their hands. Twenty photographs and a map of massacre and reprisal sites accompany the volume.
The contributors are Gregory J. W. Urwin, Anne J. Bailey, Howard C. Westwood, James G. Hollandsworth Jr., David J. Coles, Albert Castel, Derek W. Frisby, Weymouth T. Jordan Jr., Gerald W. Thomas, Bryce A. Suderow, Chad L. Williams, and Mark Grimsley.
Blood, Sweat and Earth is a hard-hitting historical exposé of the diamond industry, focusing on the exploitation of workers and the environment, the monopolization of uncut diamonds, and how little this has changed over time. It describes the use of forced labor and political oppression by Indian sultans, Portuguese colonizers in Brazil, and Western industrialists in many parts of Africa—as well as the hoarding of diamonds to maintain high prices, from the English East India Company to De Beers. While recent discoveries of diamond deposits in Siberia, Canada, and Australia have brought an end to monopolization, the book shows that advances in the production of synthetic diamonds have not yet been able to eradicate the exploitation caused by the world’s unquenchable thirst for sparkle.
Velten travels back in history to describe a time when Londoners shared their homes with pets and livestock—along with a variety of other pests, vermin, and bedbugs; Londoners imported beasts from all corners of the globe for display in their homes, zoos, and parks; and ponies flying in hot air balloons and dancing fleas were considered entertainment. As she shows, London transformed from a city with a mainly exploitative relationship with animals to the birthplace of animal welfare societies and animal rights’ campaigns. Packed with over one hundred illustrations, Beastly London is a revealing look at how animals have been central to the city’s success.
Blood Rush shows how, throughout history, blood has had the capacity to intoxicate us, to the point that we lose ourselves, whether in violence, through hunting, fighting, or killing, or in the vicarious thrill of watching sporting events, horror films, or video games. Are these feelings physical, or in our imagination? Where does the magic of blood come from? In his deeply researched and provocative narrative, Verplaetse moves from antiquity to the present, from magic to experimental psychology, from philosophy to religion and scientific discoveries, to demonstrate why blood at once attracts and repels us.
A serious illness often changes the way others see us. Few, if any, relationships remain the same. The sick become more dependent on partners and family members, while more distant contacts become strained. The carers of the ill are also often isolated. This book focuses on our sense of self when ill and how infirmity plays out in our relationships with others. Neil Vickers and Derek Bolton offer an original perspective, drawing on neuroscience, psychology, and psychoanalysis as well as memoirs of the ill or their carers to reveal how a sense of connectedness and group belonging can not only improve care but also make societies more resilient to illness. This is an essential book on the experience of major illness.
Previous wars in North America had been fought largely on the New England and New York frontiers. But on May 28, 1754, when a young George Washington commanded the first shot fired in western Pennsylvania, fighting spread for the first time to Virginia and Pennsylvania. Ward's original research reveals that on the eve of the Seven Years' War the communities of these colonies were isolated, economically weak, and culturally diverse. He shows in riveting detail how, despite the British empire's triumph, the war brought social chaos, sickness, hunger, punishment, and violence, to the backcountry, much of it at the hands of Indian warriors.
Ward's fresh analysis reveals that Indian raids were not random skirmishes, but part of an organized strategy that included psychological warfare designed to make settlers flee Indian territories. It was the awesome effectiveness of this “guerilla” warfare, Ward argues, that led to the most enduring legacies of the war: Indian-hating and an armed population of colonial settlers, distrustful of the British empire that couldn't protect them. Understanding the horrors of the Seven Years' War as experienced in the backwoods thus provides unique insights into the origins of the American republic.
Volume 1 contains Washington's Up from Slavery, one of the most widely read American autobiographies, in addition to The Story of My Life and Work, and six other autobiographical writings. Together, the selections provide readers with a first step toward understanding Washington and his immense impact. These writings reveal the moral values he absorbed from his mid-nineteenth-century experiences and teachers. As importantly, they present him to the world as he wished to be seen: as the black version of the American success hero and an exemplar of the Puritan work ethic that he believed to be the secret of his success. These works, along with so much of Washington's writing, served as a model for many black Americans striving to overcome poverty and prejudice.
Schor’s question at the time was “Will a new feminist literary criticism arise that will take literariness seriously while maintaining its vital ideological edge?” The contributors take literariness—the “bad object” of this issue—seriously. They do not necessarily engage in debates about reading, theorize new formalisms, or thematize language; rather, they invigorate and unsettle the reading experience, investigating the relationship between language and meaning.
Contributors. Lee Edelman, Frances Ferguson, Peggy Kamuf, Ramsey McGlazer, Thangam Ravindranathan, Denise Riley, Ellen Rooney, Elizabeth Weed
Critical Edition with introduction and commentary by Leon J. Weinberger
This is the first in-depth study of three 11th- to 12th-century poets from Balkan Byzantium. Included are all of the known works by Moses b. Hiyya, Joseph b. Jacob Qalai, and Isaac b. Judah, collected from rare manuscripts and printed editions and from Geniza collections at Oxford and Cambridge. These works provide the evidence that the Balkan synagogue poets favored distinctive literary forms even as they show the strong influence of the Hispanic-Hebrew writers. Completing the volume are indexes of rabbinic, Aramaic, and payyetanic usages and tables of metonymical terms.Published by the Hebrew Union College Press, distributed by The University of Alabama Press.
Of all the world's major religions, Chinese Buddhism has probably experienced the most traumatic modernization. The establishment of a communist state quickly emerged from the self-contained Manchu Empire. The consequences are described in this book. Holmes Welch offers the first detailed account of the careers of recent Buddhist leaders and of the diverse organization they started. Eighteen Chinese Buddhist associations are identified as the author traces the struggle for national leadership. The role of T'ai-hsü, the leader best known to Western readers but not, it is shown, among Buddhists, is given a controversial reassessment.
After examining the main features of the revival, Welch puts them into a larger political framework. In the process, he offers copious evidence that our picture of Chinese Buddhism has been distorted. What has been termed a "revival" was actually a secular reorientation. The author's conclusion is that this secularization, vigorous as it was, in reality foreshadowed the decline of Chinese Buddhism as a living religion.
Recounting the experiences of black soldiers in the Civil War
In the ten probing essays collected in this volume, Howard C. Westwood recounts the often bitter experiences of black men who were admitted to military service and the wrenching problems associated with the shifting status of African Americans during the Civil War.
Black Troops, White Commanders and Freedmen during the Civil War covers topics ranging from the roles played by Lincoln and Grant in beginning black soldiery to the sensitive issues that arose when black soldiers (and their white officers) were captured by the Confederates. The essays relate the exploits of black heroes such as Robert Smalls, who single-handedly captured a Confederate steamer, as well as the experiences of the ignoble Reverend Fountain Brown, who became the first person charged with violating the Emancipation Proclamation.
Although many thousands were enlisted as soldiers, blacks were barred from becoming commissioned officers and for a long time they were paid far less than their white counterparts. These and other blatant forms of discrimination understandably provoked discontent among black troops which, in turn, sparked friction with their white commanders. Westwood's fascinating account of the artillery company from Rhode Island amply demonstrates how frustrations among black soldiers came to be seen as "mutiny" by some white officers.
Young seventeen-year-old Joelito Filártiga was taken from his family home in Asunción, Paraguay, brutally tortured, and murdered by the Paraguayan police. Breaking Silence is the inside story of the quest for justice by his father—the true target of the police—Paraguayan artist and philanthropist Dr. Joel Filártiga. That cruel death, and the subsequent uncompromising struggle by Joelito's father and family, led to an unprecedented sea change in international law and human rights. The author, Richard Alan White, first became acquainted with the Filártiga family in the mid-1970s while doing research for his dissertation on Paraguayan independence. Answering a distressed letter from Joelito's father, he returned to Paraguay and journeyed with the Filártiga family on their long and difficult road to redress. White gives the reader a compelling first-hand, participant-observer perspective, taking us into the family with him, to give witness to not only their agony and sorrow, but their resolute strength as well—strength that led to a groundbreaking $10 million legal decision in Filártiga v. Peña. (Americo Norberto Peña-Irala was the Paraguayan police officer responsible for Joelito's abduction and murder, whom the Filártigas had arrested after finding him hiding in Brooklyn.)
That landmark decision, based on the almost obscure Alien Tort Claims Act of 1789, ruled that U.S. courts could accept jurisdiction in international cases—recognizing the right of foreign human rights victims to sue—even though the alleged violation occurred in another country by a non-American and against a non-American. So fundamentally has the Filártiga precedent changed the landscape of international human rights law, that it has served as the basis for nearly 100 progeny suits, and grown to encompass not only human rights abuses, but also violations of international environmental and labor rights law. Today, there are dozens of class action suits pending against corporate defendants ranging from oil conglomerates destroying the Amazon rainforest to designer clothing companies running sweatshops abroad.
Breaking Silence is a remarkable, consuming story, documenting not only the most celebrated case in the international human rights field—but also the tragic and touchingly human story behind it that gives it life. In 2001, Dr. Filártiga was nominated for the Nobel Peace Prize and the Alien Tort Claims Act continues to be hotly debated among politicians and lawmakers.
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.
In this urbane and delightful book, Walter Muir Whitehill follows the course of Boston's history, describing the changing face of the city and the society that changed with it, through more than three hundred years. This edition includes a chapter describing the major changes of the city since 1958, as well as new pictures. Generously illustrated, written with a knowledge of and affection for a great city that are visible on every page, this book speaks equally to those who know Boston well and those who are discovering the city for the first time.
The volume also includes essays by Mary Campbell, whose research currently focuses on James Baldwin and Beauford Delaney within the context of the civil rights movement; Glenn Ligon, an internationally acclaimed New York-based artist with intimate knowledge of Baldwin’s writings, Delaney’s art, and American history and society; Levi Prombaum, a curatorial assistant at the Solomon R. Guggenheim Museum who did his doctoral research at University College London on Delaney’s portraits of James Baldwin; and Stephen Wicks, the Knoxville Museum of Art’s Barbara W. and Bernard E. Bernstein Curator, who has guided the KMA’s curatorial department for over 25 years and was instrumental in building the world’s largest and most comprehensive public collection of Beauford Delaney’s art at the KMA.
In the wildly entertaining novel The Blue Soda Siphon, the narrator unexpectedly finds himself back in the world of his childhood: Switzerland in the 1940s. He returns to his childhood home to find his parents frantic because their son is missing. Then, in another switch, the young boy that he was back then turns up in the present of the early 1990s, during the Gulf War, where he meets himself as an older man, and meets his adult self’s young daughter. These head-scratching, hilarious time shifts happen when both the adult narrator and his childhood self go to the cinema and see films, the subjects of which echo their own lives.
Translated into English for the first time by Donal McLaughlin, this novel, in which the eponymous blue soda siphon bottle is a recurring symbol, is a magnificent example of Urs Widmer’s characteristic humor, literary genius, and unparalleled imagination.
Naomi R Williams traces the journeys of two local activists to highlight how people can support democracy and economic freedom in the twenty-first century. In Racine, ideas of class and race shifted but remained strong. The broad-based class politics that emerged drew on racial analysis, vigilant organizing, and agile labor leadership that organized more people. Unionized workers in turn won political power while uniting to resist conservative and corporate attacks. Charting Racine’s transition, Williams breaks down how worker solidarity persevered and presents lessons that can provide valuable guidance for today’s generation of activists.
Spanning from 1945 through today, the book examines Brazilian architecture beyond the works of renowned architects such as Oscar Niemeyer and the “Carioca” architects of Rio de Janeiro. Williams investigates issues such as the use of historic architecture, the importance of leisure and luxury, the role of the favela as a backdrop and inspiration for development, and the rapid growth of cities. From the designated world heritage site of Brasilia—a capital city that was planned from the ground up—to the installation work of artists such as Hélio Oiticica, Brazil delves into the origins and far-reaching influence of Brazil’s architectural modernism.
At a moment when Latin America is of increasing importance in global business and culture, Brazilwill be an essential read for all scholars of architecture and Latin American history.
In Being Interdisciplinary, Alan Wilson draws on five decades as a leading figure in urban science to set out a systems approach to interdisciplinarity for those conducting research in this and other fields. He argues that most research is interdisciplinary at its base and that a systems perspective is particularly appropriate for collaboration because it fosters an outlook that sees beyond disciplines. A systems approach enables researchers to identify the game-changers of the past as a basis for thinking outside of convention, for learning how to do something new and how to be ambitious.
Building on this systems focus, the book first establishes the basics of interdisciplinarity. Then, by drawing on the author’s wide experience in interdisciplinary research—as a researcher in urban science, a university professor and vice-chancellor, a civil servant, and an institute director, it illustrates general principles and a framework from which researchers can build their own interdisciplinary approach. In the last section, the book tackles questions of managing and organizing research from individual to institutional scales.
—David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927
Wilson offers a history of Buenos Aires’s beginnings as a Spanish colony in the sixteenth century, describing how it evolved from a port city for European trade to a booming, multicultural regional capital that became the leading destination for European immigrants. He examines the many swings between authoritarian and democratic governments the city has experienced during its history and sorts out the urban myths from the real story of the monuments, buildings, and people of Buenos Aires. The book also includes essays on present-day Buenos Aires—its parks, cemeteries, museums, and bookshops—to reveal what makes the city tick. Illustrated throughout with contemporary photos and compelling historical images, Buenos Aires provides useful references for travelers looking for restaurant, hotel, and itinerary ideas.
One of the first titles in Reaktion’s new CityScopes series, this social and urban history is an authoritative introduction and intimate guide to this vibrant, alluring city, past and present.
Blue jewelry is private property. Not to be seen. Not to be talked about. It is worn like a bracelet around the wrists, on ribs, legs, arms. Blue jewelry is another name for the marks left on women’s bodies, inflicted by the men around them.
This novel tells the story of Filiz and Yunus. When Filiz meets Yunus, he is young and beautiful, and Filiz is proud that he wants her. Against her father’s wishes, they marry when she is thirteen. Yunus is her entire universe, all encompassing, all powerful. Soon after the wedding, Filiz’s dream of living in the West with her husband, of escaping their small village in Anatolia for freedom and autonomy, comes crashing down around her. Yunus, only a few years older than his bride, turns their marriage into a prison of dependency and violence. Trapped in her mother-in-law’s house, Filiz is subjected to physical and mental abuse, forced to veil herself, and treated as a house slave. When she becomes pregnant, Filiz seems to have reached her breaking point. But she endures. When Yunus moves his young family first to Istanbul and then to Austria, the life he had once promised her seems to be within reach. But there is no escaping the spiral of violence and love, which, to Filiz, have become inseparable.
Katharina Winkler’s powerful story of a marriage dominated by violence gives voice to a tenacious young woman whose will to survive is never broken.
There is a longstanding need for valid, reliable measurements of interpreting competence. Although rubrics and checklists are commonly used in both academic and employment settings, a review of available rubrics indicates that many do not focus on interpreting performance. Traditional metrics for sign language interpreting often conflate language proficiency with interpreting proficiency. Conflating fundamental aspects of language in use—vocabulary, grammar, and prosody— with fundamental aspects of interpretation—content, intent, and monitoring—compromises the valid assessment of interpreting proficiency. Beyond Equivalence: Reconceptualizing Interpreting Performance Assessment argues for a shift toward more nuanced and evidence-based conceptualizations of interpreting, communication, and meaning to improve the creation and use of rubrics for assessment in interpreter education, certification, and professional development.
This inaugural volume in the Currents series introduces a rubric and accompanying scale, which can be used to assess both simultaneous and consecutive interpreting performance in terms of both process and product, in both signed and spoken language interpreting, and in a variety of settings. Beyond Equivalence offers an appreciation of the multivarious nature of meaning in the interpreting process and presents a new paradigm for the measurement of interpreting proficiency.
What kind of tree is that? Whether you’re hiking in the woods or simply sitting in your backyard, from Maine to New York you’ll never be without an answer to that question, thanks to this handy companion to the trees of the Northeast. Featuring detailed information and illustrations covering each phase of a tree’s lifecycle, this indispensable guidebook explains how to identify trees by their bark alone—no more need to wait for leaf season. Chapters on the structure and ecology of tree bark, descriptions of bark appearance, an easy-to-use identification key, and supplemental information on non-bark characteristics—all enhanced by more than 450 photographs, illustrations, and maps—will show you how to distinguish the textures, shapes, and colors of bark to recognize various tree species, and also understand why these traits evolved.
Whether you’re a professional naturalist or a parent leading a family hike, this new edition of Bark: A Field Guide to Trees of the Northeast is your essential guide to the region’s 67 native and naturalized tree species.
Beachlight is a sustained poem divided into smaller parts that take on the anonymous voices of those lost and forgotten. A walk along a Singaporean beach transforms into a meditation that bridges an ecological consciousness to the sexual and the homoerotic. The poems in Beachlight expose revelations about the nature of desire, inviting readers to walk beside—and inside—them, reminding us of what we gain when we abandon ourselves to nature and exhorting us to reclaim our primordial connections to the world and to one another.
Between the 1880s and the 1930s, New York City experienced explosive growth, as nearly a million buildings, half a dozen bridges, countless tunnels and subway tracks, and miles of new streets and sidewalks were erected to meet the needs of an ever-swelling population. This landscape—jagged with skyscrapers, clamoring with transit, alive with people—made the city world-famous.
Building the Metropolis offers a revelatory look at this era of urban development by asking, “Who built this and how?” Focusing on the work of architects, builders, and construction workers, Alexander Wood chronicles the physical process of New York’s rapid expansion. The city’s towering buildings and busy thoroughfares aren’t just stylish or structural marvels, Wood shows, but the direct result of the many colorful personalities who worked in one of the city’s largest industries. New York’s development boom drew on the resources of the whole community and required money, political will, creative vision, entrepreneurial drive, skilled workmanship, and hard physical labor. Wood shows this to be a national story as well. As cities became nodes in a regional, national, and global economy, the business of construction became an important motor of economic, political, and social development. While they held drastically different views on the course of urban growth, machine politicians, reformers, and radicals alike were all committed to city-building on an epic scale.
Drawing on various sources, including city archives, the records of architecture firms, construction companies, and labor unions, Building the Metropolis tells the story of New York in a way that’s epic, lively, and utterly original.
America’s elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don’t advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a “Black ceiling.”
Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn’t explicit bias but racial discomfort, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: social alienation, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and stigma anxiety, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America’s segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort.
Offering a new perspective on a pressing social issue, The Black Ceiling is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.
This is an auto-narrated audiobook version of this book.
The story of how a biologically driven understanding of gender and sexuality became central to US LGBTQ+ political and legal advocacy.
Across protests and courtrooms, LGBTQ+ advocates argue that sexual and gender identities are innate. Oppositely, conservatives incite panic over “groomers” and a contagious “gender ideology” that corrupts susceptible children. Yet, as this debate rages on, the history of what first compelled the hunt for homosexuality’s biological origin story may hold answers for the queer rights movement’s future.
Born This Way tells the story of how a biologically based understanding of gender and sexuality became central to LGBTQ+ advocacy. Starting in the 1950s, activists sought out mental health experts to combat the pathologizing of homosexuality. As Joanna Wuest shows, these relationships were forged in subsequent decades alongside two broader, concurrent developments: the rise of an interest-group model of rights advocacy and an explosion of biogenetic and bio-based psychological research. The result is essential reading to fully understand LGBTQ+ activism today and how clashes over science remain crucial to equal rights struggles.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
"Full of fascinating details about the early protest movements...lets us listen to many voices we aren’t likely to hear on the news."―New York Review of Books
In 2011, many Syrians took to the streets of Damascus to demand the overthrow of the government of Bashar al-Assad. By 2018, Syria had become a warzone. Burning Country explores the complicated reality of life in present-day Syria with unprecedented detail and sophistication, drawing on new firsthand testimonies from opposition fighters, exiles lost in an archipelago of refugee camps, and courageous human rights activists.
Robin Yassin-Kassab and Leila Al-Shami expertly interweave these stories with an incisive analysis of the militarization of the uprising, the rise of the Islamists and sectarian warfare, and the role of Syria's government in exacerbating the brutalization of the conflict. Through these accounts and a broad range of secondary source material, the authors persuasively argue that the international community has failed in its stated commitments to support the Syrian opposition movements.
This edition brings the story up to the present, with a new chapter that covers the internationalization of the conflict, including interventions by the United States, Russia, and Iran; the rollback of ISIS; the fall of Daraya and Aleppo; the crushing of local democracy; sectarian cleansing; and the forced exile of millions of Syrians.
Rewriting the “origin stories” of the Anthropocene
No geology is neutral, writes Kathryn Yusoff. Tracing the color line of the Anthropocene, A Billion Black Anthropocenes or None examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. Yusoff initiates a transdisciplinary conversation between feminist black theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
In 1930, anthropologists Robert Zingg and Wendell Bennett spent nine months among the Tarahumara of Chihuahua, Mexico, one of the least acculturated indigenous societies in North America. Their fieldwork resulted in The Tarahumara: An Indian Tribe of Northern Mexico (1935), a classic ethnography still familiar to anthropologists. In addition to this formal work, Zingg also penned a personal, unvarnished travelogue of his sojourn among the Tarahumara. Unpublished in his lifetime, Behind the Mexican Mountains is now available in print for the first time.
This colorful account provides a compelling description of the landscape, people, traditions, language, and archaeology of the Tarahumara region. Abandoning the scientific detachment of the observer, Zingg frankly records his reactions to the people and their customs as he vividly evokes the daily experience of doing fieldwork. In the introduction, Howard Campbell examines Zingg's writing in light of current critiques of anthropology as literature. He makes a strong case that although earlier anthropological writing reveals unacceptable cultural biases, it also demonstrates the ongoing importance and vitality of field research.
"Pickering has all of Thurber's humor, and he writes as well as E. B. White. He writes with passion, wit, and a strange personal note of self-mockery; he is humanely educated, wise, and capable of a wide range of stylistic effects."
----Jay Parini
". . . he writes in the tradition of Montaigne hammering together a ramshackle affair of surprising nooks, crannies and additions-all under the same roof."
---The Oxford American
"Pickering has the natural essayist's intimate yet distanced take on the world that combines a devotion to particulars . . . with a near-indifference to the status- and achievement-mongering that marks modern life."
---Publishers Weekly
"Pickering writes with the sensitivity and craft of a poet, finding meaning in the commonplace and ordinary."
---Library Journal
"Pickering's genre is unique, but I'm not sure anyone else can write this stuff. I can live with that, as long as Pickering himself continues to wend through the forests, classrooms, airports, billiards championships, hometown parades, and his inner world of Tennessee gags and characters."
---Hartford Courant
His writing is as unique and recognizable as the music of Mozart, the painting of Picasso, or the poetry of Dickinson. Yet most Americans likely know Sam Pickering, the University of Connecticut English professor, from the movie Dead Poets Society. In the film, Robin Williams plays an idiosyncratic instructor---based on Pickering---who employs some over-the-top teaching methods to keep his subjects fresh and his students learning.
Fewer probably know that Pickering is the author of more than 16 books and nearly 200 articles, or that he's inspired thousands of university students to think in new ways. And, while Williams may have captured Pickering's madcap classroom antics, he didn't uncover the other side of the author-Sam Pickering as one of our great American men of letters.
The Best of Pickering amply demonstrates Pickering's amazing powers of perception, and gives us insight into the mind of a writer nearly obsessed with turning his back on the conventional trappings of American success-a writer who seems to prefer lying squirrel's-eye-level next to a bed of daffodils in the spring or trespassing on someone else's property to pursue a jaunt through joe-pye weed and goldenrod. Indeed, Pickering's philosophy, at least on paper, may very well be "Now is the only time."
If you haven't met Sam Pickering before, prepare to be surprised and delighted by these wry and sometimes self-deprecating essays that are witty and elegant and concrete yet wander widely, and include Pickering's well-trod fictional Southern town of Carthage, Tennessee, full of strange goings-on. This definitive collection of the best of Pickering is a must for Pickering fans and a fine introduction for the uninitiated to one of our greatest men of letters.
From the New Yorker’s inimitable first pop music critic comes this pioneering collection of essays by a conscientious writer whose political realm is both radical and rational, and whose prime preoccupations are with rock ’n’ roll, sexuality, and above all, freedom. Here Ellen Willis assuredly captures the thrill of music, the disdain of authoritarian culture, and the rebellious spirit of the ’60s and ’70s.
A great book about an even greater book is a rare event in publishing. Robert Darnton’s history of the Encyclopédie is such an occasion. The author explores some fascinating territory in the French genre of histoire du livre, and at the same time he tracks the diffusion of Enlightenment ideas. He is concerned with the form of the thought of the great philosophes as it materialized into books and with the way books were made and distributed in the business of publishing. This is cultural history on a broad scale, a history of the process of civilization.
In tracing the publishing story of Diderot’s Encyclopédie, Darnton uses new sources—the papers of eighteenth-century publishers—that allow him to respond firmly to a set of problems long vexing historians. He shows how the material basis of literature and the technology of its production affected the substance and diffusion of ideas. He fully explores the workings of the literary market place, including the roles of publishers, book dealers, traveling salesmen, and other intermediaries in cultural communication. How publishing functioned as a business, and how it fit into the political as well as the economic systems of prerevolutionary Europe are set forth. The making of books touched on this vast range of activities because books were products of artisanal labor, objects of economic exchange, vehicles of ideas, and elements in political and religious conflict.
The ways ideas traveled in early modern Europe, the level of penetration of Enlightenment ideas in the society of the Old Regime, and the connections between the Enlightenment and the French Revolution are brilliantly treated by Darnton. In doing so he unearths a double paradox. It was the upper orders in society rather than the industrial bourgeoisie or the lower classes that first shook off archaic beliefs and took up Enlightenment ideas. And the state, which initially had suppressed those ideas, ultimately came to favor them. Yet at this high point in the diffusion and legitimation of the Enlightenment, the French Revolution erupted, destroying the social and political order in which the Enlightenment had flourished.
Never again will the contours of the Enlightenment be drawn without reference to this work. Darnton has written an indispensable book for historians of modern Europe.
Svensson’s own unique perspective and special stake in the Digital Humanities conversation comes from his role as director of the HUMlab at Umeå University. HUMlab is a unique collaborative space and Digital Humanities center, which officially opened its doors in 2000. According to its own official description, the HUMlab is an open, creative studio environment where “students, researchers, artists, entrepreneurs and international guests come together to engage in dialogue, experiment with technology, take on challenges and move scholarship forward.” It is this last element “moving scholarship forward” that Svensson argues is the real opportunity in what he terms the “big digital humanities,” or digital humanities as practiced in collaborative spaces like the HUMlab, and he is uniquely positioned to take an account of this evolving dimension of Digital Humanities practice.
Does science have all the answers? Can it even deal with abstract reasoning beyond the world we experience? How can we ensure that the physical world is sufficiently ordered to be intelligible to humans? How can mathematics, a product of human minds, unlock the secrets of the physical universe? Should all such questions be considered inadmissible if science cannot settle them?
Metaphysics has traditionally been understood as reasoning beyond the reach of science, sometimes even claiming realities beyond its grasp. Because of this, metaphysics is often contemptuously dismissed by scientists and philosophers who wish to remain within the bounds of what can be scientifically proven. Yet scientists at the frontiers of physics unwittingly engage in metaphysics, as they are now happy to contemplate whole universes that are, in principle, beyond human reach.
Roger Trigg challenges those who deny that science needs philosophical assumptions. Trigg claims that the foundations of science themselves have to lie beyond science. It takes reasoning apart from experience to discover what is not yet known and this metaphysical reasoning to imagine realities beyond what can be accessed.
“In Beyond Matter, Roger Trigg advances a powerful, persuasive, fair-minded argument that the sciences require a philosophical, metaphysical foundation. This is a brilliant book for newcomers to the philosophy of science and experts alike.” —Charles Taliaferro, professor of philosophy, St. Olaf College
As exemplary representatives of a form of critical feminism, the writings of Judith Butler, Katherine Hayles, and Donna Haraway offer entry into the great crises of contemporary society, politics, and culture. Butler leads readers to rethink the boundaries of the human in a time of perpetual war. Hayles turns herself into a “writing machine” in order to find a dwelling place for the digital humanities within the austere landscape of the culture of the code. Haraway is the one contemporary thinker to have begun the necessary ethical project of creating a new language of potential reconciliation among previously warring species.
According to Arthur Kroker, the postmodernism of Judith Butler, the posthumanism of Katherine Hayles, and the companionism of Donna Haraway are possible pathways to the posthuman future that is captured by the specter of body drift. Body drift refers to the fact that individuals no longer inhabit a body, in any meaningful sense of the term, but rather occupy a multiplicity of bodies: gendered, sexualized, laboring, disciplined, imagined, and technologically augmented.
Body drift is constituted by the blast of information culture envisioned by artists, communicated by social networking, and signified by its signs. It is lived daily by remixing, resplicing, and redesigning the codes: codes of gender, sexuality, class, ideology, and identity. The writings of Butler, Hayles, and Haraway, Kroker reveals, provide the critical vocabulary and political context for understanding the deep complexities of body drift and challenging the current emphasis on the material body.
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