A SCHOLARLY BOOK REPOSITORY
"Brown has an international reputation for his fine style, a style he here turns on to illuminate the cult of the saints. Christianity was born without such a cult; it took rise and that rise needs chronicling. Brown has a gift for the memorable phrase and sees what the passersby have often overlooked. An eye-opener on an important but neglected phase of Western development."—The Christian Century
"Brilliantly original and highly sophisticated . . . . [The Cult of the Saints] is based on great learning in several disciplines, and the story is told with an exceptional appreciation for the broad social context. Students of many aspects of medieval culture, especially popular religion, will want to consult this work."—Bennett D. Hill, Library Journal
Brown challenges the long-held “two-tier” idea of religion that separated the religious practices of the sophisticated elites from those of the superstitious masses, instead arguing that the cult of the saints crossed boundaries and played a dynamic part in both the Christian faith and the larger world of late antiquity. He shows how men and women living in harsh and sometimes barbaric times relied upon the holy dead to obtain justice, forgiveness, and power, and how a single sainted hair could inspire great thinkers and great artists.
An essential text by one of the foremost scholars of European history, this expanded edition includes a new preface from Brown, which presents new ideas based on subsequent scholarship.
Debra Sabia describes and analyzes the rise, growth, and fragmentation of the popular church and assesses the effect of the Christian base communities on religion, politics, and the nation's social revolutionary experiment.
To address this need, we gathered pertinent questions facing men, women, and pastoral workers in marriage and family life. We then found passages relevant to these questions by researching Church documents on marriage and family from the past one hundred years. These include papal encyclicals, apostolic exhortations, and addresses, Vatican II documents, and the Catechism of the Catholic Church.
Mainstream media coverage of Church events and Church teaching leads many to misunderstand Catholic positions on marriage and family life. While the Catholic Church has developed a rich, detailed, and positive teaching on marriage, family, and sexuality, many Catholics do not have access to this teaching, buried as it is in lengthy Church documents which many find intimidating. Finding the relevant teaching to address specific questions is not always a simple task, either. This book’s main contribution is to present Church teaching relevant to marriage and family in one volume clearly organized by topic and question.
Sperling explains how women were not allowed to marry beneath their social status while men could, especially if their brides were wealthy. Faced with a shortage of suitable partners, patrician women were forced to offer themselves as "a gift not only to God, but to their fatherland," as Patriarch Giovanni Tiepolo told the Senate of Venice in 1619. Noting the declining birth rate among patrician women, Sperling explores the paradox of a marriage system that preserved the nobility at the price of its physical extinction. And on a more individual level, she tells the fascinating stories of these women. Some became scholars or advocates of women's rights, some took lovers, and others escaped only to survive as servants, prostitutes, or thieves.
The Other Voice in Early Modern Europe - The Toronto Series volume 73
Tom Rastrelli is a survivor of clergy-perpetrated sexual abuse who then became a priest in the early days of the Catholic Church’s ongoing scandals. Confessions of a Gay Priest divulges the clandestine inner workings of the seminary, providing an intimate and unapologetic look into the psychosexual and spiritual dynamics of celibacy and lays bare the “formation” system that perpetuates the cycle of abuse and cover-up that continues today.
Under the guidance of a charismatic college campus minister, Rastrelli sought to reconcile his homosexuality and childhood sexual abuse. When he felt called to the priesthood, Rastrelli began the process of “priestly discernment.” Priests welcomed him into a confusing clerical culture where public displays of piety, celibacy, and homophobia masked a closeted underworld in which elder priests preyed upon young recruits.
From there he ventured deeper into the seminary system seeking healing, hoping to help others, and striving not to live a double life. Trained to treat sexuality like an addiction, he and his brother seminarians lived in a world of cliques, competition, self-loathing, alcohol, hidden crushes, and closeted sex. Ultimately, the “formation” intended to make Rastrelli a compliant priest helped to liberate him.
A Call to Fidelity seeks to thoughtfully examine and critically evaluate the contributions that Charles E. Curran has made to the field of Catholic moral theology over the past forty years. It also seeks to assess the development of specific topics in contemporary moral theology to which Curran has made his unique mark, particularly in fundamental ethics, sexual and medical ethics, social and political ethics, and topics related to dialogue with other traditions and approaches to Catholic ethics.
Reviewing the many years of his influential writings, thought, and scholarship, fourteen distinguished scholars examine his contributions and the current state of the topics under discussion-which are as far ranging as academic freedom, birth control, gay and lesbian relationships, and feminism. Each contributor also provides a critical evaluation of Curran's work and outlines how these areas will hold or undergo transformation as the church looks toward its relationship with society and culture in the coming decades.
---J. N. Hillgarth, Professor Emeritus, University of Toronto
"By focusing on the diversified activities of the talented mid-thirteenth-century archbishop of Toledo, Lucy Pick brilliantly illuminates the complex relations between the Christian conquerors of Spain and the conquered Muslim and Jewish populations. Students of medieval Spain, of the medieval Roman Catholic Church, of medieval Muslims and Islam, and of medieval Jews and Judaism will benefit from this excellent study."
---Robert Chazan, New York University.
In Conflict and Coexistence, Lucy Pick sets out to explain how Christians, Muslims, and Jews lived alongside one another in medieval Spain. By examining the life and works of Rodrigo Jiménez de Rada, the Archbishop of Toledo (1209-47), Pick explains that the perceived threat of the non-Christian presence was managed through the subordination of Muslims and Jews.
Rodrigo stood at the center of a transformative period of history in the Iberian peninsula. During his long and varied career as archbishop, he acted as scholar, warrior, builder, and political leader. The wave of victories he helped initiate were instrumental in turning back the tide of Muslim attacks on Christian Spain and restarting the process of Christian territorial conquest. However, Toledo was still a multiethnic city in which Christians lived side by side with Jews and Muslims. As archbishop, he was faced with the considerable challenge of maintaining peace and prosperity in a city where religious passions and intolerance were a constant threat to stability.
This work seeks to examine Rodrigo's relations with the Muslims and Jews of his community both as he idealized them on paper and as he worked through them in real life. Though Rodrigo wrote an anti-Jewish polemic, and set out to conquer Muslim-held lands, he also used scholarly patronage and literary creation to combat internal and external, Christian and non-Christian threats alike. His intended and actual consequences of these varied techniques were to allow Christians, Muslims, and Jews to live together under Christian authority. Rodrigo was bound by practical necessity to find a means of accommodating these groups that was both effective and theologically satisfactory. Throughout this influential work, Pick examines the various aspects of Rodrigo's life and career that led to his policies and the consequences that his work and beliefs brought about in medieval Spain.
This book will be of interest to anyone who studies the history, religion, and literature of medieval Spain, to those interested in the transmission of learning from the Muslim to the Christian world, and to those who study intellectual life and development in medieval Europe.
The relationship between religion and modern culture remains a controversial issue within Christian theology. This book focuses on Paul Tillich's interpretation of modern culture and the influence of capitalism, highlighting the context of his work in relation to Karl Marx and the Critical Theory of the Frankfurt School. When Tillich moved to the United States he sharpened his focus on the cultural dimensions of capitalism. Using the concept of "cultural modernity," Francis Ching-Wah Yip reconstructs Tillich's interpretation of modernity with the key categories of autonomy, self-sufficient finitude, technical reason, objectification, and dehumanization, and shows that Tillich's notion of theonomy served to underscore the problems of modernity and to develop a response.
The final section of the book relates Tillich's theology to contemporary theological interpretations of global capitalism and modernity. Yip appeals to the work of Jürgen Moltmann to argue that one should go beyond Tillich's analysis by placing much more emphasis on the material-economic basis of culture and by moving away from the Eurocentric viewpoint to a more global perspective. Finally, he draws on Émile Durkheim to show the quasi-religious dimension of capitalism as a global civil religion and as the culture of modern society.
When Homer Hailey sparked controversy within Churches of Christ congregations over his stand on divorce and remarriage, he spoke to a movement already sundered. Historian David Edwin Harrell tells Hailey's story as a means of presenting the larger drama of faith and feuding within those churches.
A nondenominational movement of autonomous congregations, Churches of Christ have been among the fastest-growing religious bodies in the 20th century. Throughout the movement's history, church leaders debated issues ranging from missionary societies to the use of instrumental music in worship. Although some disagreements affected only the ties between congregations, others led to the creation of three distinct groups calling themselves Churches of Christ identified by their sociological and theological positions.
This book shows how the story of the Churches of Christ is reflected by Homer Hailey, a preacher, educator, and author whose life puts in perspective the personal journeys traveled by members in this century. Writing from the perspective of the non-institutional wing within the movement, Harrell avoids mainstream biases to describe the various dissenting views as fully and fairly as possible.
Combining institutional history and biography, Harrell's book is the first to bring the story of the Churches of Christ to century's end. It provides new insight into how this movement realigned itself and shows how one man's career reflected a century of spiritual growth and change for the church as a whole.
In many important respects, the actual Civil War that began in 1861 unveiled an internal civil war within the Holston Conference of the Methodist Episcopal Church, South—comprising churches in southwestern Virginia, eastern Tennessee, western North Carolina, and a small portion of northern Georgia—that had been waged surreptitiously for the previous five decades. This work examines the split within the Methodist Church that occurred with mounting tensions over the slavery question and the rise of the Confederacy. Specifically, it looks at how the church was changing from its early roots as a reform movement grounded in a strong local pastoral ministry to a church with a more intellectual, professionalized clergy that often identified with Southern secessionists.
The author has mined an exhaustive trove of primary sources, especially the extensive, yet often-overlooked minutes from frequent local and regional Methodist gatherings. He has also explored East Tennessee newspapers and other published works on the topic. The author’s deep research into obscure church records and other resources results not only in a surprising interpretation of the division within the Methodist Church but also new insights into the roles of African Americans, women, and especially lay people and local clergy in the decades prior to the war and through its aftermath. In addition, Dunn presents important information about what the inner Civil War was like in East Tennessee, an area deeply divided between Union and Confederate sympathizers.
Students and scholars of religious history, southern history, and Appalachian studies will be enlightened by this volume and its bold new way of looking at the history of the Methodist Church and this part of the nation.
One member downplayed the significance of this secret legislative body in 1849 as “nothing but a debating School.” On the contrary, a typical meeting included decisions regarding irrigation, fencing, and adobe housing, after which the group sang a song written by Parley P. Pratt: “Come ye sons of doubt and wonder; Indian, Moslem, Greek or Jew; … Be to all a friend and brother; Peace on Earth, good will to men.” Two weeks later, the council called for “blood to flow” to enforce its laws.
As the nineteenth century waned and the LDS Church moved toward the American mainstream, ending its emphasis on the imminent End of Days, there was no longer a need for a Church-managed municipal group destined to become the millennial world government. The council became irrelevant but survives today as a historical artifact available in fragmented documentary pieces which are presented here for the first time.
Christianity figured prominently in the imperial and colonial exploitation and dispossession of indigenous peoples worldwide, yet many indigenous people embrace Christian faith as part of their cultural and ethnic identities. A Chosen People, a Promised Land gets to the heart of this contradiction by exploring how Native Hawaiian members of the Church of Jesus Christ of Latter-Day Saints (more commonly known as Mormons) understand and negotiate their place in this quintessentially American religion.
Mormon missionaries arrived in Hawai‘i in 1850, a mere twenty years after Joseph Smith founded the church. Hokulani K. Aikau traces how Native Hawaiians became integrated into the religious doctrine of the church as a “chosen people”—even at a time when exclusionary racial policies regarding black members of the church were being codified. Aikau shows how Hawaiians and other Polynesian saints came to be considered chosen and how they were able to use their venerated status toward their own spiritual, cultural, and pragmatic ends.
Using the words of Native Hawaiian Latter-Day Saints to illuminate the intersections of race, colonization, and religion, A Chosen People, a Promised Land examines Polynesian Mormon articulations of faith and identity within a larger political context of self-determination.
Determining what is and what is not Mormon doctrine is a difficult endeavor. The Church of Jesus Christ of Latter-day Saints embraces four books of scripture as its canon, but also believes the church is led by a living prophet. Additions to the canon have been rare since the death of church founder Joseph Smith. Joseph Fielding Smith, tenth church president, said that if the prophet ever contradicts canon, canon prevails. On the other hand, Ezra Taft Benson, the church’s thirteenth president, said that the living prophet’s words are more important than cannon. Such messages create no shortage of confusion among church members.
The question “What is doctrine?” opens the door for theologians and historians to wrestle over the answer, and to do so thoughtfully and insightfully. In Continuing Revelation, editor Bryan Buchanan has compiled essays that seek greater understanding about what doctrine is and why it matters.
The Challenge of Defining LDS Doctrine, by Loyd Isao Ericson • LDS Theology and the Omnis: The Dangers of Theological Speculation, by David H. Bailey • Crawling out of the Primordial Soup: A Step toward the Emergence of an LDS Theology Compatible with Organic Evolution, by Steven L. Peck • “To Destroy the Agency of Man”: The War in Heaven in LDS Thought, by Boyd Petersen • Three Sub-Degrees in the Celestial Kingdom?, by Shannon P. Flynn • Heavenly Mother: The Mother of All Women, by Blaire Ostler • Mormonism and the Problem of Heterodoxy, by Kelli D. Potter • Women at the Gates of Mortality: Relief Society Birth and Death Rituals, by Susanna Morrill • “Shake Off the Dust of Thy Feet”: The Rise and Fall of Mormon Ritual Cursing, by Samuel R. Weber • “Satan Mourns Naked Upon the Earth: Locating Mormon Possession and Exorcism Rituals in the American Religious Landscape, 1830–1977, by Stephen C. Taysom
Lowell Bennion was founding director of the LDS Institute of Religion and professor of sociology at the University of Utah. He established multiple community service entities. Sterling McMurrin was distinguished professor of philosophy and history, dean of the graduate school, and former commissioner of education under JFK. He dismissed dogma and doctrine as barriers to a search for moral and spiritual understanding. Obert Tanner, also of the university’s Philosophy Department, excelled in teaching and business and became especially well known for philanthropy. The lives and work of these three men reveal the tensions between faith and reason, conscience and obedience. Their stories speak to us today because their concerns remain our concerns: racial justice, women’s equality, gay rights, and the meaning of integrity and conscience.
These words remain as fresh and bracing today as they were nearly fifty years ago. The sixteen other essays and devotionals in this collection, some published here for the first time, are equally bold, exposing injustice masked as God’s will. They contain an underlying theme of personal integrity and striving for spiritual transformation. They stand perceived wisdom on its head in the same way that scripture so often does. Readers will want to share these essays with family and friends but will also find the concepts again and again occupying their own private thoughts.
Leonard Arrington (1917–99) was born an Idaho chicken rancher whose early interests seemed not to extend much beyond the American west. Throughout his life, he tended to project a folksy persona, although nothing was farther from the truth.
He was, in fact, an intellectually oriented, academically driven young man, determined to explore the historical, economic, cultural, and religious issues of his time. After distinguishing himself at the University of North Carolina (Chapel Hill) and serving in the army during World War II in North Africa and Italy, Arrington accepted a professorship at Utah State University. In 1972 he was called as the LDS Church Historian—an office he held for ten years until, following a stormy tenure full of controversy over whether the “New Mormon History” he championed was appropriate for the church, he was quietly released and transferred, along with the entire Church History Division, to Brigham Young University. It was hoped that this would remove the impression in people’s minds that his writings were church-approved.
His personal diaries reveal a man who was firmly committed to his church, as well as to rigorous historical scholarship. His eye for detail made him an important observer of “church headquarters culture.”
Chamberlin interviewed her grandmother and six of her surviving great-aunts for Clogs and Shawls, the relatives who had made their way to Mormon Zion. She weaves novelistic passages with their first-person narratives to create a singular work of oral immigrant family history that is both lively and revealing.
Similar hesitancy existed in McKay’s failure to lift the priesthood and temple ban against black Mormons. Governing during the height of the Civil Rights movement, he never fully reconciled his belief in human spiritual equality with the racial tensions of his era. The voice of his dedicated secretary Clare Middlemiss often guides the diary’s narratives, revealing not only the personal musings of the church prophet but tracking the birth and development of the modern LDS Church as a social, political, and economic entity.
At a meeting of the LDS Quorum of the Twelve in 1860, one of the church’s senior apostles, Elder Heber C. Kimball, complained that “Brother Orson Pratt has withstood Joseph [Smith] and he has withstood Brother Brigham [Young] many times and he has done it tonight and it made my blood chill. It is not for you to lead [the prophet],” Kimball continued, “but to be led by him. You have not the power to dictate but [only] to be dictated [to].”
Whenever the quorum discussed Elder Pratt’s controversial sermons and writings and his streak of independent thinking, the conversation could become heated. As documented by Gary James Bergera in this surprisingly suspenseful account, Pratt’s encounters with his brethren ultimately affected not only his seniority in the Quorum of the Twelve but also had a lasting impact on LDS doctrine, policy, and organizational structure.
“There is not a man in the church that can preach better than Orson Pratt,” Brigham Young told the twelve apostles on another occasion. “It is music to hear him. But the trouble is, he will … preach false doctrine.”
Pratt responded that he was “not a man to make a confession of what I do not believe. I am not going to crawl to Brigham Young and act the hypocrite. I will be a free man,” he insisted. “It may cost me my fellowship, but I will stick to it. If I die tonight, I would say, O Lord God Almighty, I believe what I say.”
“You have been a mad stubborn mule,” Young replied. “[You] have taken a false position … It is [as] false as hell and you will not hear the last of it soon.”
Not infrequently, these two strong-willed, deeply religious men argued. Part of their difficulty was that they saw the world from opposing perspectives—Pratt’s a rational, independent-minded stance and Young’s a more intuitive and authoritarian position. “We have hitherto acted too much as machines … as to following the Spirit,” Pratt explained in a quorum meeting in 1847. “I will confess to my own shame [that] I have decided contrary to my own [judgment] many times. … I mean hereafter not to demean myself as to let my feelings run contrary to my own judgment.” He issued a warning to the other apostles: “When [President Young] says that the Spirit of the Lord says thus and so, I don’t consider [that] … all we should do is to say let it be so.”
For his part, Young quipped that Pratt exhibited the same “ignorance … as any philosopher,” telling him “it would be a great blessing to him to lay aside his books.” When Pratt appealed to logic, Young would say, “Oh dear, granny, what a long tail our puss has got.”
Ironically, Orson Pratt would have the last word both because Young preceded him in death and because several of Young’s teachings and policies had proven unpopular among the other apostles. One of Young’s counselors said shortly after the president’s death that “some of my brethren … even feel that in the promulgation of doctrine he [Young] took liberties beyond those to which he was legitimately entitled.” Meanwhile, Pratt continued to hold sway with some of his colleagues. His thoughtful—if ultra-literalistic—interpretations of scripture would also influence such later church leaders as Joseph Fielding Smith and Bruce R. McConkie.
Bergera’s nuanced approach avoids caricatures in favor of the many complexities of personalities and circumstances. It becomes clear that the conflict in which these men found themselves enmeshed had no easy, foreseeable resolution.
"...an engaging, fascinating contribution to angelic studies."
---Reviewer's Bookwatch
This fresh translation brings together the most remarkable selections from Swedish visionary Emanuel Swedenborg's works about the wisdom imparted to him by angels. These stories reveal the angels' natures, their spiritual loves, their heavenly education, and the true source of wisdom and beauty. These spirits share their knowledge for the good of those on earth, who are themselves created to become angels.
Look for this book's companion piece, Debates with Devils.
Charity is not only about giving to those in need, but in a broader sense about loving your neighbor and doing good things for other people without thought of reward. So wrote Swedish visionary Emanuel Swedenborg (1688-1772), who believed that charity, along with faith, was part of the foundation of spiritual practice.
This work combines two of Swedenborg's unpublished manuscripts to form a practical, inspirational handbook for applying the principle of doing good to daily life.
The European Enlightenment in the latter half of the eighteenth century heralded a grave conflict between theological and scientific modes of thought, starkly revealing the ancient tensions between spiritual knowledge and rationalism. Yet there was another, lesser-known movement during this time---a "covert" Enlightenment---that sought to bring fresh perspectives on the soul, and by extension, on the human mind and on consciousness. This work examines the influence of Emanuel Swedenborg and Anton Mesmer on the budding movement toward psychology in the late-eighteenth century and also spiritualism and millennialism in the nineteenth century.
Only by understanding the enduring poverty of Brazil can one hope to understand the recent growth of Protestant evangelical churches there, Cecília Loreto Mariz contends. Her study investigates how religious groups support individualism and encourage the poor to organize. Groups with shared values are then able to develop strategies to cope with poverty and, ultimately, to transform the social structure.
Interviews with members and leaders of religious groups, accounts of meetings, and close readings of religious literature contribute to a realistic account of Christian base communities and Assembly of God churches, folk Catholic tradition, and Afro Brazilian Spiritism.
Day-long conversations having drawn them away from their literary tasks, the two then decided to converse in writing. Correspondence, the result, examines the condition and future of Western culture-whose values, according to the historian Gershenzon, have deteriorated into a deadly burden upon mankind, into mankind's ultimate prison. For the poet Ivanov, it is not the disavowal of a cultural heritage but the struggle to recover man's own unity with God that alone guarantees his true, his spiritual freedom.
Contributors. Zaid Ahmad, Manuela Boatcă, Hans-Jürgen Burchardt, Raewyn Connell, Arturo Escobar, Sandra Harding, Ehsan Kashfi, Venu Mehta, Walter D. Mignolo, Ulrich Oslender, Issiaka Ouattara, Bernd Reiter, Manu Samnotra, Catherine E. Walsh, Aram Ziai
Wendy Gan’s Comic China investigates the circumstances and motivations of cross-cultural humor. How do works that trade in laughter shape our understanding of Western discourses about China? Is humor meant to be inclusive or exclusive? Does it protect or challenge the status quo? Gan suggests that the simple, straightforward laugh may actually be a far more intricate negotiation of power relations.
Gan unpacks texts by authors who had little real contact with China as well as writers whose proximity to China influenced their representations. Looking beyond the familiar canon of serious modernist texts and the Yellow Peril classics of popular fiction, Gan analyzes turn-of-the-twentieth-century musical comedies set in the Far East, Ernest Bramah’s chinoiserie-inspired tales, and interwar travel writing. She also considers the comic works of the missionary Arthur Henderson Smith, the former Maritime Customs Officer J.O.P. Bland, and the Shanghai journalist and advertising man Carl Crow.
Though it includes humor that is less than complimentary to the Chinese, Comic China reminds us that laughter is tied to our common humanity. Gan navigates the humor used in comic depictions ultimately to find, not superiority or ridicule, but common ground.
"By showing how different the last three centuries would have been if Montaigne, rather than Descartes, had been taken as a starting point, Toulmin helps destroy the illusion that the Cartesian quest for certainty is intrinsic to the nature of science or philosophy."—Richard M. Rorty, University of Virginia
"[Toulmin] has now tackled perhaps his most ambitious theme of all. . . . His aim is nothing less than to lay before us an account of both the origins and the prospects of our distinctively modern world. By charting the evolution of modernity, he hopes to show us what intellectual posture we ought to adopt as we confront the coming millennium."—Quentin Skinner, New York Review of Books
A renowned philosopher argues that singular causation in the mind is not grounded in general patterns of causation, a claim on behalf of human distinctiveness, which has implications for the future of social robots.
A blab droid is a robot with a body shaped like a pizza box, a pair of treads, and a smiley face. Guided by an onboard video camera, it roams hotel lobbies and conference centers, asking questions in the voice of a seven-year-old. “Can you help me?” “What is the worst thing you’ve ever done?” “Who in the world do you love most?” People pour their hearts out in response.
This droid prompts the question of what we can hope from social robots. Might they provide humanlike friendship? Philosopher John Campbell doesn’t think so. He argues that, while a social robot can remember the details of a person’s history better than some spouses can, it cannot empathize with the human mind, because it lacks the faculty for thinking in terms of singular causation.
Causation in Psychology makes the case that singular causation is essential and unique to the human species. From the point of view of practical action, knowledge of what generally causes what is often all one needs. But humans are capable of more. We have a capacity to imagine singular causation. Unlike robots and nonhuman animals, we don’t have to rely on axioms about pain to know how ongoing suffering is affecting someone’s ability to make decisions, for example, and this knowledge is not a derivative of general rules. The capacity to imagine singular causation, Campbell contends, is a core element of human freedom and of the ability to empathize with human thoughts and feelings.
Utilizing both ethnographic and archaeological examples, contributors ask big questions vital to anyone working in cultural heritage. What are the issues surrounding private versus museum collections? What is considered looting? Is archaeology still a form of colonialization? The contributors discuss this vis-à-vis a global variety of contexts and cultures from the United States, South Africa, Argentina, New Zealand, Honduras, Colombia, Palestine, Greece, Canada, and from the Nasa, Choctaw, and Maori nations.
Challenging the Dichotomy underscores how dichotomies—such as licit/illicit, state/nonstate, public/private, scientific/nonscientific—have been constructed and how they are now being challenged by multiple forces. Throughout the eleven chapters, contributors provide examples of hegemonic relationships of power between nations and institutions. Scholars also reflect on exchanges between Western and non-Western epistemologies and ontologies.
The book’s contributions are significant, timely, and inclusive. Challenging the Dichotomy examines the scale and scope of “illicit” forms of excavation, as well as the demands from minority and indigenous subaltern peoples to decolonize anthropological and archaeological research.
Cladistics is a method used in biology and paleobiology to establish phylogeny: what produced what and in what order. It is a very specific method, developed in Germany in the 1950s and currently the primary phylogenetic method in the world. Cladistics has also been applied to such fields as historical linguistics and manuscript history. If things evolve in a nonrandom way, they may be appropriately studied using this method.
In Cladistics and Archaeology, Michael O’Brien and Lee Lyman explore the application of cladistics to archaeology by considering artifacts as human phenotypic characters. Their fundamental premise is that particular kinds of characters (style, artifact type, tool) can be used to create historically meaningful nested taxa. Further, they argue that this approach offers a means of building connections and 'life histories' of archaeological artifacts.
In order to make a potentially difficult topic more readily comprehensible, the authors have organized the book as something of a primer. Cladistics and Archaeology includes many figures to illustrate basic concepts, as well as a case study that shows a step-by-step application of cladistics to archaeology.
Combining case studies and theoretical discussions, Current Paleoethnobotany presents the first full discussion of the major stages and problems of paleoethnobotanical research, from designing and testing equipment, such as flotation machines, to quantification and interpretation. The volume explores a wide range of issues concerning collection techniques, analytical procedures, and interpretive models that will provide accurate information about past human societies from plant remains. The contributors offer data on specific regions as well as more general background information on the basic techniques of paleoethnobotany for the nonspecialist. Throughout, they explicitly examine the assumptions underlying paleoethnobotanical methods and the ways in which those assumptions affect anthropological and ecological research questions.
Based on a symposium presented at the 1985 meeting of the Society for American Archaeology, Current Paleoethnobotany moves beyond a technique-oriented view of paleoethnobotany to successfully integrate current thinking about both procedures and research goals. The contributors demonstrate the potential value of the field of paleoethnobotany and open the way for further discussion and improvement.
Drawing on projects undertaken around the world, in the Phillipines, East Africa, Mesoamerica, India, in both traditional and complex societies, the contributors focus on identifying social and behavioral sources of ceramic variation to show how analogical reasoning is fundamental to archaeological interpretation. As the number of pottery-making societies declines, opportunities for such research must be seized. By bringing together a variety of ceramic ethnoarchaeological analyses, this volume offers the profession a much-needed touchstone on method and theory for the study of pottery-making among living peoples.
Intentional destruction of cultural heritage has a long history. Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria. Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing. Both seek to eliminate people and the heritage with which they identify.
Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities. Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide. Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and—as this book argues—must be extended to the protection of cultural heritage. Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen. Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage. A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action.
The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
The contributors describe various forms of cosmopolitan engagement involving sites that span the globe. They take up the links between conservation, natural heritage and ecology movements, and the ways that local heritage politics are constructed through international discourses and regulations. They are attentive to how communities near heritage sites are affected by archaeological fieldwork and findings, and to the complex interactions that local communities and national bodies have with international sponsors and universities, conservation agencies, development organizations, and NGOs. Whether discussing the toll of efforts to preserve biodiversity on South Africans living near Kruger National Park, the ways that UNESCO’s global heritage project universalizes the ethic of preservation, or the Open Declaration on Cultural Heritage at Risk that the Archaeological Institute of America sent to the U.S. government before the Iraq invasion, the contributors provide nuanced assessments of the ethical implications of the discursive production, consumption, and governing of other people’s pasts.
Contributors. O. Hugo Benavides, Lisa Breglia, Denis Byrne, Chip Colwell-Chanthaphonh, Alfredo González-Ruibal, Ian Hodder, Ian Lilley, Jane Lydon, Lynn Meskell, Sandra Arnold Scham
Transporting readers from derelict homesteads to imperiled harbors, postindustrial ruins to Cold War test sites, Curated Decay presents an unparalleled provocation to conventional thinking on the conservation of cultural heritage. Caitlin DeSilvey proposes rethinking the care of certain vulnerable sites in terms of ecology and entropy, and explains how we must adopt an ethical stance that allows us to collaborate with—rather than defend against—natural processes.
Curated Decay chronicles DeSilvey’s travels to places where experiments in curated ruination and creative collapse are under way, or under consideration. It uses case studies from the United States, Europe, and elsewhere to explore how objects and structures produce meaning not only in their preservation and persistence, but also in their decay and disintegration. Through accessible and engaging discussion of specific places and their stories, it traces how cultural memory is generated in encounters with ephemeral artifacts and architectures.
An interdisciplinary reframing of the concept of the ruin that combines historical and philosophical depth with attentive storytelling, Curated Decay represents the first attempt to apply new theories of materiality and ecology to the concerns of critical heritage studies.
On January 5, 1858, when British and French forces stormed Canton, the British seized a sizable quantity of archival materials belonging to the yamen of high functionaries of Kwangtung. After the documents had served their initial purpose of helping the British in the administration of Canton and in their subsequent dealings with the Chinese, they were stashed away and became mixed up with a much larger bulk of Chinese-language manuscripts in the Chinese Secretary's Office of the British Legation at Peking. For over a century, these important documents of the Opium War period remained unrecognized and were seldom exploited by scholars.
The collection as it stands today contains two thousand items of varying length ranging from a single page to multi-ts’e works, totaling nearly 10,000 folios. Although a few of the documents date back to the last quarter of the 18th century, the majority fall within the first half of the 19th. David Pong presents an extensive and carefully researched list of these documents, as well as an index, a bibliography, a concordance, and a critical introduction. With the aid of this invaluable research guide to a very important collection of archival materials, the Public Record Office has been able to reclassify its rich Chinese-language collection, and scholars will now be able to use these materials far more effectively in the future.
Dumbarton Oaks houses the largest collection of Byzantine lead seals in the world, with approximately 17,000 specimens. Volume 7 of the ongoing series of Dumbarton Oaks catalogues presents a distinct part of the collection: 572 anonymous seals bearing sacred images on both sides. The seals, almost all previously unpublished, are fully illustrated and accompanied by a detailed commentary that provides transcriptions of the identifying sigla. This volume represents the first attempt to analyze this group of seals chronologically and typologically.
The depictions of Christ, the Virgin, and a remarkably wide array of saints and narrative scenes offer rich and untapped material for scholars interested in Byzantine piety and culture. Discernible trends within this body of seals help to track the popularity of various saints and the changes in devotional images over time. The variety of these images, enhanced by reference to examples in other collections, will also enable scholars to compare the renderings of holy figures on lead seals to those appearing in other Byzantine religious images.
The vast collection of 17,000 Byzantine lead seals in the Harvard collections has long been recognized as an important source for the study of the Byzantine provinces. This volume, the first in a series of catalogues of geographical seals, covers the Empire’s western territories and its possessions North of Thessaly.
The sections begin with a short essay on the region’s location and history. Each seal is illustrated and is accompanied—where appropriate—by full commentary regarding the specimen’s date, biographical information on its owner, peculiarities of orthography, and special features of iconography. These small seals are a large contribution to historical geography, the evolution of the Byzantine provincial administration, prosopography, development in the Greek language, and decorative vogues.
Sardis, capital city of the Lydian and Persian kings, stronghold of the Seleukid kings, metropolis of Roman Asia, and episcopal see in the Byzantine period, has been the focus of archaeological research since the early 1900s. This monograph focuses on the over 8,000 coins minted in the Lydian, Hellenistic, Roman, and Byzantine periods that were excavated between 1973 and 2013 in the Harvard-Cornell Expedition.
The book places coins within eastern Mediterranean historical, cultural, and economic contexts, in order to better understand the monetized economy of Sardis. It adds important archaeological context to shed light on the uses of coins and the nature of the deposits, with attention paid to the problems of monetary circulation and chronological development of the deposits, especially in the Late Roman period. Statistical analyses, including a new method of analyzing the deposits, help define the nature and chronological horizons of the strata. A catalog of the coins concludes the main body of the study, followed by appendices on countermarks, monograms, and statistical analyses.
The 12,000 coins in the Dumbarton Oaks Collection and the Whittemore Collection at the Fogg Art Museum form one of the greatest specialized collections of Byzantine coins in the world. The catalogue, edited by Alfred R. Bellinger and Philip Grierson, publishes the majority of these coins, dating between 491 and 1453, in five volumes.
The first volume in the catalogue covers the coins of Anastasius I through Maurice, and includes a history of the collections.
The final volume in the series, this catalogue follows the general plan of volumes II–IV but differs from them in its use of the sylloge format for the catalogue proper. The collection of Palaeologan coins at Dumbarton Oaks is by far the largest that exists, and the field is one in which great advances have been made over the last half-century. This volume supersedes the previous accounts of Palaeologan coinage, and is definitive in its field.
Part I includes the introduction, appendices, and bibliography, while Part II continues with the catalogue, concordances, and indexes.
The 12,000 coins in the Dumbarton Oaks Collection and the Whittemore Collection at the Fogg Art Museum form one of the greatest specialized collections of Byzantine coins in the world. The catalogue, edited by Alfred R. Bellinger and Philip Grierson, publishes the majority of these coins, dating between 491 and 1453, in five volumes.
The third volume in this catalogue is in two parts. Part I examines Leo III to Michael III (717–867) and Part II covers the period between Basil I and Nicephorus III (867–1081). Continuing the practice established in volume two, an extensive general introduction treats the historical background, the monetary system, mints and mint activity, and types and inscriptions, while the introduction to each reign covers chronology, main features of the coinage, and types issued by mint.
The 12,000 coins in the Dumbarton Oaks Collection and the Whittemore Collection at the Fogg Art Museum form one of the greatest specialized collections of Byzantine coins in the world. The catalogue, edited by Alfred R. Bellinger and Philip Grierson, publishes the majority of these coins, dating between 491 and 1453, in five volumes.
The second volume in this catalogue is in two parts. Part I examines Phocas and Heraclius (602–641) and Part II covers the period between Heraclius Constantine to Theodosius III (602–717). The extensive introduction treats the historical background, the monetary system, mints and mint activity, and types and inscriptions. Each reign also includes a longer introduction that covers chronology, main features of the coinage, and types issued by mint.
The fourth in a series of five catalogues, this volume’s sections have a more extensive treatment, featuring imperial costume and regalia, their importance in coin designs; the coordination, control, and methods of coin production; and an excursus on the main issues of the years around 1204. The introductions to each reign have also been expanded to take account of the historical and numismatic complexities of the period, and many more specimens from outside Dumbarton Oaks have been illustrated, offering a greater degree of coverage.
This volume is in two parts. Part I covers the reigns of Alexius I to Alexius V (1081–1204), and Part II covers the emperors of Nicea and their contemporaries (1204–1261).
In recent years, the Confederate flag has become as much a news item as a Civil War relic. Intense public debates have erupted over Confederate flags flying atop state capitols, being incorporated into state flags, waving from dormitory windows, or adorning the T-shirts and jeans of public school children. To some, this piece of cloth is a symbol of white supremacy and enduring racial injustice; to others, it represents a rich Southern heritage and an essential link to a glorious past. Polarizing Americans, these "flag wars" reveal the profound--and still unhealed--schisms that have plagued the country since the Civil War.
The Confederate Battle Flag is the first comprehensive history of this contested symbol. Transcending conventional partisanship, John Coski reveals the flag's origins as one of many banners unfurled on the battlefields of the Civil War. He shows how it emerged as the preeminent representation of the Confederacy and was transformed into a cultural icon from Reconstruction on, becoming an aggressively racist symbol only after World War II and during the Civil Rights movement. We gain unique insight into the fine line between the flag's use as a historical emblem and as an invocation of the Confederate nation and all it stood for. Pursuing the flag's conflicting meanings, Coski suggests how this provocative artifact, which has been viewed with pride, fear, anger, nostalgia, and disgust, might ultimately provide Americans with the common ground of a shared and complex history.
In The Contested Crown, Khadija von Zinnenburg Carroll meditates on the case of a spectacular feather headdress believed to have belonged to Montezuma, emperor of the Aztecs. This crown has long been the center of political and cultural power struggles, and it is one of the most contested museum claims between Europe and the Americas. Taken to Europe during the conquest of Mexico, it was placed at Ambras Castle, the Habsburg residence of the author’s ancestors, and is now in Vienna’s Welt Museum. Mexico has long requested to have it back, but the Welt Museum uses science to insist it is too fragile to travel.
Both the biography of a cultural object and a history of collecting and colonizing, this book offers an artist’s perspective on the creative potentials of repatriation. Carroll compares Holocaust and colonial ethical claims, and she considers relationships between indigenous people, international law and the museums that amass global treasures, the significance of copies, and how conservation science shapes collections. Illustrated with diagrams and rare archival material, this book brings together global history, European history, and material culture around this fascinating object and the debates about repatriation.
Popular views of medieval chivalry—knights in shining armor, fair ladies, banners fluttering from battlements—were inherited from the nineteenth-century Romantics. This is the first book to explore chivalry’s place within a wider history of medieval England, from the Norman Conquest to the aftermath of Henry VII’s triumph at Bosworth in the Wars of the Roses.
Saul invites us to view the world of castles and cathedrals, tournaments and round tables, with fresh eyes. Chivalry in Medieval England charts the introduction of chivalry by the Normans, the rise of the knightly class as a social elite, the fusion of chivalry with kingship in the fourteenth century, and the influence of chivalry on literature, religion, and architecture. Richard the Lionheart and the Crusades, the Black Death and the Battle of Crecy, the Magna Carta and the cult of King Arthur—all emerge from the mists of time and legend in this vivid, authoritative account.
Most of us, however, give up a few generations back. We run into a gap, get embarrassed by a ne’er-do-well, or simply find our ancestors are less glamorous than we’d hoped. That didn’t stop Alison Light: in the last weeks of her father’s life, she embarked on an attempt to trace the history of her family as far back as she could reasonably go. The result is a clear-eyed, fascinating, frequently moving account of the lives of everyday people, of the tough decisions and hard work, the good luck and bad breaks, that chart the course of a life. Light’s forebears—servants, sailors, farm workers—were among the poorest, traveling the country looking for work; they left few lasting marks on the world. But through her painstaking work in archives, and her ability to make the people and struggles of the past come alive, Light reminds us that “every life, even glimpsed through the chinks of the census, has its surprises and secrets.”
What she did for the servants of Bloomsbury in her celebrated Mrs. Woolf and the Servants Light does here for her own ancestors, and, by extension, everyone’s: draws their experiences from the shadows of the past and helps us understand their lives, estranged from us by time yet inextricably interwoven with our own. Family history, in her hands, becomes a new kind of public history.
Despite the range and abundance of autobiographical writing from the Anglophone Caribbean, this book is the first to explore this literature fully. It covers works from the colonial era up to present-day AIDS memoirs and assesses the links between more familiar works by George Lamming, C. L. R. James, Derek Walcott, V. S. Naipaul, and Jamaica Kincaid and less frequently cited works by the Hart sisters, Mary Prince, Mary Seacole, Claude McKay, Yseult Bridges, Jean Rhys, Anna Mahase, and Kamau Brathwaite.
Sandra Pouchet Paquet charts the intersection of multiple, contradictory viewpoints of the colonial and postcolonial Caribbean, differing concepts of community and levels of social integration, and a persistent pattern of both resistance and accommodation within island states that were largely shaped by British colonial practice from the mid-seventeenth through the mid-twentieth century. The texts examined here reflect the entire range of autobiographical practice, including the slave narrative and testimonial, written and oral narratives, spiritual autobiographies, fiction, serial autobiography, verse, diaries and journals, elegy, and parody.
Franke draws on extensive primary sources to create an engrossing narrative of his Catholic grandfather and Lutheran grandmother as they flee religious intolerance and economic adversity in Germany and immigrate to America in 1884. They settle in Springfield, Illinois, where they start a family and business and live out the American dream—with its attendant perils and promises—as their business evolves from a tailor's shop to a modern, thriving dry cleaner. Their story is one of strife, frustration, and success. Franke chronicles how they struggle to raise a family in a foreign culture with radically different values, as the old world morals that fuel their prosperity give rise to ancient family tensions that haunt each new generation.
By turns charming, wrenching, and poetic, Cut from Whole Cloth is an intensely personal yet timeless tale that will appeal to nearly every descendant of immigrants.
Not so long ago, the Rock Island Railroad was a household name, the Great Depression was a recent memory, and family farms dotted the landscape. Today, the great railroads have nearly disappeared, the Depression is a chapter in history books, and family farms are hard to come by. Yet this time is not forgotten.
In Central Standard: A Time, a Place, a Family, Patrick Irelan vividly recaptures a remarkable era in midwestern history in twenty-four beautifully crafted and often witty essays. Beginning with his parents’ marriage in 1932 and continuing into the present, Irelan relates the many wonderful stories and experiences of his Davis County, Iowa, family. In “Country Living,” he describes his parents’ disheartening life as farmers during the worst years of the Depression. “The CB&Q” then relates the happiest years of his family’s life when his parents lived and worked in the Burlington Railroad depots of rural Nebraska.
Irelan’s tales of hard times and harder work, family meals and talkative relatives, depots and farmsteads paint a brilliant yet deceptively simple portrait of one rural, working-class family. At its heart, Central Standard carries a greater message: it reminds us of the enduring strength of the American family.
A child of the Depression, Grossman witnessed firsthand the dislocations wrought by the collapse of the U.S. economy during the 1930s. Widespread unemployment and poverty, CIO sit-down strikes, and the fight to save Republican Spain from fascism-all made an indelible impression as he grew up in an environment that nurtured a commitment to left-wing causes. He continued his involvement with communist activities as a student at Harvard in the late 1940s and after graduation, when he took jobs in two factories in Buffalo, New York, and tried to organize their workers.
Fleeing McCarthyite America and potential prosecution, Grossman worked in the GDR with other Western defectors and eventually became, as he notes, the "only person in the world to attend Harvard and Karl Marx universities." Later, he was able to establish himself as a freelance journalist, lecturer, and author. Traveling throughout East Germany, he evaluated the failures as well as the successes of the GDR's "socialist experiment." He also recorded his experiences, observations, and judgments of life in East Berlin after reunification, which failed to bring about the post-Communist paradise so many had expected.
Written with humor as well as candor, Crossing the River provides a rare look at the Cold War from the other side of the ideological divide.
Mark Solomon, a distinguished historian of the American left, provides a historical afterword that places Grossman's experiences in a larger Cold War context.
B-Day, as it came to be known, finally arrived. It was a Friday. A school day. I identified with Cinderella as I watched Dad get ready for work. Holster, check. Gun, check. Billy club, check. Handcuffs, check. . . . Saturday morning I got up early. Dad was already gone. Back to work. Ushering the Beatles out of town. On the table . . . there were two small bars of soap, slightly used, the words "Coach House Inn" still legible. One book of matches with four missing. And a note from Dad, "From their room." . . . No one else’s dad comes home from work with something that might, just might, have been intimate with a Beatle.
Growing up, Mel Miskimen thought that a gun and handcuffs on the kitchen table were as normal as a gallon of milk and a loaf of Mrs. Karl’s bread. Her father, a Milwaukee cop for almost forty years was part Super Hero (He simply held up his hand and three lanes of traffic came to a screeching halt) and part Supreme Being (He could be anywhere at anytime. I never knew when or where he would pop up.) Miskimen’s memoir, told in humorous vignettes, tells what it was like for a girl growing up with a dad who packed a lunch and packed heat.
“There was so much space.” These words epitomize ecologist Joe Truett's boyhood memories of the Angelina River valley in East Texas. Years and miles later, back home for the funeral of his grandfather, Truett began a long meditation on the world Corbett Graham had known and he himself had glimpsed, a now-vanished world where wild hogs and countless other animals rustled through the leaves, cows ate pinewoods grass instead of corn, oaks and hickories and longleaf pines were untouched by the corporate ax, and the river flowed freely. Truett's meditation resulted in this clear-sighted portrait of a place over time, its layers revealed by his love and care and curiosity.Truett celebrates his family's heritage and the unspoiled natural world of the Piney Woods without nostalgia. He recreates an older, simpler, more worthy age, but he knows that we have lost touch with it because we wanted to: he laments the loss but understands it. What makes his prose so moving and so redeeming is this precise combination of honesty and sorrow, overlaid by a quiet passion for both the natural and the human worlds.
En 1961, cuando la autora tenía cinco años, su familia salió de Buenos Aires, Argentina, para emigrar a los Estados Unidos y establecerse en Marion, un pueblo en el corazón del Black Belt de Alabama. En una región definida por la segregación racial, la familia Quintero, por su condición de clase media educada, se halló en una situación privilegiada para observar las tensiones que minaban la cultura y la sociedad en la que vivían.
Weaver salió de constancia de lo que signifacaba ser una niña latina en una le las regiones más racistas del sur de los Estados Unidos, tratando de entender tanto un país extranjero, como el horror de las relaciones raciales de nuestra nación. Excluida de las categorías raciales empleadas por entonces, la autora observó desde muy temprana edad las desigualdades de la cultura estadounidense, regida por un ideal de belleza femenina que privilegiaba a la mujer rubia y de ojos azules. A lo largo de su vida, Weaver ha luchado por encontrar su lugar en la sociedad norteamericana cuestionando la discriminación de su entorno. Cuarto oscuro contituye su legado visual y verbal sobre esa lucha.
At the center of an artistic milieu as vital and exciting as the Left Bank of Paris or Greenwich Village, Rosa and Miguel Covarrubias knew almost everyone in the limelight of the 1930s and 1940s—Langston Hughes, Carl Van Vechten, John Huston, Diego Rivera, and Frida Kahlo, to name just a few. As fascinating themselves as any of their friends, the couple together fostered a renaissance of interest in the history and traditional arts of Mexico's indigenous peoples, while amassing an extraordinary collection of art that ranged from pre-Hispanic Olmec and Aztec sculptures to the work of Diego Rivera.
Written by a long-time friend of Rosa, this book presents a sparkling account of the life and times of Rosa and Miguel. Adriana Williams begins with Miguel's birth in 1904 and follows the brilliant early flowering of his artistic career as a renowned caricaturist for Vanity Fair and the New Yorker magazines, his meeting and marriage with Rosa at the height of her New York dancing career, and their many years of professional collaboration on projects ranging from dance to anthropology to painting and art collecting to the development of museums to preserve Mexico's pre-Columbian heritage. Interviewing as many of their friends as possible, Williams fills her narrative with reminiscences that illuminate Miguel's multifaceted talents, Rosa's crucial collaboration in many of his projects, and their often tempestuous relationship.
This biography is more than a recounting of extraordinary accomplishments. It also embraces the transatlantic life experience of Yee who traveled from China to England and then on to the United States, where he taught at Columbia University, to his return to China in 1975, after a forty-two year absence. Interwoven is the history of the communist revolution in China; the battle to save England during World War II; the United States during the McCarthy red scare era; and, eventually, thawing Sino-American relations in the 1970s. Da Zheng uncovers Yee's encounters with racial exclusion and immigration laws, displacement, exile, and the pain and losses he endured hidden behind a popular public image.
The experiences of Colorado women differed greatly across economic, ethnic, and racial backgrounds. Marital status, religious affiliation, and sexual orientation colored their worlds and others' perceptions and expectations of them. Each chapter addresses the everyday lives of women in a certain period, placing them in historical context, and is followed by vignettes on women's organizations and notable individuals of the time.
Native American, Hispanic, African American, Asian and Anglo women's stories hail from across the state--from the Eastern Plains to the Front Range to the Western Slope--and in their telling a more complete history of Colorado emerges. Colorado Women makes a significant contribution to the discussion of women's presence in Colorado that will be of interest to historians, students, and the general reader interested in Colorado, women's and western history.
UFOs and aliens, unexplained mysteries, religious cults, diffusion, creationism. We are all familiar with beliefs about human life that lie outside traditional scientific boundaries. Notions such as these are considered reasonable by vast numbers of us in the Western world, in our modern “technological” and “educated” cultures.
Understanding why this should be so and how we as a society might deal with these widespread pseudoscientific beliefs are the subjects at the heart of this study. The authors—specialists in anthropology, archaeology, sociology, psychology, and history—explore creationism, which claims that there is evidence to support a literal interpretation of the origins of the world and of humanity as narrated in the Book of Genesis, and cult archaeology, which encompasses a wide range of fantastic beliefs about our past.
Cult Archaeology and Creationism contains several essays on the history of pseudoscientific beliefs and their current manifestations as well as the results of a unique research project in which students at five campuses across the country were asked about their beliefs and about such background factors as their school experience and religious faith. This expanded edition also includes two new essays, one on Afrocentrism and another that views cult archaeology and creationism in the 1990s and beyond.
--Lizabeth Cohen, author of A Consumers' Republic
"A Crooked Line brilliantly captures the most significant shifts in the landscape of historical scholarship that have occurred in the last four decades. Part personal history, part insightful analysis of key methodological and theoretical historiographical tendencies since the late 1960s, always thoughtful and provocative, Eley's book shows us why history matters to him and why it should also matter to us."
--Robert Moeller, University of California, Irvine
"Part genealogy, part diagnosis, part memoir, Eley's account of the histories of social and cultural history is a tour de force."
--Antoinette Burton, Professor of History and Catherine C. and Bruce A. Bastian Professor of Global and Transnational Studies, University of Illinois
"Eley's reflections on the changing landscape of academic history in the last forty years will interest and benefit all students of the discipline. Both a native informant and an analyst in this account, Eley combines the two roles superbly to produce one of most engaging and compelling narratives of the recent history of History."
--Dipesh Chakrabarty, author of Provincializing Europe
Using his own intellectual biography as a narrative device, Geoff Eley tracks the evolution of historical understanding in our time from social history through the so-called "cultural turn," and back again to a broad history of society.
A gifted writer, Eley carefully winnows unique experiences from the universal, and uses the interplay of the two to draw the reader toward an organic understanding of how historical thinking (particularly the work of European historians) has evolved under the influence of new ideas. His work situates history within History, and offers students, scholars, and general readers alike a richly detailed, readable guide to the enduring value of historical ideas.
Geoff Eley is Professor of History at the University of Michigan.
Offering a unique perspective on the very notions and practices of storytelling, history, memory, and language, Clio’s Laws collects ten essays (some new and some previously published in Spanish) by a revered voice in global history. Taking its title from the Greek muse of history, this opus considers issues related to the historian’s craft, including nationalism and identity, and draws on Tenorio-Trillo’s own lifetime of experiences as a historian with deep roots in both Mexico and the United States. By turns deeply ironic, provocative, and experimental, and covering topics both lowbrow and highbrow, the essays form a dialogue with Clio about idiosyncratic yet profound matters.
Tenorio-Trillo presents his own version of an ars historica (what history is, why we write it, and how we abuse it) alongside a very personal essay on the relationship between poetry and history. Other selections include an exploration of the effects of a historian’s autobiography, a critique of history’s celebratory obsession, and a guide to reading history in an era of internet searches and too many books. A self-described exile, Tenorio-Trillo has produced a singular tour of the historical imagination and its universal traits.
The volume wrestles with intertwined questions that continue to emerge from Mosse’s pioneering research, including: What role do sexual and racial stereotypes play in European political culture before and after 1945? How are gender and Nazi violence bound together? And what does commemoration reveal about national culture? Importantly, the contributors pose questions that are inspired by Mosse’s work but that he did not directly examine. For example, to what extent were Nazism and Italian Fascism colonial projects? How have popular radical right parties reinforced and reimagined ethnonationalism and nativism? And how did Nazi perpetrators construct a moral system that accommodated genocide? Much like Mosse’s own work, the chapters in this book inspire new interventions into the history of gender and sexuality, Jewish identity during the rise of the Third Reich, and the many reincarnations of fascist pageantry and mass politics.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press