Drawing on continental philosophy, Devouring One’s Own Tail examines culture and society as a type of ouroboros.
 
Inspired by Niklas Luhmann’s theories on social systems, this book examines the concept of autopoiesis, or self-creation, as it relates to society and culture. Approaching the concept from a variety of fields—philosophy, philology, aesthetics, linguistics, archaeology, and religious and media studies—the contributors present the products of humanity as self-referential, self-sustaining, and self-creating systems. Through four sections, the book addresses the philosophical concept of autopoiesis and its relations to creativity, destruction, and self-organization; autopoiesis in literature and art history;  autopoiesis in religion; and autopoiesis in historiography, cognitive linguistics, and social media. Whether exploring Hegel’s theory of knowledge or the viral spread of conspiracy theories on the internet, the authors concentrate on the ouroboros-like nature of their subjects in the ways they feed off of themselves.

Cloud Computing has already been embraced by many organizations and individuals due to its benefits of economy, reliability, scalability and guaranteed quality of service among others. But since the data is not stored, analysed or computed on site, this can open security, privacy, trust and compliance issues. This one-stop reference covers a wide range of issues on data security in Cloud Computing ranging from accountability, to data provenance, identity and risk management.

Deaf Mobility Studies revolutionizes how we think about deaf people’s international experiences. Equipped with a common theoretical framework, a team of five deaf ethnographers journeyed alongside their participants to delve into a rich array of experiences—ranging from career advancements and marriages to tourism and the challenges faced by deaf refugees. The authors present their findings within the framework of Deaf Mobility Studies, which brings together the transdisciplinary fields of Deaf Studies and Mobility Studies. Far from taking 'deaf cosmopolitanism' as a given, this work scrutinizes it as a multifaceted phenomenon to be both affirmed and questioned. Themes that emerge include how deaf people seek spaces of belonging, engage in languaging, expand their networks, and experience immobility.

The text is augmented by direct links to clips in nine ethnographic films, analysis of selected film excerpts and screenshots, and compelling data visualizations. Deaf Mobility Studies is an expansive odyssey through the complexities and opportunities inherent in deaf international mobility.

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In the early 1970s, while living at home with her conservative, middle-class family and studying at the University of São Paulo, Gabriela Leite decided to become a sex worker. From her first client in a tiny room in downtown São Paulo to the launch of an exuberant clothing line designed for sex workers in Rio de Janeiro thirty years later, Daughter, Mother, Grandmother, and Whore tells the fascinating story of Leite’s bold and unique life in her own words. After helping organize Brazil’s first protests of sex workers against police brutality, she moved to Rio de Janeiro where she quickly became ensconced in the city’s storied red-light district. From there, Leite built a national network of politicized sex workers, worked for HIV/AIDS prevention efforts, and participated in Brazil’s robust new civil society after it returned to democracy in 1985 after a twenty-one-year military dictatorship. Insistent on advocating for the sex worker’s comprehensive human rights, Leite pioneered an irreverent grassroots Latin American feminism, which critiqued moral hypocrisies and Christian conservatism while affirming pleasure, joy, and agency. Daughter, Mother, Grandmother, and Whore also includes a foreword by artist and activist Carol Leigh.

Doing Digital Migration present a comprehensive entry point to the variety of theoretical debates, methodological interventions, political discussions and ethical debates around migrant forms of belonging as articulated through digital practices. Digital technologies impact upon everyday migrant lives, while vice versa migrants play a key role in technological developments – be it when negotiating the communicative affordances of platforms and devices, as consumers of particular commercial services such as sending remittances, as platform gig workers or test cases for new advanced surveillance technologies. With its international scope, this anthology invites scholars to pluralize understandings of ‘the migrant’ and ‘the digital’. The anthology is organized in five different sections: Creative Practices; Digital Diasporas and Placemaking; Affect and Belonging; Visuality and digital media and Datafication, Infrastructuring, and Securitization. These sections are dedicated to emerging key topics and debates in digital migration studies, and sections are each introduced by international experts.

The overarching theme of Discourse and Technology is cutting-edge in the field of linguistics: multimodal discourse. This volume opens up a discussion among discourse analysts and others in linguistics and related fields about the two-fold impact of new communication technologies: The impact on how discourse data is collected, transcribed, and analyzed—and the impact that these technologies are having on social interaction and discourse.

As inexpensive tape recorders allowed the field to move beyond text, written or printed language, to capture talk—discourse as spoken language—the information explosion (including cell phones, video recorders, Internet chat rooms, online journals, and the like) has moved those in the field to recognize that all discourse is, in various ways, "multimodal," constructed through speech and gesture, as well as through typography, layout, and the materials employed in the making of texts.

The contributors have responded to the expanding scope of discourse analysis by asking five key questions: Why should we study discourse and technology and multimodal discourse analysis? What is the role of the World Wide Web in discourse analysis? How does one analyze multimodal discourse in studies of social actions and interactions? How does one analyze multimodal discourse in educational social interactions? and, How does one use multimodal discourse analyses in the workplace? The vitality of these explorations opens windows onto even newer horizons of discourse and discourse analysis.

Early in the eighth century, the current of the Muslim movement that inundated northern Spain crept over the Pyrenees to spread across a portion of the French Midi. From the north the tide of Carolingian conquest forced the Muslims back and took in these same southern French and northern Spanish provinces. During the same era the Vikings raided intermittently and with varying degrees of intensity along the seacoasts and up the inland waterways, sometimes controlling considerable areas for extended periods.

These raids and conquests inevitably affected the way of life of the people of southern France and Catalonia. Contemporary travelers and later scholars have noted that the feudal traditions and obligations that were so strong in the north seemed very weak or nonexistent in the south. They found that the land seemed to be held largely as allods, not as feudal fiefs; they saw that women held positions of surprising power, that throughout the area there was great emphasis on money, and that the traditions of Roman and Visigothic law still survived.

Although scholars have noted these differences, no one has made a comprehensive study of southern French and Catalan society as a whole. It is to fill this void that Archibald Lewis provides this volume. In a detailed and scholarly study, based largely upon original records and chronicles, he examines the familial, social, economic, governmental, military, and religious life of the area from 718 to 1050 A.D.

Lewis gives as comprehensive a picture as the records will permit of the society that existed in the early eighth century, describes and discusses the major changes which took place during the next three centuries, and analyzes their causes and effects. This study, which includes careful and detailed notes and an extensive bibliography, provides a reliable and long-needed reference tool.

Martha Hughes Cannon (1857–1932) may best be known as the first female state senator in the United States, elected in Utah in 1896, nearly a quarter century before most women in the country could vote. She was also a suffragist, physician, gifted speaker, plural wife, faithful member of the Church of Jesus Christ of Latter-day Saints, and mother of three. This short biography examines what drove Cannon to accomplish so much. Following two periods of self-imposed exile to avoid prosecution for polygamy, and a subsequent career in partisan politics, she died in California, surrounded by her children and grandchildren but virtually forgotten by the larger world. She had much to say during her lifetime and has much to say to us today about persevering in spite of adversity. Constance Lieber chronicles the important story of one of the American West’s and Mormonism’s most intriguing characters.

Longus seems to have been a pagan sophist who lived about 200 CE; he is known to us only by his novel Daphnis and Chloe. This is the bucolic story of two foundlings, brought up by goatkeepers and shepherds on the island of Lesbos, who gradually fall in love. Notable among ancient romances for its perceptive characterizations, Daphnis and Chloe traces the development of the protagonists' love for each other from childlike innocence to full sexual maturity, the successive stages marked by adventures. The novel's picture of nature and rural life offers its own enchantments.

Parthenius of Nicaea in Bithynia, a Greek poet, was brought to Rome in 73 BCE as a prisoner of war. After his release he settled in Italy and worked as poet and teacher. Virgil was one of his students. Parthenius's poetry, mainly elegiac, is lost, and his only extant work is Erotica Pathemata, an anthology of prose summaries of love stories from Greek literature, collected apparently for the use of Roman poets.

Key to China's plans to promote rural development is the de-marginalisation of the countryside through the incorporation of rural areas into the urban-based market-oriented financial system. For this reason, Chinese development planners have turned to microcredit -- i.e. the provision of small-scale loans to 'financially excluded' rural households -- as a means of increasing 'financial consciousness' and facilitating rural de-marginalisation. Drawing on in-depth fieldwork in rural China, this book examines the formulation, implementation and outcomes of government-run microcredit programmes in China, illuminating the diverse roles that microcredit plays in local processes of socioeconomic development and the livelihoods of local actors. It details how microcredit facilitates de-marginalisation for some, while simultaneously exacerbating the marginalisation of others; and exposes the ways in which microcredit and other top-down development strategies reflect and reinforce the contradictions and paradoxes implicit in rural China's contemporary development landscape.

A narrative of the life of Arminius Vámbéry.

Who was Arminius Vámbéry? A poverty-stricken, Jewish autodidact; a linguist, traveler, and writer—or a sometime Zionist, inspiration for Dracula’s nemesis, and British secret agent? Vámbéry wrote his own story many times over, and it was these often highly embroidered accounts of journeys through Persia and Central Asia that saw him acclaimed in Victorian England as an intrepid explorer and daring adventurer. Against the backdrop of the “Great Game,” in which Russia and Britain jostled for territory, influence, and control of the borders and gateways to India and its wealth, Vámbéry played the roles of hero and double-dealer, of fascinated witness and imperialist charlatan.

The Dervish Bowl is the story of these competing narratives and a compelling investigation of both the ever-changing persona Vámbéry created for himself and the man who emerges from his private correspondence and the accounts of both his friends and his enemies, many of whom were themselves major players in the geopolitical adventures of the volatile nineteenth century—a time when Britain’s ambitions for her empire were at their height, yet nothing and no one was quite as they seemed.
 

This study identifies the knowledge, skills, abilities, and other personal characteristics needed in individuals who will be responsible for implementing strategic diversity plans in the Department of Defense (DoD). The authors interviewed more than 60 diversity leaders in industry, the public sector (including DoD), and academia and reviewed relevant scientific literature, education programs, and advertised job requirements.

In the fifteenth century, the Oblates of Santa Francesca Romana, a fledgling community of religious women in Rome, commissioned an impressive array of artwork for their newly acquired living quarters, the Tor de'Specchi. The imagery focused overwhelmingly on the sensual, corporeal nature of contemporary spirituality, populating the walls of the monastery with a highly naturalistic assortment of earthly, divine, and demonic figures. This book draws on art history, anthropology, and gender studies to explore the disciplinary and didactic role of the images, as well as their relationship to important papal projects at the Vatican.

The modem Brazilian short story begins with the mature work of Joaquim Maria Machado de Assis (1839-1908), acclaimed almost unanimously as Brazil's greatest writer. Collectively, these nineteen stories are representative of Machado's unique style and world view, and this translation doubles the number of his stories previously available in English.

The stories in this volume reflect Machado's post-1880 emphasis on social satire and experimentation in psychological realism. If he had continued to produce the moralistic love stories and parlor intrigues of his earlier fiction, Machado's legacy would have been an entertaining but inconsequent body of work. However, by 1880 he had begun a devastating satirical assault on society through his fiction. In spite of his ruthlessness, Machado does at times reveal an ironic sympathy for his characters. He is not indifferent to human conflict but uses humor and irony to stress the absurdity of these conflicts, acted out against the backdrop of an indifferent universe. Such a spectacle creates a sense of helplessness that can only inspire wistful amusement.

In his technical mastery of the short story. Machado was decades ahead of his contemporaries and can still be considered more modern than most of the modernists themselves. That his stories elicit such strong and diverse reactions today is a tribute to their richness, complexity, and significance.

A collection of essays exploring the intersection of dating and digital reality. 

Data Dating is a collection of eleven academic essays accompanied by eleven works of media art that provide a comprehensive insight into the construction of love and its practices in the time of digitally mediated relationships. The essays come from recognized researchers in the field of media and cultural studies.

The Development of Dogma examines the nature of dogmatic statements and the causes of development. It devotes particular attention to the emergence of the form of dogmatic statements at the Council of Nicaea, but notes how this form is anticipated in the New Testament. It situates dogma and its development within the matrix of the great fundamental theological realities of Scripture, Tradition, and Magisterium. Fr. Mansini examines at some length how the Church comes to recognize a development as a genuine development rather than as a distortion of the word of God. The Development of Dogma is especially valuable today for its discussion and defense of the philosophical presuppositions of dogma, which are often simply presupposed but should not be ignored in a complete account of development. These presuppositions touch on fundamental philosophical issues, including the nature of knowledge, the objectivity and trustworthiness of names, and the various logical forms employed in understanding how development is related to a closed revelation. The historicity of human knowledge is also addressed, and the role of dogma itself in heading off the extreme relativism the historical nature of man is supposed to imply for ecclesial faith and life. The Church's dogma about dogma enunciated at the First Vatican Council is also examined. The role of certain fundamental concepts in understanding the possibility of the irreformability of dogma it speaks of is expressly addressed—concepts in principle accessible to all human beings and that enable a trans-cultural, trans-temporal proposal and reception of revealed truth.

In life, Elvis Presley went from childhood poverty to stardom, from world fame to dissipation and early death. As Greil Marcus shows in this remarkable book, Presley's journey after death takes him even further, pushing him beyond his own frontiers to merge with the American public consciousness—and the American subconscious.

As he listens in on the public conversation that recreates Elvis after death, Marcus tracks the path of Presley's resurrection. He grafts together scattered fragments of the eclectic dialogue—snatches of movies and music, books and newspapers, photographs, posters, cartoons—and amazes us with not only what America has been saying as it raises its late king, but also what this strange obsession with a dead Elvis can tell us about America itself.

How do we experience disaster films in cinema? And where does disaster cinema come from? The two questions are more closely related than one might initially think. For the framework of the cinematic experience of natural disasters has its roots in the mid-eighteenth century when the aesthetic category of the sublime was re-established as the primary mode for appreciating nature's violent forces. In this book, the sublime is understood as a complex and culturally specific meeting point between philosophical thought, artistic creation, social and technical development, and popular imagination. On the one hand, the sublime provides a receptive model to uncover how cinematic disaster depictions affect our senses, bodies and minds. On the other hand, this experiential framework of disaster cinema is only one of the most recent agents within the historical trajectory of sublime disasters, which is traced in this book among a broad range of media: from landscape and history painting to a variety of pictorial devices like Eidophusikon, Panorama, Diorama, and, finally, cinema.

At the start of the American War of Independence, Great Britain dominated overseas commerce and was the leading slave-trading nation in the world. In 1776, American privateers—privately owned ships granted commissions by the Continental Congress to attack and disrupt enemy trade—began to prey on British merchantmen.  Some privateers captured British slave ships with African captives on board just before they arrived at their Caribbean Island destinations.
            One privateer was given an extraordinary task: to sail across the Atlantic to attack British slave trading posts and ships on the coast of West Africa. Based on a little-known contemporary primary source, The Journal of the Good Ship Marlborough, the story of this remarkable voyage is told here for the first time and will have a major impact on our understanding of the Atlantic slave trade and the American Revolution. The voyage of the Marlborough was the brainchild of John Brown, a prominent Rhode Island merchant—and an investor in two slave trading voyages himself. The motivation was not altruistic. The officers and crew of the Marlborough wanted to advance the cause of independence from Britain through harming Britain’s economy, but they also desired to enrich themselves by selling the plunder they captured—including enslaved Africans.
            The work of the Marlborough and other American privateers was so disruptive that it led to an unintended consequence: virtually halting the British slave trade. British slave merchants, alarmed at losing money from their ships being captured, invested in many fewer slave voyages.  As a result tens of thousands of Africans were not forced onto slave ships, transported to the New World, and consigned to a lifetime of slavery or an early death.
            In Dark Voyage: An American Privateer’s War on Britain’s African Slave Trade, veteran researcher and writer Christian McBurney recreates the harrowing voyage of the Marlborough, while placing it in the context of Atlantic World slavery. In Africa, Marlborough’s officers come across an array of African and European slave traders willing to assist them in attacking the British. This book is also the first study to detail the many captures American privateers made of British slave ships during the Revolutionary War.

For at least half a million years, people have been doing some very strange things with fossils. Long before a few seventeenth-century minds started to decipher their true, organic nature, fossils had been eaten, dropped in goblets of wine, buried with the dead, and adorned bodies. What triggered such curious behavior was the belief that some fossils could cure illness, protect against being poisoned, ease the passage into the afterlife, ward off evil spirits, and even kill those who were just plain annoying. But above all, to our early prehistoric ancestors, fossils were the very stuff of artistic inspiration. Drawing on archaeology, mythology, and folklore, Ken McNamara takes us on a journey through prehistory with these curious stones, and he explores humankind’s unending quest for the meaning of fossils.

In October 1948, a seemingly average fog descended on the tiny mill town of Donora, Pennsylvania. With a population of fewer than fifteen thousand, the town’s main industry was steel and zinc mills—mills that continually emitted pollutants into the air. The six-day smog event left twenty-one people dead and thousands sick. Even after the fog lifted, hundreds more died or were left with lingering health problems. Donora Death Fog details how six fateful days in Donora led to the nation’s first clean air act in 1955, and how such catastrophes can lead to successful policy change. Andy McPhee tells the very human story behind this ecological disaster: how wealthy industrialists built the mills to supply an ever-growing America; how the town’s residents—millworkers and their families—willfully ignored the danger of the mills’ emissions; and how the gradual closing of the mills over the years following the tragedy took its toll on the town.  

New study provides an overview of the consequences of a platform-dependent press.

Platform dependence is a concept that is used to describe what happens when businesses or an entire sector become reliant on one or more digital platforms for their survival. Digital Platforms and the Press argues that we face a major risk of a platform-dependent press—a development that threatens liberal democracies across the world. As James Meese shows, the situation is occurring across the news industry, to the extent that it is difficult to imagine the production, distribution, and long-term survival of news in liberal democracies without the involvement of platforms. As governments, regulators, and citizens become increasingly concerned about platform power, Digital Platforms and the Press is the first book to highlight the long-term economic and social consequences of platform dependence for the news sector. 
 

"Different roads sometimes lead to the same castle."
—George R.R. Martin

The works in this anthology reflect both the myth and the truth about the part of the United States we call the "West." Is there one "true" West? Or have the changes that are overwhelming most of the rest of the country so modified the West that there is little commonality? The editors of Different Roads believe, with Stephen R. Covey, that our "strength lies in differences, not in similarities," and we are constantly amazed by what Stanley Baldwin calls "the many-sidedness of truth." Many sides of the truth of the West are represented in the anthology. Is everything here absolutely the truth? The reader must decide.

Topics included in this collection of poetry, fiction and creative non-fiction range from the West's diversity of landscape, people, languages, attitudes and history to discussions of water issues, wildfires, antiquities and a broad range of environmental concerns.

Western Press Books is affiliated with with Western State Colorado University, produces one anthology annually focused on Western regional writing. The 2014 theme is "Western Diversity" and the title Different Roads comes from George R.R. Martin's quote above.

 

Killed by kindness, stifled by overprotection, choked by subtle if sometimes unconscious snubs, the physically handicapped are one of the world's most invisible minorities. Seeking to draw attention to the various attitudes and perceptions about the handicapped, renowned poet Vassar Miller has assembled this collection of short stories and poems culled from the best of contemporary literature.

The forty-five works focus on characters with motor and/or sensory disabilities. Ranging from optimistic to embittered and from sentimental to realistic, they portray the handicapped and the family; the handicapped and society; the myth of the holy idiot; the handicapped as human being, good, evil, and indifferent; the handicapped as unique. Both instructional and entertaining, this book will be of interest to a wide variety of readers, including the handicapped themselves. It will be especially helpful to professionals in the medical, education, and social service fields. As Vassar Miller says in her introduction, "... the book is meant as a midwife in bringing to birth a renewed understanding of all human beings as so many mirrors of God, however seemingly distorted ..."

A poetry collection examining masculinity, aggression, and violence.

In his fourth poetry collection, Matthew Minicucci examines masculinity and gun violence as he brings to life the grammatical concept of the dual, a number that is neither singular nor plural. Though now lost in English, the concept is present in other languages both extant and ancient. The poems’ forms fittingly include the elegy, palinode, and contrapuntal, which is both a single poem and two poems intertwined. They align contemporary moments with key texts from Western literature, including ancient Greek epics, in a way that helps us reconsider the aggression of young men. “The world kills kind boys,” Minicucci writes, and “we bury the bodies inside men.”

Minicucci recategorizes our idea of “West,” the Western canon, and the Old West and its bullets, comparing them to modern-day landscapes in Utah, Oregon, Washington, California, and Hawai’i. Whether memorializing a woodworking grandfather or poets Brigit Pegeen Kelly and James Longenbach, Dual notes that loss has a double vision. While weighty in their subjects, Dual’s poems make room for unexpected moments of lightness, such as when the speaker compares the complications of love to “reading the Iliad and realizing, sure, there's anger, // but before that there’s just a lot of camping.”

The book argues, in the end, that there is an unalienable dual between the observer and the observed, the self and the self as confessed to another.

A poetry collection examining masculinity, aggression, and violence.

In his fourth poetry collection, Matthew Minicucci examines masculinity and gun violence as he brings to life the grammatical concept of the dual, a number that is neither singular nor plural. Though now lost in English, the concept is present in other languages both extant and ancient. The poems’ forms fittingly include the elegy, palinode, and contrapuntal, which is both a single poem and two poems intertwined. They align contemporary moments with key texts from Western literature, including ancient Greek epics, in a way that helps us reconsider the aggression of young men. “The world kills kind boys,” Minicucci writes, and “we bury the bodies inside men.”

Minicucci recategorizes our idea of “West,” the Western canon, and the Old West and its bullets, comparing them to modern-day landscapes in Utah, Oregon, Washington, California, and Hawai’i. Whether memorializing a woodworking grandfather or poets Brigit Pegeen Kelly and James Longenbach, Dual notes that loss has a double vision. While weighty in their subjects, Dual’s poems make room for unexpected moments of lightness, such as when the speaker compares the complications of love to “reading the Iliad and realizing, sure, there's anger, // but before that there’s just a lot of camping.”

The book argues, in the end, that there is an unalienable dual between the observer and the observed, the self and the self as confessed to another.

Disaster capitalism is an increasingly popular critical paradigm for contextualizing and understanding life in the twenty-first century. This book includes three full-length plays by award-winning dramatist Rick Mitchell: Shadow Anthropology, a dark comedy about the US occupation of Afghanistan; Through the Roof, a Faustian trip through the social history of natural disaster in New Orleans; and Celestial Flesh, a sacrilegious romp through the 1980s sanctuary movement. Placing the plays in historical and thematic context, the author introduces the collection with an essay examining catastrophe, capitalism, and what he calls “Apocalypse Theater for the Twenty-First Century.”

This book addresses practical issues which antenna design engineers face every day and discusses the concepts and tools which will help them design better antennas. It covers recent advances in the antenna field, giving a compilation of the latest advances and designs. Topics include antenna pattern synthesis; reconfigurable and active antennas; MIMO antennas; reflectarray antennas; 3-D printed antennas and many more.

Developments in Antenna Analysis and Design presents recent developments in antenna design and modeling techniques for a wide variety of applications, chosen because they are contemporary in nature, have been receiving considerable attention in recent years, and are crucial for future developments. It includes topics such as body-worn antennas, that play an important role as sensors for Internet of Things (IoT), and millimeter wave antennas that are vitally important for 5G devices. It also covers a wide frequency range that includes terahertz and optical frequencies. Additionally, it discusses topics such as theoretical bounds of antennas and aspects of statistical analysis that are not readily found in the existing literature.

Developments in Antenna Analysis and Design presents recent developments in antenna design and modeling techniques for a wide variety of applications, chosen because they are contemporary in nature, have been receiving considerable attention in recent years, and are crucial for future developments. It includes topics such as body-worn antennas, that play an important role as sensors for Internet of Things (IoT), and millimeter wave antennas that are vitally important for 5G devices. It also covers a wide frequency range that includes terahertz and optical frequencies. Additionally, it discusses topics such as theoretical bounds of antennas and aspects of statistical analysis that are not readily found in the existing literature.

Depression in early childhood is an underestimated health problem which is known for its severity, endurance, and negative impact on the quality of life of children and their families. The lack of appropriate assessment procedures hinders early identification and therefore the possibilities for intervention and prevention. This dissertation includes three studies about markers of depression in play behavior of young children and the possibilities to use play observation procedures as an assessment tool for early identification of depression in 3- to 6-year old children. In the first two studies, depressed and nondepressed preschoolers were observed in a standardized play procedure including solitary free play, interactive free play, and play narratives with an adult researcher. Depressed children showed less play, and particularly less symbolic play than non-depressed children, and also more fragmented play behavior. This was most visible in play narratives, where induction of sad emotions had a severe dampening effect on depressed children's symbolic play. The third and last study shows that preschool teachers can use a play observation questionnaire, based on the outcomes of the observational studies, to recognize these markers of depression in children's everyday play behavior in the classroom. The findings of these studies offer new insights in the relationship between play and depression and the emotion regulation problems that negatively affect depressed children's play.

In the last decade, the terms “digital scholarship” and “digital humanities” have become commonplace in academia, spurring the creation of fellowships, research centres, and scholarly journals. What, however, does this “digital turn” mean for how you do scholarship as a medievalist? While many of us would never describe ourselves as “DH people,” computer-based tools and resources are central to the work we do every day in offices, libraries, and classrooms. This volume highlights the exciting ways digital methods are expanding and re-defining how we understand, represent, and teach the Middle Ages, and provides a new model for how this work is catalogued and reused within the scholarly community. The work of its contributors offers valuable insights into how “the digital” continues to shape the questions medievalists ask and the ways they answer them, but also into how those questions and answers can lead to new tools, approaches, and points of reference within the field of digital humanities itself.

The rising share of photovoltaic (PV) energy requires sophisticated digital techniques for control, monitoring and integration with the grid. In remote areas, where no trained personnel might be nearby to intervene, such technologies are vital to ensure reliability and power quality, and to harness the solar potential of these locations. Moreover, tracking is necessary for moveable systems. Digital technologies can be used to enable and augment the use of PV energy in the grid, as well as for desalination, water pumping and hydrolysis.

Digital television (DTV) is the transmission of audio and video data by digitally processed and multiplexed signals compared to analog and channel separated signals used by analog television. DTV represents the most significant evolution in television technology since color television in the 1950s. The transition from analog to digital broadcasting began around 2006 with many countries at various stages of adaptation. DTV provides new features that analog television cannot support including the need for less bandwidth and higher image resolution, transmission via several channels including terrestrial transmitters using antennas, digital cables and satellites, microwaves and the internet.

In this issue: Jeffrey Wickes, “Mapping the Literary Landscape of Ephrem’s Theology of Divine Names”; Örgü Dalgıç, “The Triumph of Dionysos in Constantinople”; Lain Wilson, “A Subaltern’s Fate”; Antony Eastmond, “The Heavenly Court, Courtly Ceremony, and the Great Byzantine Ivory Triptychs of the Tenth Century”; Timothy Greenwood, “A Corpus of Early Medieval Armenian Silver” (with an Appendix, “Carbunculus ardens: The Garnet on the Narses Cross in Context,” by Noël Adams); Stefanos Alexopoulos, “When a Column Speaks”; Floris Bernard, “Humor in Byzantine Letters of the Tenth to Twelfth Centuries”; Angelina Anne Volkoff, “Komnenian Double Surnames on Lead Seals”; Margaret Alexiou, “Of Longings and Loves”; Panagiotis A. Agapitos, “Literary Haute Cuisine and Its Dangers”; Niels Gaul, “Writing ‘with Joyful and Leaping Soul’”; Natalia Teteriatnikov, “The Last Palaiologan Mosaic Program of Hagia Sophia”; Jonathan Shea, “Longuet’s ‘Salonica Hoard’ and the Mint of Thessalonike in the Mid-Fourteenth Century”; Tera Lee Hedrick and Nina Ergin, “A Shared Culture of Heavenly Fragrance”; and Mark Jackson, “2007–2011 Excavations at Kilise Tepe.”

This issue includes “Exiling Bishops: The Policy of Constantius II,” by Walt Stevenson; “In Search of Monotheletism,” by Jack Tannous; “The Archaeology and Reconstruction of Zuartʿnocʿ,” by Christina Maranci; “The South Vestibule of Hagia Sophia at Istanbul: The Ornamental Mosaics and the Private Door of the Patriarchate,” by Philipp Niewöhner and Natalia Teteriatnikov; “Reality and Invention: Reflections on Byzantine Historiography,” by Ralph-Johannes Lilie; “An Enigmatic Literature: Interpreting an Unedited Collection of Byzantine Riddles in a Manuscript of Cardinal Bessarion (Marcianus Graecus 512),” by Simone Beta; “Threads of Power: Clothing Symbolism, Human Salvation, and Female Identity in the Illustrated Homilies by Iakobos of Kokkinobaphos,” by Maria Evangelatou; “The Byzantino-Latin Principality of Adrianople and the Challenge of Feudalism (1204/6–ca. 1227/28): Empire, Venice, and Local Autonomy,” by Filip Van Tricht; “The Image of the Virgin on the Sinai Hexaptych and the Apse Mosaic of Hagia Sophia, Constantinople,” by Zaza Skhirtladze; “Odd Surnames Beginning with Alpha: A Selection of Examples on Byzantine Seals in the Harvard Collections,” by Werner Seibt and John Nesbitt; “The Miniatures in the Rabbula Gospels: Postscripta to a Recent Book,” by Massimo Bernabò; and “Fieldwork Report: Results of the Tophane Area GPR Surveys, Bursa, Turkey,” by Suna Çağaptay with April Kamp-Whittaker and Lawrence Conyers.

Founded in 1941, the annual journal Dumbarton Oaks Papers is dedicated to the publication of articles relating to late antique, early medieval, and Byzantine civilization in the fields of art and architecture, history, archaeology, literature, theology, law, and auxiliary disciplines.

This issue includes “The Canon Tables of the Psalms: An Unknown Work of Eusebius of Caesarea” by Martin Wallraff; “Histoires ‘Gothiques’ à Byzance: Le Saint, Le Soldat, et Le Miracle d’Euphémie et du Goth (BHG 739)” by Charis Messis and Stratis Papaioannou; “Reassessing the Sarcophagi of Ravenna” by Edward M. Schoolman; “Sources for the Study of Liturgy in Post-Byzantine Jerusalem (638–1187 CE)” by Daniel Galadza; “(Re)Mapping Medieval Antioch: Urban Transformations from the Early Islamic to the Middle Byzantine Periods” by A. Asa Eger; “Melkites and Icon Worship during the Iconoclastic Period” by Juan Signes Codoñer; “The Anzas Family: Members of the Byzantine Civil Establishment in the Eleventh, Twelfth, and Thirteenth Centuries” by John Nesbitt and Werner Seibt; “Viewing and Description in Hysmine and Hysminias: The Fresco of the Virtues” by Paroma Chatterjee; “The Documents of Dominicus Grimani, Notary in Candia (1356–1357)” by Nicky Tsougarakis; and “The Church of Saints Sergius and Bacchus in Kaftūn (Northern Lebanon) and Its Wall Paintings” by Tomasz Waliszewski, Krzysztof Chmielewski, Mat Immerzeel, and Nada Hélou.

This issue includes “Bishops and Territory: The Case of Late Roman and Byzantine North Africa” (Anna Leone); “A Conflicted Heritage: The Byzantine Religious Establishment of a War Ethic” (J. A. McGuckin); “Hoards and Hoarding Patterns in the Early Byzantine Balkans” (Florin Curta and Andrei Gândilă); “Light, Color, and Visual Illusion in the Poetry of Venantius Fortunatus” (Michael Roberts); “At the Edge of Two Empires: The Economy of Cyprus between Late Antiquity and the Early Middle Ages (650s–800s CE)” (Luca Zavagno); “China, Byzantium, and the Shadow of the Steppe” (David A. Graff); “‘And So, with the Help of God’: The Byzantine Art of War in the Tenth Century” (Robert S. Nelson); “The Image of the Virgin Nursing (Galaktotrophousa) and a Unique Inscription on the Seals of Romanos, Metropolitan of Kyzikos” (John Cotsonis); “Marching across Anatolia: Medieval Logistics and Modeling the Mantzikert Campaign” (John Haldon with Vince Gaffney, Georgios Theodoropoulos, and Phil Murgatroyd); “The Moral Pieces by Theodore II Laskaris” (Dimiter G. Angelov); “Mary Magdalene between East and West: Cult and Image, Relics and Politics in the Late Thirteenth-Century Eastern Mediterranean” (Vassiliki A. Foskolou); “Byzantine Houses and Modern Fictions: Domesticating Mystras in 1930s Greece” (Kostis Kourelis); and “The White Monastery Federation Project: Survey and Mapping at the Monastery of Apa Shenoute (Dayr al-Anba Shinūda), Sohag, 2005–2007” (Darlene L. Brooks Hedstrom and Elizabeth S. Bolman with Mohammed Abdel Rahim, Saad Mohammed, Dawn McCormack, Tomasz Herbich, Gillian Pyke, Louise Blanke, Tracy Musacchio, and Mohammed Khalifa).

In this issue: Roland Betancourt, “Why Sight Is Not Touch: Reconsidering the Tactility of Vision in Byzantium”; Byron MacDougall, “Gregory Thaumaturgus: A Platonic Lawgiver”; Scott Fitzgerald Johnson, “‘The Stone the Builders Rejected’: Liturgical and Exegetical Irrelevancies in the Piacenza Pilgrim”; Nicholas Warner, “The Architecture of the Red Monastery Church (Dayr Anbā Bišūy) in Egypt: An Evolving Anatomy”; Ilene H. Forsyth with Elizabeth Sears, “George H. Forsyth and the Sacred Fortress at Sinai”; Heta Björklund, “Classical Traces of Metamorphosis in the Byzantine Hystera Formula”; Anne-Laurence Caudano, “‘These Are the Only Four Seas’: The World Map of Bologna, University Library, Codex 3632”; Charis Messis, “Les voix littéraires des eunuques: Genre et identité du soi à Byzance”; Przemysław Marciniak, “Reinventing Lucian in Byzantium”; Aglae Pizzone, “Audiences and Emotions in Eustathios of Thessalonike’s Commentaries on Homer”; Niels Gaul, “All the Emperor’s Men (and His Nephews): Paideia and Networking Strategies at the Court of Andronikos II Palaiologos, 1290–1320”; Christopher Wright, “Constantinople and the Coup d’État in Palaiologan Byzantium”; and Nadezhda Kavrus-Hoffmann, “A Newly Acquired Gospel Manuscript at Dumbarton Oaks (DO MS 5): Codicological and Paleographic Description and Analysis.”

This issue includes “Apostolic Geography: The Origins and Continuity of a Hagiographic Habit” (Scott Fitzgerald Johnson); “John Lydus and His Contemporaries on Identities and Cultures of Sixth-Century Byzantium” (Sviatoslav Dmitriev); “Grotesque Bodies in Hagiographical Tales: The Monstrous and the Uncanny in Byzantine Collections of Miracle Stories” (Stavroula Constantinou); “Byzantine Political Culture and Compilation Literature in the Tenth and Eleventh Centuries: Some Preliminary Inquiries” (Catherine Holmes); “Byzantine Mirrors: Self-Reflection in Medieval Greek Writing” (Stratis Papaioannou); “Transformative Narratives and Shifting Identities in the Narthex of the Boiana Church” (Rossitza B. Schroeder); “Tracing Monastic Economic Interests and Their Impact on the Rural Landscape of Late Byzantine Lemnos” (Fotini Kondyli); “The Imperial Image at the End of Exile: The Byzantine Embroidered Silk in Genoa and the Treaty of Nymphaion (1261)” (Cecily J. Hilsdale); “A Byzantine Text on the Technique of Icon Painting” (Georgi R. Parpulov, Irina V. Dolgikh, and Peter Cowe); and “New Archaeology at Ancient Scetis: Surveys and Initial Excavations at the Monastery of St. John the Little in Wādī al-Naṭrūn” (Darlene Brooks Hedstrom with Stephen J. Davis, Tomasz Herbich, Salima Ikram, Dawn McCormack, Marie-Dominique Nenna, and Gillian Pyke).

An experimental novel that explores the complexity of Palestinian identity through extended metaphor and dark humor.

On a plastic chair in a parking lot in Ramallah sits a young man writing a novel, reflecting on his life: working in a dance club on the Israeli side of the border, scratching his father’s amputated leg, dreaming nightly of a haunting scorpion, witnessing the powerful aura of his mountain-lodging aunt. His work in progress is a meditation on absence, loss, and emptiness. He poses deep questions: What does it mean to exist? How can you confirm the existence of a place, a person, a limb? How do we engage with what is no longer there? Absurd at times, raw at others, The Dance of the Deep-Blue Scorpion explores Palestinian identity through Akram Musallam’s extended metaphors in the hope of transcending the loss of territory and erasure of history.

A critical biography of René Descartes, whose first principle (“I think therefore I am.”) reshaped modern philosophy.
 
Often called the father of modern philosophy, René Descartes set the intellectual agenda for seventeenth-century philosophy, mathematics, natural science, and beyond. In this critical biography, based on compelling new research, Steven Nadler follows Descartes from his early education in France to the Dutch Republic, where he lived most of his adult life, to his final months as a tutor to Queen Christina of Sweden. Along the way, Nadler shows how Descartes renewed philosophy by transforming fundamental assumptions about the cosmos, natural world, and human nature as well as how his work continues to generate new insights into many of the metaphysical and epistemological problems that engage philosophers today.
 

In Dates, Nawal Nasrallah draws on her experience of growing up in the lands of ancient Mesopotamia, where the date palm was first cultivated, to explore the history behind the fruit. Dates have an important role in their arid homeland of the Middle East, where they are a dietary staple and can be consumed fresh or dried, as a snack or a dessert, and are even thought to have aphrodisiac qualities.    

In this history, Nasrallah describes the central role the date palm has played in the economy of the Middle East. This informative account of the date palm’s story follows its journey from its land of origin to the far-flung regions where it is cultivated today. Along the way, Nasrallah weaves many fascinating and humorous anecdotes that explore the etymology, history, culture, religion, myths, and legends surrounding dates. For example, she explains how the tree came to be a symbol of the Tree of Life and associated with the fiery phoenix bird, the famous ancient goddess Ishtar, and the moon, and how the medjool date acquired its name.

This delightful and unusual book is generously illustrated with many beautiful images, and supplemented with more than a dozen delicious date recipes for savory dishes, sweets, and wine.

The common explanation for the outbreak of World War I depicts Europe as a minefield of nationalism, needing only the slightest pressure to set off an explosion of passion that would rip the continent apart. But in a crucial reexamination of the outbreak of violence, Michael S. Neiberg shows that ordinary Europeans, unlike their political and military leaders, neither wanted nor expected war during the fateful summer of 1914. By training his eye on the ways that people outside the halls of power reacted to the rapid onset and escalation of the fighting, Neiberg dispels the notion that Europeans were rabid nationalists intent on mass slaughter. He reveals instead a complex set of allegiances that cut across national boundaries.

Neiberg marshals letters, diaries, and memoirs of ordinary citizens across Europe to show that the onset of war was experienced as a sudden, unexpected event. As they watched a minor diplomatic crisis erupt into a continental bloodbath, they expressed shock, revulsion, and fear. But when bargains between belligerent governments began to crumble under the weight of conflict, public disillusionment soon followed. Yet it was only after the fighting acquired its own horrible momentum that national hatreds emerged under the pressure of mutually escalating threats, wartime atrocities, and intense government propaganda.

Dance of the Furies gives voice to a generation who found themselves compelled to participate in a ghastly, protracted orgy of violence they never imagined would come to pass.