A SCHOLARLY BOOK REPOSITORY
A woman terrified by the threats of a jilted suitor is denied police protection. A workman collapses on the job and the employer is slow to help him. A bully in a bar begins to carry out threats of serious injury to a customer, after the bartender’s lackadaisical response. Springing from varied areas of human activity, such cases occupy an important area of the legal battleground called modern tort law. They also provide the basis for a fascinating legal analysis by Marshall S. Shapo.
Tort law is an important social mediator of events surrounding personal injuries. It impinges on many other areas of the law—those dealing with crime, constitutional protections against government officials and agencies, and property rights. Since litigated tort cases often involve brutal treatment or accidents inflicting severe physical harm, this area of the law generates much emotion and complex legal doctrine.
Shapo cuts through the emotion and the complexity to present a view of these problems that is both legally sound and intuitively appealing. His emphasis is on power relationships between private citizens and other individuals, as well as between private persons and governments and officials. He undertakes to define power in a meaningful way as it relates to many tort issues faced by ordinary citizens, and to make this definition precise by constant reference to concrete cases. His particular focus is on an age-old problem in tort law: the question of when a person has a duty to aid another in peril.
In analyzing a large number of cases in this category, Shapo develops an analysis that blends considerations of economic efficiency and humanitarian concern. Recognizing that economic considerations are significant in judicial analysis of these cases, he emphasizes elements that go beyond a simple concern with efficiency, especially the ability of one person to control another’s actions or exposure to risk.
These considerations of power and corresponding dependence provide the basis for Shapo’s study of the duties of both private citizens and governments to prevent injury to others. Calling on a broad range of legal precedents, he also refers to social science research dealing with the behavior of bystanders when fellow citizens are under attack.
Beyond his application of a power-based analysis to litigation traditionally based in tort doctrine, Shapo offers some speculative suggestions on the possible applicability of his views to several controversial areas of welfare law: medical care, municipal services, and educational standards.
This book was written with a view to readership by interested citizens as well as legal scholars, judges, and practicing attorneys.
Using dance as a lens through which to study political, ethnic, and gendered phenomena, Anthony Shay shows us how dance and mass movement have served as important political tools throughout history and across a variety of authoritarian regimes. Dance and Authoritarianism is a significant and original contribution to the scholarship at the intersection of dance, ethnology, anthropology, cultural studies, and history.
These are tales of seekers, often damaged, who find themselves caught up in skewed realities, facing lurking threats, violent deaths, strange entities, and alienating technologies. Confronted with unsettling, escalating, circumstances, the disparate cast of characters are driven toward self-revelation and perverse moments of poignancy.
A troubled high schooler traps a peer in an underground storage space. A traumatized felon returns home to rob the man who molested him as a child. A videogame help-line operator suspects a regular caller, obsessed with a disturbing role-playing game, of real-life misdeeds. In the title story, an unhappy couple adopts a “designer animal,” a genetic hybrid created to be the perfect pet. But the “grot” makes trouble in the neighborhood, becoming emblematic of a deeper problem. “Something is wrong with the world,” the narrator’s husband explains. “A design flaw. It’s so thoroughly corrupted, I’m not sure how to fix it.”
Inventive and unpredictable, these thirteen stories are wholly immersive, showing Sheehy at his captivating best.
The jubilant mood sours when an unidentified passenger is found dead on a ferry. Longtime residents recall with dismay the disastrous festival decades earlier, when another woman died and a valuable sixteenth-century instrument—the fabled yellow viol—vanished, never to be found.
Cubiak follows a trail of murder, kidnapping, and false identity that leads back to the calamitous night of the twin tragedies. With the lives of those he holds most dear in peril, the sheriff pursues a ruthless killer into the stormy northern reaches of Lake Michigan.
Forced to confront the past, the morose Cubiak moves beyond his own heartache and starts investigating, even as a popular festival draws more people into possible danger. In a desperate search for clues, Cubiak uncovers a tangled web of greed, betrayal, bitter rivalries, and lost love beneath the peninsula’s travel-brochure veneer. Befriended by several locals but unsure whom to trust or to suspect of murder, the one-time cop tracks a clever killer.
In a setting of stunning natural beauty and picturesque waterfront villages, Death Stalks Door County introduces a new detective series, “The Dave Cubiak Door County Mysteries.”
Finalist, Traditional Fiction 2014 Book of the Year Award, Chicago Writers Association
Rethinking our relationship with Earth in a time of environmental emergency
The world is changing. Progress no longer has a future but any earlier sense of Earth as “providential” seems of merely historical interest. The apparent absence of Earthly solicitude is a symptom and consequence of these successive Western modes of engagement with the Earth, now exemplified in global capitalism. Within these constructs, Earth can only appear as constitutively indifferent to the fate of all its inhabitants. The “provisional ecology” outlined in Does the Earth Care?—drawing on a variety of literary and philosophical sources from Richard Jefferies and Robert Macfarlane to Martin Heidegger and Gaia theory—fundamentally challenges that assumption, while offering an Earthly alternative to either cold realism or alienated despair in the face of impending ecological disaster.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
In Dreamtelling, Pierre Sorlin does not deal with our nocturnal visions per se, but rather with what we say regarding them. He explores the influence of dreams on our imaginations, and the various – sometimes inconsistent, always imperfect – theories people have contrived to elucidate them. Sorlin shows how our accounts are built on recurrent patterns, but are also totally and entirely individual. He examines the urge to analyze night visions and why it is that some people have become experts in dream interpretation.
Many books have been published on the nature of dreams, on their psychological or biological origins and on their significance, but this book takes as its premise that all we can allege about nocturnal visions is based on dreamtelling. Sorlin shows how dreams arouse our creativity and how, in turn, our creativity influences our dream accounts. Dreamtelling is aimed at all those who not only dream, but are curious about the experience, and wonder why they feel compelled to analyze and recount their night visions.
This is the tale of how Hollywood, inspired by the success of Easy Rider, sold a cycle of films as the new dirty real. Dennis Hopper, Peter Fonda, Monte Hellman, Jack Nicholson, Kris Kristofferson, and Sam Peckinpah, among others, parlayed a nostalgia for the gutter and donned bohemian personae, pulling on soiled shirts and scuffed boots to better counter the glamour and phoniness of Tinseltown. The result was a generation of movies, including The Hired Hand, Five Easy Pieces, Two-Lane Blacktop, The Last Picture Show, and Pat Garrett and Billy the Kid. With great care for the historical record and displaying a refined critical acuity, Peter Stanfield captures that pivotal moment when Hollywood tried to sell a begrimed vision of itself to the world.
With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees, and diasporas, culture, religion, and magic as well as representations of children, music, languages, and symbols.
A survey of national cinemas in one volume, DirectoryofWorldCinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveler.
Drawing on the knowledge, research, and experience of university and industry plant pathologists, this manual will guide everyone—researchers, teachers, personnel from federal and state agencies, plant nursery staff, hobbyist gardeners, or anyone else who works with plants—to better plant-disease work and less time spent in learning diagnostic procedures.
In this manual for rapid and accurate diagnosis, control, and prevention of plant diseases, Dr. Rubert B. Streets has not only developed a practical field and laboratory guide for plant-disease diagnosis, but also articulated a vision for the role of the plant pathologist: a careful observer, a dedicated practitioner who embraces the personal challenge of identifying plant diseases—and a questioner.
With 44 years of distinguished post-doctoral experience in many areas of his field, Dr. Rupert B. Streets, Sr., is best known for his research on the control of Texas root rot in field crops, tree crops, and ornamentals; diseases of dates, citrus, and guar; brown rot of stone fruits and roses; his selection of flax resistance to wilt; the serology of citrus viruses; and the use of antibiotics for the control of crown gall and fire blight. Joining the University of Arizona faculty in 1924, Dr. Streets served for eight years as head of the department of Plant Pathology and taught courses at every level, instructing students on the identification and control of plant diseases.
Dancing Bahia is an edited collection that draws together the work of leading scholars, artists, and dance activists from Brazil, Canada, and the United States to examine the particular ways in which dance has responded to socio-political notions of race and community, resisting stereotypes, and redefining African Diaspora and Afro-Brazilian traditions.
Using the Brazilian city of Salvador da Bahia as its focal point, this volume brings to the fore questions of citizenship, human rights, and community building. The essays within are informed by both theory and practice, as well as black activism that inspires and grounds the research, teaching, and creative output of dance professionals from, or deeply connected to, Bahia.
Buy land, girl, buy land. You will never go hungry if you have land, advised Mimi LaFollette Summerskill's grandfather. So she and her husband John purchased a 30Ðacre farm just north of Princeton, New Jersey. After an initial try at cattle farming, the novice farmers decided to try their hands at wine making. Literally. In the spring of 1979, the family planted 2,000 Seyval Blanc seedlings. After months of research, soil testing, charting weather patterns, pruning, fertilizing, picking, pressing, filtering, bottling, and labeling, the LaFollette Vineyard and Winery was born.
Learning the ins and outs of actual wine making turned out to be one of the smaller difficulties the family faced. Until the passage of the Farm Winery Act of 1981, only seven New Jersey farms were licensed to operate a winery. Once that hurdle was passed and the vineyard duly licensed by the state, the federal government stepped in. The Summerskills had to pass inspection by the Bureau of Alcohol and Firearms for a federal license. Then the family had to save their farm from the New Jersey Department of Transportation, who planned to run a major highway right through the vineyard.Learning each and every step along the way, the Summerskills produced success. Today, people around the state enjoy the fruits of the Summerskill's labor.
Divine Providence is one of the major works of the Enlightenment scientist and religious seer Emanuel Swedenborg. It provides a coherent and satisfying solution to what has been called “the problem of evil”: How are God’s goodness and power reconcilable with evil’s presences in the larger world and in the human mind and heart? By tackling an array of issues that commonly undermine belief in God, including war, suffering, and inequality—and by revealing the wise and loving laws that lie hidden behind these seemingly senseless phenomena—Divine Providence aims to restore our faith in the meaningfulness of the world. Despite its universal focus, Divine Providence is also a highly practical book on the personal level, demonstrating how we can put aside negative attitudes and behaviors and grow into positive thought and action.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.
This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe editions.
Divine Love and Wisdom has been called the most profound work of the Enlightenment scientist and seer Emanuel Swedenborg. It demonstrates how God’s love, wisdom, and humanity are reflected in creation and in ourselves, and suggests that the act of Creation is not a mystery of the past, but a miracle ongoing in every instant of the present. Like a blueprint of things unseen, Divine Love and Wisdom makes visible the hidden design of the universe, as well as the qualities of its Architect. Its vivid depiction of the spiritual mechanism of the world has impressed thinkers such as William Blake, Samuel Taylor Coleridge, Ralph Waldo Emerson, and Henry James, Sr.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.
This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe edition.
Divine Providence is one of the major works of the Enlightenment scientist and religious seer Emanuel Swedenborg. It provides a coherent and satisfying solution to what has been called “the problem of evil”: How are God’s goodness and power reconcilable with evil’s presences in the larger world and in the human mind and heart? By tackling an array of issues that commonly undermine belief in God, including war, suffering, and inequality—and by revealing the wise and loving laws that lie hidden behind these seemingly senseless phenomena—Divine Providence aims to restore our faith in the meaningfulness of the world. Despite its universal focus, Divine Providence is also a highly practical book on the personal level, demonstrating how we can put aside negative attitudes and behaviors and grow into positive thought and action.
The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.
This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe editions.
This volume begins with a substantial investigation of the murder of several members of the imperial family during the summer of 337, following the death of Constantine. Two other major articles are devoted to well-known Byzantine illustrated manuscripts, the ninth-century Sacra Parallela and the fourteenth-century collection of theological works by the emperor John VI Kantakouzenos, both now in Paris. A third art-historical paper presents a detailed analysis of the architectural decoration of the church of the “Red Monastery” near Suhag in Egypt. Other studies treat the mystery of the Incarnation as well as the earliest version of the Life of the Virgin and its relationship with the cult of Marian relics in Constantinople.
The volume concludes with three papers from a colloquium on the hymnographer Romanos the Melode.
Founded in 1941, the annual journal Dumbarton Oaks Papers is dedicated to the publication of articles relating to late antique, early medieval, and Byzantine civilization in the fields of art and architecture, history, archaeology, literature, theology, law, and auxiliary disciplines.
In this issue: Alexander Sarantis, “War and Diplomacy in Pannonia and the Northwest Balkans during the Reign of Justinian: The Gepid Threat and Imperial Responses”; Peter Hatlie, “Images of Motherhood and Self in Byzantine Literature”; Maria Evangelatou, “Liturgy and the Illustration of the Ninth-Century Marginal Psalters”; Henry Maguire, “Ivories as Pilgrimage Art: A New Frame for the ‘Frame Group’”; Vasileios Marinis, “Tombs and Burials in the Monastery tou Libos in Constantinople”; and three fieldwork reports: “Second Report on the Excavation in the Monastery of Apa Shenute (Dayr Anba Shinuda) at Suhag,” by Peter Grossman, Darlene L. Brooks Hedstrom, and Saad Mohamad Mohamad Osman, with a contribution by Hans-Christoph Noeske; “To Live and Die in a Turbulent Era: Bioarchaeological Analysis of the Early Byzantine (6th–7th Centuries AD) Population from Sourtara Galaniou Kozanis (Northern Greece),” by Chryssi Bourbou; and “Study and Restoration of the Zeyrek Camii in Istanbul: Second Report, 2001–2005,” by Robert Ousterhout, Zeynep Ahunbay, and Metin Ahunbay.
Volume 60 of this annual journal explores a range of Byzantine subjects: the classification of stamping objects (including six previously unpublished metal stamps); the date and purpose of the construction of Constantinople’s church of Saints Sergius and Bacchus; the Coptic Church’s literary construction of its identity in post-conquest Egypt; the evidence for the tenth-century revision of the so-called Chronicle of 811; an unusual development in the iconography of St. Menas; and versions of Niketas Choniates’ History.
Also included are editions and translations of Byzantine Communion prayers newly discovered in Massachusetts and two funerary epigrams written by Manuel Philes; both articles include commentary. The volume concludes with reports from 2003 and 2004 on Dumbarton Oaks–supported archaeological fieldwork projects on a church in Bizye and an aristocratic rock-cut Byzantine settlement in Cappadocia.
This latest volume of Dumbarton Oaks Papers focuses in part on literary and historical texts: historicism in Byzantine thought and literature; the Chronicle of Matthew of Edessa, encompassing the First Crusade and the Armenian diaspora; and a reappraisal of the satirical prose work Mazaris’s Journey to Hades. The history and architecture of the Cypriot Monastery of Saint John Chrysostomos at Koutsovendis occupy a lengthy and informative chapter, which also includes a first edition of the “Letter of Nikon of the Black Mountain to the Founder George.”
The volume also contains selected papers from the 2005 Dumbarton Oaks symposium on the archaeological evidence for settlement patterns in Anatolia and the Levant between 500 and 1000.
Dumbarton Oaks Papers is an annual journal of scholarly articles on Byzantine topics. Many of the articles are based upon presentations made at the Byzantine conferences hosted by Dumbarton Oaks. Numerous maps, tables, illustrations, and color plates provide supplementary information.
Dumbarton Oaks Papers 59 includes papers from a colloquium on Byzantine glass, guest edited by David Whitehouse of the Corning Museum of Glass. Other articles feature a discussion of zodiac cycles in ancient Palestinian synagogues, a study of early Christians' responses to the spectacles of fifth-century Carthage, and an analysis of scientific and literary sources pertaining to the mysterious cloud that darkened the sky for about a year in 536, to determine what, if any, immediate effects it had. A fieldwork report on the ongoing excavations at the Amorium project is also featured.
Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written, and staged—and spectacle is the desiring machine at work in those imaginings. Taylor argues that the founding scenario of Argentineness stages the struggle for national identity as a battle between men—fought on, over, and through the feminine body of the Motherland. She shows how the military’s representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public—limiting its ability to respond. Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina’s national drama, Disappearing Acts offers a telling analysis of the aesthetics of violence and the disappearance of civil society during Argentina’s spectacle of terror.
From cars to cameras, design from Japan is ubiquitous. So are perceptions of Japanese design, from calming, carefully crafted minimalism to avant-garde catwalk fashion, or the cute, Kawaii aesthetic populating Tokyo streets. But these portrayals overlook the creativity, generosity, and sheer hard work that has gone into creating and maintaining design industries in Japan.
In Designing Modern Japan, Sarah Teasley deftly weaves together the personal stories of people who shaped and shape Japan’s design industries with social history, economic conditions, and geopolitics.. Key to her account is how design has been a strategy to help communities thrive during turbulent times, and for making life better along the way. Deeply researched and superbly illustrated, Designing Modern Japan appeals to a wide audience for Japanese design, history, and culture.
Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about design as art, and the provocative notion of “anti-design,” Thomas argues that though Dutch design from the beginning has been driven by aims of functionality, simplicity, and affordability, it has also embraced luxury and exclusivity. The book also discusses the role played by leading Dutch designers and their works, including Wim Crouwel, Marcel Wanders, and the design collective Droog Design.
An unprecedented, detailed history, Dutch Design Culture is a critical primer on one of the leading national design movements today.
Thompson describes Watertown's early government, its relations with Native Americans and neighboring communities, its religious and economic affairs, and the day-to-day experiences of its people. Conflict occurred over a wide variety of issues: land allocation, administrative accountability, religious orthodoxy and exclusivity, generational and gender differences, livestock and fencing, haves and have-nots.
Thompson brings these disputes to life through a series of vivid case studies drawn from the unpublished Middlesex County Court Records. Among others, we meet John Sawin, who despite his best efforts at subterfuge was convicted of stealing and selling a neighbor's horse; Susanna Woodward, whose pregnancy resulted in a fiercely contested paternity case; and Edward Sanders, whose punishment for child abuse was both a whipping and a ruling that when in public he must "wear a rope round his neck openly to be seen hanging down two feet."
Throughout the book, the same themes reappear: continuity and change, the persistent conflicts of the first two generations, and the countervailing forces of communal cohesion.
An analysis of the efforts of American nurses to establish nursing as an academic discipline and nurses as valued researchers in the decades after World War II.
Nurses represent the largest segment of the U.S. health care workforce and spend significantly more time with patients than any other member of the health care team. Dr. Nurse probes their history to examine major changes that have taken place in American health care in the second half of the twentieth century. The book reveals how federal and state health and higher education policies shaped education within health professions after World War II.
Starting in the 1950s, academic nurses sought to construct a science of nursing—distinct from that of the related biomedical or behavioral sciences—that would provide the basis for nursing practice. Their efforts transformed nursing’s labor into a valuable site of knowledge production and proved how the application of their knowledge was integral to improving patient outcomes. Exploring the knowledge claims, strategies, and politics involved as academic nurses negotiated their roles and nursing’s future, Dr. Nurse highlights how state-supported health centers have profoundly shaped nursing education and health care delivery.
This is an auto-narrated audiobook edition of this book.
and as a perspective, offers insights that are central to the study of
communication and unavailable through other approaches.
The current field of communication derives from the historical study
of rhetoric. Over the last few decades, however, as the trend toward theoretical
conceptions has driven analysis and as a host of "isms" has defined
criticism, communication studies have moved away from a predominantly historical
perspective.
Yet many scholars in the field continue to find benefits in rhetorical
history. In the thirteen essays gathered here, eminent scholars address
the ongoing dialogue over the regrounding of rhetorical study and the relationship
between theory and history as well as history and criticism in the field.
Some examine the conceptual issues involved in the juncture of rhetoric
and history; others offer case studies, often based on research with primary
documents, to illustrate the process and promise of rhetorical history.
Collectively, their work tests theory and complements criticism while standing
as a distinct and valid approach in and of itself.
The conceptualizations and methodologies of rhetorical history will
increase in significance during the burgeoning "Communication Age"
as we seek to cope with the present and prepare for the future by better
understanding the past. This volume serves as an excellent overview of
a recently neglected methodological approach and acts as the first step
in ending that neglect.
Rivers are one of nature’s most vital energy sources, and their power can be efficiently harnessed through the construction of dams. But now dams have become a controversial engine in the race toward technological advancement, so much so that the World Commission on Dams convened in 1998 to debate the issue. Are dams a help to society or an agent of environmental destruction? Trevor Turpin explores the answers to that question here in his comprehensive historical chronicle.
Among the most amazing feats of human engineering, a dam can sustain societies in a multitude of ways, as 40,000 of them around the world provide such things as electricity, water for farms and cities, and canals for boat navigation. Turpin traces their development, design, and consequences from the Industrial Revolution to now, examining edifices in China, Las Vegas, and places in between. The often contentious debate between environmentalists, architects, and engineers, Dam shows, is a complex one that pits the benefits of dams against the long-term ecological health of nations.
Neither a polemic against dams nor a defense of their proliferation, Dam offers a judicious and in-depth account of this cornerstone of our modern age.
The long-lasting effects of colonialism—racism, political persecution, ethnic extermination, and extreme capitalism—are still felt throughout Latin America. This volume explores how heavy metal music in the region has been used to challenge coloniality and its present-day manifestations. Drawing on extensive ethnographic research in Puerto Rico, Cuba, the Dominican Republic, Mexico, Guatemala, Colombia, Peru, Chile, and Argentina, Nelson Varas-Díaz documents how metal musicians and listeners engage in “extreme decolonial dialogues” as a strategy to challenge past and present forms of oppression.
Most existing work on metal music in Latin America has relied on theoretical frameworks developed in the global North. By contrast, this volume explores the region through its own history and experiences, providing a roadmap for this emerging mode of musical analysis by demonstrating how decolonial metal scholarship can be achieved.
“There is more history in a bowl of pasta than in the Colosseum,” writes Andreas Viestad in Dinner in Rome. From the table of a classic Roman restaurant, Viestad takes us on a fascinating culinary exploration of the Eternal City and global civilization. Food, he argues, is history’s secret driving force. Viestad finds deeper meanings in his meal: He uses the bread that begins his dinner to trace the origins of wheat and its role in Rome’s rise as well as its downfall. With his fried artichoke antipasto, he explains olive oil’s part in the religious conflict of sixteenth-century Europe. And, from his sorbet dessert, he recounts how lemons featured in the history of the Mafia in the nineteenth century and how the hunger for sugar fueled the slave trade. Viestad’s dinner may be local, but his story is universal. His “culinary archaeology” is an entertaining, flavorful journey across the dinner table and time. Readers will never look at spaghetti carbonara the same way again.
Gëzim Visoka argues that state derecognition is a highly controversial and unstable practice that has less to do with the unfulfillment of the conditions of statehood by the claimant than with the advancement of the self-interest of the former base state and derecognizing state. The derecognition of states is not a rule; rather, it is an exception in international diplomacy, driven by political expediency and is incompatible with original rationales for granting recognition. Yet, the derecognition of states is far more important than previously recognized in shaping the reversal dynamics of secession and state creation and in influencing regional peace, geopolitical rivalries, and the international order. By analyzing the withdrawal of recognition, the book offers a window into the reversal politics of unbecoming a sovereign state and how the arbitrary beginning and the end of diplomatic relations between states take place.
Pour Joseph Vogl, un événement est toujours inscrit dans un ensemble stratifié formé par l’ensemble de ses variantes non réalisées. Sa recherche esthétique et historique attribue ainsi à l’indécision une place posée comme systématique : elle instaure une « méthode de complication » par laquelle le pouvoir discursif des événements historiques et politiques peut être interrogé et contenu. Considérée comme une attitude face au monde et un geste de mise en question radicale, la temporalité suspendue de l’indécision constitue enfin le champ opératoire du discours lui-même.
Dans ce petit essai brillant et érudit, Vogl retrace une « anti-histoire » de l’indécision qui apparaît surtout en littérature et prend corps à travers les siècles dans les personnages d’Oreste, de Wallenstein, de Joseph K., de Bartleby ou de l’homme sans qualités.
In most of his half century of writing, John Dos Passos consistently tried to capture and define the American character. The complete range of his work builds to Dos Passos' concept of "contemporary chronicle," his own name for his fiction. In this first study of all Dos Passos' writing, Linda W. Wagner examines his fiction, poetry, drama, travel essays, and history—a body of work that evokes a vivid image of America meant to be neither judgmental nor moralistic.
From Manhattan Transfer to U. S. A. to District of Columbia to The Thirteenth Chronicle and Mid-century, Wagner illuminates Dos Passos' work with fresh readings and new interpretations. She makes extensive use of unpublished manuscript material so that this is a casebook of Dos Passos' interest in craft and method as well as a thematic study. In addition, this volume chronicles the years during which Dos Passos wrote—the immediate post-World War I period through the twenties and thirties and well into the fifties. This is an important book both in literary criticism and in American social history.
A comprehensive study of ephemera in twentieth-century literature—and its relevance to the twenty-first century
“Nothing ever really disappears from the internet” has become a common warning of the digital age. But the twentieth century was filled with ephemera—items that were designed to disappear forever—and these objects played crucial roles in some of that century’s greatest works of literature. In The Death of Things, author Sarah Wasserman delivers the first comprehensive study addressing the role ephemera played in twentieth-century fiction and its relevance to contemporary digital culture.
Representing the experience of perpetual change and loss, ephemera was central to great works by major novelists like Don DeLillo, Ralph Ellison, and Marilynne Robinson. Following the lives and deaths of objects, Wasserman imagines new uses of urban space, new forms of visibility for marginalized groups, and new conceptions of the marginal itself. She also inquires into present-day conundrums: our fascination with the durable, our concerns with the digital, and our curiosity about what new fictional narratives have to say about deletion and preservation.
The Death of Things offers readers fascinating, original angles on how objects shape our world. Creating an alternate literary history of the twentieth century, Wasserman delivers an insightful and idiosyncratic journey through objects that were once vital but are now forgotten.
In bringing together major feminist critics whose work has been touched by the writings of Derrida, this issue both pays tribute to and reflects upon Derrida’s ideas. Among the essayists included, Jane Gallop considers Derrida’s writings on Levinas; Judith Butler reads Derrida’s final interview in Le Monde in 2004; Elizabeth Grosz signals Derrida as a rare philosopher for whom sexual difference was crucial; Gayatri Chakravorty Spivak explores the figure of the mother’s child in Derrida, focusing on the critique of reproductive heteronormativity and the question of agency in feminism; and Joan Wallach Scott argues for the importance of critique in the academy. The issue also includes an edited transcription of a vibrant discussion between feminist theorists and Derrida called “Women in the Beehive: A Seminar with Jacques Derrida,” which took place at Brown University’s Pembroke Center for Teaching and Research on Women in 1984.
Contributors. Fran Bartkowski, Anne-Emmanuelle Berger, Susan Bernstein, Judith Butler, Pheng Cheah, Drucilla Cornell, Jane Gallop, Elizabeth Grosz, Peggy Kamuf, Christie McDonald, Joan Wallach Scott, Gayatri Chakravorty Spivak
Most readers of Louis Althusser first enter his work through his writings on ideology. In an important new essay Étienne Balibar, friend and colleague of Althusser, offers an original reading of Althusser’s idea of ideology, drawing on both recently published posthumous writing and Althusser's work on the Piccolo Teatro di Milano. Balibar’s essay uncovers the intricate workings of interpellation through Althusser’s essays on the theater. If debates on dialectical materialism belong to a distant history, Balibar suggests, the question of ideology remains crucial for thinking the present.
The issue includes commentaries on Balibar’s essay from five influential scholars who engage critically with Althusser’s philosophy: Judith Butler, Banu Bargu, Adi Ophir, Warren Montag, and Bruce Robbins. This issue reanimates Althusser’s concept of ideology as an analytic tool for contemporary cultural and political critique.
In Dispositional Properties, David Weissman attacks a problem central to the philosophy of mind and, by implication, to the theory of being: Are there potentialities, capabilities, which dispose the mind to think in one way rather than another?
The volume is arranged in the form of four arguments that converge upon a single point. First, there is an intricate discussion of the shortcomings of Hume's account of mind as ideas and impressions. Next comes a brief treatment of the arguments of some of Weissman's contemporaries, including Carnap and Braithwaite. Third, Weissman discusses Wittgenstein's theories of learning and knowledge. Finally, there is a full discussion of Aristotle and his doctrine of potentialities.
The question this book ultimately raises is how to steer between a doctrine of mind as no more than a series of acts, on the one hand, and a doctrine of mind as a kind of unitary object, on the other. The solution is to show first of all that there must be a potentiality in the universe, and then to show clearly and in detail that the mind is shot through with that potentiality.
Covering an immense geographical range, Michael Welland wanders from the Sahara to the Atacama, depicting the often bizarre adaptations of plants and animals to these hostile environments. He also looks at these seemingly infertile landscapes in the context of their place in history—as the birthplaces not only of critical evolutionary adaptations, civilizations, and social progress, but also of ideologies. Telling the stories of the diverse peoples who call the desert home, he describes how people have survived there, their contributions to agricultural development, and their emphasis on water and its scarcity. He also delves into the allure of deserts and how they have been used in literature and film and their influence on fashion, art, and architecture. As Welland reveals, deserts may be difficult to define, but they play an active role in the evolution of our global climate and society at large, and their future is of the utmost importance. Entertaining, informative, and surprising, The Desert is an intriguing new look at these seemingly harsh and inhospitable landscapes.
In the seventeenth century white explorers and settlers encountered a tribe of Indians calling themselves Lenni Lenape along the Delaware River and its tributaries in New Jersey, Delaware, eastern Pennsylvania, and southeastern New York. Today communities of their descendants, known as Delawares, are found in Oklahoma, Kansas, Wisconsin, and Ontario, and individuals of Delaware ancestry are mingled with the white populations in many other states. The Delaware Indians is the first comprehensive account of what happened to the main body of the Delaware Nation over the past three centuries.
C. A. Weslager puts into perspective the important events in United States history in which the Delawares participated and he adds new information about the Delawares. He bridges the gap between history and ethnology by analyzing the reasons why the Delawares were repeatedly victimized by the white man.
Directors and Designers explores the practice of scenography—the creation of perspective in the design and painting of stage scenery—and offers new insight into the working relationships of the people responsible for these theatrical transformations. With contributions from leading practitioners and theorists, editor Christine White describes the way in which the roles of director and designer have developed over time. Featuring chapters on theater and site-specific performance, theatrical communication and aesthetics, and the cognitive reception of design by the audience, this volume provides a valuable resource on current approaches to scenography for professionals and students.
The chapters, all of which are new to this edition, focus on key features of the political systems that have emerged following the transition to postcommunist rule and the enlargement of the European Union through 2006. Full attention is given to the pattern of events in individual nations, but the main emphasis is on the framework of politics across the region—constitutions, leadership, parliaments, parties, and electoral systems—and the process of politics, as it is revealed in political participation, civil society, economic change, and the quality of democratic government within and beyond the region.
Clearly written and well supported with references and suggestions for further reading, Developments in Central and East European Politics 4 is the ideal guide to the process of change in a group of states that were formerly modeled on the Soviet Union but are now a distinctive and varied presence within a continent that has been redefining its boundaries, its values, its economic systems, and its international allegiances.
Contributors. Judy Batt, Dirk Berg-Schlosser, Sarah Birch, Heather Grabbe, Tim Haughton, Krzysztof Jasiewicz, Petr Kopecký, Paul G. Lewis, Frances Millard, Cas Mudde, D. Mario Nuti, Mark Pittaway, Ray Taras, Stephen White, Andrew Wilson, Kataryna Wolczuk
The chapters, all of which are new to this edition, focus on key features of the political systems that have emerged following the transition to postcommunist rule and the enlargement of the European Union through 2006. Full attention is given to the pattern of events in individual nations, but the main emphasis is on the framework of politics across the region—constitutions, leadership, parliaments, parties, and electoral systems—and the process of politics, as it is revealed in political participation, civil society, economic change, and the quality of democratic government within and beyond the region.
Clearly written and well supported with references and suggestions for further reading, Developments in Central and East European Politics 4 is the ideal guide to the process of change in a group of states that were formerly modeled on the Soviet Union but are now a distinctive and varied presence within a continent that has been redefining its boundaries, its values, its economic systems, and its international allegiances.
Contributors. Judy Batt, Dirk Berg-Schlosser, Sarah Birch, Heather Grabbe, Tim Haughton, Krzysztof Jasiewicz, Petr Kopecký, Paul G. Lewis, Frances Millard, Cas Mudde, D. Mario Nuti, Mark Pittaway, Ray Taras, Stephen White, Andrew Wilson, Kataryna Wolczuk
Contributors. Alfred B. Evans, Zvi Gitelman, Gordon Hahn, Margot Light, Michael McFaul, Sarah Oates, Thomas F. Remington, Peter Rutland, Richard Sakwa, Robert Sharlet, Darrell Slider, Judy Twigg, Stephen White, John P. Willerton
Contributors. Alfred B. Evans, Zvi Gitelman, Gordon Hahn, Margot Light, Michael McFaul, Sarah Oates, Thomas F. Remington, Peter Rutland, Richard Sakwa, Robert Sharlet, Darrell Slider, Judy Twigg, Stephen White, John P. Willerton
Central and East Europe is a large, extremely diverse region, encompassing full-fledged EU members—the Czech Republic, Hungary, Poland, Estonia, Latvia, Lithuania, Slovenia, and Slovakia, followed later by Bulgaria and Romania—as well as nations of the Western Balkans that are progressing at various speeds along the EU path—Croatia, about to join; Macedonia, Montenegro and Serbia, with EU candidate status; and Albania, Bosnia and Herzegovina, and Kosovo, struggling to keep up. The region also includes the East European states of Ukraine, Belarus, and Moldova. In this collection, leading authorities examine how these heterogeneous nations have fared since the collapse of communism. The contributors look at executive leadership, elections and voter behavior, parliamentary systems, political parties, citizen engagement in civil society, the effects of neoliberalism, and the quality of life in postcommunist democracies. Most of the essays are new to this edition; the rest have been thoroughly updated.
Contributors. Judy Batt, Sarah Birch, Nathaniel Copsey, Terry Cox, Rick Fawn, Tim Haughton, Krzysztof Jasiewicz, Paul G. Lewis, Frances Millard, David M. Olson, Mitchell A. Orenstein, Andrew Roberts, Ray Taras, Stephen White, Andrew Wilson
Central and East Europe is a large, extremely diverse region, encompassing full-fledged EU members—the Czech Republic, Hungary, Poland, Estonia, Latvia, Lithuania, Slovenia, and Slovakia, followed later by Bulgaria and Romania—as well as nations of the Western Balkans that are progressing at various speeds along the EU path—Croatia, about to join; Macedonia, Montenegro and Serbia, with EU candidate status; and Albania, Bosnia and Herzegovina, and Kosovo, struggling to keep up. The region also includes the East European states of Ukraine, Belarus, and Moldova. In this collection, leading authorities examine how these heterogeneous nations have fared since the collapse of communism. The contributors look at executive leadership, elections and voter behavior, parliamentary systems, political parties, citizen engagement in civil society, the effects of neoliberalism, and the quality of life in postcommunist democracies. Most of the essays are new to this edition; the rest have been thoroughly updated.
Contributors. Judy Batt, Sarah Birch, Nathaniel Copsey, Terry Cox, Rick Fawn, Tim Haughton, Krzysztof Jasiewicz, Paul G. Lewis, Frances Millard, David M. Olson, Mitchell A. Orenstein, Andrew Roberts, Ray Taras, Stephen White, Andrew Wilson
Contributors. Alfred B. Evans, Henry E. Hale, P. Hanson, Margot Light, N. Manning, J. Mathers, Michael McFaul, Sarah Oates, Thomas F. Remington, C. Ross, Richard Sakwa, Darrell Slider, G. Smith, Stephen White, John P. Willerton
Contributors. Alfred B. Evans, Henry E. Hale, P. Hanson, Margot Light, N. Manning, J. Mathers, Michael McFaul, Sarah Oates, Thomas F. Remington, C. Ross, Richard Sakwa, Darrell Slider, G. Smith, Stephen White, John P. Willerton
Contributors. Vladimir Gel'man, Henry E. Hale, Philip Hanson, Kathryn Hendley, Margot Light, Jennifer Mathers, Ian McAllister, Sarah Oates, Thomas F. Remington, Graeme Robertson, Richard Sakwa, Darrell Slider, Svetlana Stephenson, Stephen White, John P. Willerton
On January 3, 1911, police discovered Latvian revolutionaries on the lam in London’s East End. A six-hour gunfight ensued until fire consumed the building where the radicals had taken refuge. When a not-yet-prime-minister Winston Churchill arrived at the scene, he ordered officials to let the fire run its course. At least two people burned to death in the blaze, but the Latvian ringleader, Peter the Painter, remained at large. Known as the Siege of Sidney Street, the event was a nationwide sensation and ignited fierce debates about immigration, extremism, and law enforcement. This book unravels the full story of the siege, the Latvian expatriates, and London’s vibrant anarchist movement in the early twentieth century.
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