A SCHOLARLY BOOK REPOSITORY
The writings of Richard Hooker are of central interest to those studying English Renaissance thought and literature. In this, the third volume of a much-needed critical edition of the Works of Richard Hooker, are the posthumous books of the Laws of Ecclesiastical Polity. Hooker planned the Laws in eight books, but he died shortly after publication of Book Five. Books Six, Seven, and Eight, which contain his analysis of jurisdiction, episcopacy, and the royal supremacy, are here transcribed from versions that have the most authority. The volume also includes Hooker’s autograph notes toward those texts (brought to light by P. G. Stanwood in the course of his research) and the contemporary notes by George Cranmer and Edwin Sandys on a lost draft of Book Six. Mr. Stanwood’s introduction lays to rest all doubts about the authenticity of the last three books as we have them, doubts current since publication of Walton’s Life of Hooker in 1662.
This edition, sponsored by the Folger Library, is providing authoritative texts to serve as a basis for the scholarly reappraisal of Richard Hooker’s writings that is presently underway.
Although Richard Hooker (1554–1600) is now known principally as the author of the Laws of Ecclesiastical Polity, in his lifetime the Tractates and Sermons brought him greater notoriety. Hooker’s views on justification, the perseverance of faith, and the relationship of the Church of Rome to the reformed Church of England were widely reported, and texts of the tracts were extensively circulated in manuscript.
Thanks to the meticulous editing of Laetitia Yeandle, Curator of Manuscripts at the Folger Shakespeare Library, the contemporary impact of these debates can now be appreciated for the first time. These tracts provide a unique perspective on the turbulent world of late Elizabethan theology. In addition, they lay the doctrinal foundations of the Laws of Ecclesiastical Polity itself and—with the excellent commentary of Egil Grislis, Professor of Theology at the University of Manitoba in Winnipeg, enable us to trace the intellectual formation of sixteenth-century England’s most innovative and provocative theologian.
The volume includes a newly discovered letter; three newly attributed sermon fragments; and analysis by P. F. Forte of Hooker’s distinctive preaching style.
As I was coming up, it was painful to me not to have been given my own nickname. It made me feel different, or rather that I was being treated differently from other family members. I wondered why everybody else was spoken to in terms of their identity, their character, their behavior, and I was simply identified by the 'tag,' my given name. But then, when I read in a book that France meant free, I began to think of it as imbuing me with a sense of flight, of movement. Ultimately, I came to believe my name spoke for itself and that I did not need any other.'—from the book
Imbued with rich detail of family life in a rural community, as well as a system of values at a time of transition in American history, this is the life story of France Davis, the dynamic pastor of the Calvary Baptist Church in Salt Lake City. It is an engaging story of courage and vision that describes coming of age in the segregation-era South, of dreaming, enduring with honor, and living at the forefront of major issues within the United States.
Recorded and skillfully written by Nayra Atiya, France Davis: An American Story Told, is an oral history, ethnography, memoir, perhaps even a life-enhancing sermon delivered with the strong voice of a preacher. The gathered strands of a life lived with conviction and grace will appeal to a broad spectrum of readers from the curious to those seeking inspiration.
Winner of the Utah Book Award in Nonfiction.
In Frontier Religion Konden Smith Hansen examines the dramatic influence these perceptions of the frontier had on Mormonism and other religions in America. Endeavoring to better understand the sway of the frontier on religion in the United States, this book follows several Mormon-American conflicts, from the Utah War and the antipolygamy crusades to the Reed Smoot hearings. The story of Mormonism’s move toward American acceptability represents a larger story of the nation’s transition to modernity and the meaning of religious pluralism. This book challenges old assumptions and provokes further study of the ever changing dialectic between society and faith.
Peruvian members of the Church of Jesus Christ of Latter-day Saints face the dilemma of embracing their faith while finding space to nourish their Peruvianness. Jason Palmer draws on eight years of fieldwork to provide an on-the-ground look at the relationship between Peruvian Saints and the racial and gender complexities of the contemporary Church.
Peruvian Saints discovered that the foundational ideas of kinship and religion ceased being distinct categories in their faith. At the same time, they came to see that LDS rituals and reenactments placed coloniality in opposition to the Peruvians’ indigenous roots and family against the more expansive Peruvian idea of familia. In part one, Palmer explores how Peruvian Saints resolved the first clash by creating the idea of a new pioneer indigeneity that rejected victimhood in favor of subtle engagements with power. Part two illuminates the work performed by Peruvian Saints as they stretched the Anglo Church’s model of the nuclear family to encompass familia.
Placing Lyman’s story within a local and national context, award-winning author Dave Hall examines the roots and trajectory of Mormon women’s activism. Born into a polygamist family, Lyman entered the larger sphere of public life at the time when the practice of polygamy was ending and Mormonism had begun assimilating mainstream trends. The book follows her life as she prepared for a career, married, and sought meaning in a rapidly changing society. It recounts her involvement in the Relief Society, the Mormon women’s charity group that she led for many years and sought to transform into a force for social welfare, and it considers the influence of her connections with national and international women’s organizations. The final period of Lyman’s life, in which she resigned from the Relief Society amidst personal tragedy, offers insight into the reasons Mormon women abandoned their activist heritage for a more conservative role, a stance that is again evolving.
Winner of the Mormon History Association's Best First Book Award.
"This is an astonishing accomplishment which not only tells the reader about a neglected historical figure, but about myriad neglected dimensions of both Mormon history and the history of religion in general." -- Jan Shipps, author of Mormonism: The Story of a New Religious Tradition
"This will stand alone as a biography of David H. Smith. . . . But it is also an insightful look at the times and environment from which the Smith family, and its ideas, emerged." -- Paul M. Edwards, author of Our Legacy of Faith: A Brief History of the Reorganized Church
Free Love in Utopia provides the first in-depth account of how complex marriage was introduced among previously monogamous or single Oneida Community members. Bringing together vivid, firsthand writings by members of the community--including personal correspondence, memoranda on spiritual and material concerns, and official pronouncements--this volume portrays daily life in Oneida and the deep religious commitment that permeated every aspect of it. It also presents a complex portrait of the community's founder, John Humphrey Noyes, who demanded not only complete religious loyalty from his followers but also minute control over their sexual lives. It recounts the formidable legal suits faced by the community--one of which almost forced it to disband in 1852--and the critical behind-the-scenes work of Noyes's second-in-command, John L. Miller. Most important, Free Love in Utopia describes in detail how Oneida's "enlarged family" was created and how its unorthodox practices affected its members.
Key selections from a large collection of primary documents detailing Oneida's early years were compiled by George Wallingford Noyes, nephew of the founder. The present volume, astutely edited and introduced by noted communitarian scholar Lawrence Foster, marks the first publication of G. W. Noyes's remarkable manuscript, excerpted from the irreplaceable original documents that were deliberately burned after his death. The volume also reproduces Oneida's First Annual Report, which contains the sexual manifesto that underlay the community.
Winner, ISHS Certificate of Excellence, 2016
In the late 1850s and early 1860s, the attention of the Catholic and Protestant religious communities around the world focused on a few small settlements of French Canadian immigrants in northeastern Illinois. Soon after arriving in their new home, a large number of these immigrants, led by Father Charles Chiniquy, the charismatic Catholic priest who had brought them there, converted to Protestantism. In this anthropological history, Caroline B. Brettell explores how Father Chiniquy took on both the sacred and the secular authority of the Catholic Church to engineer the religious schism and how the legacy of this rift affected the lives of the immigrants and their descendants for generations. This intriguing study of a nineteenth-century migration of French Canadians to the American Midwest offers an innovative perspective on the immigrant experience in America.
Brettell chronicles how Chiniquy came to lead approximately one thousand French Canadian families to St. Anne, Illinois, in the early 1850s and how his conflict with the Catholic hierarchy over the ownership and administration of church property, delivery of the mass in French instead of Latin, and access to the Bible by laymen led to his excommunication. Drawing on the concept of social drama—a situation of intensely lived conflict that emerges within social groups—Brettell explains the religious schism in terms of larger ethnic and religious disagreements that were happening elsewhere in the United States and in Canada. Brettell also explores legal disputes, analyzes the reemergence of Catholicism in St. Anne in the first decade of the twentieth century, addresses the legacy of Chiniquy in both the United States and Quebec, and closely examines the French Canadian immigrant communities, focusing on the differences between the people who converted to Protestantism and those who remained Catholic.
Occurring when nativism was pervasive and the anti-immigrant Know-Nothing Party was at its height, Chiniquy’s religious schism offers an opportunity to examine a range of important historical and anthropological issues, including immigration, ethnicity, and religion; changes in household and family structure; the ways social identities are constructed and reconstructed through time; and the significance of charismatic leadership in processes of social and religious change. Through its multidisciplinary approach, Brettell’s enlightening study provides a pioneering assessment of larger national tensions and social processes, some of which are still evident in modern immigration to the United States.
Uncovering the feminine interiority of New England Protestantism, Female Piety and the Invention of American Puritanism positions itself against prevalent historical arguments about the rise of secularism in the modern West. Traister demonstrates that female spirituality became a principal vehicle through which Puritan identity became both absorbed within and foundational for pre-national secular culture. Engaging broadly with debates about religion and secularization, national origins and transnational unsettlements, and gender and cultural authority, this is a foundational reconsideration both of American Puritanism itself and of “American Puritanism” as it has been understood in relation to secular modernity.
The workings of Western intelligence in our day--whether in politics or the arts, in the humanities or the church--are as troubling as they are mysterious, leading to the questions: Where are we going? What in the world were we thinking? By exploring the history of four "cultures" so deeply embedded in Western history that we rarely see their instrumental role in politics, religion, education, and the arts, this timely book provides a broad framework for addressing these questions in a fresh way.
The cultures considered here originated in the ancient world, took on Christian forms, and manifest themselves today in more secular ways. These are, as John W. O'Malley identifies them: the prophetic culture that proclaims the need for radical change in the structures of society (represented by, for example, Jeremiah, Martin Luther, and Martin Luther King, Jr.); the academic culture that seeks instead to understand those structures (Aristotle, Aquinas, the modern university); the humanistic culture that addresses fundamental human issues and works for the common good of society (Cicero, Erasmus, and Eleanor Roosevelt); and the culture of art and performance that celebrates the mystery of the human condition (Phidias, Michelangelo, Balanchine).
By showing how these cultures, as modes of activity and discourse in which Western intelligence has manifested itself through the centuries and continues to do so, O'Malley produces an essay that especially through the history of Christianity brilliantly illuminates the larger history of the West.
The relationship between Western democracies and Islam, rarely entirely comfortable, has in recent years become increasingly tense. A growing immigrant population and worries about cultural and political assimilation—exacerbated by terrorist attacks in the United States, Europe, and around the world—have provoked reams of commentary from all parts of the political spectrum, a frustrating majority of it hyperbolic or even hysterical.
In The Fear of Barbarians, the celebrated intellectual Tzvetan Todorov offers a corrective: a reasoned and often highly personal analysis of the problem, rooted in Enlightenment values yet open to the claims of cultural difference. Drawing on history, anthropology, and politics, and bringing to bear examples ranging from the murder of Theo van Gogh to the French ban on headscarves, Todorov argues that the West must overcome its fear of Islam if it is to avoid betraying the values it claims to protect. True freedom, Todorov explains, requires us to strike a delicate balance between protecting and imposing cultural values, acknowledging the primacy of the law, and yet strenuously protecting minority views that do not interfere with its aims. Adding force to Todorov's arguments is his own experience as a native of communist Bulgaria: his admiration of French civic identity—and Western freedom—is vigorous but non-nativist, an inclusive vision whose very flexibility is its core strength.
The record of a penetrating mind grappling with a complicated, multifaceted problem, The Fear of Barbarians is a powerful, important book—a call, not to arms, but to thought.
This handbook synthesizes the most important principles of cultural and environmental formation processes for both students and practicing archaeologists.
Formation Process of the Archaeological Record embodies a vision that the cultural past is knowable, but only when the nature of the evidence is thoroughly understood. It shows how the past is accessible in practice by identifying variability introduced by the diverse effects of people and nature that in some sum, form the archaeological record.
For students, it is intended as both an introduction and guide in method and theory, field work, and analysis. Practicing archaeologists will find it a valuable checklist of sources of variability when observations on the archaeological record are used to justify inferences.
The quest for roots has been an enduring American preoccupation. Over the centuries, generations have sketched coats of arms, embroidered family trees, established local genealogical societies, and carefully filled in the blanks in their bibles, all in pursuit of self-knowledge and status through kinship ties. This long and varied history of Americans’ search for identity illuminates the story of America itself, according to François Weil, as fixations with social standing, racial purity, and national belonging gave way in the twentieth century to an embrace of diverse ethnicity and heritage.
Seeking out one’s ancestors was a genteel pursuit in the colonial era, when an aristocratic pedigree secured a place in the British Atlantic empire. Genealogy developed into a middle-class diversion in the young republic. But over the next century, knowledge of one’s family background came to represent a quasi-scientific defense of elite “Anglo-Saxons” in a nation transformed by immigration and the emancipation of slaves. By the mid-twentieth century, when a new enthusiasm for cultural diversity took hold, the practice of tracing one’s family tree had become thoroughly democratized and commercialized.
Today, Ancestry.com attracts over two million members with census records and ship manifests, while popular television shows depict celebrities exploring archives and submitting to DNA testing to learn the stories of their forebears. Further advances in genetics promise new insights as Americans continue their restless pursuit of past and place in an ever-changing world.
Bronze winner, Foreword Book of the Year, Writing Guides
With a focus squarely on the Midwest, Wendy Bilen pieces together the history of her grandmother, Josie Broadhead, born in 1911 and raised on the North Dakota prairie. Josie married a Wisconsin farmer and moved to a large dairy farm outside La Crosse; along the way she began taking in people in need of a home: ". . . beggars and drunks and children of drunks, mentally ill children and children with mentally ill parents. Brothers and cousins and sisters and in-laws and strangers."
By taking on these challenges that no one else wanted, Josie left an almost mythical legacy. Years after Josie's death, Bilen embarks on a journey to unearth Josie's story and quickly realizes that the search is about her, too. As she discovers her grandmother's complicated nature ("a woman proud and humble, loving and unaffectionate, strict and visionary, joyful and troubled, a woman held together by contradictions like an arch and its capstone"), she learns much about herself and her own choices. And as she breathes life into Josie and her family, friends, and neighbors, the author evokes a powerful sense of place of small towns and farms, of prairie, of Josie's home, all of which feel both fresh and satisfyingly familiar.
Much more than mere memoir or family history, this dual story about Bilen's journey illuminates the surprising ways our lives intersect with our ancestors'. An extraordinary story about a seemingly ordinary woman, Finding Josie will inspire readers to explore their own family history in their own way.
In a style reminiscent of the master storytellers of yore, Charless Caraway recounts the story of his life, as a man and a boy, on small farms in Saline and Jackson counties, particularly around Eldorado, Makanda, and Etherton Switch. He makes no bones about the hardships of those "old days," first helping his father eke out a living from the land, then scrambling for a living as a sharecropper and fruit picker, as he scrimped and saved for the day when he and his young wife, Bessie Mae Rowan Caraway, could buy a piece of land of their own.
The one-room school, the general store, the trips by wagon over roads that choked you in summer and swallowed you in winter, the home that burned: all are described in a matter-of-fact yet moving way. Many of the locations, buildings, and people are represented in equally unromanticized photographs from the family’s collection. Some of the stories and photos recall the common disasters of the frontier: drought, flood, and the tornado of 1925.
It is clear from these stories that each aspect of life exacted a price, but the Caraways paid that price without regret and rallied to go on their way. Charless and his family and friends fill this book with courage, strength, and an unshakable faith in the value of human endeavor.
"Swimming and sex seemed a lot alike to me when I was growing up. You took off most of your clothes to do them and you only did them with people who were the same color as you. As your daddy got richer, you got to do them in fancier places." Starting with her father, who never met a whitetail buck he couldn't shoot, a whiskey bottle he couldn't empty, or a woman he couldn't charm, and her mother, who "invented road rage before 1960," Melissa Delbridge introduces us to the people in her own family bible. Readers will find elements of Southern Gothic and familiar vernacular characters, but Delbridge endows each with her startling and original interpretation. In this disarmingly unguarded and unapologetic memoir, she shows us what really happened in the "stew of religion and sex" that was 1960s Tuscaloosa.
“When I was eleven the world was filled with birds,”writes Lisa Knopp of her girlhood in Burlington, Iowa. Picking up where she left off in her first book, Field of Vision, Knopp knits together sections of her life story through a pattern of images drawn from nature. The most prevalent of these unifying themes are metaphors of flight—birds, wind, moving upward and outward and across the midwestern landscape from Nebraska and Iowa to southern Illinois.
Reminiscent of Thoreau's introspective nature writing and Dillard's taut, personal prose, each chapter in Flight Dreams stands alone as a distinct narrative, yet each is linked by profoundly personal descriptions of dreams, the natural world, defining experiences, and chance encounters with people that later prove to be fateful. Part Eastern meditation, part dream sequence, part historical reconstruction, Flight Dreams testifies to a deep understanding of how the natural world—its visible and invisible elements—guides our destinies.
A college editor at the height of the Vietnam War, Mungo found himself smack in the middle of a mad swirl of activism and dissent, vigorously protesting every-thing from the draft to abortion laws to the university itself. Then he connected with Marshall Bloom to cofound LNS in Washington, D.C., as a news service catering to the burgeoning underground press. One thing led to another, until LNS, like so many other radical organizations, eventually disintegrated into violently warring factions. Mungo's memoir tracks its development and destruction with wicked humor and literary panache.
In an introduction to this new edition, John McMillian discusses the enduring appeal of Famous Long Ago and situates it within its broader historical context, while the author provides his own retrospective take in a new afterword.
A compassionate and engaging writer, O'Brien uses the biographer's methods to understand her family history, weaving the scattered pieces of the past—her mother's memo books, her father's reading journal, family photographs, tombstones, dance cards, hospital records, the family silver—into a compelling narrative. In the lives of her Irish-American relatives she finds that the American values of upward mobility, progress, and the pressure to achieve sparked both desire and depression, following her family through generations, across the sea, from the Irish famine of the 1840s to Harvard Yard in the late 1960s.
"Many people who write stories of depression or other chronic illnesses tell tales of recovery in the upward-mobility sense, the 'once I was ill, but now I am well' formula that we may find appealing, but doesn't match the messiness of our lives," she writes. "Mine is not such a tale. But it is a recovery tale in another sense—a story of salvage, of rescuing stories from silence." Told with humor and honesty, O'Brien's story will captivate all readers who want to know how they, and their families, have been shaped by the past.
With FranzFanon, Peter Hudis presents a penetrating critical biography of the activist’s life and work. Countering the prevailing belief that Fanon’s contributions to modern thought can be wholly defined by an advocacy of violence, Hudis presents his work instead as an integrated whole, showing that its nuances—and thus its importance—can only be appreciated in light of Fanon’s efforts to fuse philosophical theory and actual practice. By taking seriously Fanon’s philosophical and psychological contributions, as well as his political activism, Hudis presents a powerful and perceptive new view of the man and his achievement.
This brief, richly perceptive introduction to Fanon will give new force to his ideas, his life, and his example for people engaged in radical political theory and taking action against oppression around the world today.
A collection of essays by prominent scholars from many disciplines on the construction of public memories
The study of public memory has grown rapidly across numerous disciplines in recent years, among them American studies, history, philosophy, sociology, architecture, and communications. As scholars probe acts of collective remembrance, they have shed light on the cultural processes of memory. Essays contained in this volume address issues such as the scope of public memory, the ways we forget, the relationship between politics and memory, and the material practices of memory.Stephen Browne’s contribution studies the alternative to memory erasure, silence, and forgetting as posited by Hannah Arendt in her classic Eichmann in Jerusalem. Rosa Eberly writes about the Texas tower shootings of 1966, memories of which have been minimized by local officials. Charles Morris examines public reactions to Larry Kramer’s declaration that Abraham Lincoln was homosexual, horrifying the guardians of Lincoln’s public memory. And Barbie Zelizer considers the impact on public memory of visual images, specifically still photographs of individuals about to perish (e.g., people falling from the World Trade Center) and the sense of communal loss they manifest.
Whether addressing the transitory and mutable nature of collective memories over time or the ways various groups maintain, engender, or resist those memories, this work constitutes a major contribution to our understanding of how public memory has been and might continue to be framed.
What does history mean today? What is its relevance to the modern world? In contemplating fundamental questions about history and the Western legacy, the noted classical historian Christian Meier offers a new interpretation on how we view the world.
Meier sees an “absence” of history in contemporary Europe and throughout the West—an absence he attributes to the way modern historians have written about history and, more important, to the dramatic transformations of the twentieth century. He argues for the central legacy of Western civilization. He tackles the difficulty of reconciling a historical perspective with our era of extreme acceleration, when experience is shaped less by inheritance and legacy than by the novelty of changes wrought by science and globalization. Finally, Meier contemplates the enormity of the Holocaust, which he sees as a test of “understanding” history. If it is part of the whole arc of the Western legacy, how do we fit it with the rest?
This engaging and thought-provoking meditation challenges us to rethink the role of history in Western culture and a changing world.
For those who believe that globalization is a purely modern phenomenon, this book holds a startling and absorbing lesson. From Egypt to Babylon immerses readers in a world of exotic empires and states as they waxed and waned and interacted in a period of extraordinary internationalism—all before the rise of the Persian Empire.
The ancient Egyptians, Minoans, Mycenaeans, Hittites, Canaanites, Hurrians, Aramaeans, Israelites, Urartians, Mannaeans, Assyrians, Phrygians, Kassites, Chaldaeans, Elamites, Scythians, Medes, and Persians: these are the societies who for a millennia peopled the world from the Aegean and Egypt in the west to what we know now as Iraq and Iran in the east. In a concise introduction, illustrated with objects drawn largely from the collections of the British Museum, this book takes the reader through the vast and varied landscape of this period, where a far-flung world was linked by military expansion, diplomatic relations, and movement of goods and peoples that brought about profound cultural exchanges and technological and social revolutions. The story brings the reader from the foundations of the Egyptian empire through the turmoil at the end of the second millennium bce to the unprecedented political unification of the whole region by kings of Persia.
From Egypt to Babylon weaves together the political histories of the region’s diverse societies for the first time, tracing shifting fortunes and burgeoning colonies, trading connections and cultural pressures in what was truly the world’s first international age.
“The most significant contribution to rethinking the origins and course of the First Crusade for a generation.”
—Mark Whittow, Times Literary Supplement
“Filled with Byzantine intrigue, in every sense this book is important, compellingly revisionist and impressive. It refocuses the familiar western story through the eyes of the emperor of the east and fills in the missing piece of the puzzle of the Crusades.”
—Simon Sebag Montefiore, author of Jerusalem: The Biography
“Highly readable…its presentation of political machinations, compromises, and betrayals seems utterly convincing.”
—Michael Dirda, Washington Post
“A dazzling book, perfectly combining deep scholarship and easy readability. The most important addition to Crusading literature since Steven Runciman.”
—John Julius Norwich, author of Byzantium
“Fluent and dramatic…Frankopan rightly places the Emperor Alexios at the heart of the First Crusade, skillfully adding a dimension frequently missing from our understanding of this seminal event.”
—Jonathan Phillips, author of Holy Warriors
In 1096, an expedition of extraordinary scale and ambition set off from western Europe on a mass pilgrimage to Jerusalem. Three years later, after a journey that saw acute hardship, the most severe dangers, and thousands of casualties, the knights of the First Crusade found themselves storming the fortifications and capturing the Holy City. Against all odds, the expedition had returned Jerusalem to Christian hands.
In this groundbreaking book, Peter Frankopan paints a vivid picture of this infamous confrontation between Christianity and Islam. Basing his account on long-ignored eastern sources, he gives a provocative and highly original explanation of the world-changing events that followed. The Vatican’s victory cemented papal power, while Constantinople, the heart of the still-vital Byzantine Empire, never recovered. Frankopan’s revolutionary work shows how the taking of Jerusalem set the stage for western Europe’s dominance and shaped the modern world.
Despair at Gallipoli. Victory at Vimy Ridge. A European generation lost, an American spirit found. The First World War, the deadly herald of a new era, continues to captivate readers. In this lively book, Michael Neiberg offers a concise history based on the latest research and insights into the soldiers, commanders, battles, and legacies of the Great War.
Tracing the war from Verdun to Salonika to Baghdad to German East Africa, Neiberg illuminates the global nature of the conflict. More than four years of mindless slaughter in the trenches on the western front, World War I was the first fought in three dimensions: in the air, at sea, and through mechanized ground warfare. New weapons systems--tanks, bomber aircraft, and long-range artillery--all shaped the battle environment. Moving beyond the standard portrayal of the war's generals as "butchers and bunglers," Neiberg offers a nuanced discussion of officers constrained by the monumental scale of complex events. Diaries and letters of men serving on the front lines capture the personal stories and brutal conditions--from Alpine snows to Mesopotamian sands--under which these soldiers lived, fought, and died.
Generously illustrated, with many never-before-published photographs, this book is an impressive blend of analysis and narrative. Anyone interested in understanding the twentieth century must begin with its first global conflict, and there is no better place to start than with Fighting the Great War.
The Great War played an instrumental role in the development of cinema, so necessary was it to the mobilization efforts of the combatant nations. In turn, after the war, as memory began to fade, cinema continued to shape the war's legacy and eventually to determine the ways in which all warfare is imagined.
The First World War and Popular Cinema provides fresh insight into the role of film as an historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War in particular and combat in general. New historical research on both the uses of propaganda and the development of national cinemas make this collection one of the first to show the ways in which film history can contribute to our study of national histories. The contributors to the volume monitor popular perceptions of the war, the reshaping of the war's legacy, and the evolution of cinematic clichés that are perpetuated in filmmaking through the century. Some of the films they discuss are All Quiet on the Western Front, Gallipoli, The Grand Illusion, The Big Parade, Battle of the Somme, J'Accuse, Regeneration, and many more. The First World War and Popular Cinema is a vital addition to film studies and history, two fields only recently united in a productive way.
Now, in Five Days in October, historian Robert H. Ferrell presents new material—previously unavailable—about what really happened during those days in the forest. Despite the description of them as a lost battalion, the men were neither lost nor a battalion. The name was coined by a New York newspaper editor who, upon learning that a sizable body of troops had been surrounded, thought up the notion of a Lost Battalion—it possessed a ring sure to catch the attention of readers.
The trapped men actually belonged to companies from two battalions of the Seventy-seventh, and their exact placement was well known, reported by runners at the outset of the action and by six carrier pigeons released by their commander, Major Charles W. Whittlesey, during the five days his men were there. The causes of the entrapment were several, including command failures and tactical errors. The men had been sent ahead of the main division line without attention to flanks, and because of that failure, they were surrounded. Thus began a siege that took the lives of many men, leading to the collapse of the colonel of the 308th Infantry Regiment and, many believe, to the suicide of Major Whittlesey three years later.
This book grew out of Ferrell’s discovery of new material in the U.S. Army Military History Institute at the Army War College from the papers of General Hugh A. Drum and in the National Archives in College Park, Maryland. The Drum papers contain the court-martial record of the lieutenant of a machine-gun unit attached to the battalions, who advised Major Whittlesey to surrender, while the Seventy-seventh Division files contain full accounts of the taut relations between the Lost Battalion’s brigade commander and the Seventy-seventh’s division commander. By including this material, Ferrell gives a new accounting of this intriguing affair. Five Days in October will be welcomed by all those interested in a fuller understanding of the story of the Lost Battalion.
The Fires of Patriotism explores Alaska’s wartime experience, bringing to light new stories and new characters from a decade that shook the world. This multifaceted book explores the era through engaging stories and rare photos, offering a fresh perspective on World War I from a marginal land that forged its place in the greater unity of the country.
Of all military aircraft, fighter planes hold a mystique all their own. Perhaps it is because fighters can afford the least compromise: when the goal is to seize and maintain control of the air, the confrontation is direct. During World War I, the concept of air superiority took hold and in the ensuing decades the development of fighter aircraft became an ongoing back-and-forth battle, with adversaries trying to gain an upper hand through innovations in aerodynamics, powerplants, and armament. Fighter Aircraft Combat Debuts, 1915–1945: Innovation in Air Warfare Before the Jet Age by prominent aviation expert Jon Guttman explores the first combats for a variety of fighters of World War I, the conflicts of the so-called "interwar years," and World War II—a thirty-year period that saw the birth of the fighter concept and its maturity on the threshold of the Jet Age. Most of the aircraft described are fairly well known to aviation historians and a few names, such as Sopwith Camel, Fokker Triplane, Messerschmitt Me-109, Mitsubishi Zero, North American Mustang, and Supermarine Spitfire, are familiar even to the most nonaviation- minded persons. Not so well-known are the circumstances of their combat debuts, in which some, such as the Zero, made their mark almost from the outset, but in which others, like the British Bristol F.2A, showed rather less promise than they would ultimately realize. While a certain amount of space must be devoted to the technical development of these famous fighters, these studies of first combats serve as a reminder that it is the human factor, with all its special quirks, that inevitably came into play when these deadly flying machines first fired their guns. Profusely illustrated, Fighter Aircraft Combat Debuts is an authoritative history of one of the most enduring subjects in military aviation.
For many of the 200,000 black soldiers sent to Europe with the American Expeditionary Forces in World War I, encounters with French civilians and colonial African troops led them to imagine a world beyond Jim Crow. They returned home to join activists working to make that world real. In narrating the efforts of African American soldiers and activists to gain full citizenship rights as recompense for military service, Adriane Lentz-Smith illuminates how World War I mobilized a generation.
Black and white soldiers clashed as much with one another as they did with external enemies. Race wars within the military and riots across the United States demonstrated the lengths to which white Americans would go to protect a carefully constructed caste system. Inspired by Woodrow Wilson’s rhetoric of self-determination but battered by the harsh realities of segregation, African Americans fought their own “war for democracy,” from the rebellions of black draftees in French and American ports to the mutiny of Army Regulars in Houston, and from the lonely stances of stubborn individuals to organized national campaigns. African Americans abroad and at home reworked notions of nation and belonging, empire and diaspora, manhood and citizenship. By war’s end, they ceased trying to earn equal rights and resolved to demand them.
This beautifully written book reclaims World War I as a critical moment in the freedom struggle and places African Americans at the crossroads of social, military, and international history.
In Forgotten Veterans, Invisible Memorials: How American Women Commemorated the Great War, 1917–1945 Allison S. Finkelstein argues that American women activists considered their own community service and veteran advocacy to be forms of commemoration just as significant and effective as other, more traditional forms of commemoration such as memorials. Finkelstein employs the term “veteranism” to describe these women’s overarching philosophy that supporting, aiding, and caring for those who served needed to be a chief concern of American citizens, civic groups, and the government in the war’s aftermath. However, these women did not express their views solely through their support for veterans of a military service narrowly defined as a group predominantly composed of men and just a few women. Rather, they defined anyone who served or sacrificed during the war, including women like themselves, as veterans.
These women veteranists believed that memorialization projects that centered on the people who served and sacrificed was the most appropriate type of postwar commemoration. They passionately advocated for memorials that could help living veterans and the families of deceased service members at a time when postwar monument construction surged at home and abroad. Finkelstein argues that by rejecting or adapting traditional monuments or by embracing aspects of the living memorial building movement, female veteranists placed the plight of all veterans at the center of their commemoration efforts. Their projects included diverse acts of service and advocacy on behalf of people they considered veterans and their families as they pushed to infuse American memorial traditions with their philosophy. In doing so, these women pioneered a relatively new form of commemoration that impacted American practices of remembrance, encouraging Americans to rethink their approach and provided new definitions of what constitutes a memorial. In the process, they shifted the course of American practices, even though their memorialization methods did not achieve the widespread acceptance they had hoped it would.
Meticulously researched, Forgotten Veterans, Invisible Memorials utilizes little-studied sources and reinterprets more familiar ones. In addition to the words and records of the women themselves, Finkelstein analyzes cultural landscapes and ephemeral projects to reconstruct the evidence of their influence. Readers will come away with a better understanding of how American women supported the military from outside its ranks before they could fully serve from within, principally through action-based methods of commemoration that remain all the more relevant today.
From Downing Street to the Trenches gathers eyewitness accounts and photographs that vividly convey this lived experience. The letters of Prime Minister H. H. Asquith show the strain of wartime leadership and shed light on his later downfall, while letters home from the young Harold Macmillan are suffused with his experiences in the trenches and mark the beginning of his road to Downing Street. Although it was forbidden to record cabinet discussions, Secretary of State Lewis Harcourt’s unauthorized diary provides a window into the government of the time, complete with character sketches of some of the leading figures, including Winston Churchill. In addition to political figures, the book draws on many local records, including the diary of an Essex rector, written to record the impact of the war on his community and parish.
Filled with fear and sorrow but also suffused with hope for the future, the accounts collected here paint a highly personal and immediate picture of the war as it was happening to real people of the time.
This translation makes Emilio Gentile’s groundbreaking study of Mosse’s life and work available to English language readers. A leading authority on fascism, totalitarianism, and Mosse’s legacy, Gentile draws on a wealth of published and unpublished material, including letters, interviews, lecture plans, and marginalia from Mosse’s personal library. Gentile details how the senior scholar eschewed polemics and employed rigorous academic standards to better understand fascism and the “catastrophe of the modern man”—how masculinity transformed into a destructive ideology. As long as wars are waged over political beliefs in popular culture, Mosse’s theories of totalitarianism will remain as relevant as ever.
Perlmutter's hard-hitting, revisionist history of Roosevelt's foreign policy explores FDR's not-so-grand alliance with the ruthless Soviet leader. As the first Western scholar granted access to key foreign ministry documents recently declassified in the former Soviet Union, Perlmutter provides a provocative portrait of a popular leader whose failure to comprehend Stalin's long-range goals had devastating results for the postwar world.
After World War II more than one hundred books appeared that dealt with the experience of the Italian army in Russia, and particularly the terrible winter retreat of 1942-1943. Few Returned (I piu' non ritornano) is the only one of these that is still regularly reissued in Italy.
Eugenio Corti, who was a twenty-one-year-old second lieutenant at the time, found himself, together with 30,000 Italians and a smaller contingent of Germans, encircled on the banks of the River Don by enemy forces who far outnumbered them. To break out of this encirclement, these men undertook a desperate march across the snow, with constant engagements and in temperatures ranging from -20 to -30 degrees Fahrenheit. Whereas supplies were air-dropped to the Germans, the predicament of the Italians was far more difficult: lacking gasoline, they were compelled to abandon their vehicles and to proceed without heavy arms, equipment, ammunition, or provisions. Even the wounded had to be abandoned, though it was well known that the soldiers of the Red Army"enraged by the brutality of the German invasion"killed all the enemy wounded who fell into their hands. After twenty-eight days of encirclement, only 4,000 of the 30,000 Italians made it out of the pocket.
Why is it that Corti's book, which was first published in 1947, continues after fifty years to be reprinted in Italy? Because, as Mario Apollonio of the University of Milan said, when the book first appeared: "It is a chronicle . . . but it is much more than that: behind the physical reality, there is the truth" about man at his most tragic hour. Apollonio adds: "The power of the writing immediately transforms the document into drama"; the result is a "novel-poem-drama-history." The philosopher Benedetto Croce found in Corti's book "the not infrequent gleam of human goodness and nobility." Few Returned is a classic of war literature that succeeds in bringing home the full hatefulness of war.
Eugenio Corti began writing his diary at a military hospital immediately after being repatriated from the Russian front. When in September 1943 Italy found itself cut in two by the Armistice, Corti, loyal to his officer's oath, joined up with what remained of the Italian army in the south and with those few troops participated in driving the Germans off Italian soil, fighting at the side of the British Eighth and the American Fifth Armies.
In the early stages of the Second World War, the vast crescent of British-ruled territories stretching from India to Singapore appeared as a massive Allied asset. It provided scores of soldiers and great quantities of raw materials and helped present a seemingly impregnable global defense against the Axis. Yet, within a few weeks in 1941-42, a Japanese invasion had destroyed all this, sweeping suddenly and decisively through south and southeast Asia to the Indian frontier, and provoking the extraordinary revolutionary struggles which would mark the beginning of the end of British dominion in the East and the rise of today's Asian world.
More than a military history, this gripping account of groundbreaking battles and guerrilla campaigns creates a panoramic view of British Asia as it was ravaged by warfare, nationalist insurgency, disease, and famine. It breathes life into the armies of soldiers, civilians, laborers, businessmen, comfort women, doctors, and nurses who confronted the daily brutalities of a combat zone which extended from metropolitan cities to remote jungles, from tropical plantations to the Himalayas. Drawing upon a vast range of Indian, Burmese, Chinese, and Malay as well as British, American, and Japanese voices, the authors make vivid one of the central dramas of the twentieth century: the birth of modern south and southeast Asia and the death of British rule.
Forced Out: A Nikkei Woman’s Search for a Home in America offers insight into “voluntary evacuation,” a little-known Japanese American experience during World War II, and the lasting effects of cultural trauma. Of the roughly 120,000 people forced from their homes by Executive Order 9066, around 5,000 were able to escape incarceration beforehand by fleeing inland. In a series of beautifully written essays, Judy Kawamoto recounts her family’s flight from their home in Washington to Wyoming, their later moves to Montana and Colorado, and the influence of those experiences on the rest of her life. Hers is a story shared by the many families who lost everything and had to start over in often suspicious and hostile environments.
Kawamoto vividly illustrates the details of her family’s daily life, the discrimination and financial hardship they experienced, and the isolation that came from experiencing the horrors of the 1940s very differently than many other Japanese Americans. Chapters address her personal and often unconscious reactions to her parents’ trauma, as well as her own subsequent travels around much of the world, exploring, learning, enjoying, but also unconsciously acting out a continual search for a home.
Showing how the impacts of traumatic events are collective and generational, Kawamoto draws
interconnections between her family’s displacement and later aspects of her life and juxtaposes the impact of her early experiences and questions of identity, culture, and assimilation. Forced Out will be of great interest to the general reader as well as students and scholars of ethnic studies, Asian American studies, history, education, and mental health.
2022 Asian/Pacific American Award for Literature, Honor Title, Adult Non-Fiction Literature
2022 Evans Handcart Award Winner
Austin argues that the resettled students transformed the attempts at assimilation to create their own meanings and suit their own purposes, and succeeded in reintegrating themselves into the wider American society without sacrificing their connections to community and their Japanese cultural heritage.
Details conditions in Alabama and the role of its citizens in a time of military crisis unknown since the Civil War.
Alabama and its people played a conspicuous role in World War II. Not only were thousands of servicemen trained at military facilities in the state—at Fort McClellan, Camp Rucker, Camp Sibert, Maxwell Air Field, and Tuskegee Army Air Field—but Axis prisoners of war were interned in camps on Alabama soil, most notably at Aliceville and Opelika. More than 45,000 Alabama citizens were killed in combat or died as POWs, some came home injured, and many labored in war factories at home.
The Inspiring True Story of a World War II Bomber Pilot Who Saved an Austrian Village—and the Incredible Search Across a Lifetime to Repay That Debt
In July 1944, Lt. Henry Supchak was flying his second-to-last mission over Germany when his B-17 bomber, Priority Gal, was hit by antiaircraft fire, disabling two engines and wounding him in the thigh. He attempted to reach neutral Switzerland, but was forced instead to order his eight crewmen to bail out over Austria. As Supchak prepared to abandon his aircraft he saw that it was on a collision course with an Alpine village. He instinctively got back into his seat, adjusted the controls, and barely escaped before the plane exploded at the base of a mountain. He parachuted into a pasture where a shepherd boy and his aunt stared in disbelief at this “man who fell from the sky.” Almost immediately, German infantry surrounded the pilot and took him away to solitary confinement. Although slightly burned by the exploding aircraft, the boy managed to find out where the wounded pilot was being held and snuck food and water to him before Supchak and his crew were taken away to a notorious prison camp for the rest of the war.
Liberated by Patton’s Third Army in April 1945, Supchak remained in the air force after World War II and even advised Gregory Peck during the filming of Twelve O’Clock High. But he carried deep scars from his war experience. Plagued by flashbacks, Supchak attempted to find closure. Opening up to his family and others about his aircombat missions and internment failed to rid him of the nagging dreams as he had hoped. But an inspired quest to find his former crew members before they all passed away put the pilot on a path of peace. A world away, an Austrian entrepreneur was searching for Supchak, the enemy pilot he had seen fall from the sky as a boy and whom he had never forgotten. Despite incredible odds, the pilot and the boy were able to meet again at the spot where Priority Gal had gone down, in a magical, miraculous reunion of closure. Beautifully written with honesty and emotion, The Final Mission: A Boy, a Pilot, and a World at War is a gripping and uplifting story of forgiveness, reconciliation, and healing from the devastation of war.
The French Resistance has an iconic status in the struggle to liberate Nazi-occupied Europe, but its story is entangled in myths. Gaining a true understanding of the Resistance means recognizing how its image has been carefully curated through a combination of French politics and pride, ever since jubilant crowds celebrated Paris’s liberation in August 1944. Robert Gildea’s penetrating history of resistance in France during World War II sweeps aside “the French Resistance” of a thousand clichés, showing that much more was at stake than freeing a single nation from Nazi tyranny.
As Fighters in the Shadows makes clear, French resistance was part of a Europe-wide struggle against fascism, carried out by an extraordinarily diverse group: not only French men and women but Spanish Republicans, Italian anti-fascists, French and foreign Jews, British and American agents, and even German opponents of Hitler. In France, resistance skirted the edge of civil war between right and left, pitting non-communists who wanted to drive out the Germans and eliminate the Vichy regime while avoiding social revolution at all costs against communist advocates of national insurrection. In French colonial Africa and the Near East, battle was joined between de Gaulle’s Free French and forces loyal to Vichy before they combined to liberate France.
Based on a riveting reading of diaries, memoirs, letters, and interviews of contemporaries, Fighters in the Shadows gives authentic voice to the resisters themselves, revealing the diversity of their struggles for freedom in the darkest hours of occupation and collaboration.
“Whatever happens, the flame of French resistance must not and will not go out.” As Charles de Gaulle ended his radio address to the French nation in June 1940, listeners must have felt a surge of patriotism tinged with uncertainty. Who would keep the flame burning through dark years of occupation? At what cost?
Olivier Wieviorka presents a comprehensive history of the French Resistance, synthesizing its social, political, and military aspects to offer fresh insights into its operation. Detailing the Resistance from the inside out, he reveals not one organization but many interlocking groups often at odds over goals, methods, and leadership. He debunks lingering myths, including the idea that the Resistance sprang up in response to the exhortations of de Gaulle’s Free French government-in-exile. The Resistance was homegrown, arising from the soil of French civil society. Resisters had to improvise in the fight against the Nazis and the collaborationist Vichy regime. They had no blueprint to follow, but resisters from all walks of life and across the political spectrum formed networks, organizing activities from printing newspapers to rescuing downed airmen to sabotage. Although the Resistance was never strong enough to fight the Germans openly, it provided the Allies invaluable intelligence, sowed havoc behind enemy lines on D-Day, and played a key role in Paris’s liberation.
Wieviorka shatters the conventional image of a united resistance with no interest in political power. But setting the record straight does not tarnish the legacy of its fighters, who braved Nazism without blinking.
Genia spent two years in Auschwitz. Ze'ev fought with the Partisans. Olga hid in the Aryan section of Warsaw. Anya fled to Russia. Laura lived in Libya under the Italian fascist regime. All five survived the Holocaust, emigrated to Israel, and started families there. How the traumatic experience of these survivors has been transmitted, even transformed, from one generation to the next is the focus of Fear and Hope.
From survivors to grandchildren, members of these families narrate their own stories across three generations, revealing their different ways of confronting the original trauma of the Holocaust. Dan Bar-On's biographical analyses of these life stories identify several main themes that run throughout: how family members reconstruct major life events in their narratives, what stories remain untold, and what is remembered and what forgotten. Together, these life stories and analyses eloquently explore the intergenerational reverberations of the Holocaust, particularly the ongoing tension between achieving renewal in the present and preserving the past. We learn firsthand that the third generation often exerts a healing influence in these families: their spontaneous questions open blocked communications between their parents and their grandparents. And we see that those in the second generation, often viewed as passive recipients of familial fallout from the Holocaust, actually play a complex and active role in navigating between their parents and their children.
This book has implications far beyond the horrific reality at its heart. A unique account of the interplay between individual biography and wider social and cultural processes, Fear and Hope offers a fresh perspective on the transgenerational effects of trauma--and new hope for families facing the formidable task of "working through."
In the spring of 1942, the federal government forced West Coast Japanese Americans into detainment camps on suspicion of disloyalty. Two years later, the government demanded even more, drafting them into the same military that had been guarding them as subversives. Most of these Americans complied, but Free to Die for Their Country is the first book to tell the powerful story of those who refused. Based on years of research and personal interviews, Eric L. Muller re-creates the emotions and events that followed the arrival of those draft notices, revealing a dark and complex chapter of America's history.
Much has been written about the Office of Strategic Services (OSS)--the forerunner of the CIA--and the exploits of its agents during World War II. Virtually unknown, however, is the work of the extraordinary community of scholars who were handpicked by "Wild Bill" Donovan and William L. Langer and recruited for wartime service in the OSS's Research and Analysis Branch (R&A). Known to insiders as the "Chairborne Division," the faculty of R&A was drawn from a dozen social science disciplines and challenged to apply its academic skills in the struggle against fascism. Its mandate: to collect, analyze, and disseminate intelligence about the enemy.
Foreign Intelligence is the first comprehensive history of this extraordinary behind-the-scenes group. The R&A Branch assembled scholars of widely divergent traditions and practices--Americans and recent European émigrés; philosophers, historians, and economists; regionalists and functionalists; Marxists and positivists--all engaged in the heady task of translating the abstractions of academic discourse into practical politics. Drawing on extensive, newly declassified archival sources, Barry M. Katz traces the careers of the key players in R&A, whose assessments helped to shape U.S. policy both during and after the war. He shows how these scholars, who included some of the most influential theorists of our time, laid the foundation of modern intelligence work. Their reports introduced the theories and methods of academic discourse into the workings of government, and when they returned to their universities after the war, their wartime experience forever transformed the world of scholarship.
Authoritative, probing, and wholly original, Foreign Intelligence not only sheds new light on this overlooked aspect of the U.S. intelligence record, it also offers a startling perspective on the history of intellectual thought in the twentieth century.
A vivid picture of Germany under the Nazis emerges from this collection of unsettling interviews conducted by freelance TV writer Owings with 29 women of diverse backgrounds, both Aryan and Jewish. Among the women whose lives in Germany's war-torn homefront are chronicled are the widow of a resistance leader and the wife of an SS guard, who refers to her husband's work in the Ravensbrook and Buchenwald "manufacturing plants." Not only did Hitler attract the young but, according to one supporter, "he understood how to fascinate women." Some of these women claim that they privately protested mistreatment of Jews and prisoners and risked their lives to assist them. Only one non-Jewish woman, however, admits to "hearing" that Jews were gassed.
From Library Journal
Owings, a freelance television writer who is neither a German nor a Jew, has compiled and edited a groundbreaking set of oral histories. She interviews women from many spectrums of the Third Reich: Germans, Jews, individuals of "mixed" parentage, a countess, a camp guard, women who hid Jews, Nazi supporters, Communists, and other women who witnessed and participated in everyday and extraordinary events. Owings has tried, as much as possible, to quote her interviewees directly yet still manages to create an even and engaging text. This volume is an excellent companion to Claudia Koonz's Mothers in the Fatherland: Women, Family Life, and Nazi Ideology , 1919-1945 ( LJ 11/1/86). Highly recommended.
Because prior studies of American women’s travel writing have focused exclusively on middle-class and wealthy travelers, it has been difficult to assess the genre and its participants in a holistic fashion. One of the very few surviving working-class travel diaries, Lorenza Stevens Berbineau’s account provides readers with a unique perspective of a domestic servant in the wealthy Lowell family in Boston. Staying in luxurious hotels and caring for her young charge Eddie during her six-month grand tour, Berbineau wrote detailed and insightful entries about the people and places she saw.
Contributing to the traditions of women’s, diary, and travel literature from the perspective of a domestic servant, Berbineau's narrative reveals an arresting and intimate outlook on both her own life and the activities, places, and people she encounters. For example, she carefully records Europeans’ religious practices, working people and their behavior, and each region’s aesthetic qualities. Clearly writing in haste and with a pleasing freedom from the constraints of orthographic and stylistic convention, Berbineau offers a distinctive voice and a discerning perspective. Alert to nuances of social class, her narrative is as appealing and informative to today's readers as it no doubt was to her fellow domestics in the Lowell household.
Unobtrusively edited to retain as much as possible the individuality and texture of the author’s original manuscript, From Beacon Hill to the Crystal Palace offers readers brief framing summaries, informative endnotes, and a valuable introduction that analyzes Berbineau’s narrative in relation to gender and class issues and compares it to the published travel writing of her famous contemporary, Harriet Beecher Stowe.
Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth’s graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean.
The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage.
Molineux’s well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.
The twelfth century witnessed the sudden appearance and virtual disappearance of an important literary genre—the Old French verse chronicle. These poetic histories of the British kings, which today are treated as fiction, were written contemporaneously with Latin prose narratives, which are regarded as historical accounts. In this pathfinding study, however, Jean Blacker asserts that twelfth-century authors and readers viewed both genres as factual history.
Blacker examines four Old French verse chronicles—Gaimar's Estoire des Engleis (c. 1135), Wace's Roman de Brut (c. 1155) and Roman de Rou (c. 1160–1174), and Benoît de Sainte-Maure's Chronique des Ducs de Normandie (c. 1174–1180) and four Latin narratives—William of Malmesbury's Gesta Regum (c. 1118–1143) and Historia Novella (c. 1140–1143), Orderic Vitalis's Historia Ecclesiastica (c. 1118–1140), and Geoffrey of Monmouth's Historia Regum Britanniae (c. 1138). She compares their similarity in three areas—the authors' stated intentions, their methods of characterization and narrative development, and the possible influences of patronage and audience expectation on the presentation of characters and events.
This exploration reveals remarkable similarity among the texts, including their idealization of historical and even legendary figures, such as King Arthur. It opens fruitful lines of inquiry into the role these writers played in the creation of the Anglo-Norman regnum and suggests that the Old French verse chronicles filled political, psychic, and aesthetic needs unaddressed by Latin historical writing of the period.
While previous scholars have studied Elizabeth I and her visits to the homes of influential courtiers, Fêting the Queen places a new emphasis on the civic communities that hosted the monarch and their efforts to secure much needed support. Case studies of the cities of Oxford, Canterbury, Sandwich, Bristol, Worcester, and Norwich focus on the concepts of hospitality and space—including the intimate details of the built environment.
The pieces here range from an account of the Jesuit Matteo Ricci's mission in China in the sixteenth century to a discussion of the Anglo-Scottish Union. They include essays on medicine at the early Stuart Court, on the plunder of artistic treasures in Europe during the wars of the seventeenth century, on the plans of Hugo Grotius to create a new universal church on an Anglican base, on the Glorious Revolution of 1688 and religious toleration thereafter. There are also biographical studies of Archbishop Laud, Matthew Wren, the Earl of Clarendon, and Prince Rupert.
As Noel argument wrote in Our Age, Hugh Trevor-Roper has "perfected the historical essay as the most beguiling form of enlightening readers about the past. He is the most eloquent, sophisticated and assured historian of Our Age, and has never written an inelegant sentence or produced an incoherent arguement."
Prominent merchant revolutionaries from Coleman Street led England’s imperial expansion by investing deeply in the slave trade and projects of colonial conquest. Opposing them were other Coleman Street puritans, who having crossed and re-crossed the ocean as colonists and revolutionaries, circulated new ideas about the liberty of body and soul that they defined against England’s emergent, political economy of empire. These transatlantic radicals promoted social justice as the cornerstone of a republican liberty opposed to both political tyranny and economic slavery—and their efforts, Donoghue argues, provided the ideological foundations for the abolitionist movement that swept the Atlantic more than a century later.
This book is the first comprehensive study tracing the origins and growth of English radicalism from the time of John Wilkes’s defiant fight for the rights of parliamentary electors to the final suppression of radical societies in 1799. It spans the age of revolution in England as the revolution absorbed reverberations from the American colonies and France, and was sometimes diverted by happenings in Scotland and Ireland.
“The Friends of Liberty” was the name English reformers took under George Ill's reign as they fought aristocratic rule and imperial domination within the English empire and abroad. They supported universal manhood suffrage, annual parliaments, social justice, the right of association, and they fought government suppression. At the height of their activity they were attacked as Jacobins, but the unfair denigration only hastened the beginnings of working class political consciousness and the formation of English conservatism.
Albert Goodwin contributes greatly to a profound understanding of the origins of popular radicalism in three ways. He reifies radicalism in urban areas beyond London—in the provincial cities of Manchester, Sheffield, Norwich, Birmingham, Derby, and Leicester. He places radicalism into a continental context. Finally, he traces radical thought from its seventeenth-century origins, through metropolitan Wilkite radicalism, Painite republicanism, and to Godwinian and Spencerian utopianism.
Functions of Victorian Culture at the Present Time addresses the theme of the Victorians' continuing legacy and its effect on our own culture and perception of the world. The contributors' diverse topics include the persistent influence of Jack the Ripper on police procedures, the enormous success of the magazine Victoria and the lifestyle it promotes, and film, television, and theatrical adaptations of Victorian texts.
Also addressed are appropriations of Oscar Wilde to market gay identity in contemporary advertising, and appeals to the Victorian empire in constructing the 'New Britain' for the era of globalization. Functions of Victorian Culture at the Present Time encourages a critique of how these artifacts contribute to contemporary culture and confronts the challenges of disseminating the older culture in the new millennium.
The contributors include Simon Joyce, Ronald R. Thomas, Miriam Bailin, Ellen Bayuk Rosenman, Jesse Matz, Sharon Aronofsky Weltman, Kathleen Lonsdale, Christine L. Krueger, Florence Boos, David Barndollar, Susan Schorn, and Sue Lonoff.
Fonthill Recovered draws on new research to explore the rich cultural history of this place where little remains today—a tower, a stable block, the ruins of what was once a kitchen, and an indentation in a field. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth and political power—and even, in one case, their sexual proclivities. They include Charles I’s Chancellor of the Exchequer and the richest British commoner of the nineteenth century. The second half of the book consists of essays on specific topics, examining such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their extensive art collection, and the recent appearance of the Abbey in a video game.
Inspired by the failed Young Ireland insurrection of 1848 and other nationalist movements on the European continent, the Fenian Brotherhood and the IRB (collectively known as the Fenians) surmised that insurrection was the only path to Irish freedom. By 1865, the Fenians had filled their ranks with battle-tested Irish expatriate veterans of the
Union and Confederate armies who were anxious to liberate Ireland. Lofty Fenian ambitions were ultimately compromised by several factors including United States government opposition and the resolution of volunteer Canadian militias who repelled multiple Fenian incursions into New Brunswick, Quebec, Ontario, and Manitoba. The Fenian legacy is thus multi-faceted. It was a mildly-threatening source of nationalist pride for discouraged Irish expatriates until the organization fulfilled its pledge to violently attack British soldiers and subjects. It also encouraged the confederation of Canadian provinces under the 1867 Dominion Act.
In this book, Patrick Steward and Bryan McGovern present the first holistic, multi-national study of the Fenian movement. While utilizing a vast array of previously untapped primary sources, the authors uncover the socio-economic roots of Irish nationalist behavior at the height of the Victorian Period. Concurrently, they trace the progression of Fenian ideals in the grassroots of Young Ireland to its de facto collapse in 1870s. In doing so, the authors change the perception of the Fenians from fanatics who aimlessly attempted to free their homeland to idealists who believed in their cause and fought with a physical and rhetorical force that was not nonsensical and hopeless as some previous accounts have suggested.
PATRICK STEWARD works in the Mayo Clinic Development Office in Rochester, Minnesota. He obtained a Ph.D. in Irish History at University of Missouri under the direction of Kerby Miller. Patrick additionally holds two degrees from Tufts University and he was a strategic intelligence analyst at the Drug Enforcement Administration in Washington, D.C. early in his professional career.
BRYAN MCGOVERN is an associate professor of history at Kennesaw State University in Kennesaw, Georgia. He is author of the widely praised 2009 book John Mitchel, Irish Nationalist, Southern Secessionist and has written various articles, chapters, and book reviews on Irish and Irish-American nationalism.
In a new perspective on the formation of national identity in Central Europe, Nancy Wingfield analyzes what many historians have treated separately--the construction of the Czech and German nations--as a larger single phenomenon.
Czech and German nationalism worked off each other in dynamic ways. As external conditions changed, Czech and German nationalists found new uses for their pasts and new ways to stage them in public spaces for their ongoing national projects. These grassroots confrontations transformed public culture by reinforcing the centrality of nationality to everyday life and by tying nationalism to the exercise of power. The battles in the public sphere produced a cultural geography of national conflict associated with the unveiling of Joseph II statues that began in 1881, the Badeni Language Ordinances of 1897, the 1905 debate over a Czech-language university in Moravia, and the celebration of the emperor's sixtieth jubilee in 1908. The pattern of impassioned national conflict would be repeated for the duration of the monarchy and persist with even more violence into the First Czechoslovak Republic.
Numerous illustrations show how people absorbed, on many levels, visual clues that shaped how they identified themselves and their groups. This nuanced analysis is a valuable contribution to our understanding of Central European history, nationalism, and the uses of collective memory.
This book showcases three Frenchwomen who ventured far from home at a time when such traveling was rare. In 1639, Marie de l’Incarnation embarked for New France where she founded the first Ursuline monastery in present-day Canada. In 1750, Madame du Boccage set out at the age of forty on her first “grand tour.” She visited England, the Netherlands, and Italy where she experienced firsthand the intellectual liberty offered there to educated women. As the Reign of Terror gripped France, the Marquise de la Tour du Pin fled to America with her husband and their two young children, where they ran a farm from 1794 to 1796. The writings these women left behind detailing their respective journeys abroad represent significant contributions to early modern travel literature. This book makes available to anglophone readers three texts that are rich in both historical and literary terms.
A panorama of a whole civilization, a world on the verge of cataclysm, unfolds in this magisterial work by the foremost historian of eighteenth-century France. Since Tocqueville’s account of the Old Regime, historians have struggled to understand the social, cultural, and political intricacies of this efflorescence of French society before the Revolution. France in the Enlightenment is a brilliant addition to this historical interest.
France in the Enlightenment brings the Old Regime to life by showing how its institutions operated and how they were understood by the people who worked within them. Daniel Roche begins with a map of space and time, depicting France as a mosaic of overlapping geographical units, with people and goods traversing it to the rhythms of everyday life. He fills this frame with the patterns of rural life, urban culture, and government institutions. Here as never before we see the eighteenth-century French “culture of appearances”: the organization of social life, the diffusion of ideas, the accoutrements of ordinary people in the folkways of ordinary living—their food and clothing, living quarters, reading material. Roche shows us the eighteenth-century France of the peasant, the merchant, the noble, the King, from Paris to the provinces, from the public space to the private home.
By placing politics and material culture at the heart of historical change, Roche captures the complexity and depth of the Enlightenment. From the finest detail to the widest view, from the isolated event to the sweeping trend, his masterly book offers an unparalleled picture of a society in motion, flush with the transformation that will be its own demise.
The end of the nineteenth century in France was marked by political scandals, social unrest, dissension, and “decadence.” Yet the fin de siècle was also an era of great social and scientific progress, a time when advantages previously reserved for the privileged began to be shared by the many. Public transportation, electrical illumination, standard time, and an improved water supply radically altered the life of the modest folk, who found time for travel and leisure activities—including sports such as cycling. Change became the nature of things, and people believed that further improvement was not only possible but inevitable.
In this thoroughly engaging history, Eugen Weber describes ways of life, not as recorded by general history, but as contemporaries experienced them. He writes about political atmosphere and public prejudices rather than standard political history. Water and washing, bicycles and public transportation engage him more than great scientific discoveries. He discusses academic painting and poster art, the popular stage and music halls, at greater length than avant-garde and classic theater or opera. In this book the importance of telephones, plumbing, and central heating outranks such traditional subjects as international developments, the rise of organized labor, and the spread of socialism.
Weber does not neglect the darker side of the fin de siècle. The discrepancy between material advance and spiritual dejection, characteristic of our own times, interests him as much as the idea of progress, and he reminds us that for most people the period was far from elegant. In the lurid context of military defeat, political instability, public scandal, and clamorous social criticism, one had also to contend with civic dirt, unsanitary food, mob violence, and the seeds of modern-day scourges: pollution, drugs, sensationalism, debased art, the erosion of moral character. Yet millions of fin de siècle French lived as only thousands had lived fifty years before; while their advance was slow, their right to improvement was conceded.
Engaging a number of theorists, and alternating between Joan's historical and cultural context, Meltzer also explores the ways in which postmodern thinkers question subjectivity. She argues that the way masculine subjects imagine Joan betrays their fear of death and necessitates the role of women as cultural others: enigmatic, mysterious, dark, and impossible. As such, Joan serves as a useful model of the limits and risks of subjectivity. For Meltzer, she is both the first modern and the last medieval figure. From the ecclesial jury that burned her, to the theorists of today who deny their attraction to the supernatural, the philosophical assumptions that inform Joan's story, as Meltzer ultimately shows, have changed very little.
The writings of Pope Pius VI, head of the Catholic Church during the most destructive period of the French Revolution, were compiled in two volumes by M.N.S. Guillon and published in 1798 and 1800. But during the Revolution, the reign of Napoleon, and the various revolutionary movements of the 19th century, there were extraordinary efforts to destroy writings that critiqued the revolutionary ideology. Many books and treatises, if they survived the revolution or the sacking from Napoleon’s armies. To this day, no public copy of Guillon’s work exists in Paris.
Now, for the first time in English, these works comprising the letters, briefs, and other writings of Pius VI on the French Revolution are available. Volume I treats the first shock of the Revolution and the efforts of the Pope in 1790 and 1791 to oppose the Civil Constitution of the Clergy (which famous revolutionary and shrewd diplomat Talleyrand referred to as “the greatest fault of the National Assembly”). Volume II will be published later, and deals with the aftermath of the Civil Constitution through Pius’s death in exile). Editor and translator Jeffrey Langan presents the materials leading up to and directly connected with these decrees, in which the National Assembly attempted to set up a Catholic Church that would be completely submissive to the demands of the Assembly. Volume I also covers Pius’s efforts to deal with the immediate aftermath of the Constitution after the National Assembly implemented it, including his encyclical, Quod Aliquantum.
The letters will show how Pius chose to oppose the Civil Constitution. He did so not by a public campaign, for he had no real temporal power to oppose the violence, but by attempting to work personally with Louis XVI and various archbishops in France to articulate what were the points on which he could concede (matters dealing with the political structures of France) and what were the essential points in which he could not concede (matters dealing with the organization of dioceses and appointment of bishops).
Since the 1980s, with the writings and school that developed around François Furet, as well as Simon Schama’s Citizens, a new debate over the French Revolution has ensued, bringing forth a more objective account of the Revolution, one that avoids an excessively Marxist lens and that brings to light some of its defects and more gruesome parts – the destruction and theft of Church property, and the sadistic methods of torture and killing of priests, nuns, aristocrats, and fellow-revolutionaries.
An examination of the writings of Pius VI will not only help set the historical record straight for English-speaking students of the Revolution, it will also aid them to better understand the principles that the Catholic Church employs when confronted with chaotic political change. They will see that the Church has a principled approach to distinguishing, while not separating, the power of the Church and the power of the state. They will also see, as Talleyrand himself also saw, that one of the essential elements that makes the Church the Church is the right to appoint bishops and to discipline its own bishops. The Church herself recognizes that she cannot long survive without this principle that guarantees her unity.
Pius VI’s efforts were able to keep the Catholic Church intact (though badly bruised) so that she could reconstitute herself and build up a vibrant life in 19th-century France. (He did this in the face of the Church’s prestige having sunk to historic lows; some elites in Europe thought there would be no successor to Pius and jokingly referred to him as “Pius the Last.”) He began a process that led to the restoration of the prestige of the Papacy throughout the world, and he initiated a two-century process that led to the Church finally being able to select bishops without any interference from secular authorities. This had been at least a 1,000-year problem in the history of the Church. By 1990, only two countries of the world, China and Vietnam, were interfering in any significant way in the process that the Church used to select bishops.
Pius VI’s papacy, especially during the years of the French Revolution, was a pivotal point for the French Revolution and for the interaction between Church and state in Western history. All freedom-loving people will be happy to read his distinc-tions between the secular power and the spiritual power. His papacy also was important for the internal developments that the Church would make over the next 200 years with respect to its self-understanding of the Papacy and the role of the bishop.
Festivals and the French Revolution—the subject conjures up visions of goddesses of Liberty, strange celebrations of Reason, and the oddly pretentious cult of the Supreme Being. Every history of the period includes some mention of festivals, although most historians have been content either to ridicule them as ineffectual or to bemoan them as repugnant examples of a sterile, official culture. Mona Ozouf shows us that they were much more than bizarre marginalia to the revolutionary process. Festivals offer critical insights into the meaning of the French Revolution; they show a society in the process of creating itself anew.
Historians have recognized the importance of the revolutionary festival as a symbol of the Revolution. But they have differed widely in their interpretations of what that symbol meant and have considered the festivals as diverse as the rival political groups that conceived and organized them. Against this older vision, Ozouf argues for the fundamental coherence and profound unity of the festival as both event and register of reference and attitude. By comparing the most ideologically opposed festivals (those of Reason and the Supreme Being, for instance), she shows that they clearly share a common aim, which finds expression in a mutual ceremonial and symbolic vocabulary. Through a brilliant discussion of the construction, ordering, and conduct of the festival Ozouf demonstrates how the continuity of the images, allegories, ceremonials, and explicit functions can be seen as the Revolution’s own commentary on itself.
A second and important aim of this book is to show that this system of festivals, often seen as destructive, was an immensely creative force. The festival was the mirror in which the Revolution chose to see itself and the pedagogical tool by which it hoped to educate future generations, Far from being a failure, it embodied, socialized, and made sacred a new set of values based on the family, the nation, and mankind—the values of a modern, secular, liberal world.
Although more general accounts of the Left’s “failure” to halt international war in August 1914 focus on its lack of unity or the decline of trade unionism, Miller contends that these explanations barely scratch the surface when it comes to interpreting the Left’s overwhelming acceptance of the war. By embedding his cultural analysis of antimilitarist propaganda into the larger political and diplomatic history of prewar Europe, he reveals the Left’s seemingly sudden transformation “from revolutionaries to citizens” as less a failure of resolve than a confession of commonality with the broader ideals of republican France. Examining sources ranging from police files and court records to German and British foreign office memos, Miller emphasizes the success of antimilitarism as a rallying cry against social and political inequities on behalf of ordinary citizens. Despite their keen awareness of the bloodletting that awaited Europe, he claims, antimilitarists ultimately accepted the war with Germany for the same reason they had pursued their own struggle within France: to address injustices and defend the rights of citizens in a democratic society.
In May 1829, strange reports surfaced from the Ariège department in the French Pyrenees, describing male peasants, bizarrely dressed in women’s clothes, gathering in the forests at night to chase away state guards and charcoal-makers. This was the raucous War of the Demoiselles, a protest against the national French Forest Code of 1827, which restricted peasants’ rights to use state and private forests.
Peter Sahlins unravels the fascinating story of this celebrated popular uprising, and in his telling captures the cultural, historical, and political currents that swept the countryside during France’s July 1830 Revolution. Sahlins explains how and why the Ariège peasants drew on the practices and rituals of folk culture, as well as on a revolutionary tradition, to defend their inherited rights to the forest. To explore these rights and their expression, he delves into the history of forest management, of peasant conflicts with the state, and of popular culture—particularly the disputed history of Carnival and of local rituals of justice.
Sahlins also sheds new light on the French revolutionary tradition and the “Three Glorious Days” of July 1830. The drama and symbolism of the War of the Demoiselles have inspired nearly a dozen plays, novels, films, and even a comic book. Using the concepts of anthropology and cultural studies as transport, Sahlins moves from this rich event to the wider worlds of peasant society in France. Focusing on the years from 1829 to 1832 but drawing on sources since the sixteenth century, his book should captivate social, cultural, and political historians of both early modern and modern Europe.
The American Civil War and the Paris Commune of 1871, Philip Katz argues, were part of the broader sweep of transatlantic development in the mid-nineteenth century--an age of democratic civil wars. Katz shows how American political culture in the period that followed the Paris Commune was shaped by that event.
The telegraph, the new Atlantic cable, and the news-gathering experience gained in the Civil War transformed the Paris Commune into an American national event. News from Europe arrived in fragments, however, and was rarely cohesive and often contradictory. Americans were forced to assimilate the foreign events into familiar domestic patterns, most notably the Civil War. Two ways of Americanizing the Commune emerged: descriptive (recasting events in American terms in order to better understand them) and predictive (preoccupation with whether Parisian unrest might reproduce itself in the United States).
By 1877, the Commune became a symbol for the domestic labor unrest that culminated in the Great Railroad Strike of that year. As more powerful local models of social unrest emerged, however, the Commune slowly disappeared as an active force in American culture.
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