The revealing biography of this highly productive and radical film director
Rainer Werner Fassbinder was the most innovative practitioner of New German Cinema. He worked at breakneck speed and in fourteen years made forty-four films, including Ali: Fear Eats the Soul (1973) and The Marriage of Maria Braun (1978). Fassbinder ruthlessly attacked both German bourgeois society and the larger limitations of humanity, and his films detail the desperate yearning for love and freedom and the many ways in which society defeats that desire.
In Fassbinder, Christian Thomsen, a close friend of the director, illuminates Fassbinder’s body of work while revealing his insider views of a man who, despite a furious temper, manic working habits, and rampant drug addiction, supported an extended family—including his mother, a string of male lovers, lovelorn women, and even a pair of frustrated wives—with his intoxicating and prolific imagination. This book, like Fassbinder’s often-used image of the mirror, brilliantly reflects the sexual, political, and overwhelmingly human contradictions inherent in the life of this intensely creative man and the remarkable films he directed.If baseball is the sport of nostalgic prose, basketball’s movement, myths, and culture are truly at home in verse. In this extraordinary collection of essays, poets meditate on what basketball means to them: how it has changed their perspective on the craft of poetry; how it informs their sense of language, the body, and human connectedness; how their love of the sport made a difference in the creation of their poems and in the lives they live beyond the margins. Walt Whitman saw the origins of poetry as communal, oral myth making. The same could be said of basketball, which is the beating heart of so many neighborhoods and communities in this country and around the world. On the court and on the page, this “poetry in motion” can be a force of change and inspiration, leaving devoted fans wonderstruck.
Having escaped the porn factories of Utah, Pidgin heads for Clovis, NM to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he criscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers "Dukestyle." "Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipping the cutlass faster, faster, his dyed black hair unbraiding in the fifty mile per hour wind, and they never stopped for gas." Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe—a group of radicals to which Cline belonged.
Pidgin's search allows him to reconcile the death of his father with five hundred years of colonial myth-making, and will eventually place him in a position to rewrite history. Jones tells his tale in lean, poetic prose. He paints a bleak, fever-burnt west—a land of strip-joints, strip-malls, and all you can eat beef-fed-beef stalls, where the inhabitants speak a raw, disposable lingo. His vision is dark yet frighteningly recognizable. In the tradition of Gerald Vizenor's Griever, The Fast Red Road—A Plainsong blazes a trail through the puppets and mirrors of myth, meeting the unexpected at every turn, and proving that the past—the texture of the road—can and must be changed.
The Roman book of days.
Ovid (Publius Ovidius Naso, 43 BC–AD 17), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars amatoria, and was banished because of this work and some other reason unknown to us, and dwelt in the cold and primitive town of Tomis on the Black Sea. He continued writing poetry, a kindly man, leading a temperate life. He died in exile.
Ovid’s main surviving works are the Metamorphoses, a source of inspiration to artists and poets including Chaucer and Shakespeare; the Fasti, a poetic treatment of the Roman year of which Ovid finished only half; the Amores, love poems; the Ars amatoria, not moral but clever and in parts beautiful; Heroides, fictitious love letters by legendary women to absent husbands; and the dismal works written in exile: the Tristia, appeals to persons including his wife and also the emperor; and similar Epistulae ex Ponto. Poetry came naturally to Ovid, who at his best is lively, graphic and lucid.
The Loeb Classical Library edition of Ovid is in six volumes.
Teen-aged girls hate their bodies and diet obsessively, or so we hear. News stories and reports of survey research often claim that as many as three girls in five are on a diet at any given time, and they grimly suggest that many are “at risk” for eating disorders. But how much can we believe these frightening stories? What do teenagers mean when they say they are dieting?
Anthropologist Mimi Nichter spent three years interviewing middle school and high school girls—lower-middle to middle class, white, black, and Latina—about their feelings concerning appearance, their eating habits, and dieting. In Fat Talk, she tells us what the girls told her, and explores the influence of peers, family, and the media on girls’ sense of self. Letting girls speak for themselves, she gives us the human side of survey statistics.
Most of the white girls in her study disliked something about their bodies and knew all too well that they did not look like the envied, hated “perfect girl.” But they did not diet so much as talk about dieting. Nichter wryly argues—in fact some of the girls as much as tell her—that “fat talk” is a kind of social ritual among friends, a way of being, or creating solidarity. It allows the girls to show that they are concerned about their weight, but it lessens the urgency to do anything about it, other than diet from breakfast to lunch. Nichter concludes that if anything, girls are watching their weight and what they eat, as well as trying to get some exercise and eat “healthfully” in a way that sounds much less disturbing than stories about the epidemic of eating disorders among American girls.
Black girls, Nichter learned, escape the weight obsession and the “fat talk” that is so pervasive among white girls. The African-American girls she talked with were much more satisfied with their bodies than were the white girls. For them, beauty was a matter of projecting attitude (“’tude”) and moving with confidence and style.
Fat Talk takes the reader into the lives of girls as daughters, providing insights into how parents talk to their teenagers about their changing bodies. The black girls admired their mothers’ strength; the white girls described their mothers’ own “fat talk,” their fathers’ uncomfortable teasing, and the way they and their mothers sometimes dieted together to escape the family “curse”—flabby thighs, ample hips. Moving beyond negative stereotypes of mother–daughter relationships, Nichter sensitively examines the issues and struggles that mothers face in bringing up their daughters, particularly in relation to body image, and considers how they can help their daughters move beyond rigid and stereotyped images of ideal beauty.
Razorback Ridge. Levis Mound. The Underdown. Washburn and Nepco Lake. Whether you’re looking for a snake-like singletrack or a steep descent, whether you want to hit the trails near urban centers or escape to the scenic northern woods and waters, Fat Tire Wisconsin will take you there.
In this updated Second Edition, authors and Wisconsin natives W. Chad McGrath and Mark Parman share the knowledge gained from countless hours of riding Wisconsin’s off-road bike trails. They’ve included twenty-one challenging new trail systems, as well as changes and expansions to older systems. Fat Tire Wisconsin includes details of terrain and levels of difficulty; trail maps, directions to the trail sites, and use fees; and information on organizations, races, and websites.
Worldwide, mountain biking is enjoying ever-increasing popularity. Wisconsin, already a popular and welcoming locale for cycling activities of all kinds, is fast becoming a leader in off-road biking. Fat Tire Wisconsin takes you straight into the heart of everything that off-road Wisconsin has to offer.
The nature and goals of terrorist organizations have changed profoundly since the Cold War standoff among the U.S., Soviet, and Chinese superpowers gave way to the current "polyplex" global system, in which the old rules of international engagement have been shattered by a new struggle for power among established states, non-state actors, and emerging nations. In this confusing state of global disorder, terrorist organizations that are privately funded and highly flexible have become capable of carrying out incredibly destructive attacks anywhere in the world in support of a wide array of political, religious, and ethnic causes.
This groundbreaking book examines the evolution of terrorism in the context of the new global disorder. Richard M. Pearlstein categorizes three generations of terrorist organizations and shows how each arose in response to the global conditions of its time. Focusing extensively on today's transnational (i.e., privately funded and internationally operating) terrorist organizations, he devotes thorough attention to the two most virulent types: ethnoterrorism and radical Islamic terrorism. He also discusses the terrorist race for weapons of mass destruction and the types of attacks, including cyberterrorism, that are likely to occur in coming years. Pearlstein concludes with a thought-provoking assessment of the many efforts to combat transnational terrorism in the post-September 11 period.
Judge Laura Porter fiercely guarded her privacy, and never more so than during her long-running—and long in the past—affair with disgraced quarterback-turned-private investigator Andy Hayes. Now she’s missing, disappeared just hours after she calls Andy out of the blue explaining she’s in trouble and needs his help.
A trail of clues leads Andy to a central Ohio swamp whose future lies in the judge’s hands as she weighs a lawsuit pitting environmentalists against developers. Soon Hayes encounters the case of another missing person, a young man who vanished without a trace in a different swamp two counties away. As he looks for links between the two disappearances, Hayes is led from Columbus to Cleveland, unearthing a history of secrets and betrayals threatening not just the judge but her family as well.
Along the way, Hayes is forced to confront a newly strained relationship with his older son, now a budding football star himself, and revisit his tumultuous days as a Cleveland Browns quarterback and the gridiron failures that haunt him to this day. In partnership with a cop on her own quest for justice, Hayes rushes to find the judge, and the truth, before it’s too late.
Fatal Misconception is the disturbing story of our quest to remake humanity by policing national borders and breeding better people. As the population of the world doubled once, and then again, well-meaning people concluded that only population control could preserve the “quality of life.” This movement eventually spanned the globe and carried out a series of astonishing experiments, from banning Asian immigration to paying poor people to be sterilized.
Supported by affluent countries, foundations, and non-governmental organizations, the population control movement experimented with ways to limit population growth. But it had to contend with the Catholic Church’s ban on contraception and nationalist leaders who warned of “race suicide.” The ensuing struggle caused untold suffering for those caught in the middle—particularly women and children. It culminated in the horrors of sterilization camps in India and the one-child policy in China.
Matthew Connelly offers the first global history of a movement that changed how people regard their children and ultimately the face of humankind. It was the most ambitious social engineering project of the twentieth century, one that continues to alarm the global community. Though promoted as a way to lift people out of poverty—perhaps even to save the earth—family planning became a means to plan other people‘s families.
With its transnational scope and exhaustive research into such archives as Planned Parenthood and the newly opened Vatican Secret Archives, Connelly’s withering critique uncovers the cost inflicted by a humanitarian movement gone terribly awry and urges renewed commitment to the reproductive rights of all people.
Following their first contact in 1519, accounts of Aztecs identifying Spaniards as gods proliferated. But what exactly did the Aztecs mean by a “god” (teotl), and how could human beings become gods or take on godlike properties? This sophisticated, interdisciplinary study analyzes three concepts that are foundational to Aztec religion—teotl (god), teixiptla (localized embodiment of a god), and tlaquimilolli (sacred bundles containing precious objects)—to shed new light on the Aztec understanding of how spiritual beings take on form and agency in the material world.
In The Fate of Earthly Things, Molly Bassett draws on ethnographic fieldwork, linguistic analyses, visual culture, and ritual studies to explore what ritual practices such as human sacrifice and the manufacture of deity embodiments (including humans who became gods), material effigies, and sacred bundles meant to the Aztecs. She analyzes the Aztec belief that wearing the flayed skin of a sacrificial victim during a sacred rite could transform a priest into an embodiment of a god or goddess, as well as how figurines and sacred bundles could become localized embodiments of gods. Without arguing for unbroken continuity between the Aztecs and modern speakers of Nahuatl, Bassett also describes contemporary rituals in which indigenous Mexicans who preserve costumbres (traditions) incorporate totiotzin (gods) made from paper into their daily lives. This research allows us to understand a religious imagination that found life in death and believed that deity embodiments became animate through the ritual binding of blood, skin, and bone.
For law and legal theory the end of the twentieth century is a time of contradiction; while the newly emerging politics of Eastern Europe seek to establish a new rule of law, voices in this country proclaim the "death of law." For the former, law provides hope for stability and fairness. For the latter, the fundamental values that provide a grounding for legality seem no longer secure or satisfying. The Fate of Law is a collection of five original essays, each of which discusses the problems and prospects of law in the late twentieth century. The essays pay particular attention to the impact of broad intellectual and political movements, especially feminism and postmodernism, on law and legal theory.
The Fate of Law investigates what happens under the critical scrutiny of those movements and in an era of growing skepticism about law's central claim to objectivity, neutrality, and reason. It describes the struggles that ensue and the responses that are made. Each of the essays that comprise this books is written in its own style and voice; each makes it own judgments and assessments.
The Fate of Reason is the first general history devoted to the period between Kant and Fichte, one of the most revolutionary and fertile in modern philosophy. The philosophers of this time broke with the two central tenets of the modern Cartesian tradition: the authority of reason and the primacy of epistemology. They also witnessed the decline of the Aufklärung, the completion of Kant’s philosophy, and the beginnings of post-Kantian idealism.
Thanks to Frederick C. Beiser we can newly appreciate the influence of Kant’s critics on the development of his philosophy. Beiser brings the controversies, and the personalities who engaged in them, to life and tells a story that has uncanny parallels with the debates of the present.
The Amazon rain forest covers more than five million square kilometers, amid the territories of nine different nations. It represents over half of the planet’s remaining rain forest. Is it truly in peril? What steps are necessary to save it? To understand the future of Amazonia, one must know how its history was forged: in the eras of large pre-Columbian populations, in the gold rush of conquistadors, in centuries of slavery, in the schemes of Brazil’s military dictators in the 1960s and 1970s, and in new globalized economies where Brazilian soy and beef now dominate, while the market in carbon credits raises the value of standing forest.
Susanna Hecht and Alexander Cockburn show in compelling detail the panorama of destruction as it unfolded, and also reveal the extraordinary turnaround that is now taking place, thanks to both the social movements, and the emergence of new environmental markets. Exploring the role of human hands in destroying—and saving—this vast forested region, The Fate of the Forest pivots on the murder of Chico Mendes, the legendary labor and environmental organizer assassinated after successful confrontations with big ranchers. A multifaceted portrait of Eden under siege, complete with a new preface and afterword by the authors, this book demonstrates that those who would hold a mirror up to nature must first learn the lessons offered by some of their own people.
An Exploration of the Human Experience in One of the Civil War’s Most Important and Devastating Battles
The Union assault on the critical Confederate stronghold of Fredericksburg, Virginia, along the Rappahannock River in December 1862 was one of the most significant and storied battles of the Civil War. It was fought in order to secure confidence in the North for Lincoln’s administration after 18 months of Confederate victories, Union setbacks, and directionless Northern leadership. The result was a complete and stunning Confederate victory and one of the bloodiest losses for the Union Army. Federal General Ambrose E. Burnside and his Army of the Potomac planned to overrun Fredericksburg and move on to Richmond, the Confederate capital. The opposing general, Robert E. Lee, and his Army of Northern Virginia prepared Fredericksburg’s defense. Thousands of Union troops were able to successfully cross the Rappahannock River despite withering small arms fire and proceeded to brutally sack the city, terrorizing its remaining civilian inhabitants while the Confederates fell back to a line of heights to the west. Burnside soon ordered his generals to attack with the intention of flanking the Confederate defenders. Unable to dislodge or go around the enemy, Burnside was forced to withdraw without a victory after suffering appalling casualties.
In The Fate of War: Fredericksburg, 1862, historian and professional psychologist Duane Schultz uses this key moment in Civil War history to address how soldiers and civilians react to the stress of war. Rather than a traditional military history—and there are a number of excellent accounts of troop movements and strategy at Fredericksburg—The Fate of War explores the human element in battle; the motivations, passions, and emotions of the people who fought on both sides. Using letters, diaries, and memoirs, including those of Clara Barton and Walt Whitman, Schultz reveals what individuals can force themselves to do in the name of duty, patriotism, and dedication to a cause, or the ultimate fear of letting down their friends. Schultz’s account, grounded in careful research, is a record of the triumph and failure, courage and cowardice, compassion and cruelty of the people—the ordinary and high-ranking, soldier and civilian, men and women—who came together one terrible day.
Americans look to China with fascination and fear, unsure whether the rising Asian power is friend or foe but certain it will play a crucial role in America’s future. This is nothing new, Gordon Chang says. For centuries, Americans have been convinced of China’s importance to their own national destiny. Fateful Ties draws on literature, art, biography, popular culture, and politics to trace America’s long and varied preoccupation with China.
China has held a special place in the American imagination from colonial times, when Jamestown settlers pursued a passage to the Pacific and Asia. In the eighteenth and nineteenth centuries, Americans plied a profitable trade in Chinese wares, sought Chinese laborers to build the West, and prized China’s art and decor. China was revered for its ancient culture but also drew Christian missionaries intent on saving souls in a heathen land. Its vast markets beckoned expansionists, even as its migrants were seen as a “yellow peril” that prompted the earliest immigration restrictions. A staunch ally during World War II, China was a dangerous adversary in the Cold War that followed. In the post-Mao era, Americans again embraced China as a land of inexhaustible opportunity, playing a central role in its economic rise.
Through portraits of entrepreneurs, missionaries, academics, artists, diplomats, and activists, Chang demonstrates how ideas about China have long been embedded in America’s conception of itself and its own fate. Fateful Ties provides valuable perspective on this complex international and intercultural relationship as America navigates an uncertain new era.
The Indian Reorganization Act (IRA) of 1934 has been generally acknowledged as the most important statute affecting Native Americans after the General Allotment Act of 1887, and it is probably the most important single statute affecting Native Americans during the two-thirds of a century since its passage. Over half the Native governments in the contemporary U.S. are organized under its provisions or under separate statutes that parallel the IRA in major ways. Although the impact of the IRA has been widely studied and debated, no scholar until now has looked closely at the forces that shaped its creation and passage. Author Elmer Rusco spent over a decade of research in national and regional archives and other repositories to examine the legislative intent of the IRA, including the role of issues like the nature and significance of judge-made Indian law; the allotment policy and its relation to Indian self-government; the nature of Native American governments before the IRA; the views and actions of John Collier, commissioner of Indian Affairs and leader in the campaign to reform the nation’s Indian policy; and the influence of relations between the president and Congress during the second year of the New Deal. Rusco also discusses the role of conflicting ideologies and interests in this effort to expand the rights of Native Americans; the general ignorance of Native American concerns and policy on the part of legislators engaged in the writing and passage of the law; and the limited but crucial impact of Indian involvement in the struggle over the IRA.
“Given the current political conditions, these lectures on race, ethnicity, and nation, delivered by Stuart Hall almost a quarter of a century ago, may be even more timely today.”
—Angela Y. Davis
In this defining statement one of the founding figures of cultural studies reflects on the divisive, often deadly consequences of our contemporary politics of race and identity. As he untangles the power relations that permeate categories of race, ethnicity, and nationhood, Stuart Hall shows how old hierarchies of human identity were forcefully broken apart when oppressed groups introduced new meanings to the representation of difference.
Hall challenges us to find more sustainable ways of living with difference, redefining nation, race, and identity.
“Stuart Hall bracingly confronts the persistence of race—and its confounding liberal surrogates, ethnicity and nation…This is a profoundly humane work that…finds room for hope and change.”
—Orlando Patterson
“Stuart Hall’s written words were ardent, discerning, recondite, and provocative, his spoken voice lyrical, euphonious, passionate, at times rhapsodic and he changed the way an entire generation of critics and commentators debated issues of race and cultural difference.”
—Henry Louis Gates, Jr.
“Essential reading for those seeking to understand Hall’s tremendous impact on scholars, artists, and filmmakers on both sides of the Atlantic.”
—Artforum
Father Groppi Marched to Change Milwaukee
"Father Groppi: Marching for Civil Rights" tells the story of Father James Groppi, a Catholic priest from Milwaukee, Wis., who stood up for civil rights in the 1960s and 1970s.
This important new addition to the Badger Biographies series for young readers also tells about a turbulent time in Wisconsin history and sheds light on the civil rights movement and its place in the North.
Growing up on the south side of Milwaukee as the son of Italian immigrants, young James Groppi learned early on what it felt like to be made fun of just because of who you are, and he learned to respect people from other races and ethnic groups. Later, while studying to become a priest, he saw the discrimination African Americans faced. It made him angry, and he vowed to do whatever he could to fight racism.
Father Groppi marched with Dr. Martin Luther King Jr. and other leaders of the civil rights movement. But he knew there was work to be done in his own city. In Milwaukee, he teamed up with the NAACP and other organizations, protesting discrimination and segregation wherever they saw it. It wasn't always easy, and Father Groppi and the other civil rights workers faced great challenges.
In Sari Rosenblatt’s collection, by turns tender and hilarious, we see fathers who are bullies and nervous watchdogs, haunted by their own pasts and fear of the future they may never see. And who do their daughters become? A substitute teacher who encounters mouthy students who believe she’s not real. Another lands a job on her city’s arson squad, researching derelict properties their owners might want to burn. A beleaguered mother, humiliated by the PTA’s queen bee, finds solace in an ancient piece of caramel candy. “I keep sucking,” she says, “until some flavor, no longer caramel, comes out.” In the end, this is what all these finely wrought characters want: to wring sweetness from what’s been passed down to them.
Rosenblatt’s comic sensibility, so present in these stories, entertains and consoles, while seeming to say to her readers: you might as well laugh.
Through an intensive clinical study of forty incest victims and numerous interviews with professionals in mental health, child protection, and law enforcement, Judith Herman develops a composite picture of the incestuous family. In a new afterword, Herman offers a lucid and thorough overview of the knowledge that has developed about incest and other forms of sexual abuse since this book was first published.
Reviewing the extensive research literature that demonstrates the validity of incest survivors' sometimes repressed and recovered memories, she convincingly challenges the rhetoric and methods of the backlash movement against incest survivors, and the concerted attempt to deny the events they find the courage to describe.
It has been said that fathers are a biological necessity but a social accident. When Ross Parke first wrote about fathers for the Developing Child series, American culture seemed to adhere strongly to the stereotype of Dad the breadwinner, pacing outside the delivery room and peeking through the nursery window, and Mom the homemaker, warming bottles and changing diapers. Simple—in fact, a bit too simple. In the intervening years the conventional image of the uninvolved father has given way to a new stereotype: the father who takes an active part in rearing his children.
The dramatic technological, economic, and ideological changes in society over the past several decades have reconfigured the nuclear family and redefined the role of fathers. More women now work outside the home; fewer families can depend on an extended network of relatives for help with childcare; more divorced fathers assume or share custody of their children. Fathers have become partners in parenthood, wielding a more direct influence on their children’s development. But, Parke asks, is the new ideal of fathers—participating in childbirth and sharing in the care and feeding of their children—any more accurate than the earlier uninvolved father stereotype?
Social scientists have long ignored fathers, focusing on mothers as the significant figure in infant development. But research is showing that maternal caretaking is not biologically fixed, nor are fathers necessarily restricted to a secondary role in childcare. Turning away from well-worn theories in favor of direct observation, modern studies have revealed a substantial amount about how fathers behave with their children, how this behavior differs from maternal behavior, and how it affects children.
In this new book, Parke considers the father–child relationship within the “family system” and the wider society. Using the “life course” view of fathers that has emerged in recent years, he demonstrates that men enact their fatherhood in a variety of ways in response to their particular social and cultural circumstances. And while it is becoming clear that fathers play an important role in their children’s lives, it is also becoming clear that fathering is good for men.
We've all heard that a father's involvement enriches the lives of children. But how much have we heard about how having a child affects a father's life? As Peter Gray and Kermyt Anderson reveal, fatherhood actually alters a man's sexuality, rewires his brain, and changes his hormonal profile. His very health may suffer—in the short run—and improve in the long. These are just a few aspects of the scientific side of fatherhood explored in this book, which deciphers the findings of myriad studies and makes them accessible to the interested general reader.
Since the mid-1990s Anderson and Gray, themselves fathers of young children, have been studying paternal behavior in places as diverse as Boston, Albuquerque, Cape Town, Kenya, and Jamaica. Their work combines the insights of evolutionary and comparative biology, cross-cultural analysis, and neural physiology to deepen and expand our understanding of fatherhood—from the intense involvement in childcare seen in male hunter-gatherers, to the prodigality of a Genghis Khan leaving millions of descendants, to the anonymous sperm donor in a fertility clinic.
Looking at every kind of fatherhood—being a father in and out of marriage, fathering from a distance, stepfathering, and parenting by gay males—this book presents a uniquely detailed picture of how being a parent fits with men's broader social and work lives, how fatherhood evolved, and how it differs across cultures and through time.
2023 Finalist Best Academic Themed Book, College Level – English, International Latino Book Awards
A contemplative exploration of cultural representations of Mexican American fathers in contemporary media.
As a young girl growing up in Houston, Texas, in the 1980s, Domino Perez spent her free time either devouring books or watching films—and thinking, always thinking, about the media she consumed. The meaningful connections between these media and how we learn form the basis of Perez’s “slow” research approach to race, class, and gender in the borderlands. Part cultural history, part literary criticism, part memoir, Fatherhood in the Borderlands takes an incisive look at the value of creative inquiry while it examines the nuanced portrayal of Mexican American fathers in literature and film.
Perez reveals a shifting tension in the literal and figurative borderlands of popular narratives and shows how form, genre, and subject work to determine the roles Mexican American fathers are allowed to occupy. She also calls our attention to the cultural landscape that has allowed such a racialized representation of Mexican American fathers to continue, unopposed, for so many years. Fatherhood in the Borderlands brings readers right to the intersection of the white cultural mainstream in the United States and Mexican American cultural productions, carefully considering the legibility and illegibility of Brown fathers in contemporary media.
This story begins with a phone call out of the blue: a lawyer tells a writer that his ninety-six-year-old father, with whom he has had no contact since the age of three and whom he has twice tried to find without success, has just died, leaving him nothing. Half-reluctant, half-fascinated, both angry and curious, Keith Maillard begins to research his father’s life. The result is a suspenseful work of historical reconstruction—a social history often reading like a detective story—as well as a psychologically acute portrait of the impact of a father’s absence. Walking a tightrope between the known and the unknown, and following a trail that takes him from Vancouver to Montreal to his native Wheeling, West Virginia, Keith Maillard has pulled off a book that only a novelist of his stature could write.
Fathers, Preachers, Rebels, Men: Black Masculinity in U.S. History and Literature, 1820–1945,edited by Timothy R. Buckner and Peter Caster, brings together scholars of history and literature focused on the lives and writing of black men during the nineteenth and twentieth centuries in the United States. The interdisciplinary study demonstrates the masculine character of cultural practices developed from slavery through segregation. Black masculinity embodies a set of contradictions, including an often mistaken threat of violence, the belief in its legitimacy, and the rhetorical union of truth and fiction surrounding slavery, segregation, resistance, and self-determination. The attention to history and literature is necessary because so many historical depictions of black men are rooted in fiction. The essays of this collection balance historical and literary accounts, and they join new descriptions of familiar figures such as Charles W. Chesnutt and W. E. B. Du Bois with the less familiar but critically important William Johnson and Nat Love.
By the middle of the nineteenth century, as scientists explored the frontiers of polar regions and the atmosphere, the ocean remained silent and inaccessible. The history of how this changed—of how the depths became a scientific passion and a cultural obsession, an engineering challenge and a political attraction—is the story that unfolds in Fathoming the Ocean.
In a history at once scientific and cultural, Helen Rozwadowski shows us how the Western imagination awoke to the ocean's possibilities—in maritime novels, in the popular hobby of marine biology, in the youthful sport of yachting, and in the laying of a trans-Atlantic telegraph cable. The ocean emerged as important new territory, and scientific interests intersected with those of merchant-industrialists and politicians. Rozwadowski documents the popular crazes that coincided with these interests—from children's sailor suits to the home aquarium and the surge in ocean travel. She describes how, beginning in the 1860s, oceanography moved from yachts onto the decks of oceangoing vessels, and landlubber naturalists found themselves navigating the routines of a working ship's physical and social structures.
Fathoming the Ocean offers a rare and engaging look into our fascination with the deep sea and into the origins of oceanography—origins still visible in a science that focuses the efforts of physicists, chemists, geologists, biologists, and engineers on the common enterprise of understanding a vast, three-dimensional, alien space.
The Fats of Life delineates the importance of essential fatty acids, with a focus on distinctions between omega-3 and omega-6 fatty acid variants. The chemical and biochemical characteristics of these fatty acids and their metabolism to a vast array of potent bioactive messengers are described in the context of their potential effects on general health and impact on various diseases and neurological disorders. Glen D. Lawrence addresses in detail the capacity for polyunsaturated fatty acids to influence asthma, atherosclerosis, heart disease, inflammation, cancer, and immunity. Lawrence makes clear that our understanding of the biochemical and physiological effects of dietary fats has advanced tremendously as a result of careful research, but he also stresses that this knowledge has not easily translated into sound dietary recommendations.
New York Times Book Review Notable Book for 1997
1998 Certificate of Commendation, American Association for State and Local History
A study exploring the role of event and plot in William Faulkner’s fiction.
Faulkner the Storyteller addresses the role of event and plot in Faulkner's fiction and the creation of an implied teller behind the tale. Novels like The Sound and the Fury and Absalom, Absalom! are often thought of as canonical modernist texts antagonistic to traditional notions of plot and storytelling. Blair Labatt, however, argues that Faulkner's fiction, regardless of its modernist gestures, is filled and driven by sophisticated manifestations of plot—willed challenges, structural targets, gambits, designs, engagements, and battles—a language of competition and conflict and a syntax of events.
Labatt examines Faulkner's short stories, such as "Mountain Victory," "That Evening Sun," and "Barn Burning," and the architecture of the Snopes Trilogy (The Hamlet, The Town, and The Mansion), and finds that Faulkner's deployment of cause and effect is central to his narratives. Labatt also explores how Faulkner's use of plot creates an implied voice that lends a humorous element to his story's twists and turns that often brackets and encloses the pathos of his characters.
Is William Faulkner’s fiction built on a fundamental dichotomy of outcast individual versus the healthy agrarian community? The New Critics of the 1930s advanced this view, and it has shaped much Faulkner criticism. However, in Faulkner’s Marginal Couple, John Duvall posits the existence of another possibility, alternative communities formed by “deviant” couples. These couples, who violate “normal” gender roles and behaviors, challenge the either/or view of Faulkner’s world.
The study treats in detail the novels Light in August, The Wild Palms, Sanctuary, Pylon, and Absalom, Absalom!, as well as several of Faulkner’s short stories. In discussing each work, Duvall challenges the traditional view that Faulkner created active men who follow a code of honor and passive women who are close to nature. Instead, he charts the many instances of men who are nurturing and passive and women who are strong and sexually active. These alternative couples undermine a common view of Faulkner as an upholder of Southern patriarchal values, thus countering the argument that Faulkner’s fiction is essentially misogynist.
This new approach, drawing on semiotics, feminism, and Marxism, makes Faulkner more accessible to readers interested in ideological analysis. It also stresses the intertextual connections between Faulkner’s Yoknapatawpha and non-Yoknapatawpha fiction. Perhaps most importantly, it uncovers what the New Criticism concealed, namely, that Faulkner’s fiction traces the full androgynous spectrum of the human condition.
Faulkner’s Revision of Absalom, Absalom! is a study of the creative process as exemplified in one of the major achievements in twentieth-century fiction. Portions of the original handwritten version of the story are collated, line by line, with corresponding sections of the published version. In an introductory discussion the major changes are analyzed and evaluated.
It is particularly interesting to observe Faulkner revising not only his choice of words and the construction of his sentences but also the central design of the story. Most notably, he changed his mind about having it known from the beginning that Charles Bon was Sutpen’s part-Negro son, and he developed Quentin Compson into the pivotal figure who finally supplies this missing piece of information.
In the process of revision Absalom, Absalom! became a kind of detective story, and the reader is forced to join the quest and participate in the undertaking which is the basic subject of the book—the human attempt to comprehend and deal with the past.
To trace the process of this revision is to experience a sharp focusing of theme and to witness a demonstration of how the meaning of a fictional work can shape its structure and, in turn, stand revealed by what has become the outward sign, or form, of that meaning.
Was Sanctuary really a “cheap idea,” as Faulkner himself called it, a book “deliberately conceived to make money”? The question has teased the reading public since its publication. Many readers have had their worst suspicions about Faulkner’s work confirmed by his statement, but most serious critics have discounted the disparagement, emphasizing instead Faulkner’s further statement that when the galley proofs arrived from his publisher, “I saw that it was so terrible that there were two things to do: tear it up or rewrite it. I thought again, ‘It might sell; maybe 10,000 of them will buy it.’ So I tore the galleys down and rewrote the book.”
Now that two sets of the original galleys are available for inspection, one can see just how Faulkner reworked the novel. In the collation provided here by Gerald Langford, using Faulkner’s own corrected galleys held by the University of Texas at Austin, the reader can reconstruct the first version for himself, noting the cancellations, the additions, and the rewritten passages. As Gerald Langford makes clear in his introductory analysis, neither of Faulkner’s statements is to be trusted. Through revision, Sanctuary became theatrically more effective but thematically less interesting than the original version. Particularly noteworthy is the experimental narrative method of the original version, which foreshadows the method of Absalom, Absalom! as opposed to the straightforward, easily accessible method to which Faulkner turned in the revised Sanctuary and Light in August.
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