A SCHOLARLY BOOK REPOSITORY
A reprint of Abernethy's excellent historical study of the state of Tennesse from its founding through the antebellum years. In documenting the development of an agrarian society on the frontier, Abernethy develops important and controversial theses on the relation between frontier life and the development of American democracy, calling into question the mythology and motives previously associated with leaders such as William Blount, Andrew Jackson, James K. Polk, and Andrew Johnson.
In The Future of Art in a Postdigital Age, artist and educator Mel Alexenberg offers a vision of a postdigital future that reveals a paradigm shift from the Hellenistic to the Hebraic roots of Western culture. He ventures beyond the digital to explore postdigital perspectives rising from creative encounters among art, science, technology, and human consciousness. The interrelationships between these perspectives demonstrate the confluence between postdigital art and the dynamic, Jewish structure of consciousness. Alexenberg’s pioneering artwork––a fusion of spiritual and technological realms––exemplifies the theoretical thesis of this investigation into interactive and collaborative forms that imaginatively envisages the vast potential of art in a postdigital future.
During the mid-1800s, inhabitants of frontier mining communities in the Sierra and Rocky mountains used skis for many practical reasons, including mail and supply delivery, hunting, and railroad repair. In some towns skis were so common that, according to one California newspaper, "the ladies do nearly all their shopping and visiting on them."
But it was Norwegian immigrants in the Midwest, clinging to their homeland traditions, who first organized the skisport. Through the founding of local clubs and the National Ski Association, this ethnic group dominated American skiing until the 1930s.
At this time, a wave of German immigrants infused America with the ethos of what we today call Alpine skiing. This type of skiing became increasingly popular, especially in the East among wealthy collegians committed to the romantic pursuit of the "strenuous life." Ski clubs proliferated in towns and on college campuses and specialized resorts cropped up from New England to California. At the same time, skiing became mechanized with tows and lifts, and the blossoming equipment and fashion industries made a business of the sport.
On the eve of World War II, as the book concludes its story, all the elements were in place for the explosion in recreational and competitive skiing that erupted after 1945.
At the turn of the twentieth century, two young women find themselves in Stanyslaviv under Austro-Hungarian rule. Adela, the daughter of a wealthy German doctor, and Stefania, her orphan Ukrainian servant, could not be further apart socially and economically; but their fates intertwine in the cityscape of the late Habsburg Empire, densely inhabited by Ukrainians, Poles, Germans, and Jews for centuries. The intricate relationship between the two women—told by an unreliable narrator—unfolds against the backdrop of a rich ethnic, social, and cultural fabric that seems almost implausible to today’s reader who knows it to be irretrievably lost.
In Felix Austria, Sophia Andrukhovych uses techniques from Gothic literature to reconstruct with astonishing detail the atmosphere and the everyday life of Stanyslaviv. As if foreshadowing the wars to come and their devastation, the city’s population delights in earthly pleasures: extravagant dinner parties and receptions, mass celebrations, exotic theater performances, art exhibitions, glitzy shows of stars and starlets from near and far, local rituals of soap making, competition among fashionable dames, and much more. Felix Austria is a must-read for all those who seek to understand Ukraine’s deep ties with Western Europe and its struggle to break away from Russia’s orbit.
Carole and Robert Hillenbrand are legendary British professors, both of whom have made immense contributions to the fields of Islamic history and art history, and they are highly respected and beloved by the academic community. For these two volumes, editors Melanie Gibson and Ali Ansari have gathered an eclectic mix of scholarly contributions by colleagues and by some of their most recent students who now occupy positions in universities worldwide. The eleven articles in the volume dedicated to Carole Hillenbrand include research on a range of topics, including the elusive Fatimid caliph al-Zafir, a crusader raid on Mecca, and the Persian bureaucrat Mirza Saleh Shirazi’s history of England. In Robert Hillenbrand's volume, the thirteen articles include studies of a rare eighth-century metal dish with Nilotic scenes, Chinese Qur’ans, the process of image-making in both theory and practice, and a shrine in Mosul destroyed by ISIS.
This 'Radical War' was the culmination of five years of unsuccessful mass petitioning of Westminster by working people in Scotland and England. The contempt and intransigence of the Tory government forced an escalation in tactics, and on Easter Monday of 1820, the call for a general strike was answered throughout the western counties of Scotland. Their demands were threefold: the vote for all men, annual parliaments and equal constituencies. Coupled with an armed rebellion, the strike was met by the full military might of the British state; hundreds were arrested and imprisoned without trial, while hundreds more fled the country.
This Scottish general strike and insurrection is a little-known chapter of British history and yet remains an immensely important one in the long fight for democracy. In The Fight for Scottish Democracy, Murray Armstrong brings these events dramatically to life.
Climate change poses a huge threat to the West. The current mountain pine beetle epidemic with over 50 million acres of dying trees in western North America has created a powerful “teachable moment” across the region.
A primary goal of the Forests At Risk symposium was to reframe the nation’s climate change dialogue by making the issue both personal and real to many who may not appreciate its connection to the immediate world around them. While some may have difficulty relating to rising sea levels, falling water tables, imperiled polar bears and melting glaciers in far-off places, they are still shocked by the sight of vast dying forests around their homes. The Forests At Risk symposium explored the statement by Andy Jacobson, a carbon cycle scientist at the National Oceanic and Atmospheric Administration in Boulder, that “this is the kind of feedback we're all very worried about in the carbon cycle ... a warming planet leading to, in this case, an insect outbreak that increases carbon dioxide into the atmosphere, which can increase warming.”
The overwhelming scientific consensus holds that climate change is one of the most serious threats facing humankind today. We have a soberingly short time in which to reduce atmospheric greenhouse gases if we are to preserve our quality of life and environment. In addition to the global urgency, the American West is deeply dependent on the health of its forests, mountains and streams for both its quality of life and its economy. Put simply, if global warming shortens our winters, diminishes our recreation, and unleashes wildfires, diseases and insect epidemics that devastate our forests, the regional damage would be incalculable.
NOW is the perfect time to learn more in this ebook. The Forests At Risk symposium represented the first substantial public forum focused directly on the connection between climate change and forest health in the American West. In the wake of millions of acres of pine beetle devastation across our continent, this is the ideal moment to highlight the climate change connection and focus on the question of what happens when our forests transform from carbon sinks into carbon sources.
One of the most vigorous sciences of our time, astrophysics constantly changes under the impact of new discoveries about everything from our own sun to the most distant and exotic of extragalactic phenomena. In chapters written especially for this volume, twelve distinguished scientists actively pursuing astrophysical research offer up-to-date reviews and commentary on new developments in their fields. With a little grounding in astronomy or physics, the reader will find this book an invaluable source of basic information on the most recent work in this field.
Frontiers of Astrophysics can be used as classroom reading, either as a main text or as supplementary reading in astronomy or physics courses, and it can be read with profit by anyone who wants current knowledge presented without complex mathematical arguments. Published within months after the contributions were written, this book is the most convenient and contemporary source on these topics: formation of the solar system (W.R. Ward); new developments in solar research (R. W. Noyes); early phases of stellar evolution (S.E. Storm); endpoints of stellar evolution (A.G.W. Cameron); neutron stars, black holes and supernocvae (H. Gursky); infrared astronomy (G.G. Fazio); gaseous nebulae and their interstellar environment (E.K. Chaisson); chemistry of the interstellar medium (A. Dalgarno); radio observations of galactic masers (J.M. Moran): active galaxies (K. Brecher); galaxies and cosmology (M. Davis); the mass of the universe and intergalactic matter (G.B. Field).
In this carefully curated and beautifully presented photobook, Ariella Azoulay offers a new perspective on four crucial years in the history of Palestine/Israel.
The book reconstructs the processes by which the Palestinian majority in Mandatory Palestine became a minority in Israel, while the Jewish minority established a new political entity in which it became a majority ruling a minority Palestinian population. By reading over 200 photographs from that period, most of which were previously confined to Israeli state archives, Azoulay recounts the events and the stories that for years have been ignored or only partially acknowledged in Israel and the West.
Including substantial analytical text, this book will give activists, scholars and journalists a new perspective on the origins of the Palestine-Israel conflict.
From South Central to Southside charts the genesis and evolution of a transnational gang culture. Baird provides firsthand interviews with gang members and “narco” families and explains the surprising source of Belize City’s severe violence and skyrocketing homicide rates. He identifies gang violence in the U.S. and Belize as stemming from populations blighted by historical, brutal inequality and marginalization. Analyzing the gendered dynamics as young men and women face the temptations, risks, and dangers of gang life, Baird shines a light on “chronic vulnerability" in Belize City.
“Richly evocative and entertaining.”—Guardian
“An essential book for anyone who wants to Polari bona!”—Attitude
“Exuberant, richly detailed. . . . A delightful read.”—Tatler
Polari is a language that was used chiefly by gay men in the first half of the twentieth century. It offered its speakers a degree of public camouflage and a means of identification. Its colorful roots are varied—from Cant to Lingua Franca to dancers’ slang—and in the mid-1960s it was thrust into the limelight by the characters Julian and Sandy, voiced by Hugh Paddick and Kenneth Williams, on the BBC radio show Round the Horne (“Oh hello Mr Horne, how bona to vada your dolly old eek!”). Paul Baker recounts the story of Polari with skill, humor, and tenderness. He traces its historical origins and describes its linguistic nuts and bolts, explores the ways and the environments in which it was spoken, explains the reasons for its decline, and tells of its unlikely reemergence in the twenty-first century. With a cast of drag queens and sailors, Dilly boys and macho clones, Fabulosa! is an essential document of recent history—a fascinating and fantastically readable account of this funny, filthy, and ingenious language.
In Feeling Persecuted, Anthony Bale explores the medieval Christian attitude toward Jews, which included a pervasive fear of persecution and an imagined fear of violence enacted against Christians. As a result, Christians retaliated with expulsions, riots, and murders that systematically denied Jews the right to religious freedom and peace. Through close readings of a wide range of sources, Bale exposes the perceived violence enacted by the Jews and how the images of this Christian suffering and persecution were central to medieval ideas of love, community, and home. The images and texts explored by Bale expose a surprising practice of recreational persecution and show that the violence perpetrated against medieval Jews was far from simple anti-Semitism and was in fact a complex part of medieval life and culture.
Bale’s comprehensive look at medieval poetry, drama, visual culture, theology, and philosophy makes Feeling Persecuted an important read for anyone interested in the history of Christian-Jewish relations and the impact of this history on modern culture.
Fan Phenomena: The Hunger Games charts the series’s success through the increasingly vocal online communities that drive the young adult book market. Essays here consider the fashion that the series has created and how the costumes, memorabilia, merchandising, and branding have become an ever bigger part of the fandom experience. Issues explored include debates over the movie stars’ race and size, which tap into greater issues within the fan community and popular culture in general and the current argument that has divided fans and critics: whether or not the third book, Mockingjay, should be split into two films.
With this scholarly compendium, navigating the postapocalyptic landscape of Panem will be as effortless as Katniss Everdeen’s archery and ensure that the odds will be forever in your favor.
Recent scholarship in different disciplinary fields as well as activist literature have brought attention to the political possibilities within friendship. The essays, memoirs, poems, and artwork in Friendship as Social Justice Activism address these political possibilities within the context of gender, sexuality, and economic justice movements.
Most of Chester Barnard’s career was spent in executive practice. A Mount Hermon and Harvard education, cut off short of the bachelor’s degree, was followed by nearly forty years in the American Telephone & Telegraph Company. His career began in the Statistical Department, took him to technical expertness in the economics of rates and administrative experience in the management of commercial operations, and culminated in the presidency of the New Jersey Bell Telephone Company. He was not directly involved in the Western Electric experiments conducted chiefly at the Hawthorne plant in Cicero, but his association with Elton Mayo and the latter’s colleagues at the Harvard Business School had an important bearing on his most original ideas.
Barnard’s executive experience at AT&T was paralleled and followed by a career in public service unusual in his own time and hardly routine today. He was at various times president of the United Services Organization (the USO of World War II), head of the General Education Board and later president of the Rockefeller Foundation (after Raymond Fosdick and before Dean Rusk), chairman of the National Science Foundation, an assistant to the Secretary of the Treasury, a consultant to the American representative in the United Nations Atomic Energy Committee, to name only some of his public interests. He was a director of a number of companies, a fellow of the American Association for the Advancement of Science and of the American Academy of Arts and Sciences. He was a lover of music and a founder of the Bach Society of New Jersey.
Despite the hard-earned successes of body positive, antiracist, and disability rights activists calling for diverse representation, the fashion industry has been slow to evolve. In Fashion Education: The Systemic Revolution, fashion educators share their experiences navigating, resisting, and transforming the narrow beauty and body ideals that have defined pedagogy within the discipline. The volume examines their challenges and successes, as well as practical strategies for countering narrow fashion education curricula. Educators share ways to radically redesign courses and decenter white supremacy, fatphobia, ableism, transphobia, and misogyny. Together, the chapters illuminate the critical role of fashion education in systematically eliminating body oppression and building a more inclusive profession.
Learning how to give and receive feedback is fundamental to the development of every student and professional. Yet few of us are ever taught anything like “feedback skills.”
This book, which is the first in the Feedback Loops series, is designed to change that. Here is what students who have taken the University of Michigan Law School course on which the series is based have said about it:
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“One of the most memorable and useful classes I have taken in law school!”
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“Excellent, full stop.”
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“This class was always a fun highlight of my week.”
"This collection does an excellent job of representing India. . . . It is the type of book that can be enjoyed by all readers who love a well-told tale as well as by scholars of traditional narrative and scholars of India in general."—Hugh M. Flick, Jr., Asian Folklore Studies
"The stories collected here are representative, rich in structural subtlety, and endowed with fresh earthy humor."—Kunal Chakraborti, Contributions to Indian Sociology
Prepared at the Royal Botanic Gardens, Kew in co-operation with the East African Herbarium, the National Herbarium of Tanzania, and the Herbaria of Makerere University and Dar es Salaam University.
Prepared at the Royal Botanic Gardens, Kew in co-operation with the East African Herbarium, the National Herbarium of Tanzania, and the Herbaria of Makerere University and Dar es Salaam University.
The Flora of Tropical East Africa is a descriptive, extensively illustrated account of the flowering plants and ferns native and naturalized in Kenya, Tanzania and Uganda, together with information on exotic ornamental and crop plants. At least one species of each genus is illustrated, and the bibliography and synonymy are sufficiently detailed to explain the nomenclature and taxonomic circumscriptions within a broad regional context. This part covers the Commelinaceae family.
The Flora of Tropical East Africa is a descriptive, extensively illustrated account of the flowering plants and ferns native and naturalized in Kenya, Tanzania, and Uganda, together with information on exotic ornamental and crop plants. At least one species of each genus is illustrated, and the bibliography and synonymy are sufficiently detailed to explain the nomenclature and taxonomic circumscriptions within a broad regional context. This part of the series is devoted to the Solanaceae or nightshade family, which includes both important agricultural crops as well as a number of toxic plants.
Prepared at the Royal Botanic Gardens, Kew in co-operation with the East African Herbarium, the National Herbarium of Tanzania, and the Herbaria of Makerere University and Dar es Salaam University.
Prepared at the Royal Botanic Gardens, Kew in co-operation with the East African Herbarium, the National Herbarium of Tanzania, and the Herbaria of Makerere University and Dar es Salaam University.
Prepared at the Royal Botanic Gardens, Kew in co-operation with the East African Herbarium, the National Herbarium of Tanzania, and the Herbaria of Makerere University and Dar es Salaam University.
The 'Malvaceae' includes the genera Pavonia, Hibiscus and Abutilon.
Prepared at the Royal Botanic Gardens, Kew in co-operation with the East African Herbarium, the National Herbarium of Tanzania, and the Herbaria of Makerere University and Dar es Salaam University.
This part is devoted to the substantial family of Cyperaceae - or sedges.
From mangosteen fruit discovered in a colonial Indonesian marketplace to caviar served on the high seas in a cruise liner’s luxurious dining saloon, The Food Adventurers narrates the history of eating on the most coveted of tourist journeys: the around-the-world adventure. The book looks at what tourists ate on these adventures, as well as what they avoided, and what kinds of meals they described in diaries, photographs, and postcards. Daniel E. Bender shows how circumglobal travel shaped popular fascination with world cuisines while leading readers on a culinary tour from Tahitian roast pig in the 1840s, to the dining saloon of the luxury Cunard steamer Franconia in the 1920s, to InterContinental and Hilton hotel restaurants in the 1960s and ’70s.
Bendiner outlines the history of these paintings, charting changes in both meaning and presentation since the early Renaissance. The sixteenth century saw great innovations in food subjects, but, as Bendiner reveals, it was Dutch food painting of the seventeenth century that created the visual vocabulary still operative today. Alongside paintings that feature food as the central subject, he also considers topics ranging from Renaissance menus to aphrodisiacs to bottled water to the portrayal of dogs at the table—always with an eye towards how the meaning of food imagery is determined by such factors as myth, religion, and social privilege. Bendiner also treats purely symbolic portrayals of food, both as marginal elements in allegorical paintings and as multi-layered sexual references in Surrealist works.
Packed full of images of markets, kitchens, pantries, picnics, and tables groaning under the weight of glorious feasts, Food in Painting serves up a delicious helping of luxuriously painted meals certain to win a spot on the shelves of art lovers and gastronomes alike.
Drawing on primary resources from sixteen archives plus contemporary secondary sources, Benjamin analyzes interactions among the players involved and argues that First Amendment rights in radio evolved in the 1920s and 1930s through the interaction of many entities having social, political, or economic interests in radio. She shows how free speech and First Amendment rights were defined and perceived up to 1935.
Focusing on the evolution of various electronic media rights, Benjamin looks at censorship, speakers’ rights of access to the medium, broadcasters’ rights to use radio as they desired, and listeners’ rights to receive information via the airwaves. With many interested parties involved, conflict was inevitable, resulting in the establishment of industry policies and government legislation—particularly the Radio Act of 1927. Further debate led to the Communications Act of 1934, which has provided the regulatory framework for broadcasting for over sixty years. Controversies caused by new technology today continue to rage over virtually the same rights and issues that Benjamin deals with.
Beresford’s chronicle roams from the mountains of Eastern Europe to the foggy streets of Victorian England to Hollywood, as he investigates the portrayal of the vampire in history, literature, and art. Opening with the original Dracula, Vlad the Impaler, and his status as a national hero in Romania, he endeavors to winnow out truths from the complex legend and folklore. From Demons to Dracula tracks the evolution of the vampire as an icon and supernatural creature, drawing on classical Greek and Roman myths, witch trials and medieval plagues, Gothic literature, and even contemporary works such as Anne Rice’s Interview with a Vampire and Elizabeth Kostova’s The Historian. Beresford also looks at the widespread impact of screen vampires from television shows, classic movies starring Bela Lugosi and Christopher Lee, and more recent films such as Underworld and Blade. Whether as a demon of the underworld or a light-fearing hunter of humans, the vampire has endured through the centuries, the book reveals, as powerfully symbolic figure for human concerns with life, death, and the afterlife.
A wide-ranging and engrossing chronicle, From Demons to Dracula casts this blood-thirsty nightstalker as a remarkably complex and telling totem of our nightmares, real and imagined.
The False Dawn was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
As the author explains, the false dawn that greeted and disappointed the visitors in E. M. Forster's A Passage to India is a literary image that might serve as a value judgment of modern overseas empire in general. Commenting that the term "empire" is now badly tarnished, Professor Betts points out that no bright dawn of understanding has yet appeared on the academic horizon. With this perceptive viewpoint, he traces the course of European imperialism beginning with the Treaty of Paris in 1763 and ending with a final glance toward the Western Front in August, 1914.
Reviewing the book in the Historian, Lawrence J. Baack calls it "a clear and concise essay on the nature of European imperialism." In its review Choice says: "Undergraduates and graduate students alike will welcome this book as a readable general introduction to more technical works."
Featuring essays, poetry, art, performance texts, song lyrics, and writing from members of the generation of the Revolution to younger writers and artists of the nineties, this collection explores themes such as the crisis of the project of the Revolution in an era of the decline of socialism, the Cuban literary diaspora, resistance and freedom, and Cuban identity in the nineties. From Cuba expands upon and challenges the traditional ways in which scholars think about Cuba’s political past and future prospects.
Contributors. Carlos Aguilera, Haroldo Dilla Alfonso, Miguel Barnet, Tania Bruguera, Michael Chanan, Antonio Fernandez, Ambrosio Fornet, Tomas Gutierrez Alea, Fernando Martínez Heredia, Rafael Hernandez, Fina Garcia Marruz, Nancy Morejón, Geraredo Mosquera, Magaly Muguericia, Desiderio Navarro, Margarita Mateo Palmer, Omar Perez, Antonio José Ponte, Raúl Rivero, Reina Maria Rodriguez, José Prats Sariol, Cintio Vitier
In May 1855 twenty-seven men set out from the young Mormon settlements in Utah to establish the northernmost colony of the Kingdom of God, "the Northern Mission to the Remnants of the House of Jacob"-American Indians. More colonists, including families, would join them later. Building a fort in the Limhi Valley, four hundred miles to the north and at the foot of the pass by which Lewis and Clark had crossed the Continental Divide, they began to proselyte among Sacagawea's Shoshone relatives as well as members of the Bannock, Nez Percé, and other tribes. Three years later, some of their expected and actual Indian converts violently drove the colonists out and destroyed Fort Limhi.
In Fort Limhi: The Mormon Adventure in Oregon Territory, 1855-1858, David Bigler shows that the colony, known as the Salmon River Mission, played a pivotal role in the Utah War of 1857-1858 and that the catastrophic end of the mission was critical in keeping that conflict from becoming an all out war between Mormon Utah and the United States. In the process, he uses a multitude of primary sources, many newly uncovered or previously overlooked, to reconstruct a dramatic and compelling story involving stalwart Mormon frontiersmen, Brigham Young, a variety of Native American individuals and groups, the U. S. Army, and "mountaineers," as the surviving fur trade veterans now commonly known as "mountain men" called themselves.
In this groundbreaking account of film history, Bettina Bildhauer shows how from the earliest silent films to recent blockbusters, medieval topics and plots have played an important but overlooked role in the development of cinema.
Filming the Middle Ages is the first book to define medieval films as a group and trace their history from silent film in Weimar Germany to Hollywood and then to recent European co-productions. Bildhauer provides incisive new interpretations of classics like Murnau’s Faust and Eisenstein’s Alexander Nevsky, and she rediscovers some forgotten works like Douglas Sirk’s Sign of the Pagan and Asta Nielsen’s Hamlet. As Bildhauer explains, both art house films like The Seventh Seal and The Passion of Joan of Arc and popular films like Beowulf or The Da Vinci Code cleverly use the Middle Ages to challenge modern ideas of historical progress, to find alternatives to a print-dominated culture, and even to question what makes us human. Filming the Middle Ages pays special attention to medieval animated and detective films and provactively demonstrates that the invention of cinema itself is considered a return to the Middle Ages by many film theorists and film makers.
Filming the Middle Ages is ideal reading for medievalists with a stake in the contemporary and film scholars with an interest in the distant past.
Crime and Punishment, The Brothers Karamazov, Demons, The Idiot—the complex and prolific Fyodor Dostoevsky (1821–81) is responsible for some of our greatest literary works and most fascinating characters. Praised by the likes of Ernest Hemingway, James Joyce, and Virginia Woolf, he is also acknowledged by critics to be a preeminent writer of psychological fiction and a precursor of the twentieth-century existentialism. Set in the troubled political and social world of nineteenth-century Russia, Dostoevsky’s stories were shaped by the great suffering and difficult life the author himself experienced. Robert Bird explores these influences in this new biography of the prominent Russian author.
When the sun set on the British Empire, the resultant fragmentation of British identity emerged most tellingly in artistic works: cinematic works such as Howards End depicted a richly historical land steeped in tradition and tragedy, while the more modern Lock, Stock and Two Smoking Barrels revealed a brutal yet sharply humorous portrayal of contemporary English life. That relationship between nationalism, national identity, and postcolonialism remains central to many British dramatists’ works, and in Film, Drama and the Break Up of Britain, Steve Blandford explores how the “break up” of Britain has influenced contemporary British drama.
Breaking down the scholarly barriers between theater and film studies, Blandford examines British directors’ interpretations of their nation’s postcolonial age, tracing the various ways that auteurs have created dramatic narratives that explore the idea of being “British” and all its inherent complexity. From community-based theaters in Scotland and Wales to the blockbuster The Full Monty, Blandford probes the cultural impact of Britain’s struggle to form a new identity, making his book an essential read for all those interested in postcolonial studies and the history of British film.
The essays here explore representations of Monroe in visual culture by looking at the ways she is reimagined in visual art while also considering how her posthumous appearance and image are appropriated in current advertisements. With an inside look at the universe of Marilyn Monroe impersonators and look-alike contests for both males and females, the book also explores numerous homages to Monroe in music, from the 1979 opera Marilyn by Lorenzo Ferrero to Nicki Minaj’s song “Marilyn Monroe.” The definitive guide to one of the most famous women who ever lived, the book will be essential reading for any scholar of twentieth-century American popular culture.
"While Stocking has not attempted to present a person biography, nevertheless Boas's personal characteristics emerge not only in his scholarly essays, but perhaps more vividly in his personal correspondence. . . . Stocking is to be commended for collecting this material together in a most interesting and enjoyable reader."—Gustav Thaiss, American Anthropologist
It’s a shame that so many very apt words fall out of common use over time, like “blobber-lippd,” which means having lips that are very thick, hanging down, or turning over; and “chounter”, which is to talk pertly, and sometimes angrily. Both words can be found in The First English Dictionary of Slang, originally published in 1699 as A New Dictionary of Terms, Ancient and Modern, of the Canting Crew by B. E. Gentleman. Though a number of early texts, beginning in the sixteenth century, codified forms of cant—the slang language of the criminal underworld—in word lists which appeared as appendices or parts of larger volumes, the dictionary of 1699 was the first work dedicated to slang words and their meanings. It aimed to educate the more polite classes in the language and, consequently, the methods of thieves and vagabonds, protecting the innocent from cant speakers and their activities.
This dictionary is also the first that attempts to show the overlap and integration between canting words and common slang words. Refusing to distinguish between criminal vocabulary and the more ordinary everyday English of the period, it sets canting words side by side with terms used in domestic culture and those used by sailors and laborers. With such a democratic attitude toward words, this text is genuinely a modern dictionary, as well as the first attempt by dictionary makers to catalog the ever-changing world of English slang.
Reproduced here with an introduction by John Simpson, chief editor of the Oxford English Dictionary, describing the history and culture of canting in the seventeenth and eighteenth centuries, as well as the evolution of English slang, this is a fascinating volume for all who marvel at words and may wish to reclaim a few—say, to dabble in the parlance of a seventeenth-century sailor one day and that of a vagabond the next.
Everyone knows the characters described by Freud in his case histories: “Dora,” the “Rat Man,” the “Wolf Man.” But what do we know of the people, the lives behind these famous pseudonyms: Ida Bauer, Ernst Lanzer, Sergius Pankejeff? Do we know the circumstances that led them to Freud’s consulting room, or how they fared—how they really fared—following their treatments? And what of those patients about whom Freud wrote nothing, or very little: Pauline Silberstein, who threw herself from the fourth floor of her analyst’s building; Elfriede Hirschfeld, Freud’s “grand-patient” and “chief tormentor;” the fashionable architect Karl Mayreder; the psychotic millionaire Carl Liebmann; and so many others? In an absorbing sequence of portraits, Mikkel Borch-Jacobsen offers the stories of these men and women—some comic, many tragic, all of them deeply moving. In total, thirty-eight lives tell us as much about Freud’s clinical practice as his celebrated case studies, revealing a darker and more complex Freud than is usually portrayed: the doctor as his patients, their friends, and their families saw him.
In From Midnight to Glorious Morning?, Bose travels the length and breadth of India to explore how a country that many doubted would survive has been transformed into one capable of rivaling China as the world’s preeminent economic superpower. Multifarious challenges still continue to plague the country: although inequality and corruption are issues not unique to India, such a rapid ascent to global prominence creates a precarious position. However, as Bose outlines, this rapid ascent provides evidence that India is ever capable of making great strides in the face of great adversity.
Bose’s penetrating analysis of the last seventy years asks what is yet to be done for India in order to fulfill the destiny with which it has been imbued. The predictions of doom in August 1947 have proved to be unfounded; the growth of the nation in population and capital has been exponential, and there is much to celebrate. But Bose’s nuanced, personal, and trenchant book shows that it is naïve to pretend the hoped-for bright morning has yet dawned.
Full of suspense and drama, The Funerals takes readers behind the madness of civil war and shows how in times like these, some might attack their victims to feel a little less alone—perhaps even a little more human.
The story begins in 1950s America, when classic rock ’n’ roll was reaching middle age, and teenaged musicians kept its primal rawness going with rough-hewn instrumentals, practicing guitar riffs in their parents’ garages. In the mid-1960s came the Beatles and the British Invasion, and soon every neighborhood had its own garage band. Groups like the Sonics and 13th Floor Elevators burnt brightly but briefly, only to be rediscovered by a new generation of connoisseurs in the 1970s. Numerous compilation albums followed, spearheaded by Lenny Kaye’s iconic Nuggets, which resulted in garage rock’s rebirth during the 1980s and ’90s.
Be it the White Stripes or the Black Keys, bands have consistently found inspiration in the simplicity and energy of garage rock. It is a revitalizing force, looking back to the past to forge the future of rock ’n’ roll. And this, for the first time, is its story.
A provocative peek into this complicated film as a space for subversion, activism, and imaginative power
While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence?
This experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment.
Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
Contributors. Benjamin Bland, Mark Bray, Rosa Hamilton, Jessica Namakkal, Giulia Riccò, Cole Rizki, Eric Roubinek, Antonino Scalia, Stuart Schrader, Vivian Shaw, Michael Staudenmaier
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