The Greatest Adventure explores the past, present, and future of the space race.
 
The space race was perhaps the greatest technological contest of the twentieth century. It was a thrilling era of innovation, discovery, and exploration, as astronauts and cosmonauts were launched on space missions of increasing length, complexity, and danger. The Greatest Adventure traces the events of this extraordinary period, describing the initial string of Soviet achievements: the first satellite in orbit; the first animal, man, and woman in space; the first spacewalk; as well as the ultimate US victory in the race to land on the moon. The book then takes the reader on a journey through the following decades of space exploration to the present time, detailing the many successes, tragedies, risks, and rewards of space exploration.

“Are you there, God? It’s me, Manhattan…Butler…argues that far from being a Sodom on the Hudson, New York was a center of religious dynamism throughout the 20th century.”
—Wall Street Journal

“What a pleasure it is to take a tour of Manhattan’s sacred past led by one of the nation’s preeminent religious historians.”
—Christianity Today

“A masterwork by a master historian…God in Gotham should be an instant classic.”
—Jonathan D. Sarna, author of American Judaism

In Gilded Age Manhattan, religious leaders agonized over the fate of traditional faith practice amid chaotic and sometimes terrifying change. Massive immigration, urban anonymity, and the bureaucratization of modern life tore at the binding fibers of religious community.

Yet fears of the demise of religion were dramatically overblown. Jon Butler finds a spiritual hothouse in the supposed capital of American secularism as Catholics, Jews, and Protestants peppered the borough with sanctuaries. A center of religious publishing and broadcasting, by the 1950s it was home to Reinhold Niebuhr, Abraham Heschel, Dorothy Day, and Norman Vincent Peale. While white spiritual seekers sometimes met in midtown hotels, black worshippers gathered in Harlem’s storefront churches. Though denied the ministry almost everywhere, women shaped congregations, founded missionary societies, and fused spirituality and political activism. God in Gotham portrays a city where people of faith embraced modernity and thrived.

The conquest that begot the Roman Empire.

Caesar (C. Iulius, 102–44 BC), statesman and soldier, defied the dictator Sulla; served in the Mithridatic wars and in Spain; entered Roman politics as a “democrat” against the senatorial government; was the real leader of the coalition with Pompey and Crassus; conquered all Gaul for Rome; attacked Britain twice; was forced into civil war; became master of the Roman world; and achieved wide-reaching reforms until his murder. We have his books of commentarii (notes): eight on his wars in Gaul, 58–52 BC, including the two expeditions to Britain 55–54, and three on the civil war of 49–48. They are records of his own campaigns (with occasional digressions) in vigorous, direct, clear, unemotional style and in the third person, the account of the civil war being somewhat more impassioned.

The Loeb Classical Library edition of Caesar is in three volumes. Volume II is his Civil War. The Alexandrian War, the African War, and the Spanish War, commonly ascribed to Caesar by our manuscripts but of uncertain authorship, are collected in Volume III.

Precious snippets of ancient song.

Towards the end of the fifth century BC, Aristophanes and the other writers of comedy used contemporary poets and musicians as targets for their jokes, making fun of their innovations in language and music. The dithyrambs of Melanippides, Cinesias, Phrynis, Timotheus, and Philoxenus are remarkable examples of this new style. The poets of the new school, active from the mid-fifth to the mid-fourth century, are presented in this final volume of David Campbell’s widely praised edition of Greek lyric poetry. The longest piece extant is a nome by Timotheus—the foremost of these poets—called The Persians; it is a florid account of the battle of Salamis, to be sung solo to cithara accompaniment.

This volume also collects folk songs, drinking songs, and other anonymous pieces. The folk songs come from many parts of Greece and include children’s ditties, marching songs, love songs, and snatches of cult poetry. The drinking songs are derived mainly from Athenaeus’ collection of Attic scolia, short pieces performed at drinking parties in Athens. The anonymous pieces come from papyrus, vases, and stone as well as from literary texts, and include hymns, narrative poetry, and satirical writing.

This is the fifth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus—the illustrious singers of sixth-century Lesbos—are in the first. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century).

Precious snippets of ancient song.

The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realize the enormity of our loss.

Volume I presents Sappho and Alcaeus. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). Volume V contains the new school of poets active from the mid-fifth to the mid-fourth century and also collects folk songs, drinking songs, hymns, and other anonymous pieces.

Precious snippets of ancient song.

Bacchylides, nephew of Simonides and rival of Pindar, wrote choral poetry of many types. We have a number of his victory odes—poems celebrating victories in athletic contests—as well as dithyrambs and other hymns. He was a master of the captivating narrative. Also represented in this volume is the Boeotian Corinna, whose work, versions of local myths, survives in greater quantity than that of any other Greek woman poet except Sappho. Ancient authorities regarded Corinna as an older contemporary and mentor of Pindar; but some modern scholars place her later, in the third century BC. Other women are here too: Myrtis, also from Boeotia; Telesilla of Argos, famous for her military leadership as well as her hymns; the shadowy Charixena; and Praxilla of Sicyon, author of choral poems and drinking songs.

David Campbell gives all the extant verse of these poets, along with the ancients’ accounts of their lives and works. This fourth volume of his much-praised edition of Greek lyric poetry also includes Timocreon of Rhodes, pentathlete and writer of invective; Diagoras of Melos, choral poet and alleged atheist; and Ion of Chios. Sophocles is represented by fragments of his paean Asclepius, Euripides by the few surviving lines of his ode for Alcibiades’ dazzling victory in the chariot race at Olympia.

This is the fourth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus, the illustrious singers of sixth-century Lesbos, are in the first. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. The last volume includes the new school of dithyrambic poets (mid-fifth to mid-fourth century), together with the anonymous poems: drinking songs, children’s songs, cult hymns, and others.

Precious snippets of ancient song.

The most important poets writing in Greek in the sixth century BC came from Sicily and southern Italy. Stesichorus was called by ancient writers “most Homeric”—a recognition of his epic themes and noble style. He composed verses about the Trojan War and its aftermath, the Argonauts, the adventures of Heracles. He may have been a solo singer, performing these poems to his own cithara accompaniment. Ibycus probably belonged to the colony of Rhegium in southwestern Italy. Like Stesichorus he wrote lyrical narratives on mythological themes, but he also composed erotic poems. Simonides is said to have spent his later years in Sicily. He was in Athens at the time of the Persian Wars, though, and was acclaimed for his epitaph on the Athenians who died at Marathon. He was a successful poet in various genres, including victory odes, dirges, and dithyrambic poetry. The power of his pathos emerges in the fragments we have.

All the extant verse of these poets is given in this third volume of David Campbell’s edition of Greek lyric poetry, along with the ancients’ accounts of their lives and works. Ten contemporary poets are also included, among them Arion, Lasus, and Pratinas.

The LCL edition of Greek Lyric is in five volumes. Sappho and Alcaeus—the illustrious singers of sixth-century Lesbos—are in the first volume. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). The last volume includes the new school of dithyrambic poets (mid-fifth to mid-fourth century), together with the anonymous poems: drinking songs, children’s songs, cult hymns, and others.

George Q. Cannon is generally acknowledged as second only to Brigham Young as the most visible leader of Mormonism in the mid- to late-nineteenth century. He became Young’s protégé and was an influential first counselor in the First Presidency of the Church of Jesus Christ of Latter-day Saints for almost twenty-five years, serving with presidents Brigham Young, John Taylor, Wilford Woodruff, and Lorenzo Snow. Known as the “spokesman for the kingdom,” Cannon was the central political figure of the church, not only serving as Utah territory’s delegate to Congress for ten years but also as chief political advisor and long-term editor of the Deseret News. Cannon helped shape doctrine, church governance, and administration during a period of significant change, defending and promulgating plural marriage both before and after the 1890 Manifesto. He was at the center of business life in Salt Lake City, serving as president of the largest publishing house, banks, a railroad, mining companies, electric companies, and other businesses. Though Cannon was loved and revered by his people, controversy sometimes touched his life and family. 

The Story of the Legendary Clergyman-Turned-Soldier for the American Cause
Standing at the pulpit in his church in the Shenandoah Valley, the preacher borrowed from Ecclesiastes, declaring in a firm voice that “To every thing there is a season . . . .” He then announced, “that there is a time to fight, and that time had now come,” and abruptly removed his clerical robe to reveal his colonel’s uniform. There is little doubt that this clergyman-turned-soldier uttered words to this effect, but whether he threw off his robe to reveal a gleaming uniform may be embellishment. In General Peter Muhlenberg: A Virginia Officer of the Continental Line, historian Michael Cecere cuts away the romanticism surrounding this fascinating character to present him as a highly capable and dedicated officer who served for seven long years in America’s War for Independence; a man of faith who held the high ideals of that office in his conduct with fellow officers and regular soldiers alike.
First appointed to lead the 8th Virginia Regiment of the Continental Army, Muhlenberg and his troops served under General Charles Lee in the defense of Charleston in 1776. Sent north and promoted to brigadier-general, Muhlenberg participated in the ensuing battles of Brandywine, Germantown, the winter at Valley Forge, and the major clash at Monmouth Courthouse. In 1780, he returned to Virginia and stood at the forefront of Virginia’s defense when the British invaded in 1781. At Yorktown, Muhlenberg commanded the continental light infantry troops that stormed Redoubt No. 10, sealing Cornwallis’s fate. Focusing on the military career of Muhlenberg, and relying on a judicious amount of primary source material, the author follows Muhlenberg and his troops as they battled some of the most storied adversaries of the war, including John Graves Simcoe’s Queen’s Rangers, Captain Johann Ewald’s German Jaegers, and Banastre Tarleton’s British Legion. 
            Admired by George Washington and his fellow officers and men, Muhlenberg was an American patriot who sacrificed much for his country’s cause, and truly “lived respected and died regretted by all good men.”

How ‘green’ were people in late antiquity and the Middle Ages? Unlike today, the nature around them was approached with faith, trust and care. The population size was many times smaller than today and human impact on nature not as extreme as it is now. People did not have to worry about issues like deforestation and sustainability. This book is about the knowledge of plants and where that knowledge came from. How did people use earth and plants in ancient times, and what did they know about their nutritional or medicinal properties? From which plants one could make dyes, such as indigo, woad and dyer’s madder? Is it possible to determine that through technical research today? Which plants could be found in a ninth-century monastery garden, and what is the symbolic significance of plants in secular and religious literature? The Green Middle Ages addresses these and other issues, including the earliest herbarium collections, with a leading role for the palaeography and beautiful illuminations from numerous medieval manuscripts kept in Dutch and other Western libraries and museums.

The Getty Research Journal is an open-access publication presenting peer-reviewed articles on the visual arts of all cultures, regions, and time periods. The journal will be published through Getty’s Quire software beginning with this issue and made available free of charge in Web, PDF, and e-book formats. Topics relate to Getty collections, initiatives, and broad research interests. The journal welcomes a diversity of perspectives and methodological approaches, and seeks to include work that expands narratives on global cultures.

This issue features essays on a fragmentary Kufic Qurʼan of Early Abbasid style produced in Central Iran; cuttings from a twelfth-century Bible written in southeastern France for a Carthusian monastery in the orbit of the Grande Chartreuse; French archaeologist Jane Dieulafoy’s nineteenth-century documentation of Ilkhanid monuments, particularly the Emamzadeh Yahya, one of Iran’s most plundered tombs; the wartime encounter between Polish painters stationed in Baghdad and Iraqi artists during the British military reoccupation of Iraq in 1941–45; and the integration of photography and poetry in East German samizdat artists’ books of the 1980s. Shorter texts include a notice on a large folding panorama of the city of Salvador in the state of Bahia, taken around 1880 by Brazilian photographer Rodolpho Lindemann.

The free online edition of this open-access publication is at www.getty.edu/publications/grj/19/ and includes zoomable illustrations. Free PDF and EPUB downloads of the book are also available.

The first book dedicated to media and mediation in domains of public guruship and devotion.

Illuminating the mediatization of guruship and the guruization of media, this book bridges the gap between scholarship on gurus and the disciplines of media and visual culture studies. It investigates guru iconographies in and across various time periods and also the distinctive ways in which diverse gurus engage with and inhabit different forms of media: statuary, games, print publications, photographs, portraiture, films, machines, social media, bodies, words, graffiti, dolls, sound, verse, tombs, and more.

The book’s interdisciplinary chapters advance, both conceptually and ethnographically, our understanding of the function of media in the dramatic production of guruship and reflect on the corporate branding of gurus and on mediated guruship as a series of aesthetic traps for the captivation of devotees and others. They show how different media can further enliven the complex plurality of guruship, for instance in instantiating notions of “absent-present” guruship and demonstrating the mutual mediation of gurus, caste, and Hindutva.

Gurus and Media foregrounds contested visions of the guru in the development of devotional publics and pluriform guruship across time and space. Thinking through the guru’s many media entanglements in a single place, this book contributes new insights to the study of South Asian religions and to the study of mediation more broadly.
 

A collection of essays examining secular discourse in contemporary media spheres.

Diverse media ranging from print publications and TV series to social media platforms are crucial for producing and participating in the secular public sphere, setting the stage for debates, controversies, and activism related both specifically and non-specifically to atheistic discourse. Global Sceptical Publics brings together contributions that analyze the diverse ways in which a variety of religious skeptics, doubters, and atheists engage with different forms of media as the framework for understanding contemporary communication and the formation of nonreligious publics. With authors from diverse backgrounds and disciplines, the book contributes new insights to the growing field of nonreligion studies, in particular, by demonstrating how skeptical groups can unsettle preconceived expectations of the public sphere.

John Pilcher’s appointment as HM Ambassador to Japan in 1967, three years after the widely acclaimed Tokyo Olympics, was both judicious and enlightened. His role was to be that of a bridge-builder between Japan and Britain following the early post-war years of disenchantment, distrust and detachment that had earlier marked the relationship between the two countries. He brought to his role a particular understanding of Japanese civilization and a critical analysis of Japanese attitudes and way of life. Before the war he had had the good fortune to spend time as a language student in Kyoto. There he came to appreciate Japanese culture at its best but as a junior consular official he also came to see other less attractive aspects of Japan. In this volume Sir Hugh Cortazzi who was to follow in John Pilcher’s footsteps, has compiled the defining reports to Whitehall from Pilcher’s time and as such they offer a valuable record of Japan’s progress at this important point in her post-war history, as well as providing unique insights into the activities, hopes and expectations of the British government in her dealings with Japan. The collection (including essays and writings from his private papers) which has hitherto remained largely unknown or inaccessible to most researchers, provides a platform for John Pilcher as a writer and distinguished scholar-diplomat.

Poems that enlarge our sense of what beauty and awe can be.

The poems in Green Island delve into the relationship between place and imagination, examining the ways in which the physical places the speaker occupies, remembers, and imagines determine and enlarge her understanding of self.

While operating with startling self-awareness, Green Island does not simply offer poems that interrogate the circumstances of their own making. The work found in this slim volume questions the poetic tropes of beauty and romantic love and their relationships to the lyric. Ultimately working within the confines of a received tradition to expand what is possible within it, Liz Countryman shows us moments of quiet revelation in the quotidian, the comic, and in the vestiges of popular culture.

 

Gold as a material and gold as a value becomes a truly universal equivalent in the early modern world as global economies begin to emerge after 1492. The essays in Global Gold present both the aesthetic and economic conditions that immediately precede the emergence of this global commerce as well as the immediate and various consequences of those interactions. Through interdisciplinary essays by scholars of European, American, African, and Asian history and art history, the differences and commonalities of gold’s monetary, economic, and aesthetic roles are explored within the crucible of a unique historical period of transition, conquest, and the exploitation of natural and human resources.

Grace for Grace brings celebrated cult filmmaker Steve De Jarnatt’s distinctive voice and cinematic vision to the page. Lush inner lives, idiosyncratic syntax, and sweeping scale characterize these wildly imaginative stories, which present characters in search of meaning and belonging, and often, at the same time, redemption and revenge.
 
“Rubiaux Rising” (a Best American Short Stories selection) is a tale of triumph amid calamity during Hurricane Katrina, while “Her Great Blue” a surreal interspecies love story. “Mulligan” reveals the private pain of parents traveling across the country to give away their children, and “Wraiths in a Swelter” is both a ghost story and a confessional memoir—following a deliriously exhausted EMT through a deadly Chicago heat wave.
 
Many of the stories in Grace for Grace are set against the backdrop of natural or manmade catastrophes. These disasters test the characters’ limits as they confront sudden changes and extremes, discovering through their unexpected resourcefulness and endurance something beyond suffering. . . something that approaches the sublime.

Random hypothesis

This is the travel diary of a young German businessman who came to Texas and worked for several years in Houston and the surrounding areas. His diary, originally published in German as Texanisches Tagebuch, gives a fascinating view of life in the Texas republic.

Portrays the struggle to defend Italian lands against the Eastern Goths and barbarians from the North.

An in-depth guide to a plant group prized for its vivid blue hue.
 
Renowned for its stunning blue flowers, agapanthus—sometimes known as the blue lily or lily of the Nile—is a group of rhizomatous plants native to southern Africa. First cultivated in the Netherlands in the late seventeenth century, it rose to prominence as a conservatory plant in England during the eighteenth and nineteenth centuries after certain varieties were found to be hardy enough to withstand the colder climate of the British Isles. Graham Duncan’s The Genus Agapanthus provides both a revised classification of this plant group and a superbly illustrated celebration of their unique beauty. Featuring new watercolors from South African artist Elbe Joubert and color photographs showing the species in their spectacular and varied natural habitats, the book also highlights a selection of more than 150 of the most notable agapanthus cultivars from growers across Europe, Africa, and Oceania. The agapanthus’s natural history is spotlighted as well, with comprehensive descriptions of each species, maps of their global distribution, and information on how to successfully cultivate, propagate, and care for them. This book’s blend of science, horticulture, and art makes it essential for all varieties of plant lovers.
 

This is an ambitious survey of the history and state of the world economy, covering the major upheavals of the capitalist system over the last 100 years.

Bill Dunn provides an original and enlightening explanation of the state of the world economy. He covers all the main aspects of global political economy explaining the theories behind production, trade, finance and relations between rich and poor countries. He also tackles the question of the origin of capitalism, a debate that always proves popular among students and academics. Dunn also includes a critique of alternative perspectives, showing that Marxism still provides the best analytical tools for understanding the global economy.

This comprehensive text is a must for students of politics and economics who are keen to understand how the economy reached its current stage and what the future is likely to bring.

Give and Take offers a new history of government in Tokugawa Japan (1600–1868), one that focuses on ordinary subjects: merchants, artisans, villagers, and people at the margins of society such as outcastes and itinerant entertainers. Most of these individuals are now forgotten and do not feature in general histories except as bystanders, protesters, or subjects of exploitation. Yet despite their subordinate status, they actively participated in the Tokugawa polity because the state was built on the principle of reciprocity between privilege-granting rulers and duty-performing status groups. All subjects were part of these local, self-governing associations whose members shared the same occupation. Tokugawa rulers imposed duties on each group and invested them with privileges, ranging from occupational monopolies and tax exemptions to external status markers. Such reciprocal exchanges created permanent ties between rulers and specific groups of subjects that could serve as conduits for future interactions.

This book is the first to explore how high and low people negotiated and collaborated with each other in the context of these relationships. It takes up the case of one domain—Ōno in central Japan—to investigate the interactions between the collective bodies in domain society as they addressed the problem of poverty.

This is an auto-narrated audiobook edition of this book.

J. Edgar Hoover, Joseph McCarthy, and Roy Cohn were titanic figures in midcentury America, wielding national power in government and the legal system through intimidation and insinuation. Hoover’s FBI thrived on secrecy, threats, and illegal surveillance, while McCarthy and Cohn will forever be associated with the infamous anticommunist smear campaign of the early 1950s, which culminated in McCarthy’s public disgrace during televised Senate hearings. In Gossip Men, Christopher M. Elias takes a probing look at these tarnished figures to reveal a host of startling new connections among gender, sexuality, and national security in twentieth-century American politics. Elias illustrates how these three men solidified their power through the skillful use of deliberately misleading techniques like implication, hyperbole, and photographic manipulation. Just as provocatively, he shows that the American people of the 1950s were particularly primed to accept these coded threats because they were already familiar with such tactics from widely popular gossip magazines.

By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.

One of Germany’s greatest living writers offers up an analysis (and samples) of his failed projects.
 
“My dear fellow artists, whether writers, actors, painters, film-makers, singers, sculptors, or composers, why are you so reluctant to talk about your minor or major failures?” With that question, Hans Magnus Enzensberger—the most senior among Germany’s great writers—begins his amusing ruminations on his favorite projects that never saw the light of day. There is enlightenment in every embarrassing episode, he argues, and while artists tend to forget their successes quickly, the memory of a project that came to nothing stays in the mind for years, if not decades. Triumphs hold no lessons for us, but fiascos can extend our understanding, giving insight into the conditions of production, conventions, and practices of the industries concerned, and helping novices to assess the snares and minefields in the industry of their choice. What’s more, Enzensberger argues, flops have a therapeutic effect: They can cure, or at least alleviate, the vocational illnesses of authors, be it the loss of control or megalomania. In Gone but Not Forgotten, Enzensberger looks back at his uncompleted experiments not just in the world of books but also in cinema, theater, opera, and journal publishing, and shares with us a “store of ideas” teeming with sketches of still-possible projects. He also reflects on the likely reasons for these big and small defeats. Interspersed among his ruminations are excerpts from those experiments, giving readers a taste of what we missed. Together, the pieces in this volume build a remarkable picture of a versatile genius’s range of work over more than half a century and make us reflect on the very nature of success and failure by which we measure our lives.

The history of Guarani is a history of resilience. Paraguayan Guarani is a vibrant, modern language, mother tongue to millions of people in South America. It is the only indigenous language in the Americas spoken by a non-ethnically-indigenous majority, and since 1992, it is also an official language of Paraguay alongside Spanish. This book provides the first comprehensive reference grammar of Modern Paraguayan Guarani written for an English-language audience. It is an accessible yet thorough and carefully substantiated description of the language’s phonology, morphosyntax, and semantics. It also includes information about its centuries of documented history and its current sociolinguistic situation.
 

With over 25 percent of its land set aside in national parks and other protected areas, Costa Rica is renowned worldwide as "the green republic." In this very readable history of conservation in Costa Rica, Sterling Evans explores the establishment of the country's national park system as a response to the rapid destruction of its tropical ecosystems due to the expansion of export-related agriculture.

Drawing on interviews with key players in the conservation movement, as well as archival research, Evans traces the emergence of a conservation ethic among Costa Ricans and the tangible forms it has taken. In Part I, he describes the development of the national park system and "the grand contradiction" that conservation occurred simultaneously with massive deforestation in unprotected areas. In Part II, he examines other aspects of Costa Rica's conservation experience, including the important roles played by environmental education and nongovernmental organizations, campesino and indigenous movements, ecotourism, and the work of the National Biodiversity Institute.

A great deal has transpired in the cyber realm during the past year. These events, particularly the Snowden Affair, have drastically shaped the debate over state power projection and its consequences. Global public discourse previously tended to center upon the Internet as a democratizing force, capable of weakening the control of the nation-state. The Internet transcended national borders and empowered the masses at the expense of traditional power blocks. However, this battle for the control of cyberspace is far from over. The nation-state is attempting to retrench its power in the digital realm, and the forces of centralization are appearing to gain strength in the struggle between diffusion and consolidation. This shift has raised serious questions regarding the responsibilities and limits of government cyber control. State Building on a New Frontier—the third edition of our annual International Engagement on Cyber series—attempts to explore some of these difficult themes. This edition also features articles that deal with the technical side of the cyber discussion, namely attempts to create appropriate standards for continuing infrastructure development.

The Georgetown Journal of International Affairs is the official publication of the Edmund A. Walsh School of Foreign Service at Georgetown University. Each issue of the journal provides readers with a diverse array of timely, peer-reviewed content penned by top policymakers, business leaders, and academic luminaries. Annual peer reviewed ‘special editions’ feature collected academic analysis on rapidly changing domains within the arena of international affairs, including the International Engagement on Cyber series.

A new critical biography of medieval England’s most famous poet.
 
For over six centuries, Chaucer has epitomized poetic greatness, though more recent treatments of The Canterbury Tales’ lively and often risqué style have made his name more synonymous with bawdy humor. But beyond his poetic achievements, Chaucer assumed various roles including those of royal attendant, soldier, customs official, justice of the peace, and more. In this book, Mary Flannery chronicles Chaucer’s life during one of the most turbulent periods of English history, illuminating how he came to be known not only as the father of English poetry but also as England’s “merry bard.”

In 1862, a British merchant was killed by samurai at Namamugi, a quiet village near Yokohama. One year later, a British fleet bombarded Kagoshima to extract reparations, reducing much of this south-western city to ash. This captivating re-telling, locates the story firmly within the wider context of British imperial expansion in East Asia.

The "Queen City" of Texas they called her—or the "Octopus of the Gulf." Galveston from 1845 to 1860 was the center of culture in Texas—or the monster with an economic strangle hold on all Texas trade. It was a gracious city with wide paved streets, impressive buildings, and neat gardens; yet it was also a pestilence-ridden place where no sanitary code was ever enforced and where one in every two children died before reaching maturity. Its citizens, avid for culture and knowledge, attended concerts and plays in great numbers and exhibited an eager interest in science and history; yet they could not be brought to support the school system. Galveston was a city where no person in need was ever left uncared for, where the sick and needy—strangers or friends—were succoured; yet no free Negro was safe from legalized abduction and forced enslavement, and the city served as a center for the revived African slave trade.

Earl Fornell makes the charming, colorful, cosmopolitan, contradictory city of Galveston the focal point of his study of the Texas Gulf Coast on the eve of the Civil War. The years 1845-1860 were crucial for this area; during that period the economy became more and more dependent upon slave labor, and thus the stage was set for secession.

Dr. Fornell describes with clarity the interrelated events, the decisions, and the conflicts that went into the development of Galveston and the Texas Gulf Coast during these years. He portrays the people and their way of life. He introduces us to some of the notables who helped to shape the destiny of Texas: Sam Houston, the old general; Lorenzo Sherwood, the golden-tongued propounder of radical economic doctrines; Willard Richardson, Hamilton Stuart, Ferdinand Flake, and Edward Cushing, the newspapermen whose writing both reflected and guided the thought of their fellow citizens; Arthur Lynn, the British consul whose observing and compassionate nature brought him onto the stage of Galveston history with striking frequency and whose voluminous letters provide a rich source for historical details; and William Ballinger, a minor player on the stage but one whose conscience and interests mirrored those of many other thoughtful Galvestonians.

Always present, affecting and affected by virtually every aspect of life on the Coast, the slave-labor problem grew ever more acute as the expanding railroad system laid more and more of the land open for development. Dr. Fornell shows with keen insight how it eventually forced Texans into a position where conflict with the federal government was unavoidable and the decision to secede from the Union inevitable.

The late Earl W. Fornell, a native of Wisconsin, held B.A. and M.A. degrees in political science from the New School for Social Research, the M.A. degree in political history from Columbia University, and the Ph.D. degree in political history from Rice University. He taught at Columbia, Amarillo College, Rice, and Lamar State College of Technology.

Georges Perec (1936–82) was one of the most inventive and original writers of the twentieth century. A fascinating aspect of his work as a novelist, filmmaker, and essayist is its intrinsically geographical nature. With many major projects on space and place, Perec’s writing speaks to a variety of geographical, urban, and architectural concerns—both in a substantive way, including a focus on cities, streets, and homes, and in a methodological way, as in his experiments with urban observation and exploration.

Georges Perec’s Geographies explores Perec’s geographical interests. The book is divided into two parts: Part I, “Perec’s Geographies,” explores space and place within Perec’s films, radio plays, and literature, from descriptions of actual streets to the fictional places within his work. Part II, “Perecquian Geographies,” explores geography in works directly inspired by Perec, including writing, photographs and photo essays, soundscapes, theater, and dance. Extending Perecquian criticism beyond literary and French studies to disciplines including geography, urban studies, and architecture, Georges Perec’s Geographies offers a complete and systematic examination that will be of interest not only to Perec scholars but also to students and researchers across these subjects.
 

The Georgetown Journal of International Affairs is the official publication of the Edmund A. Walsh School of Foreign Service at Georgetown University. Each issue of the journal provides readers with a diverse array of timely, peer-reviewed content penned by top policymakers, business leaders, and academic luminaries.

In this issue, the Forum section addresses the plight of international refugees, questions about migration and cultural integration, and assylum policy. Other topics addressed in this issue include US-Iran relations, corruption in Indonesia, Chinese direct investment in Africa, and much more.

The Georgetown Journal of International Affairs is the official publication of the Edmund A. Walsh School of Foreign Service at Georgetown University. Each issue of the journal provides readers with a diverse array of timely, peer-reviewed content penned by top policymakers, business leaders, and academic luminaries.

The theme of this issue will be a look at the United Nations past, present, and future, to commemorate its 70th anniversary. The secondary theme will be global development.

A history of childbirth in the eighteenth century as told by women.
 
This fascinating new book radically rewrites all that we know about eighteenth-century childbirth by placing women’s voices at the center of the story. Examining childbirth from the perspective of the birthing woman, this research offers new perspectives on the history of the family, the social history of medicine, community and neighborhood studies, and the study of women’s lives in eighteenth-century England. 

From “quickening” through to “confinement,” “giving caudle,” delivery, and “lying-in,” birth was once a complex ritual that involved entire communities. Drawing on an extensive and under-researched body of materials, such as letters, diaries, and recipe books, this book offers critical new perspectives on the history of the family, community, and the lives of women in the coming age of modern medicine. It unpacks the rituals of contemporary childbirth—from foods traditionally eaten before and after birth, birthing clothing, and how a woman’s relationship with her family, husband, friends, and neighbors changed during and after pregnancy. In this important and deeply moving study, we are invited onto a detailed and emotional journey through motherhood in an age of immense socio-cultural and intellectual change.

A playfully postmodern novel exploring questions of identity from a major Swiss writer.
 
A man walks out of a bar and is later found dead at the wheel of his car. On the basis of a few overheard remarks and his own observations, the narrator of this novel imagines the story of this stranger, or rather two alternative stories based on two identities the narrator has invented for him, one under the name of Enderlin, the other under the name Gantenbein.
 

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day.

Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.

Intensely Emotional and Bitingly Witty Poems about Grief, Family, and Joy 

Elton Glaser’s ninth book of poems is haunted by the loss of his wife, each April bringing back the memory of her death. The opening line confesses the struggle to find a language for this grief: “I’m learning to speak in the accents of adieu.” As the book progresses through the seasons, it evokes the places that remind him of their times together, in the South of their youths, in the Midwest of their long marriage, and in their travels here and abroad. And yet there is also another strain that keeps breaking through, the particulars of joy in family and the natural world, grandsons and “swaggering lilies,” and a swan like “a sullen bride in her white finery.” With an irrepressible wit and a music that enlivens his lines in both celebration and elegy, Glaser never forgets that, as Wallace Stevens said, “Memory without passion would be better lost.” 

The green mantle of the earth! This metaphor is a poetic image that borrows from the vocabulary of weaving and epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Here it serves as a motto for a cultural poetics that made representing living nature increasingly popular across Italy in the Early Modern period. The explosion of landscape art in this era is often associated with the rise of interest in the literary pastoral, narrowly defined, but this volume expands that understanding to show Green’s broad appeal as it intrigued audiences ranging from the ecclesiastic to the medical and scientific to the humanistic and courtly. The essays gathered here explore the expanding technologies and varied cultural dimensions of verzure and verdancy in the Italian Renaissance, and thus the role of visual art in shaping the poetics and expression of greenery in the arts of the 16th-century and beyond.