Like Dorothy waking up over the rainbow in the Land of Oz, Hollywood discovered a vivid new world of color in the 1930s. The introduction of three-color Technicolor technology in 1932 gave filmmakers a powerful tool with which to guide viewers' attention, punctuate turning points, and express emotional subtext. Although many producers and filmmakers initially resisted the use of color, Technicolor designers, led by the legendary Natalie Kalmus, developed an aesthetic that complemented the classical Hollywood filmmaking style while still offering innovative novelty. By the end of the 1930s, color in film was thoroughly harnessed to narrative, and it became elegantly expressive without threatening the coherence of the film's imaginary world.

Harnessing the Technicolor Rainbow is the first scholarly history of Technicolor aesthetics and technology, as well as a thoroughgoing analysis of how color works in film. Scott Higgins draws on extensive primary research and close analysis of well-known movies, including Becky Sharp, A Star Is Born, Adventures of Robin Hood, and Gone with the Wind, to show how the Technicolor films of the 1930s forged enduring conventions for handling color in popular cinema. He argues that filmmakers and designers rapidly worked through a series of stylistic modes based on the demonstration, restraint, and integration of color—and shows how the color conventions developed in the 1930s have continued to influence filmmaking to the present day. Higgins also formulates a new vocabulary and a method of analysis for capturing the often-elusive functions and effects of color that, in turn, open new avenues for the study of film form and lay a foundation for new work on color in cinema.

Salsa and guacamole wouldn’t be the same without cilantro, and you can’t make pizza without oregano or a mojito without mint. You can use peppermint to settle an upset stomach, ease arthritis pain with stinging nettle, and heal burns and wounds with aloe vera. And then there is cannabis—perhaps the most notorious and divisive herb of all. Despite the fact that herbs are often little more than weeds, cultures around the globe have found hundreds of uses for them, employing them in everything from ancient medicines to savory dishes. While much has been written on cooking and healing with herbs, little has been told about the history of the plants themselves and the incredible journeys they have made.

Violet Crown Award, Writers League of Texas, 2007
Citation, San Antonio Conservation Society, 2009

Scarred by the deaths of his mother and sisters and the failure of his father's business, a young man dreamed of making enough money to retire early and retreat into the secure world that his childhood tragedies had torn from him. But Harry Luby refused to be a robber baron. Turning totally against the tide of avaricious capitalism, he determined to make a fortune by doing good. Starting with that unlikely, even naive, ambition in 1911, Harry Luby founded a cafeteria empire that by the 1980s had revenues second only to McDonald's. So successfully did Luby and his heirs satisfy the tastes of America that Luby's became the country's largest cafeteria chain, creating more millionaires per capita among its employees than any other corporation of its size. Even more surprising, the company stayed true to Harry Luby's vision for eight decades, making money by treating its customers and employees exceptionally well.

Written with the sweep and drama of a novel, House of Plenty tells the engrossing story of Luby's founding and phenomenal growth, its long run as America's favorite family restaurant during the post-World War II decades, its financial failure during the greed-driven 1990s when non-family leadership jettisoned the company's proven business model, and its recent struggle back to solvency. Carol Dawson and Carol Johnston draw on insider stories and company records to recapture the forces that propelled the company to its greatest heights, including its unprecedented practices of allowing store managers to keep 40 percent of net profits and issuing stock to all employees, which allowed thousands of Luby's workers to achieve the American dream of honestly earned prosperity. The authors also plumb the depths of the Luby's drama, including a hushed-up theft that split the family for decades; the 1991 mass shooting at the Killeen Luby's, which splattered the company's good name across headlines nationwide; and the rapacious over-expansion that more than doubled the company's size in nine years (1987-1996), pushed it into bankruptcy, and drove president and CEO John Edward Curtis Jr. to violent suicide.

Disproving F. Scott Fitzgerald's adage that "there are no second acts in American lives," House of Plenty tells the epic story of an iconic American institution that has risen, fallen, and found redemption—with no curtain call in sight.

Are nuclear arsenals safe from cyber-attack? Could terrorists launch a nuclear weapon through hacking? Are we standing at the edge of a major technological challenge to global nuclear order? These are among the many pressing security questions addressed in Andrew Futter’s ground-breaking study of the cyber threat to nuclear weapons.

Hacking the Bomb provides the first ever comprehensive assessment of this worrying and little-understood strategic development, and it explains how myriad new cyber challenges will impact the way that the world thinks about and manages the ultimate weapon. The book cuts through the hype surrounding the cyber phenomenon and provides a framework through which to understand and proactively address the implications of the emerging cyber-nuclear nexus. It does this by tracing the cyber challenge right across the nuclear weapons enterprise, explains the important differences between types of cyber threats, and unpacks how cyber capabilities will impact strategic thinking, nuclear balances, deterrence thinking, and crisis management. The book makes the case for restraint in the cyber realm when it comes to nuclear weapons given the considerable risks of commingling weapons of mass disruption with weapons of mass destruction, and argues against establishing a dangerous norm of “hacking the bomb.”

This timely book provides a starting point for an essential discussion about the challenges associated with the cyber-nuclear nexus, and will be of great interest to scholars and students of security studies as well as defense practitioners and policy makers.

Nonlethal weapons are going to play an increasingly important role in combat and in civil conflict in the coming years. They offer a way of controlling dissent and insurgencies without increasing antagonism, particularly in peacekeeping operations. They prevent the unnecessary loss of life among the non-combatant population of adversaries and they decrease the number of casualties due to friendly fire. The need for new nonlethal weapons technologies has been well documented by researchers and policymakers. High-powered electromagnetic radiators are aimed at addressing that need.

Beginning with a brief survey of the history of warfare, D. V. Giri systematically examines various nonlethal weapons technologies, emphasizing those based on electromagnetics. His systematic review of high-power electromagnetic radiators is organized by frequency, coverage, and level of sophistication of underlying technologies. He provides many examples of complete systems, going from wall-socket to radiated waves.

Giri's focus on electromagnetics makes this book essential reading for researchers working with high-power microwave and electromagnetic pulse technologies as well as antenna engineers.

A university press is a curious institution, dedicated to the dissemination of learning yet apart from the academic structure; a publishing firm that is in business, but not to make money; an arm of the university that is frequently misunderstood and occasionally attacked by faculty and administration. Max Hall here chronicles the early stages and first sixty years of Harvard University Press in a rich and entertaining book that is at once Harvard history, publishing history, printing history, business history, and intellectual history.

The tale begins in 1638 when the first printing press arrived in British North America. It became the property of Harvard College and remained so for nearly half a century. Hall sketches the various forerunners of the “real” Harvard University Press, founded in 1913, and then follows the ups and downs of its first six decades, during which the Press published steadily if not always serenely a total of 4,500 books. He describes the directors and others who left their stamp on the Press or guided its fortunes during these years. And he gives the stories behind such enduring works as Lovejoy’s Great Chain of Being, Giedion’s Space, Time and Architecture, Langer’s Philosophy in a New Key, and Kelly’s Eleanor of Aquitaine and the Four Kings.

Collecting several key documents and policy statements, this supplement to the tenth edition of the Intellectual Freedom Manual traces a history of ALA's commitment to fighting censorship. Beginning with an introductory essay that chronicles ALA policy making on intellectual freedom, this important resource includes sections discussing such foundational issues as

• library advocacy on social and political issues, from post-World War I disarmament, to Vietnam-era protests, to the call to revisit the field’s rhetoric concerning neutrality;
• the evolution of the Library Bill of Rights, such as the 1978 revision that eliminated its use of sex-linked pronouns and ALA Council actions rescinding the 2018 interpretation on meeting rooms;
• protecting the freedom to read;
• diverse collections and equity, diversity, and inclusion, new to this edition;
• ALA’s complicated history on race, including a 1936 statement opposing discrimination, inaction amidst litigation to desegregate libraries in the 1950s and 1960s, and protests over Florida’s Stand Your Ground Law;
• ALA's Code of Ethics;
• how to respond to challenges and concerns about library resources;
• internet filtering, minors and online activity, and education and information literacy;
• programs and displays;
• policy on governmental intimidation; 
• copyright; and
• privacy and confidentiality, including the retention of library usage records.

• how Indigenous adages can be tools for reflection and guidance in developing cultural humility;
• the experiences of two Black librarians who are using cultural humility to change the profession;
• new perspectives on core concepts of customer service;
• rethinking policies and practices in libraries both large and small;
• using cultural humility in approaching collection development and creating resource guides;
• what cultural humility can look like for a tribal librarian working in a tribal college library; and
• reflecting on cultural humility itself and where it is going.

The Harvard Guide has a long and distinguished history in the annals of reference works. First prepared in 1896 by Albert Bushnell Hart and Edward Channing, it was a unique scholarly tool. Revised in 1912 by Hart, Channing, and Frederick Jackson Turner, the Guide carried its entries through 1910 and became the standard text.

In 1954 the Harvard Guide to American History appeared, prepared and edited by members of the History Department of Harvard: Oscar Handlin, Arthur Meier Schlesinger, Samuel Eliot Morison, Frederick Merk, Arthur Meier Schlesinger, Jr., and Paul Herman Buck. A one-volume compendium, the Guide became a classic in historical studies and won a place in every important library—both public and private—of American history.

With its revised republication in 1974, Frank Freidel and Richard K. Showman have made the Guide the most essential reference book for historians. Their work was sponsored by the Charles Warren Center for Studies in American History at Harvard. This thoroughly revised, comprehensive guide to American history reflects the explosive growth in historical publications and materials, and the expanding interests of American historians. About one third of the entries are new. These not only represent the surge of books and articles, but also reflect new areas of history. The brief topical sections in the last edition have grown into a 300-page coverage of economic, social, and intellectual history. Demography, social structure, ethnicity, and the new urban and cultural dimensions of history find a place. Colonial history receives both topical and chronological treatment in an all-inclusive section. United States history since 1759, primarily political and diplomatic, appears in the familiar chronological form.

Enlarged and up-to-date sections cover research methods and material. There are practical suggestions on research, writing, and publication, and extensive citation of finding aids and bibliographies to introduce the user to collections of printed materials, public documents, microform, manuscripts, and archives. The section on care and editing of manuscripts, long standard on the subject, appears unchanged; other sections, such as those on automated data retrieval, quantitative techniques, and oral history, reflect innovations in the historian’s craft. The new Guide has been recast in columnar form to make it easier to locate references and includes cross-reference by pages and sections to facilitate faster use.

This exceptional bibliography, a pioneer work in its field, surveys Hungarian literature from its beginnings to 1965. A companion to the author's An Introductory Bibliography to the Study of Hungarian Literature, this volume contains over 4500 numbered entries which report on the first and later editions of the works of 162 authors. Mr. Tezla has included the major figures from each literary period and has based his selection of authors on the importance of their original writings to the development of this national literature. Significant authors who established substantial careers in Hungary and continued to write after their emigration are also represented in this comprehensive volume, as are a number of figures of secondary literary import.

Mr. Tezla begins his coverage of each author with a brief biographical account offering pertinent data on family background, education, and literary activities. The sketch provides as well observations on the writings of the author and his place in Hungarian literature and a record of the languages into which his works have been translated. Further material on the author is divided into annotated sections noting bibliographical, biographical, and critical studies.

As a means of helping the reader obtain titles through inter-library loan or through photographic processes, Mr. Tezla also includes location symbols for numbered items known to be available in selected libraries in the United States and Europe. Five appendixes, a glossary, and indexes provide additional bibliographic tools for both the beginning student and the advanced scholar researching Hungarian literature. The work is invaluable also as a buying guide for libraries seeking to develop a Hungarian collection.