A SCHOLARLY BOOK REPOSITORY
Julia Sweig shatters the mythology surrounding the Cuban Revolution in a compelling revisionist history that reconsiders the revolutionary roles of Fidel Castro and Che Guevara and restores to a central position the leadership of the Cuban urban underground, the Llano. Granted unprecedented access to the classified records of Castro's 26th of July Movement's underground operatives--the only scholar inside or outside of Cuba allowed access to the complete collection in the Cuban Council of State's Office of Historic Affairs--she details the ideological, political, and strategic debates between Castro's mountain-based guerrilla movement and the urban revolutionaries in Havana, Santiago, and other cities.
In a close study of the fifteen months from November 1956 to July 1958, when the urban underground leadership was dominant, Sweig examines the debate between the two groups over whether to wage guerrilla warfare in the countryside or armed insurrection in the cities, and is the first to document the extent of Castro's cooperation with the Llano. She unveils the essential role of the urban underground, led by such figures as Frank País, Armando Hart, Haydée Santamaria, Enrique Oltuski, and Faustino Pérez, in controlling critical decisions on tactics, strategy, allocation of resources, and relations with opposition forces, political parties, Cuban exiles, even the United States--contradicting the standard view of Castro as the primary decision maker during the revolution.
In revealing the true relationship between Castro and the urban underground, Sweig redefines the history of the Cuban Revolution, offering guideposts for understanding Cuban politics in the 1960s and raising intriguing questions for the future transition of power in Cuba.
Yiddish-speaking Jews thought Cuba was supposed to be a mere layover on the journey to the United States when they arrived in the island country in the 1920s. They even called it “Hotel Cuba.” But then the years passed, and the many Jews who came there from Turkey, Poland, and war-torn Europe stayed in Cuba. The beloved island ceased to be a hotel, and Cuba eventually became “home.” But after Fidel Castro came to power in 1959, the majority of the Jews opposed his communist regime and left in a mass exodus. Though they remade their lives in the United States, they mourned the loss of the Jewish community they had built on the island.
As a child of five, Ruth Behar was caught up in the Jewish exodus from Cuba. Growing up in the United States, she wondered about the Jews who stayed behind. Who were they and why had they stayed? What traces were left of the Jewish presence, of the cemeteries, synagogues, and Torahs? Who was taking care of this legacy? What Jewish memories had managed to survive the years of revolutionary atheism?
An Island Called Home is the story of Behar’s journey back to the island to find answers to these questions. Unlike the exotic image projected by the American media, Behar uncovers a side of Cuban Jews that is poignant and personal. Her moving vignettes of the individuals she meets are coupled with the sensitive photographs of Havana-based photographer Humberto Mayol, who traveled with her.
Together, Behar’s poetic and compassionate prose and Mayol’s shadowy and riveting photographs create an unforgettable portrait of a community that many have seen though few have understood. This book is the first to show both the vitality and the heartbreak that lie behind the project of keeping alive the flame of Jewish memory in Cuba.
Reader Guide (http://rutgerspress.rutgers.
The authors argue that this reconfiguration of development policy and practice permits Ecuadorian and Bolivian indigenous groups to renegotiate their relationship to development as subjects who contribute and participate. Yet it also recasts indigenous peoples and their cultures as objects of intervention and largely fails to address fundamental concerns of indigenous movements, including racism, national inequalities, and international dependencies. Andean indigenous peoples are less marginalized, but they face ongoing dilemmas of identity and agency as their fields of action cross national boundaries and overlap with powerful institutions. Focusing on the encounters of indigenous peoples with international development as they negotiate issues related to land, water, professionalization, and gender, Indigenous Development in the Andes offers a comprehensive analysis of the diverse consequences of neoliberal development, and it underscores crucial questions about globalization, governance, cultural identity, and social movements.
In Incidence of Travel, archaeologist Jerry Moore draws on his personal experiences and historical and archaeological studies throughout South America to explore and understand the ways traditional peoples created cultural landscapes in the region. Using new narrative structures, Moore introduces readers to numerous archaeological sites and remains, describing what it is like to be in the field and sparking further reflection on what these places might have been like in the past.
From the snow-capped mountains of Colombia to the arid deserts of Peru and Chile, ancient peoples of South America built cities, formed earthen mounds, created rock art, and measured the cosmos—literally inscribing their presence and passage throughout the continent. Including experiences ranging from the terrifying to the amusing, Moore’s travels intersect with the material traces of traditional cultures. He refers to this intersection as "the incidence of travel." Braiding the tales of his own journeys with explanations of the places he visits through archaeological, anthropological, and historical contexts, Moore conveys the marvelous and intriguing complexities of prehistoric and historic peoples of South America and the ways they marked their presence on the land.
Combining travel narrative and archaeology in a series of essays—accounts of discoveries, mishaps of travel, and encounters with modern people living in ancient places—Incidence of Travel will engage any general reader, student, or scholar with interest in archaeology, anthropology, Latin American history, or storytelling.
Mindful of the widespread discontent generated by the ongoing economic crisis in postindustrial societies as well as the renewed attempts by social scientists to measure more effectively what we consider to be “development” and “economic success,” the contributors to this volume contend that the study of public wealth in indigenous Amazonia provides not only an exceptional opportunity to apprehend native notions of wealth, poverty, and the good life, but also to engage in a critical revision of capitalist constructions of living well.
Through ethnographic analysis and thought-provoking new approaches to contemporary and historical cases, the book’s contributors reveal how indigenous views of wealth—based on the abundance of intangibles such as vitality, good health, biopower, and convivial relations—are linked to the creation of strong, productive, and moral individuals and collectivities, differing substantially from those in capitalist societies more inclined toward the avid accumulation and consumption of material goods.
Indigenous and Popular Thinking in América is a record of Kusch's attempt to immerse himself in the indigenous ways of knowing and being. At first glance, his methodology resembles ethnography. He speaks with and observes indigenous people and mestizos in Peru, Bolivia, and Argentina. He questions them about their agricultural practices and economic decisions; he observes rituals; he asks women in the market the meaning of indigenous talismans; he interviews shamans; he describes the spatial arrangement and the contents of shrines, altars, and temples; and he reproduces diagrams of archaeological sites, which he then interprets at length. Yet he does not present a "them" to a putative "us." Instead, he offers an inroad to a way of thinking and being that does not follow the logic or fit into the categories of Western social science and philosophy. In his introduction, Walter D. Mignolo discusses Kusch's work and its relation to that of other twentieth-century intellectuals, Argentine history, and contemporary scholarship on the subaltern and decoloniality.
Intercultural Utopias centers on southwestern Colombia’s Cauca region, a culturally and linguistically heterogeneous area well known for its history of indigenous mobilization and its pluralist approach to ethnic politics. Rappaport interweaves the stories of individuals with an analysis of the history of the Regional Indigenous Council of Cauca and other indigenous organizations. She presents insights into the movement and the intercultural relationships that characterize it from the varying perspectives of regional indigenous activists, nonindigenous urban intellectuals dedicated to the fight for indigenous rights, anthropologists, local teachers, shamans, and native politicians.
Based on her more than thirty years of fieldwork and activism on behalf of the Yanomami Indians, Ramos explains the complex ideology called indigenism. She evaluates its meaning through the relations of Brazilian Indians with religious and lay institutions, non-governmental organizations, official agencies such as the National Indian Foundation as well as the very discipline of anthropology. Ramos not only examines the imagery created by Brazilians of European descent—members of the Catholic church, government officials, the army and the state agency for Indian affairs—she also scrutinizes Indians' own self portrayals used in defending their ethnic rights against the Brazilian state.
Ramos’ thoughtful and complete analysis of the relation between indigenous people of Brazil and the state will be of great interest to lawmakers and political theorists, environmental and civil rights activists, developmental specialists and policymakers, and those concerned with human rights in Latin America.
Garfield explains how state officials, eager to promote capital accumulation, social harmony, and national security on the western front, sought to delimit indigenous reserves and assimilate native peoples. Yet he also shows that state efforts to celebrate Indians as primordial Brazilians and nationalist icons simultaneously served to underscore and redefine ethnic difference. Garfield explores how various other social actors—elites, missionaries, military officials, intellectuals, international critics, and the Indians themselves—strove to remold this multifaceted project. Paying particular attention to the Xavante’s methods of engaging state power after experience with exile, territorial loss, and violence in the “white” world, Garfield describes how they emerged under military rule not as the patriotic Brazilians heralded by state propagandists but as a highly politicized ethnic group clamoring for its constitutional land rights and social entitlements.
Indigenous Struggle at the Heart of Brazil will interest not only historians and anthropologists but also those studying nationbuilding, Brazil, Latin America, comparative frontiers, race, and ethnicity.
Ellen Basso's new study of these stories considers their relationship to other kinds of Kalapalo activities involving deception and features a unique collection of South American Indian narratives translated directly from performances by master storytellers in their original Carib language. Combining an ethnopoetic, performance-focused approach to storytelling with an action-oriented psychology, Basso arrives at an ethnographic understanding of Kalapalo trickster myths and Kalapalo ideas about deception.
The commentary on the translations considers matters of theme, discourse, narrative progression, and performance context. The dialogical, interactive nature of Kalapalo storytelling, the development of characters through their conversations with one another, and the many ways storytelling and ordinary life enrich one another are examined to reveal the complex psychology of trickster myths and the special tricksterish quality of day-to-day Kalapalo behavior.
In the mid-sixteenth century, Jesuit missionaries working in what is now Brazil were struck by what they called the inconstancy of the people they met, the indigenous Tupi-speaking tribes of the Atlantic coast. Though the Indians appeared eager to receive the Gospel, they also had a tendency to forget the missionaries’ lessons and “revert” to their natural state of war, cannibalism, and polygamy. This peculiar mixture of acceptance and rejection, compulsion and forgetfulness was incorrectly understood by the priests as a sign of the natives’ incapacity to believe in anything durably.
In this pamphlet, world-renowned Brazilian anthropologist Eduardo Viveiros de Castro situates the Jesuit missionaries’ accounts of the Tupi people in historical perspective, and in the process draws out some startling and insightful implications of their perceived inconstancy in relation to anthropological debates on culture and religion.
A new history of Brazil told through the lens of the often-overlooked interior regions.
In colonial Brazil, observers frequently complained that Portuguese settlers appeared content to remain “clinging to the coastline, like crabs.” From their perspective, the vast Brazilian interior seemed like an untapped expanse waiting to be explored and colonized. This divide between a thriving coastal area and a less-developed hinterland has become deeply ingrained in the nation’s collective imagination, perpetuating the notion of the interior as a homogeneous, stagnant periphery awaiting the dynamic influence of coastal Brazil.
The Interior challenges these narratives and reexamines the history of Brazil using an “interior history” perspective. This approach aims to reverse the conventional conceptual and geographical boundaries often employed to study Brazilian history, and, by extension, Latin America as a whole. Through the work of twelve leading scholars, the volume highlights how the people and spaces within the interior have played a pivotal role in shaping national identities, politics, the economy, and culture. The Interior goes beyond the traditional boundaries of borderland and frontier history, expands on the current wave of scholarship on regionalism in Brazil, and, by asking new questions about space and nation, provides a fresh perspective on Brazil’s history.
Intersecting Tango engages the city at this key moment, exploring the sweeping changes of 1900-1930 to capture this culture in motion through which Buenos Aires transformed itself into a modern, cosmopolitan city.
Taking the reader through a dazzling array of sites, sources, and events, Bergero conveys the city in all its complexity. Drawing on architecture and gendered spaces, photography, newspaper columns, schoolbooks, “high” and “low” literature, private letters, advertising, fashion, and popular music, she illuminates a range of urban social geographies inhabited by the city's defining classes and groups. In mining this vast material, Bergero traces the profound change in social fabric by which these diverse identities evolved, through the processes of modernization and its many dislocations, into a new national identity capable of embodying modernity.
In her interdisciplinary study of urban development and cultural encounters with modernity, Bergero leads the reader through the city's emergence, collecting her investigations around the many economic, social, and gender issues remarkably conveyed by the tango, the defining icon of Buenos Aires. Multifaceted and original, Intersecting Tango is as rich and captivating as the dance itself.
By the mid-twentieth century, Eastern European Jews had become one of Argentina's largest minorities. Some represented a wave of immigration begun two generations before; many settled in the province of Entre Ríos and founded an agricultural colony. Taking its title from the resulting hybrid of acculturation, The Invention of the Jewish Gaucho examines the lives of these settlers, who represented a merger between native cowboy identities and homeland memories.
The arrival of these immigrants in what would be the village of Villa Clara coincided with the nation's new sense of liberated nationhood. In a meticulous rendition of Villa Clara's social history, Judith Freidenberg interweaves ethnographic and historical information to understand the saga of European immigrants drawn by Argentine open-door policies in the nineteenth century and its impact on the current transformation of immigration into multicultural discourses in the twenty-first century. Using Villa Clara as a case study, Freidenberg demonstrates the broad power of political processes in the construction of ethnic, class, and national identities. The Invention of the Jewish Gaucho draws on life histories, archives, material culture, and performances of heritage to enhance our understanding of a singular population—and to transform our approach to social memory itself.
As a member of Salvador Allende’s Personal Guards (GAP), Luz Arce worked with leaders of the Socialist Party during the Popular Unity Government from 1971 to1973. In the months following the coup, Arce served as a militant with others from the Left who opposed the military junta led by Augusto Pinochet, which controlled the country from 1973 to1990. Along with thousands of others in Chile, Arce was detained and tortured by Chile’s military intelligence service, the DINA, in their attempt to eliminate alternative voices and ideologies in the country. Arce’s testimonial offers the harrowing story of the abuse she suffered and witnessed as a survivor of detention camps, such as the infamous Villa Grimaldi.
But when faced with threats made to her family, including her young son, and with the possibility that she could be murdered as thousands of others had been, Arce began to collaborate with the Chilean military in their repression of national resistance groups and outlawed political parties. Her testimonial thus also offers a unique perspective from within the repressive structures as she tells of her work as a DINA agent whose identifications even lead to the capture of some of her former friends and compañeros.
During Chile’s return to democracy in the early 1990s, Arce experienced two fundamental changes in her life that led to the writing of her story. The first was a deep spiritual renewal through her contacts with the Catholic Church whose Vicariate of Solidarity had fought for human rights in the country during the dictatorship. The second was her decision to participate within the legal system to identify and bring to justice those members of the military who were responsible for the crimes committed from 1973 to1990. Luz Arce’s book invites readers to rethink the definition of testimonial narrative in Latin America through the unique perspective of a survivor-witness-confessor.
In The Insubordination of Signs Richard theorizes the cultural reactions—particularly within the realms of visual arts, literature, and the social sciences—to the oppression of the Chilean dictatorship. She reflects on the role of memory in the historical shadow of the military regime and on the strategies offered by marginal discourses for critiquing institutional systems of power. She considers the importance of Walter Benjamin for the theoretical self-understanding of the Latin American intellectual left, and she offers revisionary interpretations of the Chilean neo-avantgarde in terms of its relationships with the traditional left and postmodernism. Exploring the gap between Chile’s new left social sciences and its “new scene” aesthetic and critical practices, Richard discusses how, with the return of democracy, the energies that had set in motion the democratizing process seemed to exhaust themselves as cultural debate was attenuated in order to reduce any risk of a return to authoritarianism.
Beginning with the indigenous Atacameño peoples at the southern edge of the Incan empire, the volume moves through five hundred years of history, sharing accounts written by Spanish, French, German, Dutch, British, American, and other travelers—pirates, scientists, explorers, and entrepreneurs among them. The Atacama’s austere landscape hides many secrets, including vast mineral wealth, the world's oldest mummies, and the more recent remains of dissidents murdered by the regime of former Chilean dictator Augusto Pinochet in the early 1970s. Today numerous observatories operate under the Atacama’s clear night skies, astronauts train on the rugged desert floor, and tourists flock there for inspiration.
In addition to a rich set of narratives, the book features 115 images—historical maps, photographs, and natural history illustrations, most in full color—to tell a more complete and compelling story. Imagining the Atacama Desert shows how what was once a wilderness at the edges of empire became one of South America's most iconic regions, one that continues to lure those seeking adventure and the unknown.
Schiwy argues that instead of solely creating entertainment through their work indigenous media activists are building communication networks that encourage interaction between diverse cultures. As a result, mainstream images are retooled, permitting communities to strengthen their cultures and express their own visions of development and modernization. Indianizing Film encourages readers to consider how indigenous media contributes to a wider understanding of decolonization and anticolonial study against the universal backdrop of the twenty-first century.
Uprisings by indigenous peoples of Ecuador and Bolivia between 1990 and 2005 overthrew the five-hundred-year-old racial and class order inherited from the Spanish Empire. It started in Ecuador with the Great Indigenous Uprising, which was fought for cultural and economic rights. A few years later massive indigenous mobilizations began in Bolivia, culminating in 2005 with the election of Evo Morales, the first indigenous president.
Jeffrey M. Paige, an internationally recognized authority on the sociology of revolutionary movements, interviewed forty-five indigenous leaders who were actively involved in the uprisings. The leaders recount how peaceful protest and electoral democracy paved the path to power. Through the interviews, we learn how new ideologies of indigenous socialism drew on the deep commonalities between the communal dreams of their ancestors and the modern ideology of democratic socialism. This new discourse spoke to the people most oppressed by both withering racism and neoliberal capitalism.
Emphasizing mutual respect among ethnic groups (including the dominant Hispanic group), the new revolutionary dynamic proposes a communal worldview similar to but more inclusive than Western socialism because it adds indigenous cultures and nature in a spiritual whole. Although absent in the major revolutions of the past century, the themes of indigenous revolution—democracy, indigeneity, spirituality, community, and ecology—are critically important.
Paige’s interviews present the powerful personal experiences and emotional intensity of the revolutionary leadership. They share the stories of mass mobilization, elections, and indigenous socialism that created a new form of twenty-first-century revolution with far-reaching applications beyond the Andes.
Massive yet elegantly executed masonry architecture and andenes (agricultural terraces) set against majestic and seemingly boundless Andean landscapes, roads built in defiance of rugged terrains, and fine textiles with orderly geometric designs—all were created within the largest political system in the ancient New World, a system headed, paradoxically, by a single, small minority group without wheeled vehicles, markets, or a writing system, the Inka. For some 130 years (ca. A.D. 1400 to 1533), the Inka ruled over at least eighty-six ethnic groups in an empire that encompassed about 2 million square kilometers, from the northernmost region of the Ecuador–Colombia border to northwest Argentina.
The Inka Empire brings together leading international scholars from many complementary disciplines, including human genetics, linguistics, textile and architectural studies, ethnohistory, and archaeology, to present a state-of-the-art, holistic, and in-depth vision of the Inkas. The contributors provide the latest data and understandings of the political, demographic, and linguistic evolution of the Inkas, from the formative era prior to their political ascendancy to their post-conquest transformation. The scholars also offer an updated vision of the unity, diversity, and essence of the material, organizational, and symbolic-ideological features of the Inka Empire. As a whole, The Inka Empire demonstrates the necessity and value of a multidisciplinary approach that incorporates the insights of fields beyond archaeology and ethnohistory. And with essays by scholars from seven countries, it reflects the cosmopolitanism that has characterized Inka studies ever since its beginnings in the nineteenth century.
Before the Spanish conquest in the sixteenth century A.D., the Inka Empire stretched along the Pacific side of South America, all the way from Ecuador to northwest Argentina. Though today many Inka researchers focus on the imperial capital of Cuzco, Peru, and surrounding areas, ruins of Inka settlements abound throughout the vast territory of the former empire and offer many clues about how the empire was organized, managed, and defended. These outlying settlements, as well as those in the Cuzco area, form the basis for John Hyslop's detailed study Inka Settlement Planning.
Using extensive aerial photography and detailed site maps, Hyslop studies the design of several dozen settlements spread throughout the empire. In addition to describing their architecture and physical infrastructure, he gives special emphasis to the symbolic aspects of each site's design. Hyslop speculates that the settlement plans incorporate much iconography expressive of Inka ideas about the state, the cosmos, and relationships to non-Inka peoples—iconography perhaps only partially related to the activities that took place within the sites. And he argues that Inka planning concepts applied not only to buildings but also to natural features (stone outcrops, water sources, and horizons) and specialized landscaping (terracing).
Of interest to a wide readership in archaeology, architecture, urbanization, empire building, and Andean travel, Inka Settlement Planning charts one of Native America's greatest achievements.
De la Cadena’s ethnographically and historically rich study examines how indigenous citizens of the city of Cuzco have been conceived by others as well as how they have viewed themselves and places these conceptions within the struggle for political identity and representation. Demonstrating that the terms Indian and mestizo are complex, ambivalent, and influenced by social, legal, and political changes, she provides close readings of everyday concepts such as marketplace identity, religious ritual, grassroots dance, and popular culture, as well as of such common terms as respect, decency, and education. She shows how Indian has come to mean an indigenous person without economic and educational means—one who is illiterate, impoverished, and rural. Mestizo, on the other hand, has come to refer to an urban, usually literate, and economically successful person claiming indigenous heritage and participating in indigenous cultural practices. De la Cadena argues that this version of de-Indianization—which, rather than assimilation, is a complex political negotiation for a dignified identity—does not cancel the economic and political equalities of racism in Peru, although it has made room for some people to reclaim a decolonized Andean cultural heritage.
This highly original synthesis of diverse theoretical arguments brought to bear on a series of case studies will be of interest to scholars of cultural anthropology, postcolonialism, race and ethnicity, gender studies, and history, in addition to Latin Americanists.
2022 Mr. and Mrs. Raymond J. Horowitz Book Prize, Bard Graduate Center
A landmark study of ancient Peruvian Moche mural art.
Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology.
Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the author seeks the origins of Moche mural art, and its emphasis on figuration, in the deep past of the Pacific coast of South America. Image Encounters shows how formal transformations in Moche mural art, before and after the seventh century, were part of broader changes to the work that images were made to perform at Huacas de Moche, El Brujo, Pañamarca, and elsewhere in an increasingly complex social and political world. In doing so, this book reveals alternative evidentiary foundations for histories of art and visual experience.
In this classic work, Nigel Davies offers a clear view into Inca political history, economy, governance, religion, art, architecture, and daily life. The Incas has become a classic in its many years in print; readers and scholars interested in ancient American cultures will relish this paperback edition.
Scholars have long assumed that Spanish rule remained largely undisputed in Peru between the 1570s and 1780s, but educated elite Indians and mestizos challenged the legitimacy of Spanish rule, criticized colonial injustice and exclusion, and articulated the ideas that would later be embraced in the Great Rebellion in 1781. Their movement extended across the Atlantic as the scholars visited the seat of the Spanish empire to negotiate with the king and his advisors for social reform, lobbied diverse networks of supporters in Madrid and Peru, and struggled for admission to religious orders, schools and universities, and positions in ecclesiastic and civil administration.
Indians and Mestizos in the "Lettered City" explores how scholars contributed to social change and transformation of colonial culture through legal, cultural, and political activism, and how, ultimately, their significant colonial critiques and campaigns redefined colonial public life and discourse. It will be of interest to scholars and students of colonial history, colonial literature, Hispanic studies, and Latin American studies.
Wightman shows that the dismissal of the forasteros as marginalized rural poor is superficial at best, and through laborious and painstaking archival research she presents a clear picture of the transformation of traditional society as the native populations coped with the disruptions of the conquest—and in doing so, reveals the reciprocal adaptations of the colonial power. Her choice of Cuzco is particularly appropriate, as this was a “heartland” region crucial to both the Incan and Spanish empires. The questions addressed by Wightman are of great concern to current Andean ethnohistory, one of the liveliest areas of such research, and are sure to have an important impact.
Kathryn Burns argues that the archive itself must be historicized. Using the case of colonial Cuzco, she examines the practices that shaped document-making. Notaries were businessmen, selling clients a product that conformed to local “custom” as well as Spanish templates. Clients, for their part, were knowledgeable consumers, with strategies of their own for getting what they wanted. In this inside story of the early modern archive, Burns offers a wealth of possibilities for seeing sources in fresh perspective.
This collection offers five classical studies of Royal Commentaries previously unavailable in English, along with seven new essays that cover topics including Andean memory, historiography, translation, philosophy, trauma, and ethnic identity. This cross-disciplinary volume will be of interest to students and scholars of Latin American history, culture, comparative literature, subaltern studies, and works in translation.
Arequipa, Peru’s second largest city, has the most intense regional culture in the central Andes. Arequipeños fiercely conceive of themselves as exceptional and distinctive, yet also broadly representative of the nation’s overall hybrid nature—a blending of coast (modern, “white”) and sierra (traditional, “indigenous”). The Independent Republic of Arequipa investigates why and how this regional identity developed in a boom of cultural production after the War of the Pacific (1879–1884) through the mid-twentieth century.
Drawing on decades of ethnographic fieldwork, Thomas F. Love offers the first anthropological history of southwestern Peru’s distinctive regional culture. He examines both its pre-Hispanic and colonial altiplano foundations (anchored in continuing pilgrimage to key Marian shrines) and the nature of its mid-nineteenth century “revolutionary” identity in cross-class resistance to Lima’s autocratic control of nation-building in the post-Independence state. Love then examines Arequipa’s early twentieth-century “mestizo” identity (an early and unusual case of “browning” of regional identity) in the context of raging debates about the “national question” and the “Indian problem,” as well as the post-WWII development of extravagant displays of distinctive bull-on-bull fighting that now constitute the very performance of regional identity. Love’s research reveals that Arequipa’s “traditional” local culture, symbolically marked by populist, secular, and rural elements, was in fact a project of urban-based, largely middle-class cultural entrepreneurs, invented to counter continuing Limeño autocratic power, marked by nostalgia, and anxious about the inclusion of the nation’s indigenous majority as full modern citizens.
Becker explains how rural laborers and urban activists worked together in Ecuador, merging ethnic and class-based struggles for social justice. Socialists were often the first to defend Indigenous languages, cultures, and social organizations. They introduced rural activists to new tactics, including demonstrations and strikes. Drawing on leftist influences, Indigenous peoples became adept at reacting to immediate, local forms of exploitation while at the same time addressing broader underlying structural inequities. Through an examination of strike activity in the 1930s, the establishment of a national-level Ecuadorian Federation of Indians in 1944, and agitation for agrarian reform in the 1960s, Becker shows that the history of Indigenous mobilizations in Ecuador is longer and deeper than many contemporary observers have recognized.
Interwoven is the untold story of indigenous people’s historical experience in colonial Ecuador’s textile economy. It focuses on the lives of Native Andean families in Pelileo, a town dominated by one of Quito’s largest and longest-lasting textile mills. Quito’s textile industry developed as a secondary market to supply cloth to mining centers in the Andes; thus, the experience of indigenous people in Pelileo is linked to the history of mining in Bolivia and Peru.
Although much has been written about colonial Quito’s textile economy, Rachel Corr provides a unique perspective by putting indigenous voices at the center of that history. Telling the stories of Andean families of Pelileo, she traces their varied responses to historical pressures over three hundred years; the responses range from everyday acts to the historical transformation of culture through ethnogenesis. These stories of ordinary Andean men and women provide insight into the lived experience of the people who formed the backbone of Quito’s textile industry.
Residents in the coastal community of Salango pushed for formal recognition of Indigenous identity while highlighting their pre-Hispanic roots in order to make claims about cultural continuity and ancestrality. Bauer considers the extent to which the politics of identity is embedded in the process of community-based development, paying close attention to how local conceptions of identity and residents’ ideas about their own identity and the identities of others fit within the broader context of Ecuadorian and Latin American notions of mestizaje. He emphasizes ethnogenesis and the fluid nature of identity as residents reference prehistory and the archaeological record as anchor points for claims to an Indigenous ethnic identity.
Identity, Development, and the Politics of the Past moves beyond existing studies that center on questions of authenticity and instead focuses on the ways people make claims to identity. This book makes a significant contribution to the growing body of literature on the Ecuadorian coast and directs scholars who focus on Ecuador to expand their focus beyond the highland and Amazonian regions. It will be of interest to students and scholars of Latin American studies, anthropology, ethnology, economic development, and ethnic identity.
In Place/Out of Place was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
What is the relationship between place and behavior? In this fascinating volume, Tim Cresswell examines this question via "transgressive acts" that are judged as inappropriate not only because they are committed by marginalized groups but also because of where they occur.
In Place/Out of Place seeks to illustrate the ways in which the idea of geographical deviance is used as an ideological tool to maintain an established order. Cresswell looks at graffiti in New York City, the attempts by various "hippie" groups to hold a free festival at Stonehenge during the summer solstices of 1984–86, and the Greenham Common Women's Peace Camp in Berkshire, England. In each of the cases described, the groups involved were designated as out of place both by the media and by politicians, whose descriptions included an array of images such as dirt, disease, madness, and foreignness.
Cresswell argues that space and place are key factors in the definition of deviance and, conversely, that space and place are used to construct notions of order and propriety. In addition, whereas ideological concepts being expressed about what is good, just, and appropriate often are delineated geographically, the transgression of these delineations reveals the normally hidden relationships between place and ideology-in other words, the "out-of-place" serves to highlight and define the "in-place." By looking at the transgressions of the marginalized, Cresswell argues, we can gain a novel perspective on the "normal" and "taken-for-granted" expectations of everyday life. The book concludes with a consideration of the possibility of a "politics of transgression," arguing for a link between the challenging of spatial boundaries and the possibility of social transformation.
Tim Cresswell is currently lecturer in geography at the University of Wales.
Arctic bound, Davidson takes the reader on a journey from the heart of society to the most far-flung outposts of human geography, packing in our rucksacks a treasure trove of stories and artworks, from the Icelandic Sagas to Nabokov’s snowy kingdom of Zembla, from Hans Christian Andersen’s forbidding Snow Queen to the works of artists such as Eric Ravilious, Ian Hamilton Finlay, and Andy Goldsworthy. He celebrates the different ways our artists and writers have illuminated our relationship with the earth’s most dangerous and austere terrain. Through Davidson’s astonishing but inviting erudition, we ultimately come to see north as a permanent goal, frozen forever on a horizon we never seem to quite reach.
Combining vivid ethnographic detail, postcolonial theory, and readings of Israeli and Palestinian popular texts, Stein considers a broad range of Israeli leisure cultures of the Oslo period with a focus on the Jewish desires for Arab things, landscapes, and people that regional diplomacy catalyzed. Moving beyond conventional accounts, she situates tourism within a broader field of “discrepant mobility,” foregrounding the relationship between histories of mobility and immobility, leisure and exile, consumption and militarism. She contends that the study of Israeli tourism must open into broader interrogations of the Israeli occupation, the history of Palestinian dispossession, and Israel’s future in the Arab Middle East. Itineraries in Conflict is both a cultural history of the Oslo process and a call to fellow scholars to rethink the contours of the Arab-Israeli conflict by considering the politics of popular culture in everyday Israeli and Palestinian lives.
Illusion and Disillusionment: Travel Writing in the Modern Age seeks to understand, expand, and challenge the boundaries of the modern travelogue across several literary traditions. Through an engaging cast of characters—China-bound missionaries, an Indo-Persian diplomat, a Turkish exile in India, a French schoolteacher touring America, Arab students in Moscow, a Japanese woman writer in Europe—this volume extends the study of travel writing beyond the frameworks of colonialism, imperialism, and Orientalism, focusing on the experience of travel itself.
Ranging from the eighteenth to the twentieth centuries, its eight essays analyze travelers from varied nationalities and social backgrounds, who followed different itineraries, used different means of transportation, and wrote for different audiences. The authors place the East and South Asian, Middle Eastern, and European texts and travelers in their socio-historical contexts. Exploring recurrent themes and structures in a set of travel narratives, these essays contribute to broader comparative and cross-cultural studies of travel, self-writing, and transnational lives.
These are Bledsoe’s gripping tales of fending off wolves in Alaska, encountering UFOs in the Colorado Desert, and searching for mountain lions in Berkeley. Her memorable story “The Breath of Seals” takes readers to Antarctica, the wildest continent on earth, where she camped out with geologists, biologists, and astrophysicists. These fresh and deeply personal narratives remind us what it means to be simply one member of one species, trying to find food and shelter—and moments of grace—on our planet.
For more than four decades, poet Robin Magowan has journeyed in search of ecstatic spiritual experiences. Hitchhiking and walking, by bus or boat or when necessary by horse, he has explored lands as exotic as Nepal and New Guinea, as classic as Italy or France, and as forgotten as Persia and pre-Castro Cuba. All the while he has submerged himself, whether in the mysteries of Haitian voodoo or the simples pleasures of Burgundian peasant life. Known for the beauty, wit, and expressive power of his prose, Magowan's writing vibrates with the intensity of an outsider who crawls into the skin of a country--and emerges transformed.
Maps may have been the stuff of his dreams, but they sometimes drew him away from places where he should have remained firmly rooted. In the Memory of the Map explores the complex relationship among maps, memory, and experience—what might be called a “cartographical psychology” or “cartographical history.” Interweaving a personal narrative structured around a variety of maps, with stories about maps as told by scholars, poets, and fiction writers, this book provides a dazzlingly rich personal and intellectual account of what many of us take for granted.
A dialog between desire and the maps of his life, an exploration of the pleasures, utilitarian purposes, benefits, and character of maps, this rich and powerful personal narrative is the matrix in which Norment embeds an exploration of how maps function in all our lives. Page by page, readers will confront the aesthetics, mystery, function, power, and shortcomings of maps, causing them to reconsider the role that maps play in their lives.
Critically reflecting on elements of mapping and imperialism from the late seventeenth century to the early twentieth century, the essays discuss the nature of the imperial map through a series of case studies of empires, from the Qing dynasty of China, to the Portuguese empire in South America, to American imperial pretensions in the Pacific Ocean, among others. Collectively, the essays reveal that the relationship between mapping and imperialism, as well as the practice of political and economic domination of weak polities by stronger ones, is a rich and complex historical theme that continues to resonate in our modern day.
Islamic Maps examines Islamic visual interpretations of the world in their historical context through the map-makers themselves. What was the purpose of their maps, what choices did they make, and what arguments about the world were they trying to convey? Lavishly illustrated with stunning manuscripts, beautiful instruments, and Qibla charts, this book shows how maps constructed by Muslim map-makers capture the many dimensions of Islamic civilization across the centuries.
Royle shows that despite the view of some islands as earthly paradises, they are often beset by severe limitations in both resources and opportunities. Detailing the population loss many islands have faced in recent years, he considers how islanders have developed their homes into tourist destinations in order to combat economic instability. He also explores their exotic, otherworldly beauty and the ways they have provided both refuge and inspiration for artists, such as Paul Gauguin in Tahiti and George Orwell on the Scottish island of Jura. Filled with illustrations, Islands is a compelling and comprehensive survey of the geographical and cultural aspects of island life.
As Dodds reveals, ice has played a prominent role in shaping both the earth’s living communities and its geology. Throughout history, humans have had fun with it, battled over it, struggled with it, and made money from it—and every time we open our refrigerator doors, we’re reminded how ice has transformed our relationship with food. Our connection to ice has been captured in art, literature, movies, and television, as well as made manifest in sport and leisure. In our landscapes and seascapes, too, we find myriad reminders of ice’s chilly power, clues as to how our lakes, mountains, and coastlines have been indelibly shaped by the advance and retreat of ice and snow. Beautifully illustrated throughout, Ice is an informative, thought-provoking guide to a substance both cold and compelling.
In an age when many of the major environmental policies established over the past four decades are under siege, Michael McCloskey reminds us of better days. . .days when conservation initiatives were seen not as political lightning rods, but as opportunities to cope with disturbing threats to the quality of our environment.
In 1961, a young let's-get-it-done McCloskey was hired as the Sierra Club's first field representative for the Northwest. From there, for nearly forty years, he rose to guide the oldest and most powerful environmental organization in the world. He helped to pave the way for the original Wilderness Act in 1964, and as the club's conservation director worked to see it implemented. He successfully lobbied for the creation of new national parks and wilderness areas, the North Cascades and Redwood National Park among them. As executive director, he was present at the creation of Earthday in 1970, directed lobbying for the enactment of over one hundred environmental laws, and watched Sierra Club membership rise from about 70,000 to more than 500,000. In the nineties, he led the Sierra Club in mounting fights against attempts to undercut EPA regulations and against trade agreements that curtailed environmental programs.
His tenure was no walk in the park or smooth glide across a placid mountain lake. The large and very public Sierra Club was fraught with brush fires, seismic tremors, and pitched battles, both within and without. He survived the ouster of his mentor, the charismatic but controversial David Brower, succeeding him as the second executive director in the club's history, and put the Sierra Club back on firm financial footing. Under less than ideal political circumstances, McCloskey helped to keep the environmental agenda moving steadily forward, even in the face of Ronald Reagan's virulently pro-development Interior Secretary James Watt (whom he was instrumental in expelling from office).
In the Thick of It describes not only McCloskey's life as an environmental activist; it reveals the inner workings and politics of one of the nation's most influential environmental nonprofit organizations during an era of ground-breaking environmental legislation. In addition to sharing the details of battles exhilaratingly won and disappointingly lost on the environmental front, he demonstrates how it is indeed possible to turn idealism and hope into practical action that can make an impact at the national level. With this book McCloskey offers not only invaluable insight into the past, but also inspiration to carry into the future.
Over the past three decades, governments at the local, state, and federal levels have undertaken a wide range of bold innovations, often in partnership with nongovernmental organizations and communities, to try to address their environmental and natural resource management tasks. Many of these efforts have failed. Innovations, by definition, are transitory. How, then, can we establish new practices that endure?
Toddi A. Steelman argues that the key to successful and long-lasting innovation must be a realistic understanding of the challenges that face it. She examines three case studies—land management in Colorado, watershed management in West Virginia, and timber management in New Mexico—and reveals specific patterns of implementation success and failure. Steelman challenges conventional wisdom about the role of individual entrepreneurs in innovative practice. She highlights the institutional obstacles that impede innovation and its longer term implementation, while offering practical insight in how enduring change might be achieved.
With focused essays on important topics such as the uranium mining on Navajo and Hopi lands, the Dakota Access Pipeline dispute on the Standing Rock Indian Reservation, environmental cleanup efforts in Alaska, and many other pertinent examples, this volume offers a timely view of the environmental devastation that occurs in Indian Country. It also serves to emphasize the importance of self-determination and sovereignty in victories of Indigenous environmental justice.
The book explores the ongoing effects of colonization and emphasizes Native American tribes as governments rather than ethnic minorities. Combining elements of legal issues, human rights issues, and sovereignty issues, Indigenous Environmental Justice creates a clear example of community resilience in the face of corporate greed and state indifference.
Informed by recent developments in literary criticism and social theory, In the Nature of Things addresses the presumption that nature exists independent of culture and, in particular, of language. The theoretical approaches of the contributors represent both modernist and postmodernist positions, including feminist theory, critical theory, Marxism, science fiction, theology, and botany. They demonstrate how the concept of nature is invoked and constituted in a wide range of cultural projects—from the Bible to science fiction movies, from hunting to green consumerism. Ultimately, it weeks to link the work of theorists concerned with nature and the environment to nontheorists who share similar concerns.
Contributors include R. McGreggor Cawley, Romand Coles, William E. Connolly, Jan E. Dizard, Valerie Hartouni, Cheri Lucas Jennings, Bruce H. Jennings, Timothy W. Luke, Shane Phelan, John Rodman, Michael J. Shapiro, and Wade Sikorski.
In this pioneering book, Robert Mugerauer seeks to make deconstruction and hermeneutics accessible to people in the environmental disciplines, including architecture, planning, urban studies, environmental studies, and cultural geography.
Mugerauer demonstrates each methodology through a case study. The first study uses the traditional approach to recover the meaning of Jung's and Wittgenstein's houses by analyzing their historical, intentional contexts. The second case study utilizes deconstruction to explore Egyptian, French neoclassical, and postmodern attempts to use pyramids to constitute a sense of lasting presence. And the third case study employs hermeneutics to reveal how the American understanding of the natural landscape has evolved from religious to secular to ecological since the nineteenth century.
Contributors. Nikhil Anand, Andrea Ballestero, Bruce Braun, Ashley Carse, Gastón R. Gordillo, Kregg Hetherington, Casper Bruun Jensen, Joseph Masco, Shaylih Muehlmann, Natasha Myers, Stephanie Wakefield, Austin Zeiderman
“The greenhouse effect is us, and it is specifically us in the Western world.” This is one of the messages at the beginning of Anita Gordon and David Suzuki’s startling view of our future on Earth. More than any other time in history, the 1990s have marked a turning point for human civilization. Not only are we facing ecological disasters that will affect our ability to survive, but the crisis is forcing us to reexamine the entire value system that has governed our lives for the past two thousand years.
Gordon and Suzuki warn us of the transition we will need to make if we are to arrive safely in the next century. More than a book on the environment, this is a book about us as a species: our shortsightedness, our failure to read the warnings, our inability to grasp the significance of our actions-and the tough decisions we have to make in order to save ourselves.
The power of the book lies in the consensus of the many voices, those of scientists and other scholars, that speak through it. The components of our predicament—global warming, soil erosion, acid rain, species depletion, ozone damage, rainforest destruction, overpopulation—are quantified with authority. And never before has such a strong consensus been expressed in a single warning. The message we receive is that our actions are taking place in a political and economic world that demands radical change.
In an effort to counteract this blueprint for disaster, Gordon and Suzuki present a resounding rebuttal of technological optimism and the belief that continued economic growth is a prerequisite for environmental reform. The intellectual fog of sustainable development is incisively dispelled, and in its place the authors suggest practical contributions that individuals as well as governments can make toward creating a “conserver society.”
Indigenous Peoples, National Parks, and Protected Areas integrates wide-ranging, multidisciplinary intellectual perspectives with detailed analyses of new kinds of protected areas in diverse parts of the world. Eleven geographers and anthropologists contribute nine substantive fieldwork-based case studies. Their contributions offer insights into experience with new conservation approaches in an array of countries, including Australia, Canada, Guatemala, Honduras, Nepal, Nicaragua, Peru, South Africa, and the United States.
This book breaks new ground with its in-depth exploration of changes in conservation policies and practices—and their profound ramifications for Indigenous peoples, protected areas, and social reconciliation.
Many students come to African history with a host of stereotypes that are not always easy to dislodge. One of the most common is that of Africa as safari grounds—as the land of expansive, unpopulated game reserves untouched by civilization and preserved in their original pristine state by the tireless efforts of contemporary conservationists. With prose that is elegant in its simplicity and analysis that is forceful and compelling, Jan Bender Shetler brings the landscape memory of the Serengeti to life. She demonstrates how the social identities of western Serengeti peoples are embedded in specific spaces and in their collective memories of those spaces. Using a new methodology to analyze precolonial oral traditions, Shetler identifies core spatial images and reevaluates them in their historical context through the use of archaeological, linguistic, ethnographic, ecological, and archival evidence. Imagining Serengeti is a lively environmental history that will ensure that we never look at images of the African landscape in quite the same way.
From 1895 to the founding of the United Nations in 1945, the promising new science of ecology flourished in the British Empire. Peder Anker asks why ecology expanded so rapidly and how a handful of influential scientists and politicians established a tripartite ecology of nature, knowledge, and society.
Patrons in the northern and southern extremes of the Empire, he argues, urgently needed tools for understanding environmental history as well as human relations to nature and society in order to set policies for the management of natural resources and to effect social control of natives and white settlement. Holists such as Jan Christian Smuts and mechanists such as Arthur George Tansley vied for the right to control and carry out ecological research throughout the British Empire and to lay a foundation of economic and social policy that extended from Spitsbergen to Cape Town.
The enlargement of the field from botany to human ecology required a broader methodological base, and ecologists drew especially on psychology and economy. They incorporated those methodologies and created a new ecological order for environmental, economic, and social management of the Empire.
Through a multidisciplinary consideration of fauna, Imperial Creatures weaves together a series of tales to document how animals were cherished, monitored, employed, and slaughtered in a colonial society. All animals, including humans, Barnard shows, have been creatures of imperialism in Singapore. Their stories teach us lessons about the structures that upheld such a society and how it developed over time, lessons of relevance to animal historians, to historians of Singapore, and to urban historians and imperial historians with an interest in environmental themes.
Indigenous knowledge has become a catchphrase in global struggles for environmental justice. Yet indigenous knowledges are often viewed, incorrectly, as pure and primordial cultural artifacts. This collection draws from African and North American cases to argue that the forms of knowledge identified as “indigenous” resulted from strategies to control environmental resources during and after colonial encounters.
At times indigenous knowledges represented a “middle ground” of intellectual exchanges between colonizers and colonized; elsewhere, indigenous knowledges were defined through conflict and struggle. The authors demonstrate how people claimed that their hybrid forms of knowledge were communal, religious, and traditional, as opposed to individualist, secular, and scientific, which they associated with European colonialism.
Indigenous Knowledge and the Environment offers comparative and transnational insights that disturb romantic views of unchanging indigenous knowledges in harmony with the environment. The result is a book that informs and complicates how indigenous knowledges can and should relate to environmental policy-making.
Contributors: David Bernstein, Derick Fay, Andrew H. Fisher, Karen Flint, David M. Gordon, Paul Kelton, Shepard Krech III, Joshua Reid, Parker Shipton, Lance van Sittert, Jacob Tropp, James L. A. Webb, Jr., Marsha Weisiger
Though the Revolutionary United Front (R.U.F.) ostensibly fought its war (1991–2002) against corrupt government, the people of Sierra Leone were its victims. By the time the war was over, more than fifty thousand were dead, thousands more had been maimed, and over one million were displaced. Jackson relates the stories of political leaders and ordinary people trying to salvage their lives and livelihoods in the aftermath of cataclysmic violence. Combining these with his own knowledge of African folklore, history, and politics and with S. B.’s bittersweet memories—of his family’s rich heritage, his imprisonment as a political detainee, and his position in several of Sierra Leone’s post-independence governments—Jackson has created a work of elegiac, literary, and philosophical power.
For the late Fuad I. Khuri, a distinguished career as an anthropologist began not because of typical concerns like accessibility, money, or status, but because the very idea of an occupation that baffled his countrymen made them—and him—laugh. “When I tell them that ‘anthropology’ is my profession . . . they think I am either speaking a strange language or referring to a new medicine.” This profound appreciation for humor, especially in the contradictions inherent in the study of cultures, is a distinctive theme of An Invitation to Laughter, Khuri’s astute memoir of life as an anthropologist in the Middle East.
A Christian Lebanese, Khuri offers up in this unusual autobiography both an insider’s and an outsider’s perspective on life in Lebanon, elsewhere in the Middle East, and in West Africa. Khuri entertains and informs with clever insights into such issues as the mentality of Arabs toward women, eating habits of the Arab world, the impact of Islam on West Africa, and the extravagant lifestyles of wealthy Arabs, and even offers a vision for a type of democracy that could succeed in the Middle East. In his life and work, as these astonishing essays make evident, Khuri demonstrated how the discipline of anthropology continues to make a difference in bridging dangerous divides.
The first group of essays explores the limits to irony's liberating qualities from the constrained use of irony in congressional hearings to its reactive presence amid widening disparities of wealth despite decades of world development. The second section presents irony's more positive dimensions through an array of examples such as the use of irony by Chinese writers and Irish humorists. Framed by the editors' theoretical introduction to the issues posed by irony and responses to the essays by two literary scholars, Irony in Action is a timely contribution in the contemporary reinvention of anthropology.
In this pathbreaking work, Joshua Lund offers a thoughtful critique of hybridity by reading contemporary theories of cultural mixing against their historical precursors. The Impure Imagination is the first book to systematically analyze today’s dominant theories in relation to earlier, narrative manifestations of hybridity in Latin American writing, with a particular focus on Mexico and Brazil.
Generally understood as the impurification of standard or canonized forms, hybridity has historically been embraced as a basic marker of Latin American regional identity and as a strategy of resistance to cultural imperialism. Lund contends that Latin American theories and narratives of hybridity have been, and continue to be, underwritten by a structure of colonial power. Here he provides an informed critique and cogent investigation of this connection, its cultural effects, and its political implications. Using the emergence of hybridity as an analytical frame for thinking about culture in the Americas, Lund examines the contributions of influential thinkers, including Néstor García Canclini, Homi Bhabha, Jacques Derrida, Giorgio Agamben, Jorge Luis Borges, Antonio Candido, and many others.
Distinguished by its philosophical grounding and underpinned with case studies, The Impure Imagination employs postcolonial theory and theories of race as it explores Latin American history and culture. The result is an original and interrogative study of hybridity that exposes surprising—and unsettling—similarities with nationalistic discourses.
Joshua Lund is assistant professor of Spanish at the University of Pittsburgh. His essays have appeared in A Contracorriente, Race & Class, Cultural Critique, and the Journal of Latin American Cultural Studies.
As humans evolved, we developed technologies to modify our environment, yet these innovations are increasingly affecting our behavior, biology, and society. Now we must figure out how to function in the world we’ve created.
Over thousands of years, humans have invented ingenious ways to gain mastery over our environment. The ability to communicate, accumulate knowledge collectively, and build on previous innovations has enabled us to change nature. Innovation has allowed us to thrive.
The trouble with innovation is that we can seldom go back and undo it. We invent, embrace, and exploit new technologies to modify our environment. Then we modify those technologies to cope with the resulting impacts. Gluckman and Hanson explore what happens when we innovate in a way that leads nature to bite back. To provide nourishment for a growing population, humans developed methods to process and preserve food; but easy access to these energy-dense foods results in obesity. To protect ourselves from dangerous pathogens we embraced cleanliness and invented antibiotics, which has led to rising rates of autoimmune diseases and antibiotic-resistant bacteria. More recently, our growing dependence on the internet and social media has been linked to mental health concerns and declining social cohesion. And we are only at the beginning of the digital transformation that will influence every part of our existence. Our ingenuity has not only changed our world—it has changed us.
Focusing on immediate benefits, we rarely pause to consider the longer-term costs of innovation. Yet we are now starting to see how our choices affect the way our brains develop and our bodies function. The implications are profound. Ingenious opens our eyes to the dangers we face and offers solutions we cannot ignore.
A Times Higher Education Book of the Week
Approximately 200,000 years ago, as modern humans began to radiate out from their evolutionary birthplace in Africa, Neanderthals were already thriving in Europe—descendants of a much earlier migration of the African genus Homo. But when modern humans eventually made their way to Europe 45,000 years ago, Neanderthals suddenly vanished. Ever since the first Neanderthal bones were identified in 1856, scientists have been vexed by the question, why did modern humans survive while their closest known relatives went extinct?
“Shipman admits that scientists have yet to find genetic evidence that would prove her theory. Time will tell if she’s right. For now, read this book for an engagingly comprehensive overview of the rapidly evolving understanding of our own origins.”
—Toby Lester, Wall Street Journal
“Are humans the ultimate invasive species? So contends anthropologist Pat Shipman—and Neanderthals, she opines, were among our first victims. The relationship between Homo sapiens and Homo neanderthalensis is laid out cleanly, along with genetic and other evidence. Shipman posits provocatively that the deciding factor in the triumph of our ancestors was the domestication of wolves.”
—Daniel Cressey, Nature
An Introduction to Sociocultural Anthropology exposes students to the cultural detail and personal experiences that lie in the anthropological record and extends their anthropological understanding to contemporary issues.
The book is divided into three parts that focus on the main themes of the discipline: ecological adaptations, structural arrangements, and interpretive meanings. Each chapter provides an overview of a particular topic and then presents two case examples that illuminate the range of variation in traditional and contemporary societies. New case examples include herders’ climate change adaptations in the Arctic, matrilineal Muslims in Indonesia, Google’s AI winning the Asian game Go, mass migration in China, cross-cultural differences in the use of social media, and the North American response to the Syrian refugee crisis. Instructors will also have digital access to all the book’s illustrations for class review.
Covering the full range of sociocultural anthropology in a compact approach, this revised and updated edition of Cultural Anthropology: Adaptations, Structures, Meanings is a holistic, accessible, and socially relevant guide to the discipline for students at all levels.
Contributors. Jonathan Benthall, Lucas Bessire, João Biehl, Gabriella Coleman, Manuela Ivone Cunha, Vincent Dubois, Nadia Abu El-Haj, Didier Fassin, Kelly Gillespie, Ghassan Hage, Sherine Hamdy, Federico Neiburg, Unni Wikan
Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy.
Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.
Loizos begins by reviewing works of John Marshall and Timothy Asch in the 1950s and moves through those of Jean Rouch, Robert Gardner, and many more recent filmmakers. He reveals a steady course of innovations along four dimensions: production technology, subject matter, strategies of argument, and ethnographic authentication. His analyses of individual films address questions of realism, authenticity, genre, authorial and subjective voice, and representation of the films' creators as well as their subjects.
Innovation in Ethnographic Film, as a systematic and iluminating review of developments in ethnographic film, will be an important resource for the growing number of anthropologists and other scholars who use such films as tools for research and teaching.
Wagner breaks new ground by arguing that culture arises from the dialectic between the individual and the social world. Rooting his analysis in the relationships between invention and convention, innovation and control, and meaning and context, he builds a theory that insists on the importance of creativity, placing people-as-inventors at the heart of the process that creates culture. In an elegant twist, he shows that this very process ultimately produces the discipline of anthropology itself.
Tim Ingold’s foreword to the new edition captures the exhilaration of Wagner’s book while showing how the reader can journey through it and arrive safely—though transformed—on the other side.
Including a range of international indigenous voices from the US, Canada, Australia, Aotearoa (New Zealand) and Africa, the book takes an interdisciplinary approach, bridging Indigenous studies, media studies, and social justice studies. Including examples like Idle No More in Canada, Australian Recognise!, and social media campaigns to maintain Maori language, Indigenous Peoples Rise Up serves as one of the first studies of Indigenous social media use and activism.
Contributors. Tone Bleie, Andrea Carmen, Jacqueline Gillis, Rauna Kuokkanen, Elifuraha Laltaika, Sheryl Lightfoot, David Bruce MacDonald, Toa Elisa Maldonado Ruiz, Binalakshmi “Bina” Nepram, Melissa Z. Patel, Manoel B. do Prado Junior, Hana Shams Ahmed, Elsa Stamatopoulou, Liubov Suliandziga, Rodion Sulyandziga, Yifat Susskind, Erika M. Yamada
A new perspective on religions and the environment emerges from this collection. The authors, a diverse group of indigenous and non-native scholars and environmental activists, address compelling and urgent questions facing indigenous communities as they struggle with threats to their own sovereignty, increased market and media globalization, and the conservation of endangered bioregions.
Drawing attention to the pressures threatening indigenous peoples and ways of life, this volume describes modes of resistance and regeneration by which communities maintain a spiritual balance with larger cosmological forces while creatively accommodating current environmental, social, economic, and political changes.
Supplementary instructor resources (https://www.csbsju.edu/sociology/faculty/anthropology-teaching-resources/infected-kin-teaching-resources)
Contributors. Giuseppe Caruso, Maribel Casas-Cortés, Janet Conway, Stéphane Couture, Vinci Daro, Manisha Desai, Sylvia Escárcega, David Hess, Jeffrey S. Juris, Alex Khasnabish, Lorenzo Mosca, Michal Osterweil, Geoffrey Pleyers, Dana E. Powell, Paul Routledge, M. K. Sterpka, Tish Stringer
“A pacesetter, at the forefront in recognizing the persisting importance of ‘ethnicity as a force both in building nations and in tearing them apart,’ it is also a work of literary merit, crafted by a master wordsmith.” So comments Lucian Pye in reflecting on this classic work in political science and sociology about group identities bending and shaping themselves under the pressure of political change. These transformations seem to have basic similarities, whether they take place in Little Rock or Kenya, Vietnam or Pakistan, Belgium or Biafra.
Isaacs sorts out some fundamentals in forming group identity: the body, names, language, history of origins, religion, and nationality. These are dynamic elements that are melded together but have the possibility of creating new pluralisms.
Impasse of the Angels explores what it means to be a subject in the historical and poetic imagination of a southern Moroccan society. Passionate and lyrical, ironic and tragic, the book listens to dissonant, often idiosyncratic voices—poetic texts, legends, social spaces, folktales, conversations—which elaborate in their own ways the fractures, wounds, and contradictions of the Maghribî postcolonial present. Moving from concrete details in a traditional ethnographic sense to a creative, experiential literary style, Impasse of the Angels is a tale of life and death compellingly addressing readers from anthropology, literature, philosophy, postcolonial criticism, and Middle Eastern studies.
Focusing on the human element of marine conservation and the extractive industry in Tanzania, this volume illuminates what happens when impoverished people living in underdeveloped regions of Africa are suddenly subjected to state-directed conservation and natural resource extraction projects, implemented in their landscapes of subsistence. In a Wounded Land draws on ethnographically rich case studies and vignettes collected over a ten-year period in several coastal villages on Tanzania’s southeastern border with Mozambique. In seven chapters, the book demonstrates how state power, processes of displacement and dispossession, forms of local resistance and acquiescence, environmental and social justice, and human well-being become interconnected.
Written in lucid, accessible language, this is the first book that reveals the social implications of the co-presence of a marine park and a gas project at a time when internationally funded conservation initiatives and extraction projects among rural African populations are engendering rapid social transformation.
In Oceania documents and analyzes the "rhetorical artifacts" of explorers, missionaries, fiction and travel writers, and the people of the Pacific themselves to illustrate how Oceanic identities have been represented over time. Not content with conventional methods of anthropology or history, Thomas draws on postcolonial theory and literary analysis in extraordinarily wide-ranging analyses of texts, visual images, and historical processes. He demonstrates how cultures of the Pacific Islands have dealt with colonialist ventures, modernity, and the debate about the recuperation of histories and traditions. The picture Thomas paints of Oceania, however, is not one of a group of societies stripped of meaning, but one that shows how the interactions between indigenous cultures and European influences have created entirely new identities.
Searches for authenticity, Bendix contends, have been a constant companion to the feelings of loss inherent in modernization, forever upholding a belief in a pristine yet endangered cultural essence and fueling cultural nationalism worldwide. Beginning with precursors of Herder and Emerson and the “discovery” of the authentic in expressive culture and literature, she traces the different, albeit intertwined, histories of German Volkskunde and American folklore studies. A Swiss native educated in American folklore programs, Bendix moves effortlessly between the two traditions, demonstrating how the notion of authenticity was used not only to foster national causes, but also to lay the foundations for categories of documentation and analysis within the nascent field of folklore studies.
Bendix shows that, in an increasingly transcultural world, where Zulu singers back up Paul Simon and where indigenous artists seek copyright for their traditional crafts, the politics of authenticity mingles with the forces of the market. Arguing against the dichotomies implied in the very idea of authenticity, she underscores the emptiness of efforts to distinguish between folklore and fakelore, between echt and ersatz.
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