A SCHOLARLY BOOK REPOSITORY
International Economic Relations was first published in 1934. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Image of Britain 1, originally published in 1961, was the first of two special issues of The Texas Quarterly devoted to Britain. This volume contains three dozen selections, including essays, fiction, poetry, and illustrations, most of them specially commissioned. The editorial aim has been to achieve scope and variety. Surveyed in the articles are a dozen or more facets of British culture, among them politics, education, Anglo-American relations, religion, law, food, changes in class structure, pediatrics, the intellectual climate, scientific progress, and international relations.
Those who labor under the delusion that the British lack humor are advised to read Siriol Hugh-Jones's remarks on the subject, Henry Green's "Firefighting," William Sansom's "Dear Sir," and Willis W. Pratt's article on the great cartoonists Emett and Searle—whose cartoons should then be inspected carefully.
Their cartoons are only a part of the book’s handsome illustrations. In addition, the photographer Hans Beacham visited England at the Quarterly's invitation to depict for American readers distinguished figures in British arts and letters. His gallery of forty-one portraits of writers and other notables has historical as well as artistic importance. Beacham has also contributed twenty-one hauntingly beautiful photographs of the studio of the late great sculptor Sir Jacob Epstein.
Thirty-three of the contributors to this collection are British. There is much to be said for inviting members of this forthright, brilliantly self-critical race to comment extensively on themselves. Among the authors are the young and already noteworthy—Dom Moraes, Ted Hughes, and Alan Sillitoe, for example—as well as the firmly established and celebrated, such as John Wain, William Sansom, and Henry Green.
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Image of Britain 2, originally published in 1961, was the second of two special numbers of The Texas Quarterly devoted to Britain. This volume comprises some three dozen selections—essays, fiction, poetry, and illustrations, most of them specially commissioned. The editorial aim has been to achieve scope and variety.
The articles, essays in criticism on British themes, for the most part survey literature and the fine arts: poetry, theater, intellectual review, then-recent translations into English, the flood of military memoirs, British humor, architecture, painting and sculpture, and music. Other essays treat individual authors, among them Shakespeare, Trollope, Galsworthy, Forster, Wells, Yeats, Pound, Shaw, Muir, Green, Snow, Waugh, Amis, and Pinter.
All except a handful of the essayists are British. There is much to be said for inviting the forthright and brilliantly self-critical to comment extensively on their own literature and art. Stephen Spender and John Lehmann, two of Britain’s most distinguished editors, deal with British literary matters, both international and domestic; the novelist David Garnett discusses George Moore, Galsworthy, Forster, and H. G. Wells—the men and their works; and the poet Kathleen Raine appraises the verse of Edwin Muir.
Like the essayists, the contributors of fiction and poetry include the emerging and already noteworthy—Ted Hughes, Peter Redgrove, and Andrew Sinclair, for example—as well as the firmly established and celebrated, such as Angus Wilson, Stephen Spender, and Joyce Cary. Cary’s short story “The Ball” appeared here in print for the first time.
The photographer Hans Beacham, who visited England at the Quarterly’s invitation, contributed a gallery of portraits of important British painters and sculptors. The photographs complement David Sylvester’s article on contemporary British art. In addition, Edward Bawden’s drawings of the British scene run like a charming frieze throughout this number.
Approachable and absorbing, Cross’s biography enables us to see Stravinsky’s life and artistic achievement in a new light, understanding how his work both reflected and shaped his times.
In 1600, English helmsman William Adams washed ashore in Japan and was interrogated by Tokugawa Ieyasu, Japan’s most powerful warlord and soon-to-be shogun. Far from executing Adams as a pirate, Ieyasu made him one of his most trusted advisers. This biography traces Adams’s rise from a humble pilot to a position of immense influence in Japan’s foreign relations. It unravels the subsequent diplomatic maneuvers of the Western powers in the Shogun’s empire and Adams’s eventual downfall. The first full biography of Adams based on original Dutch, English, Spanish, Portuguese, and Japanese sources, In the Service of the Shogun includes much previously unknown information. Frederik Cryns tells the authentic story of Adams’s checkered life in its historical context, taking us on a compelling journey into Adams’s complex inner feelings and cosmopolitan heart.
The author begins his “nonlectures” with the warning “I haven’t the remotest intention of posing as a lecturer.” Then, at intervals, he proceeds to deliver the following:
1. i & my parents
2. i & their son
3. i & selfdiscovery
4. i & you & is
5. i & now & him
6. i & am & santa claus
These talks contain selections from the poetry of Wordsworth, Donne, Shakespeare, Dante, and others, including e. e. cummings. Together, it forms a good introduction to the work of e. e. cummings.
In this encyclopedic work of intellectual history, Philip D. Curtain sought to discover the British image of Africa for the years 1780–1850.
In this encyclopedic work of intellectual history, Philip D. Curtain sought to discover the British image of Africa for the years 1780–1850.
The Important Plant Areas of Mozambique is based on the Mozambique TIPAs project run in collaboration between Royal Botanic Gardens, Kew, Mozambique’s Agricultural Research Institute (Instituto de Investigação Agrária de Moçambique – IIAM), and the University Eduardo Mondlane. Drawing on information from the TIPAs database, The Important Plant Areas of Mozambique includes color maps and photographs, site descriptions, and tables to present information on the botanical significance, habitat, and geology of the region. The book will also address conservation issues and ecosystem services to promote Mozambique’s critical plant sites and inform conservation leaders in government, NGOs, universities, and local communities about Mozambique’s threatened habitats.
This book questions the accepted origins of the field of International Relations (IR). Commonly understood to have emerged from the horrors of WW1 with the goal of bringing about world peace, the authors argue that on the contrary, IR came from a somewhat less noble tradition – that of the Round Table.
The Round Table were a network of imperialists emerging in the late 1800s across five key British imperial societies: Australia, Canada, New Zealand, South Africa and India. Their aim was to improve imperial governance, placing the empire into a position to control world affairs. Although they ultimately failed to rearrange world order according to their vision, they did help to build what we now call the discipline of IR.
The Round Table's 'scientific method' for the study of world affairs was rapidly subsumed into each geopolitical context. Through telling this story, the authors recover it, and interrogate its meanings for the discipline of IR today. They show the importance of the Global South to IR's foundations, and argue that IR scholarship in this period was intertwined with imperial racial thought in ways that it should not and cannot forget.
Contributors. Roger E. Backhouse, Mauro Boianovsky, Michael Bordo, David Colander, William Darity Jr., Michel De Vroey, Robert W. Dimand, Kevin D. Hoover, David Laidler, Robert E. Lucas Jr., Edward Nelson, Goulven Rubin, Anna Schwartz, Scott Sumner, Warren Young
Dean begins by examining the institutions that shaped the members of the U.S. foreign policy establishment—all-male prep schools, Ivy League universities, collegiate secret societies, and exclusive men's clubs—that instilled stoic ideals of competition, duty, and loyalty. Service in elite military units during World War II further reinforced this pattern of socialization, eventually creating an "imperial brotherhood" imbued with a common global vision. More than that, according to Dean, the commitment to tough-minded masculinity shared by these men encouraged the pursuit of policies that were aggressively interventionist abroad and intolerant of dissent at home.
Applying his gendered analysis to the McCarthy era, Dean reveals how the purge of suspected homosexuals in the State Department not only paralleled the repression of the political left, but also reflected a bitter contest for power between the foreign policy elite and provincial Congressional conservatives. He then shows how issues of manliness similarly influenced the politics and policies of the Kennedy and Johnson administrations. Just as programs like the Peace Corps were grounded in ideals of masculine heroism, decisions about intervention in Vietnam were inextricably bound up with ideas about male strength and power. In the end, Dean makes a persuasive case that these elite constructions of male identity fundamentally shaped the course of American foreign policy during the early decades of the Cold War.
Interracial Housing was first published in 1951. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
One of the most crucial strains on democracy today is the practice of racial segregation. In the press, in local, state, and federal government agencies, in fact, wherever people thrash out the problems of democratic living, the question is being discussed.
This book offers facts which throw new light on an important issue in the overall problem of racial segregation. Here are the results of a study comparing two kinds of public housing—segregated and non-segregated.
Two low-rent, public housing projects in which Negroes and whites live as next door neighbors were compared with two similar housing developments in which Negroes and whites are assigned to separate buildings or areas. The study reveals how the people living in these contrasting ways differ in their social relations, community morale, racial attitudes, and other significant social aspects. The research procedures used are explained, and general conclusions about changing prejudices are offered.
Social scientists, psychologists, housing officials, and community leaders concerned with the problems not only of housing but of race relations in general will find helpful guidance here.
In addition to providing much-needed data on an important social problem, the book offers a valuable demonstration of research techniques in social science.
How illness on social media reveals the struggle for care and access against ableism and stigma
Illness Politics and Hashtag Activism explores illness and disability in action on social media, analyzing several popular hashtags as examples of how illness figures in recent U.S. politics. Lisa Diedrich shows how illness- and disability-oriented hashtags serve as portals into how and why illness and disability are sites of political struggle and how illness politics is informed by, intersects with, and sometimes stands in for sexual, racial, and class politics. She argues that illness politics is central—and profoundly important—to both mainstream and radical politics, and she investigates the dynamic intersection of media and health and health-activist practices to show the ways their confluence affects our perception and understanding of illness.
Imperfect Present is a book for our current moment. By confronting the urgencies of daily life, from questions of identity to sexual abuse to racial unrest to the ubiquity of plastic, these poems investigate ways to sustain ourselves in our fraught public and private lives. With her characteristic linguistic play, Sharon Dolin illuminates some of the most personal concerns that resonate throughout our culture and in ourselves, such as error, despair, uncertainty, and doubt. In sections that deploy the lens of art, the “Oblique Strategies” of Brian Eno and Peter Schmidt, and meditations on dreams and spirituality, Imperfect Present provides a panoply of approaches that grapple with the complexity of now.
Inhuman Power explores the relationship between Marxist theory and AI through three approaches, each using the lens of a different Marxist theoretical concept. While the idea of widespread AI tends to be celebrated as much as questioned, a deeper analysis of its reach and potential produces a more complex and disturbing picture than has been identified. Inhuman Power argues that on its current trajectory, AI is likely to render humanity obsolete and that the only way to prevent it is a communist revolution.
In this book, dance movement psychotherapist Katy Dymoke presents an in-depth case study of work with a client with a profound learning disability. The research stems from a postdoctoral thesis sponsored by the United Kingdom’s National Health Service, where Dymoke was employed at the time of the clinical outcomes relayed in this work. The volume includes transcripts of the session content; descriptions of how incidents of touch were initiated and undertaken within the process; subsequent categorizations of the incidents of touch as self-directed, passive, or reciprocal; and commentary and discussion of the therapeutic process. As we see, the incidents of touch contribute to the client’s process of mental distress, trauma, lack of capacity, and more. Finally, Dymoke includes sections on the ethical issues of this work in the NHS, on doing research with such a client group, and on the theoretical models that emerged.
Inclusive Dance offers a concise ethnography of disability arts and a historiographic overview of the field in the 1980s when many new disability arts groups emerged in the UK. It focuses in particular on the inclusive teaching modalities of Touchdown Dance, which was the work of dancer Steve Paxton and theater-maker and psychotherapist Anne Kilcoyne. It involved visually impaired and sighted adults in a dyadic movement form called Contact Improvisation. Katy Dymoke took over Touchdown Dance in 1994, and this book draws on archives, participant accounts, and personal experience to detail the work of Touchdown Dance and its effects on its participants since its founding. Three guests from Touchdown Dance contribute eyewitness accounts of the methods and performance projects.
In pithy, entertaining chapters, Inventing American Tradition explores a set of beloved traditions spanning political symbols, holidays, lifestyles, and fictional characters—everything from the anthem to the American flag, blue jeans, and Mickey Mouse. Shedding light on the individuals who created these traditions and their motivations for promoting them, Jack David Eller reveals the murky, conflicted, confused, and contradictory history of emblems and institutions we very often take to be the bedrock of America. What emerges from this sideways take on our most celebrated Americanisms is the realization that all traditions are invented by particular people at particular times for particular reasons, and that the process of “traditioning” is forever ongoing—especially in the land of the free.
Despite critical acclaim and a recent surge of popularity with Western audiences, Iranian cinema has been the subject of lamentably few academic studies—and those have by and large been limited to the films and filmmakers most visible on the international film circuit. Iranian Cinema and Globalization seeks to broaden readers’ exposure to other dimensions of Iranian cinema, including the works of the many prolific filmmakers whose films have received little outside attention despite being widely popular within Iran. Combining theories of globalization and national cinema with in-depth, interdisciplinary analyses of individual films, this volume expands the current literature on Iranian cinema with insights into the social, and religious political contexts involved.
Etulain provides extensive coverage of the writings of notable authors, including novelists Frederic Homer Balch and Mary Hallock Foote, offering an understanding of frontier romantic and Local Color Writers. He also explores the works of H. G. Merriam and novelist H. L. Davis, illustrating regional prose writings. Finally, Etulain includes a panoply of writers who exemplify an emphasis on gender, race and ethnicity, and environmental texts from the post-WWII period.
Illuminative Moments in Pacific Northwest Prose delivers a first-time overview of the region’s literary contributions that will interest both scholars and general readers alike.
This book argues that the Supreme Court performs two functions. The first is to identify the Constitution's idealized "meaning." The second is to develop tests and doctrines to realize that meaning in practice. Bridging the gap between the two--implementing the Constitution--requires moral vision, but also practical wisdom and common sense, ingenuity, and occasionally a willingness to make compromises.
In emphasizing the Court's responsibility to make practical judgments, Implementing the Constitution takes issue with the two positions that have dominated recent debates about the Court's proper role. Constitutional "originalists" maintain that the Court's essential function is to identify the "original understanding" of constitutional language and then apply it deductively to current problems. This position is both unwise and unworkable, the book argues. It also critiques well-known accounts according to which the Court is concerned almost exclusively with matters of moral and constitutional principle.
Implementing the Constitution bridges the worlds of constitutional theory, political theory, and constitutional practice. It illuminates the Supreme Court's decision of actual cases and its development of well-known doctrines. It is a doctrinal study that yields jurisprudential insights and a contribution to constitutional theory that is closely tied to actual judicial practice.
In the later fifteenth century, the Kingdom of Hungary became the first land outside Italy to embrace the Renaissance, thanks to its king, Matthias Corvinus, and his humanist advisors, János Vitéz and Janus Pannonius. Matthias created one of the most famous libraries in the Western World, the Bibliotheca Corviniana, rivaled in importance only by the Vatican. The court became home to many Italian humanists, and through his friendship with Lorenzo the Magnificent, Matthias obtained the services of such great Florentine artists as Andrea del Verrocchio, Benedetto da Maiano, and Filippino Lippi. After Matthias’s death in 1490, interest in Renaissance art was continued by his widowed Neapolitan queen, Beatrice of Aragon, and by his successors Vladislav I and Louis II Jagiello.
The twenty-two essays collected in this volume provide a window onto recent research on the development of humanism and art in the Hungary of Matthias Corvinus and his successors. Richly illustrated with new photography, this book eloquently documents and explores the unique role played by the Hungarian court in the cultural history of Renaissance Europe.
Image and Structure in Chamber Music was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The major portion of this book is devoted to descriptions of the most important chamber music works, taken up in separate chapters by composer in broadly chronological order—Haydn, Mozart, Beethoven, Schubert, Mendelssohn, Schumann, and Brahms. There are also chapters on the intimacy of chamber music, on the antecedents of the above-named composers, on nationalistic chamber music, on twentieth-century chamber music, and on chamber music in the United States.
A small canoe with Polynesians brought the first humans to Easter Island in 700 CE, and when boat travel in the South Pacific drastically decreased around 1500, the Easter Islanders were forced to adapt in order to survive their isolation. Adaptation, Fischer asserts, was a continuous thread in the life of Easter Island: the first European visitors, who viewed the awe-inspiring monolithic busts in 1722, set off hundreds of years of violent warfare, trade, and disease—from the smallpox, wars, and Great Death that decimated the island to the late nineteenth-century Catholic missionaries who tried to "save" it to a despotic Frenchman who declared sole claim of the island and was soon killed by the remaining 111 islanders. The rituals, leaders, and religions of the Easter Islanders evolved with all of these events, and Fischer is just as attentive to the island's cultural developments as he is to its foreign invasions.
Bringing his history into the modern era, Fischer examines the colonization and annexation of Easter Island by Chile, including the Rapanui people's push for civil rights in 1964 and 1965, by which they gained full citizenship and freedom of movement on the island. As travel to and interest in the island rapidly expand, Island at the End of the World is an essential history of this mysterious site.
Edited by Raymond Foxworth of First Nations Development Institute and Steve Dubb of The Nonprofit Quarterly, Invisible No More is a groundbreaking collection of stories by Native American leaders, many of them women, who are leading the way through cultural grounding and nation-building in the areas of community, environmental justice, and economic justice. Authors in the collection come from over a dozen Native nations, including communities in Alaska and Hawaiʻi. Chapters are grouped by themes of challenging philanthropy, protecting community resources, environmental justice, and economic justice. While telling their stories, authors excavate the history and ongoing effects of genocide and colonialism, reminding readers how philanthropic wealth often stems from the theft of Native land and resources, as well as how major national parks such as Yosemite were “conserved” by forcibly expelling Native residents. At the same time, the authors detail ways that readers might imagine the world differently, presenting stories of Native community building that offer benefits for all. Accepting this invitation to reset assumptions can be at once profound and pragmatic. For instance, wildfires in large measure result from recent Western land mismanagement; Native techniques practiced for thousands of years can help manage fire for everyone’s benefit.
In a world facing a mounting climate crisis and record economic inequality, Invisible No More exposes the deep wounds of a racist past while offering a powerful call to care for one another and the planet. Indigenous communities have much to offer, not the least of which are solutions gleaned from cultural knowledge developed over generations.
When art and design students are asked for statements to accompany their work, reflective journals, or critiques, reviews and essays, they often freeze up because they have to put their thoughts in writing. Although these students are comfortable expressing themselves visually, they lack confidence working with words. Inspiring Writing in Art and Design is a practical aid for those students who are disheartened or overwhelmed by having to write. Pat Francis provides short writing exercises and creative writing techniques for tutors to use and which will help art and design students develop their ability to verbally articulate the concepts and aesthetics behind their art. Using Francis’s examples, students will build confidence and skills that can help them succeed in presenting their work and themselves in, and beyond, the studio world.
A fascinating and entertaining account of the lives of the most important economists of the past.
Until the late nineteenth century, economics couldn’t be studied at the university level; the field was the domain of well-educated figures whose radical curiosity drew them to a discipline that was little understood and often ridiculed. In the Long Run We’re All Dead tells the story of one of those figures in each of its thirteen chapters. Each of these extraordinary lives is worthy of fiction, and the manner of their deaths, oddly, often illuminates their work. Björn Frank shows us how these economists developed the theories for which they became famous and explains those ideas—utilitarianism, social costs, the endowment effect, and others—with reference to the lives of their creators in an engaging, irreverent, even comic style. Frank also takes daring leaps into speculation, considering how the principles of these long-gone economists might be applied to problems of today and of the future.
The authors describe and analyze the spiritual life of three ancient civilizations: the Egyptians, whose thinking was profoundly influenced by the daily rebirth of the sun and the annual rebirth of the Nile; the Mesopotamians, who believed the stars, moon, and stones were all citizens of a cosmic state; and the Hebrews, who transcended prevailing mythopoeic thought with their cosmogony of the will of God. In the concluding chapter the Frankforts show that the Greeks, with their intellectual courage, were the first culture to discover a realm of speculative thought in which myth was overcome.
Before the establishment of the Big Thicket Nature Preserve, the Big Thicket of Texas became a symbol of nature's last stand against encroaching civilization. Here, in a mingling of ecological zones, come together plants, animals, and birds—many of them rare—the flora and fauna of north and south, east and west. Northern maples and beeches stand not too great a distance from cypresses and Southern magnolias. American hollies grow large and orchids bloom among Northern ferns. Mesquite and tumbleweed, plants of the Western desert, survive where the annual rainfall averages sixty inches. On a major flyway, the Big Thicket is a stopping place for many birds in passage as well as home to a wide variety. Beavers build their dams there, and an occasional coyote yips in the night.
Because of its great beauty and rich natural resources, use of the Big Thicket was the object of a forty-year struggle involving financiers, politicians, conservationists, and countless Thicket lovers. Each group viewed the Thicket from a different perspective and foresaw its future in different terms.
This book records the impressions of two Thicket lovers. Michael Frary's paintings and drawings of woods and water, of birds in flight and strange plants growing close to the moist earth are pictures of a place, a time, a mood caught today—and not the same if left until tomorrow. The qualities of gentleness and violence are constant, but often hidden—there to be brought out by human need or human greed.
William Owens writes of the people who have lived their lives in the Big Thicket, who have stirred its stillness with whoop and holler across the waters, who have taken in its stillness and explosive beauty until they themselves are made up of gentleness and violence.
Together the impressions show what the Big Thicket was and is. What it will be—that is the chief concern of the book.
Identity's Architect is the first comprehensive biography of Erik Erikson, postwar America's most influential psychological thinker, who decisively reshaped our views of human development.
Drawing on private materials and extensive interviews, award-winning historian Lawrence J. Friedman illuminates the relationship between Erikson's personal life and his groundbreaking notion of the life cycle and the identity crisis. A decade in the making, this book is indispensable for anyone who hopes to understand fully the life and intellectual legacy of one of the most significant figures of our time.
Arrested and imprisoned in a small Swiss town, a prisoner begins this book with an exclamation: “I'm not Stiller!” He claims that his name is Jim White, and that he has been jailed under false charges and under the wrong identity. To prove he is who he claims to be, he confesses to three unsolved murders and recalls in great detail an adventuresome life in America and Mexico among cowboys and peasants, in back alleys and docks. He is consumed by “the morbid impulse to convince,” but no one believes him.
This is a harrowing account—part Kafka, part Camus—of the power of self-deception and the freedom that ultimately lies in self-acceptance. Simultaneously haunting and humorous, I'm Not Stiller has come to be recognized as one of the major post-war works of fiction and a masterpiece of German literature.
Were the Chinese the first to discover America in 1421? Did Jesus and Mary Magdalene have children together? Did extraterrestrials visit the earth during prehistory and teach humans how to build pyramids and stone structures? These are only a few of the controversial and intriguing questions that Ronald H. Fritze investigates in Invented Knowledge.
This incredible exploration of the murky world of pseudo-history reveals the proven fact, the informed speculation, and the pure fiction behind lost continents, ancient super-civilizations, and conspiratorial cover-ups—as well as the revisionist historical foundations behind religions such as the Nation of Islam and the Church of Jesus Christ of the Latter-day Saints. Drawing on the best scholarship available, Fritze shows that in spite of strong, mainstream historical evidence to the contrary, many of these ideas have proved durable and gained widespread acceptance. As the examples in Invented Knowledge reveal, pseudo-historians capitalize on and exploit anomalies in evidence to support their claims, rather than examining the preponderance of research as a whole.
From Indiana Jones and the Kingdom of the Crystal Skull to 10,000 B.C., the sensationalist topics of pseudo-history captivate audiences and permeate popular culture. Invented Knowledge offers many entertaining and enthralling examples of spurious narratives, artificial chronologies, and ersatz theories in a book guaranteed to intrigue, open eyes, and spark conversation among readers—skeptics and believers alike.
But who was Donna Reed? Perhaps no celebrity of her symbolic importance is so little known. Moving from the backroads of Iowa to the mansions of Bel Air, Jay Fultz goes in search of the woman behind the image.
In Search of Donna Reed reveals a woman whose intelligence and force of character often put her at odds with the roles she portrayed both on and off screen. Reed, always angered by the treatment of women in Hollywood, turned political activist in middle age, confronting for the first time the arrogance of power. She was, said writer Barbara Avedon, a feminist before there was a feminist vocabulary. But she eludes any label.
This first biography of Donna Reed also contains the first extended discussion of her television show. The personal richness that Reed brought to her television role has been filtered out in the caricature perpetuated by pop critics. In the media "Donna Reed" is Donna Stone distorted as a female-manqué who wears pearls and high heels around the house. But Donna Reed's long hold on viewers depends on irreducible qualities that have nothing to do with this fixed image, as Fultz suggests.
He follows her development from Iowa farm girl to apprentice in Hollywood to mature juggler of the demands of family and career to antiwar activist. Drawing on Reed's letters and on interviews, Fultz looks for what was real in a very private person without discarding what is romantic in any pursuit of a public one. He shows why the rich and principled life of Donna Reed matters in this more cynical time.
In India in the Eyes of Europeans, Martin Fárek argues that when Western scholars interpret Indian traditions, they actually present distorted reflections of their own European culture, despite their attempts at unbiased objectivity. This distortion is clearest in the way India is viewed primarily through a religious lens—a lens fashioned from an implicitly Christian design. While discussing the current international dialogue on the topic and the work of such scholars as S. N. Balagangadhara, Fárek’s study presents the results of original research on several key topics: the problems in assigning religious significance to the Indian traditions that gave rise to Hinduism and Buddhism; Europeans’ questioning of Indians’ historical consciousness; the current debate surrounding the arrival of the Aryans in India; and controversial interpretations of the work of the reformer Rammohan Raj. The result is a provocative study that should prove fascinating to Indologists, theologians, anthropologists, and anyone interested in the history of thought.
The first work of fiction published in the MSU Press American Indian Studies Series, Indian Summers concerns issues of identity for Native Americans. Set against the backdrop of a contemporary reservation that has had its own losses to the dominant culture—a third of its total land mass taken earlier in the century for a New York State water reservoir, its only religious structures Christian churches—Indian Summers introduces these identity conflicts through the lives and circumstances of its major characters. This is a time when belonging to a tribe is difficult, when dominant societal forces encourage either the acts of abandoning a perceived anachronistic lifestyle or of embracing one of a number of simplistic, prescribed, false identities: warrior, environmentalist, crystal-carrying shaman. None of these options is real for the individuals who populate these pockets of different—not alternative—societies. The people who live these lives do not explore alternatives, nor do they necessarily have the desire to—inextricably entwined as they are with their families, culture, history, and land.
In the winter of 1650–51, one hundred fifty ragged and hungry Scottish prisoners of war arrived at Massachusetts Bay Colony, where they were sold as indentured laborers for 20 to 30 pounds each. Among them was Thomas Doughty, a common foot soldier who had survived the Battle of Dunbar, a forced marched of 100 miles without food or water, imprisonment in Durham Cathedral, and a difficult Atlantic crossing. An ordinary individual who experienced extraordinary events, Doughty was among some 420 Scottish soldiers who were captured during the War of the Three Kingdoms, transported to America, and sold between 1650 and 1651. Their experiences offer a fresh perspective on seventeenth-century life.
The Involuntary American: A Scottish Prisoner’s Journey to the New World by Carol Gardner describes Doughty’s life as a soldier, prisoner of war, exile, servant, lumberman, miller, and ultimately free landowner. It follows him and his peers through critical events: the apex of the Little Ice Age, the War of the Three Kingdoms, the colonization of New England, the burgeoning transatlantic trade in servants and slaves, King Philip’s and King William’s wars, and the Salem witch crisis. Firstperson accounts of individuals who lived through those events—Scottish, English, Puritan, Native American, wealthy, poor, working class, educated or not— provide rich period detail and a variety of perspectives.
The Involuntary American demonstrates how even individuals of humble circumstances were swept into the maelstrom of the First Global Age. It expands our understanding of immigration to the colonies, colonial servitude, the linkages and tensions between Europe, Massachusetts Bay, and America’s northeastern frontier, and of New England society in the early colonial period.
The Inter American Press Association (IAPA) has been a pioneer in the concept of an inter-American professional, independent, and self-sufficient pressure group that acts on its own initiative and subsists on its own resources. This study first traces the development of IAPA from the initial meeting in 1926 through the mid-1940’s, when a small group of dedicated Latin American and United States journalists began the fight to wrest the IAPA from the control of government lackeys and Communist agents. Previously scarce accounts of the early annual meetings, often noisy and disorganized and sometimes violent, give the reader an insight into the problems and animosities faced by the democratically oriented members.
Mary A. Gardner then describes a reorganization in 1950, after which IAPA actively fought for the freedom of newspaper workers tyrannized by Latin American dictators, such as Argentina’s Perón, Colombia’s Rojas Pinilla, Cuba’s Batista, and the Dominican Republic’s Trujillo. Even while IAPA was fighting for freedom of the press it began several services for its member newspapers: It set up a circulation auditing service, created a scholarship fund, undertook a newsprint study, and established a technical center. It also began the administration of the Mergenthaler Awards—prizes awarded yearly to outstanding Latin American journalists.
Gardner also analyzes the merits of IAPA, basing her conclusions on data obtained from her own observations, from letters written by others long associated with operations of the organization, and from interviews with Latin American and North American journalists. She concludes that IAPA apparently surmounted the barriers of nationalism, of cultural and political differences, and of personal prejudices, thus succeeding in its attempt to unite its members in the fight for freedom of the press and for the propagation of democracy in the hemisphere.
Most, if not all, of Iowa’s gems and minerals are products of crystallization in underground cavities that filled with water containing dissolved chemicals. The famed Iowa geodes (Iowa’s state rock) are products of a complex process of replacement and cavity-filling in the Warsaw Shale. Armored by a rind of tough chalcedonic quartz, these spheroidal masses, which range up to more than a meter across, weather out of the host rock and accumulate along streams in the southeastern part of the state. During the Pleistocene Epoch, large masses of glacial ice rafted the ultra-fine-grained variety of quartz called Lake Superior agates, which had previously weathered out of their host rocks, southward into Iowa. They can be found in the gravels that have accumulated along major streams in the eastern half of the state.
Iowa’s long record of mining lead, coal, gypsum, and limestone contains a rich history; the forty-seven mineral specimens inIowa Gems and Minerals in Your Pocketmake up a fascinating illustrated guide to that history. Carefully lit and photographed to reveal both maximum detail and maximum beauty, each specimen becomes a work of art.
A Herodotus of Mitteleuropa, cultural historian Karl-Markus Gauß is essential reading for anyone trying to understand the breadth and complexities of cultures and societies in Europe before, during, and after its decades of division in the twentieth century.
In this book, Gauß takes his readers on a thirteen-station journey across Europe. From Brussels to Istanbul and from Naples to Opole, Gauß weaves a Sebaldian web of connection and coincidence into a hybrid cultural history. Significantly, Gauß’s metropoles are not the well-trodden, thoroughly explored, and minutely documented megalopolises and cultural capitals that have been mythologized by writers great and small. There are no visits to Berlin, Paris, Rome, or Madrid, although he does make time for Vienna, where he looks not for imperial remnants, but for traces of genius unrecognized by most. Gauß’s lodestars are small but cosmopolitan towns on the periphery, such as Slaghenaufi, Vacaresti, Fontevraud, Dragatus, Vrzdenec, and Sélestat. In these far-flung towns, Gauß assembles a canon of overlooked humanists, expelled or extinguished by political and historical forces that swept the continent.
Mr. Geertz begins his argument by outlining the problem conceptually and providing an overview of the two countries. He then traces the evolution of their classical religious styles which, with disparate settings and unique histories, produced strikingly different spiritual climates. So in Morocco, the Islamic conception of life came to mean activism, moralism, and intense individuality, while in Indonesia the same concept emphasized aestheticism, inwardness, and the radical dissolution of personality. In order to assess the significance of these interesting developments, Mr. Geertz sets forth a series of theoretical observations concerning the social role of religion.
Nothing lasts forever. This common experience can be the source of much anxiety, but also of hope. The concept of impermanence or continuous change opens up a range of timely questions and discussions that speak to globally shared experiences of transformation and concerns for the future. Impermanence engages with an emergent body of social theory that emphasizes flux and transformation and brings it into a dialogue with other traditions of thought and practice, such as Buddhism, that have sustained a long-lasting and sophisticated meditation on impermanence.
In cases drawn from all over the world, this volume investigates the significance of impermanence in such diverse contexts as social death, atheism, alcoholism, migration, ritual, fashion, oncology, museums, cultural heritage, and art. The authors draw on a wide range of disciplines, including anthropology, archaeology, art history, Buddhist studies, cultural geography, and museology. This volume also includes numerous photographs, artworks, and poems that evocatively communicate notions and experiences of impermanence.
The Italian Fascist Party in Power was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Although much significant material on the Italian Fascist party became available when the regime collapsed, scholars have not made extensive use of it until now. In this study, which is based on all the available sources, Professor Germino describes the functions of the party, ,explains how it was organized to perform tasks, and discusses conflicts between the party and other power elements in the dictatorship. He reaches a conclusion contrary to that of most other scholars -- that Fascist Italy was a full-fledged totalitarian state resembling Nazi Germany and Soviet Russia in political structure and ideological content.
Professor Carl J. Riedrich of Harvard University writes: "I consider this a major contribution to our knowledge of totalitarian dictatorship. There is nothing in the existing literature that can be compared to it either in terms of depth or analysis, range of documentation or breadth of treatment."
Professor Taylor Cole of Duke University comments: "Professor Germino has presented an excellent case study of the Italian Fascist Party. He has made use of more materials on the Party than any previous writer in English, and has marshalled them effectively to support his contention that the Fascist Party did not differ 'in kind' from [the Nazi and Soviet Communist parties] on the eve of World War II. His conclusion that on most (though not all) basic counts the Italian Fascist system was to be classified as 'totalitarian' is controversial, but it merits the careful attention of all students who are interested in the Italian Fascist period and in totalitarianism."
In this book, a philosopher combines these famous cases with a lifetime of study to examine the threshold of language--that point "between speech and not quite speech." He provides fascinating accounts of the deaf and blind Helen Keller, of chimpanzees like Washoe, and of feral children such as Victor, the "wild boy of Aveyron," putting a new spin on their stories. When does it start, he asks, that miracle most of us take for granted? Where does it come from, that uniquely human power to transform perception and action into thought and the singular activity we call speech?
Here is evidence that, for chimp or child, the crucial factors in acquiring language have less to do with intellect and everything to do with social interaction. Here is confirmation that the "give-and-take, push-and-pull" of daily life forces virtually all of us to acquire language simply to live and work together. Author Jerry Gill offers no pat answers. Rather, he emphasizes imitation and reciprocity—for example, playing pat-a-cake with a baby—as essential to becoming part of a speaking community "and thereby becoming a human being." In addition, Gill gives dozens of examples to show how gesture and facial expression both create and change the meaning of language. In compelling fashion, he underscores the point that language acquisition can be fully understood only in terms of such physical and social activity. The author exposes the flaws of research focused mainly on mental processes and gives little credit to findings based upon artificially contrived experiments.
With vigor, compassion, and a broad-minded humanism, these pages invite the reader to think again about how we say what we mean, how we mean what we say, and where it all starts in the first place. Valuable to students of psychology, linguistics, philosophy, and anthropology, the book will also appeal to general readers who welcome an opportunity to explore familiar things in a new and entirely enjoyable way.
This is the little book that started a revolution, making women’s voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate—and helped many women and men to see themselves and each other in a different light.
Carol Gilligan believes that psychology has persistently and systematically misunderstood women—their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology’s misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience.
Play reveals which elements of an institution’s reappointment, tenure, and promotion practices are explicitly addressed in policy and which remain tacit, and helps players recognize the cultural biases present in institutional norms, processes, and policies when they are not made explicit. Additionally, the color-coded cards helps participants identify the roles and processes that are most relevant to them.
The involvement of health professionals in human rights and humanitarian law violations has again become a live issue as a consequence of the U.S. prosecution of conflicts with al Qaeda, the Taliban, and Iraq. Health professionals—including M.D.s trained in psychiatry and Ph.D.s trained in behavioral psychology—have reportedly advised and assisted in coercive interrogation. Health professionals have also been involved in forced feedings. Such practices would not be unique to the United States nor the most extreme forms of abuse in the world. The direct involvement of medical professionals in torture, covering up extrajudicial killings, and other extreme conduct is a phenomenon common to many societies and periods of national crisis. Indeed, the widespread and repeated nature of this problem has led to the development of important legal and ethical codes on the subject. Those codes, however, are notoriously insufficient in many cases. A reexamination of the international norms, as developed in human rights law, humanitarian law, and professional ethics can shed light on these issues. However, in addition to those instruments, the struggle to end such violations requires understanding human behavior and the role of formal and informal institutional pressures.
In this volume, a wide range of prominent practitioners and scholars explore these issues. Their insights provide significant potential for reforming institutions to assist health professionals maintain their legal and ethical obligations in times of national crisis.
This critical evaluation of Ford Madox Ford's "novels of war, which are also novels about peace," is made in a most delightful manner. Based on a thorough knowledge of the novelist, it is enriched by keen perception and delicate taste and is couched in an informal, highly readable style.
Ambrose Gordon, Jr., here analyzes seven novels by Ford that in Gordon's opinion constitute Ford's masterpieces: Parade's End (a tetralogy consisting of Some Do Not, No More Parades, A Man Could Stand Up, and The Last Post), The Marsden Case, No Enemy, and The Good Soldier.
Interested in what these novels have to say, Gordon is equally interested in how they make their comment, and so approaches them through analysis of the fictional methods that Ford employed. Yet he skillfully avoids a common error of critics who become absorbed in technique—loss of contact with the book itself—by providing numerous quotations of sufficient length to indicate the novels' quality. These passages, examined in detail for content and technique, give the reader an understanding of the novel that, though not a substitute for one's own reading of the narratives, is enhanced by the interpretation of a brilliant critic.
Gordon traces the development of the novelist's art in various phases: the characteristic moods and general patterns of his novels, his borrowings from the French, the effects of his association with Conrad, his concept of the novel as fairy tale, his use of scene exteriors and interiors. Gordon's discussion cuts across the seven novels in many aspects but concentrates on one novel, or a group of novels, when his ideas have less general illustration.
One contributor addresses the issue of constitutional nationalism in late-nineteenth- and early-twentieth-century Ireland, while another looks at the recent history of Irish republicanism in relation to the peace process. Other essays examine Protestant society and Unionist hegemony in nineteenth-century Ulster, immigration and racism as the Irish experienced them in postwar Britain, and the historiography of race and racialization in Ireland. The historical adviser for the award-winning film The Wind That Shakes the Barley reflects on its portrayal of the period of the Irish War of Independence and Civil War and a photographic essay focuses on supporters of the modern Irish republican movement in the United States and Ireland.
Contributors. Kevin Bean, Pauline Collombier-Lakeman, Mary Conley, John Corbally, Steve Garner, Diane George, Van Gosse, Martin Hayes, Bill Kissane, Conor McGrady, Kerby Miller, Kevin Noble, Donal Ó Drisceoil
"My intention [is] to provide a frank criticism of the British colonial legacies to countries which I have come to love and admire and a sincere unsycophantic tribute to those who are now struggling with the problems flowing from these legacies."
In this book, an expanded version of The Oliver Wendell Holmes Lectures he delivered at Harvard University in 1966, Mr. Gower first looks at some of the legacies of colonialism inherited by those nations of Tropical Africa which recently gained independence from Britain: Nigeria, Ghana, Sierra Leone, The Gambia, Kenya, Uganda, and Tanzania. These various legacies include arbitrary national boundaries imposed long before independence; British-style education, government, civil service, military forces, and police; respect for the rule of law (and a residual contempt for it as a result of colonial associations); underdeveloped and unbalanced economies; hostility toward the West, including American "dollar-imperialism," and a hypersensitivity to criticism from that quarter.
Mr. Gower continues with an assessment of what has happened to these legacies since independence and what seems likely to happen to them in the next few decades. His central concern is the challenge thus implied for the indigenous legal professions, but his study has far wider implications.
In conclusion Mr. Gower describes how the legal professions were organized at the time of independence in the various countries and what progress has been made in producing the kinds of lawyers needed to solve the urgent problems these countries face. He suggests what the United States can and should-and occasionally what it should not-do to help.
Winner of the 2017 Bob Bush Memorial Award for Best First Book of Poetry from the Texas Institute of Letters
Miriam Bird Greenberg’s stunning first collection, which roves across a lush, haunting rural America both real and imagined, observed from railyards and roadsides, evokes the world of myth (“I’d spent my childhood / in a house made of bees; on hot days honey // dripped through cracks in the ceiling,” she writes). Yet these capacious, exquisitely tensioned poems are rooted in Greenberg’s experiences hitchhiking and hopping freight trains across North America, or draw from her informal interviews with contemporary nomads, hobos, and others living on society’s edges. Beneath their surface runs a current of violence, whether at the hands of fate or men: she writes “Everyone knows // what happens to women // who hitchhike, constantly // trying a door to the other world made of lake / bottom or low forest, abandoned house // even wild animals / have rejected.” The result is a queering of On the Road, a feminist Frank Stanford at once vulnerable and canny. Richly textured, In the Volcano’s Mouth is an extraordinary portrait of life on the enchanted margins.
Over the last six decades, Melvin Grier’s work has vividly portrayed community, humanity, irony, fear, war, elegance, art, and, most notably, the unexpected. It Was Always About the Work includes nearly one hundred black-and-white and color photographs, including photographs from Grier’s most famous exhibitions and news stories. Whether covering local events, Cincinnati life, impoverished villages overseas, young future Marines on their way to their first post, or high fashion, Grier's photos are unmistakable and evocative.
Starting with his early years as a boy growing up in Cincinnati, this book tells the story of a young man who won his first photo contest while in the Air Force. He came home determined to make a career as a photographer, and, despite his lack of formal training and experience, he secured a job as a photographer for the Cincinnati Post. After the closure of the Cincinnati Post in 2007, Grier continued his career as an independent artist, featuring work in exhibitions such as “White People: A Retrospective” and “Clothes Encounters.” In collaboration with one of his journalist partners, reporter Molly Kavanaugh, Grier shares why it was always about the work.
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