A SCHOLARLY BOOK REPOSITORY
In Greek, iatro- means doctor, and -genesis means origin: Iatrogenesis thus describes any effect, good or bad, brought forth by a physician’s actions. This essay compendium looks beyond a physician’s impact on patients, instead turning inward to examine the impact of medical training on student doctors. These essays written by University of Michigan medical students span from the donning of the White Coat to graduation. Along the way, each writer weaves a story, the threads of which unite in a tapestry highlighting the universality of this coming-of-age journey. These essays breathe life into each stage of medical apprenticeship, displaying the full spectrum of human emotion as medical students find ways to reinvent themselves as the physicians of tomorrow.
Nishant Upadhyay unravels Indian diasporic complicity in its ongoing colonialist relationship with Indigenous peoples, lands, and nations in Canada. Upadhyay examines the interwoven and simultaneous areas of dominant Indian caste complicity in processes of settler colonialism, antiblackness, capitalism, brahminical supremacy, Hindu nationalism, and heteropatriarchy. Resource extraction in British Columbia in the 1970s–90s and in present-day Alberta offer examples of spaces that illuminate the dispossession of Indigenous peoples and simultaneously reveal racialized, gendered, and casted labor formations. Upadhyay juxtaposes these extraction sites with examples of anticolonial activism and solidarities from Tkaronto. Analyzing silence on settler colonialism and brahminical caste supremacy, Upadhyay upends the idea of dominant caste Indian diasporas as racially victimized and shows that claiming victimhood denies a very real complicity in enforcing other power structures. Exploring stories of quotidian proximity and intimacy between Indigenous and South Asian communities, Upadhyay offers meditations on anticolonial and anti-casteist ways of knowledge production, ethical relationalities, and solidarities.
Groundbreaking and ambitious, Indians on Indian Lands presents the case for holding Indian diasporas accountable for acts of violence within a colonial settler nation.
At times poetic but not a poem, prosaic but not an essay, a letter is often pure writing for writing’s sake. Such is the case for Rahel Varnhagen von Ense, née Levin, the illustrious German-Jewish Berlin literary salon hostess from the early nineteenth century. She penned over ten thousand letters to more than three hundred recipients, including princes, philosophers, poets, family members, and the family cook. Written with a wink at posterity, collected and first published after her passing by her husband, Karl August Varnhagen von Ense, these letters constitute a singular contribution to German literature.
Varied in subject—from family affairs to linguistic, literary, and pressing social concerns—the poignant lyricism of her letters is all the more remarkable when we take into account that High German was not her first language; she grew up speaking, reading, and writing primarily Yiddish. Her shaky social status as a woman and a member of a precarious minority, combined with an astounding lucidity and a rare capacity to put her thoughts into words, made her a force to be reckoned with in her lifetime and thereafter as one of Germany’s preeminent women of letters. As we see in I Just Let Life Rain Down on Me, her voice is as fresh and original as that of any of the recognized poets and thinkers of her day. As Rahel herself put it: “[O]ur language is our lived life; I invented mine for my own purposes, I was less able than many others to make use of preconceived turns of phrase, which is why mine are often clumsy, and in all respects faulty, but always true.”
Compiled and translated by Peter Wortsman, this rewarding volume affords English-speaking readers the first privileged peek at the mindset of one of Europe’s first and foremost women of letters.
One of the largest peace-keeping missions currently being undertaken by the United Nations is in the Democratic Republic of Congo, where the UN is attempting to deal with the civil wars and other conflicts that have plagued the country since 1996. In Intervention as Indirect Rule, Alex Veit uses a close study of the district of Ituri, a major battlefield and a laboratory for international intervention, to explore the micropolitics of warfare and statebuilding. Combining detailed firsthand empirical data with a historically informed analysis, Veit shows the effect that contemporary humanitarian interventions have on state-society relations. He also pays particular, and much needed, attention to the question of why the very organizations that should be helping with international statebuilding efforts—local authorities and civil society groups—so often instead turn out to be corrupt or hostile. Ultimately Veit argues that international intervention tends inadvertently to replicate—or even amplify—historical structures of political inequality, rather than establishing a liberal form of statehood.
The full score of Il corsaro, published here for the first time, as well as recent revivals based on pre-publication proofs of this critical edition, reveal the work to be far more rewarding than even Verdi himself would later admit. Showing the gradual consolidation of Verdi's mature style through his contacts with French opera, Il corsaro well repays the renewed attention it is receiving.
A short vade mecum for unrepentant materialism, The Idea of World collects three essays by Italian philosopher Paulo Virno that are intricately wrapped around one another. The first essay, “Mundanity,” tries to clarify what the term “world,” as referred to as the perceptual and historical context of our existence, means—both with and against Kant and Wittgenstein. How should we understand expressions such as “worldly people,” “the course of the world,” or “getting by in this world”? The second, “Virtuosity and Revolution,” is a minor political treatise. Virno puts forward a set of concepts capable of confronting the magnetic storm that has knocked out the compasses that every reflection on the public sphere has relied on since the seventeenth century. The third, “The Use of Life”, is the shorthand delineation of a research program on the notion of use. What exactly are we doing when we use a hammer, a time span, or an ironic sentence? And, above all, what does the use of the self—of one’s own life, which lies at the basis of all uses—amount to in human existence?
Presenting his ideas in three distinct vignettes, Virno examines how the philosophy of language, anthropology, and political theory are inextricably linked.
Indonesia: Archipelago of Fear is a fascinating and at times unsettling journey into the world's most populous Muslim nation as it struggles to emerge from decades of dictatorship and the plunder of its natural resources.
Andre Vltchek brings together more than a decade of investigative journalism in and around Indonesia to chart the recent history of the country, from the revolution which overthrew General Suharto's genocidal dictatorship in 1998 to the present day. He covers the full breadth of the country from Islamic Aceh to mostly Catholic East Timor.
Tracing Indonesia's current problems back to Suharto's coup and the genocide of 1965 – and the support given by the West to Suharto – Vltchek provides an intimate and deeply humane insight into the hopes and fears of Indonesia's people.
For more than four hundred years, the Catholic Church’s Index Librorum Prohibitorum struck terror into the hearts of authors, publishers, and booksellers around the world, while arousing ridicule and contempt from many others, especially those in Protestant and non-Christian circles. Biased, inconsistent, and frequently absurd in its attempt to ban objectionable texts of every conceivable description—with sometimes fatal consequences—the Index also reflected the deep learning and careful consideration of many hundreds of intellectual contributors over the long span of its storied evolution. This book constitutes the first full study of the Index of Prohibited Books to be published in English. It examines the reasons behind the Church’s attempts to censor religious, scientific, and artistic works, and considers not only why this most sustained of campaigns failed, but what lessons can be learned for today’s debates over freedom of expression and cancel culture.
Dr. Chris Walsh’s scholarship has resulted in a new study on one of America’s leading authors. In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy offers close textual analysis of all of McCarthy’s Southern works along with an overview of the notable critical responses to them. The book is designed for use by scholars, teachers, and students at all levels.
McCarthy’s works set in the desert Southwest have received substantial critical and commercial acclaim. However, his Appalachian texts—which include two short stories written as an undergraduate at the University of Tennessee, five novels (including the Pulitzer Prize winner The Road), a play, and a screenplay—rival the Southwestern works in terms of their aesthetic achievement and complexity. In the Wake of the Sun introduces readers, scholars, and students to the pertinent themes in each text while also walking them through the most significant critical dialogues surrounding the texts.
The recent advent of postcolonial theory in the Irish academy, which sparked this special issue of SAQ, has had a profound effect on the Irish conversation and the turn it is taking today. As the island writes back, a rising faction in Irish studies is resisting what some see as yet another colonization, insisting that theory accommodate and respond to Ireland’s concerns and questions.
Contributors. Guinn Batten, Joe Cleary, Luke Dodd, Luke Gibbons, Dillon Johnston, David Kellogg, Declan Keberd, Aine O’Brien, Lance Pettitt, Lawrence J. Taylor, John Paul Waters, Clair Wills
Far more than a mere remembrance book about September 11, ‘I am an American’ offers precisely the kind of ground-level empathy needed to reignite a meaningful national debate about who we are and who we might become as a people and a nation.
Inclusion conjures images of children with special educational needs and disabilities (SEND) learning in classes alongside peers in a mainstream school. For pupils in the UK with high-level SEND, who have an Education, Health and Care Plan (formerly a Statement), this implies an everyday educational experience similar to that of their typically developing classmates. Yet in vital respects, they are worlds apart.
Based on the UK’s largest observation study of pupils with high-level SEND, this book exposes how attendance at a mainstream school is no guarantee of receiving a mainstream education. Observations of nearly 1,500 lessons in English schools show that these students’ everyday experience of school is characterized by separation and segregation. Furthermore, interviews with nearly five hundred pupils, parents, and school staff reveal the effect of this marginalization on the quality of their education. The book argues that inclusion is an illusion. The way schools are organized and how classrooms are composed creates a form of structural exclusion that preserves mainstream education for typically developing pupils and justifies offering a diluted pedagogy for pupils with high-level SEND. Ultimately, the book suggests why a more authentic form of inclusion is needed, and how it might be achieved.
Contributors: Fiona M. Barnett, Wendy Hui Kyong Chun, Michael Dieter, Alexander R. Galloway, David Golumbia, Richard Grusin, Patrick Jagoda, Matthew Kirschenbaum, Adeline Koh, Brian Lennon, Tara McPherson, Rita Raley, Lisa Marie Rhody
Be it soft-serve, gelato, frozen custard, Indian kulfi or Israeli glida, some form of cold, sweet ice cream treat can found throughout the world in restaurants and home freezers. Though ice cream was once considered a food for the elite, it has evolved into one of the most successful mass-market products ever developed.
In Ice Cream, food writer Laura B. Weiss takes the reader on a vibrant trip through the history of ice cream from ancient China to modern-day Tokyo in order to tell the lively story of how this delicious indulgence became a global sensation. Weiss tells of donkeys wooed with ice cream cones, Good Humor-loving World War II-era German diplomats, and sundaes with names such as “Over the Top” and “George Washington.” Her account is populated with Chinese emperors, English kings, former slaves, women inventors, shrewd entrepreneurs, Italian immigrant hokey-pokey ice cream vendors, and gourmand American First Ladies. Today American brands dominate the world ice cream market, but vibrant dessert cultures like Italy’s continue to thrive, and new ones, like Japan’s, flourish through unique variations.
Weiss connects this much-loved food with its place in history, making this a book sure to be enjoyed by all who are beckoned by the siren song of the ice cream truck.
The Impact of Migration on Poland offers a new approach for understanding how migration affects sending countries and provides a wide-ranging analysis of how Poland has changed, and continues to change, since accession to the European Union in 2004. The authors explore an array of social trends and their causes before using in-depth interview data to illustrate how migration contributes to those causes. They address fundamental questions about whether and how Polish society is becoming more equal and more cosmopolitan, arguing that for particular segments of society migration does make a difference. While the book focuses mainly on those who have stayed in Poland, and their contacts with Poles in other countries, it also analyzes Polish society abroad, a concept that is a far more accurate description than “community” in countries such as the UK.
Since its release in 2009 Israeli Apartheid: A Beginner’s Guide has become an essential primer for undergraduate students and activists getting to grips with the Palestine/Israel conflict for the first time. Ben White skilfully distills the work of academics and experts into a highly accessible introduction.
This new updated and expanded edition includes information on the Israeli blockade and attacks on the Gaza Strip since 2008, new policies targeting Palestinian citizens of Israel and the growth of the global Boycott Divestment Sanctions campaign.
Packed with vital information, quotations and resources, Israeli Apartheid never loses the human touch. The book is rooted in the author’s extensive personal experience in Palestine and includes testimonies by Palestinians describing how Israeli apartheid affects their daily lives.
Now available in paper, The Ivory Tower and Harry Potter is the first book-length analysis of J. K. Rowling's work from a broad range of perspectives within literature, folklore, psychology, sociology, and popular culture. A significant portion of the book explores the Harry Potter series' literary ancestors, including magic and fantasy works by Ursula K. LeGuin, Monica Furlong, Jill Murphy, and others, as well as previous works about the British boarding school experience. Other chapters explore the moral and ethical dimensions of Harry's world, including objections to the series raised within some religious circles. In her new epilogue, Lana A. Whited brings this volume up to date by covering Rowling's latest book, Harry Potter and the Order of the Phoenix.
“An insightful and breathtaking exploration of humanity’s evolutionary baggage that explains some of our species’ greatest successes and failures.” —Yuval Noah Harari, author of Sapiens
The ancient inheritance that made us who we are—and is now driving us to ruin.
Each of us is endowed with an inheritance—a set of evolved biases and cultural tools that shape every facet of our behavior. For countless generations, this inheritance has taken us to ever greater heights: driving the rise of more sophisticated technologies, more organized religions, more expansive empires. But now, for the first time, it’s failing us. We find ourselves hurtling toward a future of unprecedented political polarization, deadlier war, and irreparable environmental destruction.
In Inheritance, renowned anthropologist Harvey Whitehouse offers a sweeping account of how our biases have shaped humanity’s past and imperil its future. He argues that three biases—conformism, religiosity, and tribalism—drive human behavior everywhere. Forged by natural selection and harnessed by thousands of years of cultural evolution, these biases catalyzed the greatest transformations in human history, from the birth of agriculture and the arrival of the first kings to the rise and fall of human sacrifice and the creation of multiethnic empires. Taking us deep into modern-day tribes, including terrorist cells and predatory ad agencies, Whitehouse shows how, as we lose the cultural scaffolding that allowed us to manage our biases, the world we’ve built is spiraling out of control.
By uncovering how human nature has shaped our collective history, Inheritance unveils a surprising new path to solving our most urgent modern problems. The result is a powerful reappraisal of the human journey, one that transforms our understanding of who we are, and who we could be.
Through a close analysis of four cases from around the world, this book explores prejudice toward groups who are thought to have caused and spread COVID-19: the residents of Wuhan and Black African communities in China; ultra-Orthodox Jewish communities in the United States, United Kingdom, and Israel; African-Americans in the United States and Black/Asian/mixed ethnic communities in the United Kingdom; and White right-wing groups in the United States and Europe. The authors examine stereotyping and the false attribution of blame towards these groups, as well as what happens when a collective is actually at fault, and how the community deals with these conflicting issues.
This is a timely, cogent examination of the blame and xenophobia that have been brought to the surface by the COVID-19 pandemic.
Despite the marked influence of Chinese poetry on that of the West in modern times, this book is the first full-length critical study of any major period of Chinese poetry to appear in a Western language. The period here dealt with is neither ancient China nor the medieval T’ang dynasty, from which the most numerous and most familiar previous translations have been drawn, but the era of the Sung dynasty (960–1279), of which the culture and thought were much more complex and “modern.”
The West is fairly familiar with many aspects of Sung civilization—the superb paintings and porcelains, the political and economic experiments, the philosophy of Neo-Confucianism. One vital manifestation of the Sung spirit has remained little studied—its enormous corpus of poetry. Though poets were far more numerous and prolific than their predecessors in any period of Chinese history, only the most famous of them, Su Tung-p’o, has been extensively written about and translated. In recent years attention has been paid to the tz’u lyrics of this period, but Sung accomplishments in the traditional shih form, which remained dominant, have been too long overshadowed by the brilliant T’ang poets who brought this form to classical perfection.
Though often taking its inspiration from T’ang poetry, Sung verse at its best is no mere imitation of its predecessors but a distinct literary development, exploring directions which T’ang writers had shunned or ignored, and striving deliberately for new effects and values. The most significant Sung poets were closer to concerns of daily life and society as a whole; they expressed a wider if less intense view of life and were more explicit in their philosophical ideas. They often had a more astringent, more “modern” tone, and in their diction some made use of colloquialisms and even slang. There may be found deliberate juxtapositions of classicism and vulgarity suggestive of a Laforgue or Eliot.
Kojiro Yoshikawa, one of the world’s outstanding scholars of Chinese literature, begins with an introduction describing the Sung cultural and literary milieu and the salient characteristics of the poetry it produced. He proceeds to discussions of the various schools and of individual poets both major and minor, pointing out their influences on each other. Numerous poems are cited throughout—many here appearing in English for the first time—to illustrate literary, biographical, or social points.
The author wrote this recent study for the Japanese public—which, although more familiar with Chinese poetry than most Western readers, generally needs more explication and background than Chinese scholars give in a book of this sort for their own people. It is thus particularly useful in a version accessible to non-Asians.
Titu Cusi tells of his father's maltreatment at the hands of the conquerors; his father's ensuing military campaigns, withdrawal, and murder; and his own succession as ruler. Although he continued to resist Spanish attempts at "pacification," Titu Cusi entertained Spanish missionaries, converted to Christianity, and then, most importantly, narrated his story of the conquest to enlighten Emperor Phillip II about the behavior of the emperor's subjects in Peru. This vivid narrative illuminates the Incan view of the Spanish invaders and offers an important account of indigenous resistance, accommodation, change, and survival in the face of the European conquest.
Informed by literary, historical, and anthropological scholarship, Bauer's introduction points out the hybrid elements of Titu Cusi's account, revealing how it merges native Andean and Spanish rhetorical and cultural practices. Supported in part by the Colorado Endowment for the Humanities.
Creating a platform for further theoretical discussion about the ongoing struggle to bring about a new social system, the contributors grapple with the internal crisis or disorientation of the Chinese intellectual world as a distorted, but telling picture of the complexity of contemporary Chinese economics, politics, society, and culture. Essays offer a critical examination of the current state of Chinese intellectual discourse; a challenge to mainstream liberalism in China today and its commitment to democracy; a summary of reconsiderations of property rights, economic democracy, political participation, and the meaning of socialism in the age of flexible production; a reflection on the handover of Hong Kong in the context of a general discussion of Western colonialism in China; and an analysis of the rise of consumer nationalism and mass culture in China since the early 1990s. Intellectual Politics in Post-Tiananmen China sheds light on the evasive nature of Chinese society, and the contributors engage the Chinese problematic not only as a crisis but also as an ongoing historical dynamic.
Contributors. Rey Chow, Zhiyuan Cui, Wang Hui, Gan Yang, Xudong Zhang
In Search of Admiration and Respect uses the Chinese case to underscore what Zheng calls "infrastructure of persuasion," in which American philanthropy, museums, exhibitions, and show business had disproportionate power in setting the agenda of unequal intercultural encounters. This volume also provides historical insights into China's ongoing quest for international recognition. Drawing upon diverse archival sources, Zheng expands the contours of cultural diplomacy beyond established powers and sheds light on the limited agency of peripheral nations in their self-representation.
The Iliad reveals a traditional oral poetic style, but many researchers believe that the poem cannot be treated as solely a product of oral tradition. In The Iliad and the Oral Epic Tradition, Karol Zieliński argues that neither Homer’s unique artistry nor references to events known from other songs necessarily indicate the use of writing in its composition. The development of traditional oral cycles suggests that the Iliad is only one of many possible retellings of the story of the Trojan War, in this case with Achilles playing the role of protagonist.
The singer has at his disposal a wide range of techniques to attract and arouse the attention of his listeners. He builds on their knowledge of traditional tales—such as the death of Achilles—in all their various forms, as they exist in the collective memory of the society. The singer may intentionally remodel central characters like Achilles, Odysseus, or Paris, without changing their traditional roles or their destinies. As Zieliński demonstrates, the oral poet can alter the plot of a traditional episode as well as transform its ideological significance. Every cyclic song echoes the story of the entire war, even as it depicts only one episode, traditionally extracted from the beginning or the end of the macro-story.
Imagine a world where whole epochs will pass, cultures rise and fall, between a telephone call and the reply. Think of the human race multiplying 500-million fold, or evolving new, distinct species. Consider the technology of space colonization, computer-assisted reproduction, the “Martian potato.” One hundred years after H. G. Wells visited the future in The Time Machine, Freeman Dyson marshals his uncommon gifts as a scientist and storyteller to take us once more to that ever-closer, ever-receding time to come.
Since Disturbing the Universe, the book that first brought him international renown, Freeman Dyson has been helping us see ourselves and our world from a scientist’s point of view. In Imagined Worlds he brings this perspective to a speculative future to show us where science and technology, real and imagined, may be taking us. The stories he tells—about “Napoleonic” versus “Tolstoyan” styles of doing science; the coming era of radioneurology and radiotelepathy; the works of writers from Aldous Huxley to Michael Crichton to William Blake; Samuel Gompers and the American labor movement—come from science, science fiction, and history. Sharing in the joy and gloom of these sources, Dyson seeks out the lessons we must learn from all three if we are to understand our future and guide it in hopeful directions.
Whether looking at the Gaia theory or the future of nuclear weapons, science fiction or the dangers of “science worship,” seagoing kayaks or the Pluto Express, Dyson is concerned with ethics, with how we might mitigate the evil consequences of technology and enhance the good. At the heart of it all is the belief once expressed by the biologist J. B. S. Haldane, that progress in science will bring enormous confusion and misery to humankind unless it is accompanied by progress in ethics.
Returning to Nova Scotia every summer contributes to the illusion of smooth continuance, each summer not the first thread in a new fabric but another button on a cardigan, perhaps looser than buttons below but still familiar and comfortable. Every summer the songs of white-throated sparrows bounce from scrub like novelty tunes from the fifties. Early in the morning ravens grind woodenly. . . . No matter how slowly I jog, on the headland butterflies spring from my feet in clumps, first azures and orange crescents, then wood nymphs, and finally over the lowlands near the Beaver River outlet cabbage whites spiraling, dizzy with mating.
Indian Summer is the newest collection of personal essays by Sam Pickering. In typical Pickering fashion, he seeks to capture the gift of living. He brings to the page again his family, students, and a wealth of country characters who live in places that exist only in his imagination and who wander through the stories he tells.
Examining the Didascalicon of Hugh of St. Victor, Illich celebrates the culture of the book from the twelfth century to the present. Hugh's work, at once an encyclopedia and guide to the art of reading, reveals a twelfth-century revolution as sweeping as that brought about by the invention of the printing press and equal in magnitude only to the changes of the computer age—the transition from reading as a vocal activity done in the monastery to reading as a predominantly silent activity performed by and for individuals.
Curators make many decisions when they build collections or design exhibitions, plotting a passage of discovery that also tells an essential story. Collecting captures the past in a way useful to the present and the future. Exhibits play to our senses and orchestrate our impressions, balancing presentation and preservation, information and emotion. Curators consider visitors’ interactions with objects and with one another, how our bodies move through displays, how our eyes grasp objects, how we learn and how we feel. Inside the Lost Museum documents the work museums do and suggests ways these institutions can enrich the educational and aesthetic experience of their visitors.
Woven throughout Inside the Lost Museum is the story of the Jenks Museum at Brown University, a nineteenth-century display of natural history, anthropology, and curiosities that disappeared a century ago. The Jenks Museum’s past, and a recent effort by artist Mark Dion, Steven Lubar, and their students to reimagine it as art and history, serve as a framework for exploring the long record of museums’ usefulness and service.
Museum lovers know that energy and mystery run through every collection and exhibition. Lubar explains work behind the scenes—collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building—through historical and contemporary examples. Inside the Lost Museum speaks to the hunt, the find, and the reveal that make curating and visiting exhibitions and using collections such a rewarding and vital pursuit.
Integrating intermedial practices and assessments, the editors and contributors explore issues surrounding the access to and materiality of digitized materials, and the challenge of balancing preservation of traditional archival materials with access. They offer an assessment in our present moment of the early visions of book history and DH projects. In revisiting these projects, they ask us to shift our thinking on the promises and perils of archival and creative work in different media. Taken together, this volume reconsiders the historical intersections of book history and DH and charts a path for future scholarship across disciplinary boundaries.
Willinsky begins with Saint Jerome in the fifth century, then traces the evolution of reading, writing, and editing practices in monasteries, schools, universities, and among independent scholars through the medieval period and into the Renaissance. He delves into the influx of Islamic learning and the rediscovery of classical texts, the dissolution of the monasteries, and the founding of the Bodleian Library before finally arriving at John Locke, whose influential lobbying helped bring about the first copyright law, the Statute of Anne of 1710. Willinsky’s bravura tour through this history shows that learning gave rise to our idea of intellectual property while remaining distinct from, if not wholly uncompromised by, the commercial economy that this concept inspired, making it clear that today’s push for marketable intellectual property threatens the very nature of the quest for learning on which it rests.
In this book all three dimensions of consciousness not only speak about a “theory of everything” but speak to each other in dialog. The three voices are incarnated in three characters from an upcoming novel, An Ocean Full of Angels: Evan Jellema is a theoretical physicist (and a clumsy Dutchman), ’Isa Ben Adam is a philosophical Muslim (and cantankerously clear), and Libby Rawls is a poet, mystic, and surfer (and a sassy, classy Black feminist).
Isn’t “surfer” a bit of a stretch? Not at all. Actually, the papers reported last year that an amateur scientist has in fact finally discovered, or claimed to have discovered, the “theory of everything” that Einstein failed to find and that scientists have been searching for ever since – and he is a surfer! Perhaps this is no accident, but a natural connection: the mind of the “soul surfer,” having become one with the sea, has awakened its “third eye” which alone gives the scientist the binocular vision, the synoptic perspective, that he lacks. And perhaps only a philosopher can mediate the two other modes of vision, as Aquinas mediated and synthesized the science of Albert the Great and Aristotle with the poetry and symbolism of mystics like Augustine.
This lively trialog, full of irony, intellectual surprise, and humor, is a serious call for a post-medieval synthesis. It does not claim to have arrived anywhere near the end of a journey to a “Theory of Everything,” only to have begun it. Even that modest ambition will certainly be criticized a priori as impossibly ambitious. Does that tell you anything about the book, or does it tell you something about the critic?
Holism grows out of the philosophical position that an object or phenomenon is more than the sum of its parts. And yet analysis--a mental process crucial to human comprehension--involves breaking something down into its components, dismantling the whole in order to grasp it piecemeal and relationally. Wading through such quandaries with grace and precision, The Institutions of Meaning guides readers to a deepened appreciation of the entity that ultimately enables human understanding: the mind itself.
This major work from one of France's most innovative philosophers goes against the grain of analytic philosophy in arguing for the view known as anthropological holism. Meaning is not fundamentally a property of mental representations, Vincent Descombes says. Rather, it arises out of thought that is holistic, embedded in social existence, and bound up with the common practices that shape the way we act and talk.
To understand what an individual "believes" or "wants"--to apply psychological words to a person--we must take into account the full historical and institutional context of a person's life. But how can two people share the same thought if they do not share the same system of belief? Descombes solves this problem by developing a logic of relations that explains the ability of humans to analyze structures based on their parts. Integrating insights from anthropology, linguistics, and social theory, The Institutions of Meaning pushes philosophy forward in bold new directions.
Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.
Continuing with this influential line of thought, Image Science gathers Mitchell’s most recent essays on media aesthetics, visual culture, and artistic symbolism. The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings. The book looks both backward at the emergence of iconology as a field and forward toward what might be possible if image science can indeed approach pictures the same way that empirical sciences approach natural phenomena.
Essential for those involved with any aspect of visual media, Image Science is a brilliant call for a method of studying images that overcomes the “two-culture split” between the natural and human sciences.
"Every culture needs to appropriate the universal truth of human suffering," says Fernando Escalante, ". . . to give its own meaning to this suffering, so that human existence is bearable." Originally published in Spanish as La mirada de Dios: Estudios sobre la cultura del sufrimiento, this book is a remarkable study of the evolution of the culture of suffering and the different elements that constitute it, beginning with a reading of Rousseau and ending with the appearance of the Shoah in the Western consciousness—"The memory endures, and this constitutes a fundamental transition for the Western conscience: we have witnessed."
Drawing on writings from the Greeks to Cervantes, Voltaire to Nietzsche, and Freud to William James, Escalante combines his considerable knowledge of politics and political theory with a vast array of literary examples to arrive at an intellectual understanding of the history and meaning of suffering. His investigation encompasses the rise of popular politics, the role of messianism in modern nationalism, and the contemporary implications of the Shoah.
This book will appeal to a wide audience: students of political theory, humanism, and philosophy, as well as the general reader interested in a glimpse into the mind of a highly original Latin American thinker.
Miller's study of the ethics of war could not be more timely.
Miller brings together the opposed traditions of pacifism and
just-war theory and puts them into a much-needed dialogue
on the ethics of war.
Beginning with the duty of nonviolence as a point of
convergence between the two rival traditions, Miller provides
an opportunity for pacifists and just-war theorists to refine
their views in a dialectical exchange over a set of ethical
and social questions. From the interface of these two long-
standing and seemingly incompatible traditions emerges a
surprisingly fruitful discussion over a common set of values,
problems, and interests: the presumption against harm, the
relation of justice and order, the ethics of civil
disobedience, the problem of self-righteousness in moral
discourse about war, the ethics of nuclear deterrence, and
the need for practical reasoning about the morality of war.
Miller pays critical attention to thinkers such as Augustine
and Thomas Aquinas, as well as to modern thinkers like H.
Richard Niebuhr, Paul Ramsey, Martin Luther King, Jr., James
Douglass, the Berrigans, William O'Brien, Michael Walzer, and
James Childress. He demonstrates how pacifism and just-war
tenets can be joined around both theoretical and practical
issues.
Interpretations of Conflict is a work of massive
scholarship and careful reasoning that should interest
philosophers, theologians, and religious ethicists alike. It
enhances our moral literacy about injury, suffering, and
killing, and offers a compelling dialectical approach to
ethics in a pluralistic society.
Richard B. Miller is assistant professor of religious
studies at Indiana University.
The Roman author Pliny the Younger characterizes Christianity as “contagious superstition”; two centuries later the Christian writer Eusebius vigorously denounces Greek and Roman religions as vain and impotent “superstitions.” The term of abuse is the same, yet the two writers suggest entirely different things by “superstition.”
Dale Martin provides the first detailed genealogy of the idea of superstition, its history over eight centuries, from classical Greece to the Christianized Roman Empire of the fourth century C.E. With illuminating reference to the writings of philosophers, historians, and medical teachers he demonstrates that the concept of superstition was invented by Greek intellectuals to condemn popular religious practices and beliefs, especially the belief that gods or other superhuman beings would harm people or cause disease. Tracing the social, political, and cultural influences that informed classical thinking about piety and superstition, nature and the divine, Inventing Superstition exposes the manipulation of the label of superstition in arguments between Greek and Roman intellectuals on the one hand and Christians on the other, and the purposeful alteration of the idea by Neoplatonic philosophers and Christian apologists in late antiquity.
Inventing Superstition weaves a powerfully coherent argument that will transform our understanding of religion in Greek and Roman culture and the wider ancient Mediterranean world.
Aristotle's contribution to Western civilization is enormous. Our language, our distinctions, our ways of thinking, all are profoundly affected by his work. Since an understanding of Aristotle is indispensable for the understanding of our own culture, the ready availability of his work is crucial.
This collection, for students and general readers alike, provides in one volume Posterior Analytics (Logic), De Anima (On the Soul), Nicomachean Ethics, and Poetics, complete and unabridged, together with generous selections from Physics, On the Parts of Animals, Metaphysics, Politics, and Rhetoric. These works, together with Professor McKeon's revised introductions, provide a convenient and thorough exposure to the works of Aristotle and to the structural interrelations in the Aristotelian system of thought.
The school of Greek philosopher Epicurus, which became known as the Garden, famously put great stock in happiness and pleasure. As a philosophical community, and a way of seeing the world, Epicureanism had a centuries-long life in Athens and Rome, as well as across the Mediterranean.
The Invention and Gendering of Epicurusstudies how the Garden's outlook on pleasure captured Greek and Roman imaginations---particularly among non-Epicureans---for generations after its legendary founding. Unsympathetic sources from disparate eras generally focus not on historic personages but on the symbolic Epicurean. And yet the traditions of this imagined Garden, with its disreputable women and unmanly men, give us intermittent glimpses of historical Epicureans and their conceptions of the Epicurean life.
Pamela Gordon suggests how a close hearing and contextualization of anti-Epicurean discourse leads us to a better understanding of the cultural history of Epicureanism. Her primary focus is on sources hostile to the Garden, but her Epicurean-friendly perspective is apparent throughout. Her engagement with ancient anti-Epicurean texts makes more palpable their impact on modern responses to the Garden.
Intended both for students and for scholars of Epicureanism and its response, the volume is organized primarily according to the themes common among Epicurus' detractors. It considers the place of women in Epicurean circles, as well as the role of Epicurean philosophy in Homer and other writers.
The Meditations of Marcus Aurelius are treasured today—as they have been over the centuries—as an inexhaustible source of wisdom. And as one of the three most important expressions of Stoicism, this is an essential text for everyone interested in ancient religion and philosophy. Yet the clarity and ease of the work’s style are deceptive. Pierre Hadot, eminent historian of ancient thought, uncovers new levels of meaning and expands our understanding of its underlying philosophy.
Written by the Roman emperor for his own private guidance and self-admonition, the Meditations set forth principles for living a good and just life. Hadot probes Marcus Aurelius’s guidelines and convictions and discerns the hitherto unperceived conceptual system that grounds them. Abundantly quoting the Meditations to illustrate his analysis, the author allows Marcus Aurelius to speak directly to the reader. And Hadot unfolds for us the philosophical context of the Meditations, commenting on the philosophers Marcus Aurelius read and giving special attention to the teachings of Epictetus, whose disciple he was.
The soul, the guiding principle within us, is in Marcus Aurelius’s Stoic philosophy an inviolable stronghold of freedom, the “inner citadel.” This spirited and engaging study of his thought offers a fresh picture of the fascinating philosopher-emperor, a fuller understanding of the tradition and doctrines of Stoicism, and rich insight on the culture of the Roman empire in the second century. Pierre Hadot has been working on Marcus Aurelius for more than twenty years; in this book he distills his analysis and conclusions with extraordinary lucidity for the general reader.
The Arabic philosophical fable Hayy Ibn Yaqzan is a classic of medieval Islamic philosophy. Ibn Tufayl (d. 1185), the Andalusian philosopher, tells of a child raised by a doe on an equatorial island who grows up to discover the truth about the world and his own place in it, unaided—but also unimpeded—by society, language, or tradition. Hayy’s discoveries about God, nature, and man challenge the values of the culture in which the tale was written as well as those of every contemporary society.
Goodman’s commentary places Hayy Ibn Yaqzan in its historical and philosophical context. The volume features a new preface and index, and an updated bibliography.
“One of the most remarkable books of the Middle Ages.”—Times Literary Supplement
“An enchanting and puzzling story. . . . The book transcends all historical and cultural environments to settle upon the questions of human life that perpetually intrigue men.”—Middle East Journal
“Goodman has done a service to the modern English reader by providing a readable translation of a philosophically significant allegory.”—Philosophy East and West
“Add[s] bright new pieces to an Islamic mosaic whose general shape is already known.”—American Historical Review
Recognized as one of the earliest Jewish neo-Platonist writers, Isaac ben Solomon Israeli (ca. 855–955) influenced Muslim, Jewish, and Christian scholars through the Middle Ages. A native of Egypt who wrote in Arabic, Israeli explored definitions of such terms as imagination, sense-perception, desire, love, creation, and “coming-to-be” in his writings.
This classic volume contains English translations of Israeli’s philosophical writings, including the Book of Definitions, the Book of Substances, and the Book on Spirit and Soul. Additionally, Isaac Israeli features a biographical sketch of the philosopher and extensive notes and comments on the texts, as well as a survey and appraisal of his philosophy. Restored to print for the first time in decades, Isaac Israeli will be essential reading for students and scholars of medieval philosophy and Jewish studies.
This provocative volume, one of the most important interpretive works on the philosophical thought of the Renaissance, has long been regarded as a classic in its field. Ernst Cassirer here examines the changes brewing in the early stages of the Renaissance, tracing the interdependence of philosophy, language, art, and science; the newfound recognition of individual consciousness; and the great thinkers of the period—from da Vinci and Galileo to Pico della Mirandola and Giordano Bruno. The Individual and the Cosmos in Renaissance Philosophy discusses the importance of fifteenth-century philosopher Nicholas Cusanus, the concepts of freedom and necessity, and the subject-object problem in Renaissance thought.
“This fluent translation of a scholarly and penetrating original leaves little impression of an attempt to show that a ‘spirit of the age’ or ‘spiritual essence of the time’ unifies and expresses itself in all aspects of society or culture.”—Philosophy
Readers familiar with Castiglione's The Courtier will welcome this translation of Ellis Heywood's Il Moro, which also uses a conversation among friends as a vehicle for expressing philosophical points of view. Written by an Englishman in Italian, it now makes its first appearance in English translation since it was published in 1556.
In Il Moro Heywood constructs a presumably imaginary debate about the nature of true happiness between his great-uncle Sir Thomas More and six of More's friends. As each speaker presents his views, conflicting currents in Renaissance moral philosophy are made explicit. The merchant Laurence presents the cynical view that men are motivated solely by self-interest and thus seek riches as their greatest happiness; Charles, a dabbler in Neo-Stoicism, argues for virtue and the honor it confers; while Peter defines happiness as based on love, after the fashion of the Neo-Platonists. After these alternatives are dismissed, Leonard maintains that happiness is relative to the individual, Alexander opts for knowledge, and Paul holds forth on the theme that seeking happiness is the worst kind of vanity.
More then reconciles these antagonistic views from the standpoint of a Christian humanist. Happiness, says More, is to be found in the control of appetite by reason, that divine faculty in man which uses the things of this world as instruments for working out the full implications of one's relation to God.
Heywood's principal intention in composing this dialogue about happiness seems to have been to provide posterity with a loving memorial of one of England's greatest humanists. Roger Deakins, in his introduction, discusses the circumstances under which the work was written and sketches the philosophical background in classical, Thomistic, and Renaissance Italian literature. The original Italian text has been reproduced in the back of the volume.
One of the leading humanists of Quattrocento Italy, Lorenzo Valla (ca. 1406–1457) has been praised as a brilliant debunker of medieval scholastic philosophy. In this book Lodi Nauta seeks a more balanced assessment, presenting us with the first comprehensive analysis of the humanist’s attempt at radical reform of Aristotelian scholasticism.
This study examines Valla’s attack on major tenets of Aristotelian metaphysics, showing how Valla employed common sense and linguistic usage as his guides. It then explicates Valla’s critique of Aristotelian psychology and natural philosophy and discusses his moral and religious views, including Valla’s notorious identification of Christian beatitude with Epicurean pleasure and his daring views on the Trinity. Finally, it takes up Valla’s humanist dialectic, which seeks to transform logic into a practical tool measured by persuasiveness and effectiveness.
Nauta firmly places Valla’s arguments and ideas within the contexts of ancient and medieval philosophical traditions as well as renewed interest in ancient rhetoric in the Renaissance. He also demonstrates the relevance of Valla’s conviction that the philosophical problems of the scholastics are rooted in a misunderstanding of language. Combining philosophical exegesis and historical scholarship, this book offers a new approach to a major Renaissance thinker.
During the eighteenth-century Enlightenment, Scotland and England produced such well-known figures as David Hume, Adam Smith, and John Locke. Ireland’s contribution to this revolution in Western thought has received much less attention. Offering a corrective to the view that Ireland was intellectually stagnant during this period, The Irish Enlightenment considers a range of artists, writers, and philosophers who were full participants in the pan-European experiment that forged the modern world.
Michael Brown explores the ideas and innovations percolating in political pamphlets, economic and religious tracts, and literary works. John Toland, Francis Hutcheson, Jonathan Swift, George Berkeley, Edmund Burke, Maria Edgeworth, and other luminaries, he shows, participated in a lively debate about the capacity of humans to create a just society. In a nation recovering from confessional warfare, religious questions loomed large. How should the state be organized to allow contending Christian communities to worship freely? Was the public confession of faith compatible with civil society? In a society shaped by opposing religious beliefs, who is enlightened and who is intolerant?
The Irish Enlightenment opened up the possibility of a tolerant society, but it was short-lived. Divisions concerning methodological commitments to empiricism and rationalism resulted in an increasingly antagonistic conflict over questions of religious inclusion. This fracturing of the Irish Enlightenment eventually destroyed the possibility of civilized, rational discussion of confessional differences. By the end of the eighteenth century, Ireland again entered a dark period of civil unrest whose effects were still evident in the late twentieth century.
Why is the world orderly, and how does this order come to be? Human beings inhabit a multitude of apparently ordered systems—natural, social, political, economic, cognitive, and others—whose origins and purposes are often obscure. In the eighteenth century, older certainties about such orders, rooted in either divine providence or the mechanical operations of nature, began to fall away. In their place arose a new appreciation for the complexity of things, a new recognition of the world’s disorder and randomness, new doubts about simple relations of cause and effect—but with them also a new ability to imagine the world’s orders, whether natural or manmade, as self-organizing. If large systems are left to their own devices, eighteenth-century Europeans increasingly came to believe, order will emerge on its own without any need for external design or direction.
In Invisible Hands, Jonathan Sheehan and Dror Wahrman trace the many appearances of the language of self-organization in the eighteenth-century West. Across an array of domains, including religion, society, philosophy, science, politics, economy, and law, they show how and why this way of thinking came into the public view, then grew in prominence and arrived at the threshold of the nineteenth century in versatile, multifarious, and often surprising forms. Offering a new synthesis of intellectual and cultural developments, Invisible Hands is a landmark contribution to the history of the Enlightenment and eighteenth-century culture.
In Inscriptions, Hugh J. Silverman investigates two divergent yet related philosophical movements: phenomenology from the later Husserl through Sartre and Heidegger to Merleau-Ponty, and structuralism from de Saussure through Levi-Strauss and Lacan to Barthes. This reading of the tradition culminates in an assessment of Derrida and Foucault. From this foundation, Silverman moves beyond structuralism and phenomenology, and develops his own philosophical position in the context of semiotics, hermeneutics, and deconstruction. A new preface by the author updates this classic text.
Whether describing religious art and ritual, suffering, war and disease, the pleasures of love, the wonders of nature, archaeological findings, surfing, volcanoes, or jellyfish, Lingis writes with equal measures of rigor and abandon about the vicissitudes of our practices and beliefs. Knowing that birth, the essential encounters in our lives, crippling diseases and accidents, and even death are all determined by chance, how do we recognize and understand such chance? After facing tragedies, what makes it possible to live on while recognizing our irrevocable losses?
Lingis’s investigations are accompanied by his own vivid photographs from around the world. Balancing the local and the global, and ranging across vast expanses of culture and time, Irrevocable sounds the depths of both our passions and our impassioned bodies and minds.
In an interesting turn, Nicholas Rescher writes on the interpretation of philosophical texts. Then Catherine Wilson and Andreas Blank explicate and critique Rescher’s theories through analysis of the mill passage from Leibniz’s Monadology.
Juan Manuel Burgos shows the reader how personalist philosophy was born in response to the tragedies of two World Wars, the Great Depression, and the totalitarian regimes of the 1930s. Through a revitalization of the concept of the person, an array of thinkers developed a philosophy both rooted in the best of the intellectual tradition and capable of dialoguing with contemporary concerns.
Burgos then delves into the potent ideas of more than twenty thinkers who have contributed to the growth of personalism, including Romano Guardini, Gabriel Marcel, Xavier Zubiri, and Michael Polanyi. Burgos’s encyclopedic knowledge of the movement allows for a concise and well-rounded perspective on each of the personalists studied.
An Introduction to Personalism concludes with a synthesis of personalist thought, bringing together the brightest insights of each personalist philosopher into an organic whole. Burgos argues that personalism is not an eclectic hodge-podge, but a full-fledged school of philosophy, and gives a dynamic and rigorous exposition of the key features of the personalist position.
Our times are marked by numerous and often contradictory ideas about the human person. An Introduction to Personalism presents an engaging anthropological vision capable of taking the lead in the debate about the meaning of human existence and of winning hearts and minds for the cause of the dignity of every person in the 21st century and beyond.
While the phenomenological tradition has carefully treated both the objective and the lived body, Espen Dahl explores a dimension of the body that does not fall neatly into either category, suggesting that philosophers should take account of the inner density of our organic, material body. By integrating the dimension of “flesh-and-blood” into the phenomenological notion of the body, Dahl argues that it is possible to reach a more adequate notion of human incarnation. The author explores the body in its subjectivity and its resistance, in activity founded on passivity, and in the ambiguous limits of its skin. The phenomenon of pain is given particular attention in this investigation, since pain is, as Dahl argues, what makes the body inescapably manifest in its otherwise hidden dimensions, including its ambiguity and vulnerability. Related to this focus, Dahl also engages with the Christian theological concerns of incarnation, pain, and hope. Phenomenologists have long drawn on this religious inheritance, particularly in what has been dubbed the French “theological turn.” In a similar manner, Incarnation, Pain, Theology: A Phenomenology of the Body draws on these theological sources while firmly holding to its philosophical commitments in methodological approach and analytic aims.
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