Wars always harm civilians. How wars are waged—with what means and methods, and with what underlying animus—has great impact on civilian suffering and social memory. Across time frames and cultures, this book examines the various distinct features of anti- and post-colonial wars, the two World Wars, and recent wars of the 21st century in terms of their disruption of everyday life and their enduring distortion of social ecosystems. With a lens trained on how civilians and soldiers remember the experience of armed conflict, Legacies of War challenges narrow conceptions of the cost of war.
Jennifer Leaning, a humanitarian and human rights analyst, draws on her diverse experience to describe both the long- and short-term consequences of wars waged in the midst of—or even against—civilian populations. The book illuminates a breakdown of distinction between home front and battlefront and the resulting erosion of civilian protection with the rise of intrastate war and policies of war-at-a-distance. Enlisting seasoned contributors for a wide-ranging set of essays, the book identifies significant trends in the conduct of war, and traces how these trends are later rendered in individual and social rituals of interpretation, commemoration, expiation, or avoidance.
After Karl Marx, Vladimir Lenin (1870–1924) is the man most associated with communism and its influence and reach around the world. Lenin was the leader of the communist Bolshevik party during the October 1917 revolution in Russia, and he subsequently headed the Soviet state until 1924, bringing stability to the region and establishing a socialist economic and political system.
In Lenin, Lars T. Lih presents a striking new interpretation of Lenin’s political beliefs and strategies. Until now, Lenin has been portrayed as a pessimist with a dismissive view of the revolutionary potential of the workers. However, Lih reveals that underneath the sharp polemics, Lenin was actually a romantic enthusiast rather than a sour pragmatist, one who imposed meaning on the whirlwind of events going on around him. This concise and unique biography is based on wide-ranging new research that puts Lenin into the context both of Russian society and of the international socialist movement of the early twentieth century. It also sets the development of Lenin’s political outlook firmly within the framework of his family background and private life. In addition, the book’s images, which are taken from contemporary photographs, posters, and drawings, illustrate the features of Lenin’s world and time.
A vivid, non-ideological portrait, Lenin is an essential look at one of the key figures of modern history.
Publishing, after all, is a complex business, and the trend in the marketplace is to economies of scale and the consolidation of smaller publishers into the fold of the largest. It does not seem a propitious moment for a library to become a small independent publisher.
So why are libraries doing this? How is this similar or different from the services commercial publishers provide? Does it involve offering the same services, or are new models, types of content, and needs resulting in new solutions that suit new players?
This book will help the reader understand the context of library publishing. It also explores when a publishing program is a good fit for a library and provides guidance for defining, launching, or growing a publishing initiative.
These final volumes of Andrew Hilen's admired edition bring together the extant Longfellow letters of 1866–1882, most of which have never before been published. During this period Longfellow's reputation reached its zenith; no American poet before or since has enjoyed a popular following more varied or numerous. Here we see him expanding his already enormous influence with the publication of Poems of Places, a poetic translation of Dante's Divine Comedy, and other works. The letters reveal him as a hard-working writer and editor, as an astute businessman who nevertheless gave freely of his gains to friends and causes, and as an often lonely and struggling individual.
They provide, as well, a view of Longfellow's world—the American literary scene, the publishing business, academic life, politics, religion, and the Reconstruction period. Hilen includes in Volume VI a comprehensive index for the entire six-volume edition, which represents a social document of the times.
Volumes I and II of this projected multi-volume edition bring together for the first time all the extant letters of Henry Wadsworth Longfellow for the period 1814–1843. Most of the letters, which are of prime importance in America’s cultural history, have never before been published. The remainder that have appeared in print frequently did so in emasculated form and in a wide variety of books and journals. In addition to restoring the complete texts of this correspondence, editor Andrew Hilen has provided a distinguished General Introduction in Volume I and prefatory comments at the head of Parts I–IV of the two volumes. Scrupulous annotations supply relevant identifications of individuals, explain allusions, and present information regarding the addresses of letters, endorsements, postmarks, and the location of manuscripts.
Readers of the letters of this period will follow Longfellow through his career at Bowdoin College, both as an undergraduate and as a professor, on his lengthy sojourns in Europe, and through his first years as Smith Professor of Modern Languages at Harvard. They offer a wealth of material that is available nowhere else on many of the leading issues of his day, on its literary and scholarly scene, and most important, on the development of the poet himself. Longfellow emerges from these pages as far more than the mild and studied figure that tradition has made of him.
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
In the fall of 1884, journalist Charles Lummis set out on foot from Ohio to California on assignment for the Los Angeles Times. The reports he mailed ahead to that newspaper were later refashioned for the book A Tramp Across the Continent, a work that helped to establish Lummis as the most active promoter of Southwestern culture who ever lived.
Lummis wrote another set of letters during his journey, however, which he sent back to Ohio for publication by the Chillicothe Leader. Although these letters contain basically the same narrative as those sent to Los Angeles and later found in A Tramp, the Ohio letters more closely reflect the author’s thoughts and observations while on the journey. In fact, a comparison of the two drafts indicates that Lummis spent considerable effort removing spontaneous details from the Ohio letters in favor or a more commercial, self-promoting, and politic reporting for the California paper.
The twenty-four Ohio letters, assembled here by James W. Byrkit, offer a far more candid look at the Southwest than Lummis was later to bring to print, as well as greater insight into the author’s own personality. Byrkit’s introductory essay provides the background for Lummis’s career, compares the three bodies of work relating to the trek, and offers an account of Lummis’s transformation from chronicler to promoter.
Attic eloquence.
Lysias (ca. 458–ca. 380 BC), born at Athens, son of a wealthy Syracusan settled in Attica, lived in Piraeus, where with his brother he inherited his father’s shield factory. Being a loyal supporter of democracy, Lysias took the side of the democrats at Athens against the Thirty Tyrants in 404, supplying shields and money. After one political speech in accusation of Eratosthenes (one of the Thirty) in 405, he became at Athens a busy professional speech writer for the law courts. At the Olympic festival of 388 he denounced, with riotous results, the costly display of the embassy sent by Dionysius I of Syracuse and the domination of Sicily by Dionysius.
The surviving speeches of Lysias (about thirty complete out of a very much larger number) are fluent, simple, and graceful in style yet vivid in description. They suggest a passionate partisan who was also a gentle, humorous man. We see in him the art of oratory young and fresh.
Love in the Age of War explores soldier characters in Menander’s situation comedies, the oldest of their kind. Menander came to dominate and define comedy for centuries, and a soldier served as the central character in many of his plays. This study reveals that these soldier characters are not the bragging buffoons that later became the stereotype in this brand of comedy, but challenging and complex men who struggle to find a place in new families and in their local communities. In contrast to the traditional Greek stories of tragic warriors, these soldiers ultimately succeed in adjusting to civilian life.
Wilfred Major details how Menander dramatized these compelling stories, while later traditions instead turned these characters into clowns. Menander’s original soldiers, however, may be the ones whose stories resonate more powerfully today.
Second edition, with a new afterword
A Gay man chronicles his relationship to his native Appalachian culture and society.
Appalachians are known for their love of place, yet many LGBTQ+ people from the mountains flee to urban areas in search of community and broader acceptance. Jeff Mann tells his story as one who left and then returned, who insists on claiming and celebrating both regional and sexual identities.
In memoir and poetry, Mann describes his life as an openly gay man who has remained true to his mountain roots. Mann recounts his upbringing in Hinton, a small town in southern West Virginia, as well as his realization of his homosexuality, his early encounters with homophobia, his coterie of supportive lesbian friends, and his initial attempts to escape his native region in hopes of finding a freer life in urban gay communities. Mann depicts his difficult search for a romantic relationship, the family members who have given him the strength to defy convention, his anger against religious intolerance and the violence of homophobia, and his love for the rich folk culture of the Highland South.
His character and values shaped by the mountains, Mann has reconciled his sexuality with both traditional definitions of Appalachian manhood and his own attachment to home and kin. Loving Mountains, Loving Men is a compelling, universal story of making peace with oneself and the wider world.
In this first general history of organized labor in the south, F. Ray Marshall analyzes the main factors influencing union growth in the region from the earliest times to the present. Writing within the context of the south’s political, social, and economic history, the author provides valuable material on labor economics and labor relations.
An opening section lays the foundation for the analysis by reviewing the south’s unique economic and social characteristics, with a discussion of the beginnings of unions in the area and some of their activities and problems prior to 1928. The author then traces in detail the growth of key unions before 1932 and presents an evaluation of the 1930 southern organizing campaign of the AFL. An examination follows of the impact of the social ferment inspired by the New Deal. In Part IV, Marshall discusses union growth during and after the Second World War, with emphasis on the influence of the War Labor Board and other governmental agencies. Finally, in Part V he draws together all the main factors responsible for union expansion and union weakness in the south—economic forces, law and politics, union structure and philosophy, the characteristics of the workers, and social forces. In his concluding chapter the author assesses the possibilities for future union growth in the south through a projection of the trends brought to light in the previous chapters.
In this comprehensive study of psychology, theology, and religious experience the author asserts that psychology and religion can faithfully complement one another, even when the psychology in question is primarily grounded in Freudian analysis.
Nationality is not enough to understand “Latin”-descended populations in the United States
LatinX has neither country nor fixed geography. LatinX, according to Claudia Milian, is the most powerful conceptual tool of the Latino/a present, an itinerary whose analytic routes incorporate the Global South and ecological devastation. Milian’s trailblazing study deploys the indeterminate but thunderous “X” as intellectual armor, a speculative springboard, and a question for our times that never stops being asked. LatinX sorts out and addresses issues about the unknowability of social realities that exceed our present knowledge.
Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
Language and Perception lays foundations for a new branch of the psychological sciences—psycholexicology, the psychological study of the meaning of words. Although the basic argument is psychological, George Miller and Philip Johnson-Laird also draw on current work in artificial intelligence, linguistics, philosophy, and social anthropology. Their closely argued and lucid treatise will stimulate specialists in many fields to questions their assumptions and broaden their thinking about semantic problems.
Miller and Johnson-Laird explore an approach to word meaning that is procedural in orientation. The meaning of a word is construed as a set of mental procedures necessary to employ the word appropriately and respond sensibly to its use by others. Since the appropriate use of many words depends on a perceptual assessment of the situation to which the word applies, the authors begin by considering human perception in terms of the perceptual tests that it can apply to the environment.
As the argument advances, however, Miller and Johnson-Laird observe that the meaning of many words depends on functional as well as perceptual attributes and on the place that the word occupies within a system of conceptual relations between words. Ultimately, Miller and Johnson-Laird contend that perception and language are related only indirectly as alternative routes into a vastly complex conceptual world. Something of the shape of that world is inferred from the basic concepts that are important enough to be incorporated into the meanings of English words.
Frederick M. Hubbell, railroad financier and builder, real estate investor, public utilities magnate, leading lawyer, and founder of Iowa’s first life insurance company, the Equitable, was at one time the wealthiest Iowan in the state’s history. Based on his diaries from 1855 to 1927, The Little Man with the Long Shadow tells the story of this industrious and imaginative entrepreneur.
Cornell University has stood at the forefront of writing instruction, at least since the publication of William Strunk and E. B. White’s classic, The Elements of Style, in 1918. For the past thirty years Cornell has been the site of a remarkably sustained and successful interdisciplinary approach to writing across the curriculum - a program that now coordinates nearly two hundred courses each semester sponsored by over thirty different departments.
Local Knowledges, Local Practices provides an overview of Cornell’s rich history and distinguished achievements in training students to write well. Including the views of professors representing a variety of disciplines - from animal science to political science, anthropology to philosophy, romance studies to neurobiology - this collection will serve as a resource for anyone interested in broadly conceived, discipline-specific writing instruction.
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