It is 1942. Shanghai after Pearl Harbor. Newly-arrived Eiko Kishimoto, a twenty-year-old, London-educated Japanese housewife, settles into a privileged existence in the French Concession as a member of the community of the Occupying Power. Initially, her days are filled with high society lunches and dinners, race course and night club visits and open-air summer concerts, amidst an ebullient and remarkably cosmopolitan society that makes up Shanghai. But all is by no means what it seems. As war progresses, and Japan tightens its control within China, tensions mount, relationships unravel, and allegiances are questioned. It is not long before Eiko awakens to the meaning and implications of occupation for both her international friends and for Japanese civilians. Even her settled domestic life, with a growing family and close proximity to her beloved older sister, is threatened as Japan’s war efforts become more desperate and degenerate. Partly biographical – the author taking inspiration from her mother’s own war experiences in China – My Shanghai, 1942-1946 provides a fascinating insight into the Asia Pacific War as never told before, that is through the eyes of a young Japanese woman caught between her Christian values and loyalty to her country.

Millions of paintings were produced in the Dutch Republic. The works that we currently know and see in museums constitute only the tip of the iceberg-the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies is usually linked to high prices, famous painters and elite buyers. Angela Jager analyses the producers, suppliers and consumers active in this segment to gain insight in this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why?

This book argues that the impressive range of belongings that can be connected to Duchess Matilda Plantagenet—textiles, illuminated manuscripts, coins, chronicles, charters, and literary texts—allows us to perceive elite women’s performance of power, even when they are largely absent from the official documentary record. It is especially through the visual record of material culture that we can hear female voices, allowing us to forge an alternative way toward rethinking assumptions about power for sparsely-documented elite women.

A bold and wide-ranging study across centuries, examining the conflict between “conventional” and “magical” nominalism in philosophy, history, aesthetics, political theory, and photography.

In this magisterial new book, intellectual historian Martin Jay traces the long-standing competition between two versions of nominalism—“conventional” and what he calls “magical.” According to Jay, since at least William of Ockham, the conventional form of nominalism contributed to the disenchantment of the world by viewing general terms as nothing more than mere names we use to group particular objects together, rejecting the idea that they refer to a further, “higher” reality. Magical nominalism, instead, performs a reenchanting function by investing proper names, disruptive events, and singular objects with an auratic power of their own. Drawing in part on Jewish theology, it challenges the elevation of the constitutive subject resulting from Ockham’s reliance on divine will in his critique of real universals.
 
Starting with the 14th-century revolution of nominalism against Scholastic realism, Jay unpacks various “counterrevolutions” against nominalism itself, including a magical alternative to its conventional form. Focusing on fundamental debates over the relationship between language, thought, and reality, Jay illuminates connections across thinkers, disciplines, and vast realms of human experience. Ranging from theology and philosophy of history to aesthetics and political theory, this book engages with a range of artists and thinkers, including Adorno, Ankersmit, Badiou, Barthes, Bataille, Benjamin, Blumenberg, Derrida, Duchamp, Foucault, Kracauer, Kripke and Lyotard. It places photography in a suggestive new discursive context. Ultimately, Magical Nominalism offers a strikingly original way to understand humanity’s intellectual path to modernity along with its vicissitudes.

In this debut poetry collection, a single speaker tries to control her body and negotiate her time with digital devices, all the while navigating identities, impulses, and relationships that are often in tension.

Metabolics, a book-length poem, borrows the movements of metabolic pathways to consider how nature accomplishes both balance and deep transformation. In visual figures and prose blocks that bridge the divide between poetry and nonfiction, Jessica E. Johnson employs scientific idioms to construct an allegory about a family in the Pacific Northwest. The region becomes a character in its own right, with cedars, moss, and heavy cloud knitting the mother, father, boy, and girl into their setting.

This far-reaching volume also serves as a study of the ecologies of contemporary parenting, with adults and children affected by “feeds” both on screen and off as their bodies metabolize food, the environment, and excess feelings such as rage. From climate change to kombucha to smartphones and curated produce, the smallest details of daily life in “Plasticland” catalyze a larger examination of selfhood: “Despite so many attempts to resolve this tension, sometimes you are you and also sometimes mother just as light can be both particle and wave.”

A memoir of Johnson’s unusual upbringing during the 1970s and ’80s, interwoven with the story of her transition to parenthood in post-recession Portland, Oregon.

In the weeks after her first child is born, Jessica E. Johnson receives an email from her mother that contains artifacts of the author’s early childhood: scans of Polaroids and letters her mother wrote in mountain west mining camps and ghost towns—places without running water, companions, or help. Awash in love and restlessness, Johnson begins to see how the bedrock images of her isolated upbringing have stayed with her, even when she believed she was removing herself from their logic.

As she copes with the swirling pressures of parenting, teaching at an urban community college, and a partnership shaped by chronic illness, Johnson starts digging through her mother’s keepsakes and the histories of the places her family passed through, uncovering the linked misogyny and disconnection that characterized her childhood world—a world with uncomfortable echoes in the present and even in the act of writing itself. The resulting journey encompasses Johnson’s early memories, the story of the earth told in the language of geology, bits of vivid correspondence, a mothering manual from the early twentieth century, and the daily challenges of personal and collective care in a lonesome-crowded Pacific wonderland. Mettlework traces intergenerational failures of homemaking, traveling toward presence and relationship amid the remains of extractive industry and unsustainable notions of family.

One of the most interesting questions that can be raised about the twentieth century world concerns the degree to which industrialization created a common culture for all peoples. Reported here are the results of an empirical investigation designed to produce instruments to measure those personal values that have been central variables in the theory of modernization of societies.

The purpose of Joseph Kahl’s research is primarily methodological: to advance the description and measurement of those value orientations used by men to organize their occupational careers. It seeks to delineate and measure a set of values that represents a “modern” view of work and life.

The working laboratory was Brazil and Mexico, two countries undergoing rapid industrialization. More than six hundred men in Brazil and more than seven hundred in Mexico responded to questionnaires. In addition, over twenty-five men in each country were asked to sit beside a tape recorder and talk freely of their worldviews. The respondents were divided between inhabitants of the cities of Rio de Janeiro and Mexico City and those who lived in provincial towns of fewer than ten thousand inhabitants. The samples included manual and nonmanual employees.

The results showed that the main variable predicting whether or not a man would tend toward modernism was his social-class position. Middle-class men were much more modern in outlook than working-class men. Residence in a metropolis rather than in a small town also increased modernism, though to a lesser extent. Differences between Brazil and Mexico (and, indeed, the United States) were found to be surprisingly small, of considerably less weight than position in the social structure in predicting value orientations.

The author addresses himself primarily to sociologists and their students who are themselves studying aspects of socio-economic development. His findings, however, cannot fail to be of interest and benefit to social scientists of various disciplines and to all who are concerned with the process of development—planners at the national and local levels, demographers, and businesspeople.

With the integration of more distributed or aggregated renewables, and the wide utilization of power electronic devices, modern power systems are facing new stability and security challenges, such as the weakly damped oscillation caused by wind farms connected through long distance transmission lines, the frequency stability problem induced by the reduction of inertia and the voltage stability issue resulting from the interactions between transmission systems and dynamic loads.

A comparative study of contemporary Israeli and Palestinian diasporas.

Exilic and diasporic experience have become ubiquitous in recent decades. Jews, lacking a homeland, spread to various parts of the world, making the Jewish diaspora paradigmatic. But after the establishment of Israel in 1948, a different kind of diaspora emerged, as more than a tenth of Israeli citizens have chosen to leave their newly established state and resettle. Meanwhile, about half of all Palestinians, including Palestinian citizens of Israel, now reside in exile, predominantly as a result of the ongoing Palestinian-Israeli conflict.

Recognizing that Israeli-Jewish and Palestinian-Arab societies coexist and are engaged in constant relations, Nahum Karlinsky assembles an impressive array of contributors to explore these diasporas alongside one another and in dialogue with other diasporic communities. The collected essays cover such topics as the experiences of Palestinian exiles within Israel, the demographics of today’s Israeli diaspora, the unique place of Israeli Jews in the United States, literatures of Palestinian transnationals, the emergence of Berlin as a queer Israeli-Jewish immigrant enclave, and self-reflections on voluntary exile. The Modern Israeli and Palestinian Diasporas challenges and reimagines the very notion of a homeland.

The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry, and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature effective, is by nature also interdisciplinary and motivating and that it spurs the critical in addressing the complex issues of 'human animality'.
 

Traditional approaches to Prairie literature have focussed on the significance of "the land" in attempts to make a place into a home. The emphasis on the importance of landscape as a defining feature ignores the important roles played by other influences brought to the land such as history, culture, gender, ethnicity, religion, community, family, and occupation. Deborah Keahey considers over 70 years of Canadian Prairie literature, including poetry, autobiography, drama, and fiction. The 17 writers range from the well-established, like Martha Ostenso and Robert Kroetsch, to newer writers, like Ian Ross and Kelly Rebar. Through their works, she asks whether the Prairies are a physical or a political creation, whether "home" is made by what you bring with you, or what you find when you arrive, and she incorporates the influences and effects far beyond landscape to understand what guides the "home-making" process of both the writers and their creations. Her study acknowledges that "home" is a complicated concept, and making a place into a home place is a complicated process. Informed by current linguistic, feminist, postcolonial, and cultural theory, Keahey explores these concepts in depth and redefines our understanding of place, home, and the relationship between them.

Marian Anderson was a woman with two disparate voices. The first--a powerful, majestic contralto spanning four octaves--catapulted her from Philadelphia poverty to international fame. A second, softer voice emanated from her mere presence: an unwavering refrain of opportunity and accomplishment in the face of racial prejudice.

Allan Keiler chronicles the life of the legendary singer and activist from the childhood manifestation of her musical genius to her worldwide celebrity. As he shows, community and familial support could not shield her from the economic hardship and bigotry she encountered in her early performing days. Early successes in London and Berlin set the stage for her American breakthrough while the triumphant 1939 Lincoln Memorial concert established her immediately as an icon in the struggle against discrimination. Keiler reveals a woman more comfortable as artist than activist. But if Anderson's intense privacy and devotion to her work distanced her from a direct role in the civil rights movement, she remained a powerful symbol of possibility.

Drawing on rare archives and meetings with Anderson before her death, Marian Anderson is a magnificent study of a groundbreaking American artist.

A Fresh Analysis of the First Large-Scale Imprisonment of Soldiers in Wartime and Its Failures 
Over the course of the American Civil War, more than four hundred thousand prisoners were taken by the North and South combined—the largest number in any conflict up to that time, and nearly fifty-eight thousand of these men died while incarcerated or soon after being released. Neither side expected to take so many prisoners in the wake of battles and neither had any experience on how to deal with such large numbers. Prison camps were quickly established, and as the war progressed, reports of sickness, starvation, mistreatment by guards, and other horrors circulated in the press. After the war, recriminations were leveled on both sides, and much of the immediate ill-will between the North and South dealt with prisoners and their treatment. 
    In Military Prisons of the Civil War: A Comparative Analysis historic preservationist David L. Keller consulted official records, newspaper reports, first-person accounts from prisoners, and other primary source material in order to understand why imprisonment during the Civil War failed on both sides. His research identifies five factors shared among both Union and Confederate prisons that led to so many deaths, including the lack of a strategic plan on either side for handling prisoners, inadequate plans for holding prisoners for long periods of time, and poor selection and training of camp command and guards. 

Miner Kilbourne Kellogg’s notes about his experiences with “the most completely and comfortably fitted-out expedition which ever went to Texas” is an account of the beauty, the wildness, and the dangers and inconveniences of 1872 Texas.

Editor Llerena Friend provides a setting for the journal by tracing the search for mineral wealth in post–Civil War Texas; by describing the aims of the Eastern-born Texas Copper and Land Association, whose expedition the diarist accompanied; and by narrating the life of Miner K. Kellogg—artist, world traveler, writer. Friend’s annotation of the journal fills in details about the names, places, and events that Kellogg mentions.

As the expedition travels across North Texas toward Double Mountain, Kellogg reveals himself not only as a man of artistic vision but also as a chronic complainer, an accomplished observer of human nature and individual personality, and a skillful interpreter of problems that beset the people in the uncivilized regions of Texas.

A cultured gentleman who had traveled the world and had sat in the company of presidents and princes, this non-Texan was disdainful of the “texans” of the wilderness, for whom “Cards & vulgar slang & stories of Indian adventures form the staple of their mental exercises.” An artist, he was often unable to draw, either because of his constant illnesses and frustrations or because of the unfavorable encampments of the party. Accustomed to the amenities and comforts of life, he criticized the lack of leadership and the purpose of the expedition, and complained incessantly of the chiggers, the “want of cleanliness decency & health,” and “the infernal bacon,” which became the stock fare.

Amid the complaints and derisions, however, appear vivid images of the Texas landscape, set down in word pictures by an artist’s pen: the night sky, “with a half moon now & then eclipsed by dark clouds passing over the clear starry vault of bluish grey”; the river-bank soil of “Vandyke brown color”; the mesquite trees in a melancholy and wild basin, “without a leaf upon their dead carcasses, yet still standing & clinging to the hope of resurrection from the life yet remaining in their roots”; and the “acres of the brilliant yellow Compositea & pink sabatea-like carpets spread in the morning air.”

Kellogg’s watercolor sketches were unfortunately lost in travel, but his literary record, “M. K. Kellogg’s Mems, Exploring Expedition to Texas, 1872,” remains as a personal account of an abortive attempt to exploit the natural resources of the Texas frontier during Reconstruction and an artist’s picture of the life and the land of that frontier.

A Variety Best Music Book of 2023
The behind-the-scenes story of the controversial 1960s made-for-tv rock band.
 
The Monkees represent a vital problem for rock and pop: is it the music that matters or the personality and image of the performers? This book explores the system behind the Monkees, the controversial made-for-TV band that scored some of the biggest hits in the 1960s. The Monkees represent the cumulative result of a complex coordination of talented individuals, from songwriters to studio musicians to producers—in short, the 1960s Hollywood music industry. At the time, the new rock criticism bewailed the “fake” band while fans and audiences pushed the Monkees to the top of the charts. Through the Monkees’ unlikely success, this book illustrates the commercial genius of the Hollywood system and its legacy in popular music today.
 

A glimpse into the world of young people, modern nomads, roving in search of a new and promising life.

The Moon in Foil traces the stories of Petra, Natália, Anka, Mika, Juliana, and Jackie as they go out into the world in search of a better life—or maybe just a different one. In post-communist Europe, they have the freedom to study and work in places their parents couldn’t even have visited—Paris, London, Helsinki, and Budapest. But the reality of that “freedom,” they soon discover, is often nothing more than tedious work and poor living conditions. From close looks at the work of a housekeeper at a French hotel, a bartender at an Irish pub, a snowboarding instructor in Slovakia in the winter and an office worker in London in the summer, and a programmer in Helsinki, to explorations of larger topics such as marriage, divorce, and relationships, Zuska Kepplová’s novel is a millennials’ odyssey—a search for the self by the post–Cold War generation.

A biographic novel that captures the tempestuous and moving life of the poet Marina Tsvetaeva.

The life of Marina Tsvetaeva (1892–1941) coincided with turbulent years in Russian history. She was an eminent Russian poet and a passionate lover involved with several men at the same time, including Rilke, who chose Lou Andreas-Salomé over her, and Pasternak, who married someone else, but protected her until her death. Her life included many trials such as her poverty during the grueling Russian civil war, her young daughter’s death from hunger in an orphanage, and the death of her husband, who fought against the Communist regime and was executed by the Soviet state. Rejected by official poets, then by the wealthy Russian diaspora in France, she finally returned to her country to end her wandering life. She hanged herself from a rope in an attic from which she could see the field where she had dug with bare hands for potatoes abandoned by local farmers. A poet-martyr of the Stalinist era—buried in an unmarked plot in the cemetery of Yelabuga—Tsvetaeva is brought to life in this poetic biographical novel by celebrated Lebanese author Vénus Khoury-Ghata.
 

In medieval culture, media forms were placesof mediated immediacy. They transported apresence of the divine, but also knowledge ofits unattainability. This volume investigates the multi-layered and fascinatingapproaches of medieval authors to the wordand writing, the body and materiality, andtheir experimentation with the possibilitiesof media before the concept was invented.The book presents, for the first time, acoherent, tightly argued history of medievalmediality, which also casts a new light onmodern thinking about the medial.

Research in both the general and economic history of nineteenth-century China has been seriously hampered by the seeming chaos of the monetary system. Frank King's book presents a systematic exposition of the structure of the monetary system, clarified by comparisons with similar systems in late medieval and early modern Europe, including detailed definitions, examples, and suggestions for handling Chinese terms consistently. The first study in a Western language to include an analysis of Ch'ing monetary institutions and policy, this book provides an invaluable aid to our understanding of the economic factors in the lack of growth in nineteenth-century China.

A lavishly illustrated tour of the famed adventurer’s globetrotting travels, written by a celebrated translator of Polo’s writings.
 
At the age of seventeen, Marco Polo left his Venetian home on a continent-spanning adventure that lasted for nearly a quarter century. Imprisoned in Genoa five years later, he collaborated with Arthurian romance writer Rustichello of Pisa on a work they called The Description of the World. That book recounted “all the greatest marvels and great diversities of Greater Armenia, Persia, the Tartars, India, and many other provinces,” a story that made Polo famous for all time.
 
In Marco Polo and His World, Sharon Kinoshita brings these marvels to life, describing the myriad commodities, plants, people, and animals that Marco encountered and recorded. Copiously illustrated, this book offers a vibrant introduction to Marco Polo’s astounding adventures.

From smoothies to folklore, a global history of the many incarnations of the mango.
 
This beautifully illustrated book takes us on a tour through the rich world of mangoes, which inspire fervent devotion across the world. In South Asia, mangoes boast a history steeped in Hindu and Buddhist mythology, even earning a mention in the Kama Sutra. Beyond myth, the authors show us that mangoes hold literary significance as a potent metaphor. While mango-flavored smoothies grace Western grocery shelves, the true essence of sweet, juicy mangoes or tangy, unripe varieties is a rarity: supermarket offerings often prioritize shelf-life over taste.
 
This book offers an accessible introduction to the world of true mango aficionados and the thousand varieties they cherish.

We don’t usually think of haute cuisine when we think of the Middle Ages. But while the poor did eat a lot of vegetables, porridge, and bread, the medieval palate was far more diverse than commonly assumed. Meat, including beef, mutton, deer, and rabbit, turned on spits over crackling fires, and the rich showed off their prosperity by serving peacock and wild boar at banquets. Fish was consumed in abundance, especially during religious periods such as Lent, and the air was redolent with exotic spices like cinnamon and pepper that came all the way from the Far East.

Surveys the sacred days of the Jewish year and provides detailed guidance on observance.

Mother Teresa’s General Letters to Her Sisters is a collection of Mother Teresa’s circular letters to the members of her religious congregation, the Missionaries of Charity Sisters. Not intended for those outside her community, they were written informally and spontaneously, often with little editing. It was for Mother Teresa a way of “being present” to the members of her rapidly expanding religious order. Seemingly of little interest except for those to whom they were addressed, the letters reveal the spiritual depth and pragmatic leadership of one of the most popular modern saints, as well as the inner dynamics underlying one of the most flourishing religious congregations of the last century. At the same time, and perhaps surprisingly, these letters may also prove to be worthwhile reading for a wider audience. Something of God’s wisdom and love seems to shine through Mother Teresa’s guidance and counsels, giving the reader light and help even though he or she is not living the same religious life as one of the Sisters. Mother Teresa’s unpolished statements are at times humble and at times humbling. They inspire confidence and encourage generosity. Many a time they are humorous but more often challenging. They are sprinkled with serene joy but also permeated with deep pain. She delighted in her Sisters’ accomplishments yet did not shy away from correcting even the smallest flaw, which didn’t escape her very observant eye. Sometimes she sounded just like a mother, full of tender loving care, and at other times more like a commander in chief, exhibiting an iron will and uncompromising determination. In either case, her followers seemed to have been drawn into the mystery of her charism, endeavoring to keep pace with her. Was it the attraction of what could be termed as her “leadership style” in the unremitting service of the poorest of the poor, or the perceived love of a mother’s heart that made her so unanimously loved and admired by the members of her congregation? Or was it both? The letters will reveal the answer! Inspiring in their simplicity, the letters may well serve as a treasure trove where anyone from a reflective scholar to a caring mother of a family may find satisfaction for their spiritual palate. The attractiveness of perennial truth often makes Mother Teresa’s presentation of traditional spiritual themes likewise relevant for contemporary needs. In the context of Mother Teresa’s statement that “we are created for greater things, to love and to be loved’,” these letters will help the reader discover and experience God’s presence through the little miracles of His love in one’s daily life. They will inspire us “to put our love into living action,” sharing His love with all those we meet, and so make our lives “something beautiful for God.”

This anthology contains a collection of intellectual explorations honoring the enduring legacy of Mother Teresa. The symposium, held on 10 September 2022 at the Catholic University of America (CUA), brought together leading scholars to speak of Mother Teresa's legacy to produce the following papers, each shedding light on a life characterized by compassion, selflessness, and devoted service to the poorest of the poor, the forgotten, and the outcast of society. The keynote address by George Weigel, “Mother Teresa and John Paul II: Lessons for Our Troubled Times,” uncovers the lessons from the partnership of two great saints and their efforts to make way for Love in a dark world. "Mother Teresa: Holiness, Process of Canonization, and Miracle;" by the postulator of her cause, Fr. Brian Kolodiejchuk, MC, explores the nature of holiness, several characteristics of Mother Teresa’s holiness and the process that led to her canonization in 2016. In “Praxiological Approach to the Poor: Mother Teresa’s authentic retrieval of Christian praxis through faith, hope, and charity,” presented by Fr Darren Dentino, MC, we delve into Mother Teresa’s profound relationship with the underprivileged, showcasing a service approach that transcends simple social work and touches and heals the physical and inner wounds of many. Janice Breidenbach, a professor at Ave Maria University, sheds light on her own experience as a mother and explains Mother Teresa’s deep understanding of motherhood in her paper “Mother Teresa’s Philosophy of Motherhood.” "Mother Teresa: A Carmelite Perspective" by CUA professor, Fr Stephen Payne, OCD, explores the connections between Mother Teresa and the Carmelite tradition, highlighting the influence of Carmelite spirituality on her life and journey. Jim Towey's paper delves into Mother Teresa's motherhood and her humanity, emphasizing how her ordinary yet profound acts of love and compassion were reflective of her saintly character. In the annual conference held the following year, Catholic University of America professor Bradley Gregory, examines the phrase “you did it to me” from the judgment scene in the gospel of Matthew (25:40) which Mother Teresa would refer to as “the gospel on five fingers.” Drawing on the rich theological resources of Scripture and the Church’s tradition, Professor Bradley expounds on how this passage relates to the gospel of grace, which calls us into God’s work of redeeming and healing the world. Each paper testifies to Mother Teresa’s enduring legacy as a reflection of God’s love in the world, providing readers an opportunity to contemplate her steadfast dedication and honor the legacy of one of the 20th century's most profound figures.

The Depression-era vogue for horror and the supernatural produced some of Hollywoood's most memorable chillers, among them Dr. Jekyll and Mr. Hyde (Paramount), Frankenstein, (Universal), and King Kong (RKO). At Warner Brothers, the main entry was Mystery of the Wax Museum, directed by Michael Curtiz, a grand thriller of 1933 in which Fay Wray (Who would appear opposite Kong later that same year) was threatened with waxy immortality by the maniacal Lionel Atwill.

Mobility-as-a-Service (MaaS) is a much-talked about term in the transportation industry and in transport policy. The goal of MaaS is a shift away from personally-owned modes of transportation and towards mobility solutions that are consumed as a service. Such solutions are typically enabled by digital technologies and platforms. MaaS systems might combine transportation services from public and private transportation providers, like train and carsharing services, through a unified portal to create and manage journeys, which users can pay for with a single account. MaaS offers travellers mobility solutions based on their travel needs.

This book analyses popular imperial culture in the Netherlands around the turn of the twentieth century. Despite the prominent role that the Dutch empire played in many (sometimes unexpected) aspects of civil society, and its significance in mobilising citizens to participate in causes both directly and indirectly related to the overseas colonies, most people seem to have remained indifferent towards imperial affairs. How, then, barring a few jingoist outbursts during the Aceh and Boer Wars, could the empire be simultaneously present and absent in metropolitan life? Drawing upon the works of scholars from fields as diverse as postcolonial studies and Habsburg imperialism, A Metropolitan History of the Dutch Empire argues that indifference was not an anomaly in the face of an all-permeating imperial culture, but rather the logical consequence of an imperial ideology that treated ‘the metropole’ and ‘the colony’ as entirely separate entities. The various groups and individuals who advocated for imperial or anti-imperial causes – such as missionaries, former colonials, Indonesian students, and boy scouts – had little unmediated contact with one another, and maintained their own distinctive modes of expression. They were all, however, part of what this book terms a ‘fragmented empire’, connected by a Dutch imperial ideology that was common to all of them, and whose central tenet – namely, that the colonies had no bearing on the mother country – they never questioned. What we should not do, the author concludes, is assume that the metropolitan invisibility of colonial culture rendered it powerless.

This study of the Visigothic kingdom monetary system in southern Gaul and Hispania from the fifth century through the Muslim invasion of Spain fills a major gap in the scholarship of late antiquity. Examining all aspects of the making of currency, it sets minting in relation to questions of state - monarchical power, administration and apparatus, motives for money production - and economy. In the context of the later Roman Empire and its successor states in the west, the minting and currency of the Visigoths reveal shared patterns as well as originality. The analysis brings both economic life and the needs of the state into sharper focus, with significant implications for the study of an essential element in daily life and government. This study combines an appreciation for the surprising level of sophistication in the Visigothic minting system with an accessible approach to a subject which can seem complex and abstruse.

This is the first-ever French-English edition of La Rochefoucauld’s Réflexions, ou sentences et maximes morales, long known in English simply as the Maxims. The translation, the first to appear in forty years, is completely new and aims – unlike all previous versions – at being as literal as possible. This involves, among other things, rendering the same word – for example, amour-propre as “self-love” – as consistently throughout as good sense allows. This also means that the translators have made every effort to maintain La Rochefoucauld’s word order. This allows the reader the best vantage point for viewing La Rochefoucauld’s dramatic and paradoxical juxtapositions of words and ideas, juxtapositions of the utmost importance to understanding his thought. Despite the translation’s concern with literalness, careful attention has been paid to the nuances of the literary character of the Maxims. In addition, this work contains a series of detailed indices that will greatly aid the reader in finding just the right maxim, and an updated version, in English, of the original French index of the work.

At the heart of La Rochefoucauld’s Maxims lies the attempt to disclose the great disparity between the exaggerated self-estimation of men and women and their actual condition. As La Rochefoucauld (1613–1680) unremittingly unmasks various pretenses, heelaborately exposes the complexity of motives which underlie and inform human conduct: whereas many endeavor to reveal a unity in plurality, La Rochefoucauld endeavors to reveal a plurality in unity. Playful, yet serious, humorous, ironic yet direct, poetic yet philosophical, the Maxims penetrate to themes at the center of reflection and judgment about the human situation. Worthy of study at any time, the Maxims are especially relevant in the strange times in which we live.

This edition includes the 504 maxims of the definitive, fifth edition of 1678, along with 137 other maxims which were either withdrawn from earlier editions or published posthumously. In addition to the maxims, La Rochefoucauld’s self-portrait and Cardinal de Retz’s portrait of La Rochefoucauld are also included.

Adapt, implement, and evaluate engaging archival programs to suit the mission, priorities, and resources of your repository. This book is part of Trends in Archives Practice Series.

The writings of this author are, together with those of Eusebius, the principal sources for the period of the great persecution of Diocletian and for the first years of the peace of the Church after the Edict of Milan.

Myanmar’s Education Reforms reviews the changing state of education in Myanmar as the country has dealt with a profound transformation over the past decade and a half. Education has served as a litmus test for judging the level of openness of any Myanmar government, especially those in place for the past seven decades. Marie Lall situates education within the context of the wider reforms and the process of making peace that began in 2012, using it as a case study on how these reforms have progressed and continue to progress. Drawing on data collected over fifteen years in the field, Lall argues that despite controlling the majority of the civilian government, the National League for Democracy is not delivering on its promise of social justice.

This study of the female-led industry of professional organizers helps us understand—and perhaps alleviate—the overwhelming demands society places on our time and energy.

For a widely dreaded, often mundane task, organizing one’s possessions has taken a surprising hold on our cultural imagination. Today, those with the means can hire professionals to help sort and declutter their homes. In More Than Pretty Boxes, Carrie M. Lane introduces us to this world of professional organizers and offers new insight into the domains of work and home, forever entangled—especially for women.

The female-dominated organizing profession didn’t have a name until the 1980s, but it is now the subject of countless reality shows, podcasts, and magazines. Lane draws on interviews with organizers, including many of the field’s founders, to trace the profession’s history and uncover its enduring appeal to those seeking meaningful, flexible, self-directed work. Taking readers behind the scenes of real-life organizing sessions, More Than Pretty Boxes details the strategies organizers use to help people part with their belongings, and it also explores the intimate, empathetic relationships that can form between clients and organizers.

But perhaps most importantly, More Than Pretty Boxes helps us think through a tangled set of questions around neoliberal work arrangements, overconsumption, emotional connection, and the deeply gendered nature of paid and unpaid work. Ultimately, Lane situates organizing at the center of contemporary conversations around how work isn’t working anymore and makes a case for organizing’s radical potential to push back against the overwhelming demands of work and the home, too often placed on women’s shoulders. Organizers aren’t the sole answer to this crisis, but their work can help us better understand both the nature of the problem and the sorts of solace, support, and solutions that might help ease it.

Through a focused and systematic examination of medieval theologians, philosophers, and jurists, Andrew Latham explores how ideas about supreme political authority—sovereignty—first emerged during the high medieval period. The author provides a new model for understanding the concept of sovereignty, and traces its roots, not to the early modern or late medieval eras as do all other accounts, but to the High Middle Ages. This book aims first to provide an account of a pivotal episode in the historical evolution of the idea of sovereignty—the supreme authority to command, legislate, and judge—in the thirteenth century. It also aims to reconnect early modern theorists of sovereignty to the medieval intellectual tradition out of which they emerged. Latham traces the rise of a “dualist–regnalist” model whereby supreme authority was vested neither in the pope nor the emperor; nor was it divided between coordinate temporal and spiritual powers (kings and popes). Instead, it was vested exclusively in the king, who held it directly from God or (in the case of John of Paris, for example) “the people,” without any papal or imperial mediation.

A fascinating guide to the natural and cultural significance of mosses and lichens.
 
Moss and Lichen is a celebration of the extraordinary biology, beauty, and resilience of two unassuming organisms. Endowed with unique abilities to thrive in extreme habitats, mosses and lichens defy easy categorization. Mosses, which are integral to the plant kingdom, and lichens, which are a kingdom unto themselves, colonize a variety of landscapes from rainforests to deserts to urban streets. Long neglected for lacking flowers, these organisms are now beloved for their significant role in maintaining the health of our world’s ecosystem.
 
Elizabeth Lawson describes how mosses and lichens shape landscapes, prevent erosion, and sequester carbon, but she also offers a wide-ranging introduction to the biologists, artists, and writers inspired by their beauty. Moss and Lichen will inspire a newfound appreciation for these unsung heroes of the natural world.

The third full-length collection from physician and poet Jenna Le blends traditional form and the current moment.

In Manatee Lagoon, sonnets, ghazals, pantoums, villanelles, and a “failed georgic” weave in contemporary subject matter, including social-media comment threads, Pap smears, eclipse glasses, and gun violence. A recurring motif throughout the collection, manatees become a symbol with meanings as wide-ranging as the book itself. Le aligns the genial but vulnerable sea cow with mermaids, neurologists, the month of November, harmful political speech, and even a family photo at the titular lagoon.

In these poems, Le also reflects on the experience of being the daughter of Vietnamese refugees in today’s sometimes tense and hostile America. The morning after the 2016 election, as three women of color wait for the bus, one says, “In this new world, we must protect each other.”

Manatee Lagoon is a treasury of voices, bringing together the personal and the persona, with poems dedicated to Kate Spade, John Ashbery, and Uruguayan poet Delmira Agustini. With this book, Le establishes herself as a talented transcriber of the human condition—and as one of the finest writers of formal verse today.

This book analyzes how collective memory regarding the 1989 Beijing student movement and the Tiananmen crackdown was produced, contested, sustained, and transformed in Hong Kong between 1989 and 2019. Drawing on data gathered through multiple sources such as news reports, digital media content, vigil onsite surveys, population surveys, and in-depth interviews with activists, rally participants, and other stakeholders, it identifies six key processes in the dynamics of social remembering: memory formation, memory mobilization, memory institutionalization, intergenerational transfer, memory repair, and memory balkanization. Memories of Tiananmen demonstrates how a socially dominant collective memory, even one the state finds politically irritable, can be generated and maintained through constant negotiation and efforts by a wide range of actors. While the book mainly focuses on the interplay between political changes and Tiananmen commemoration in the historical period within which the society enjoyed a significant degree of civil liberties, it also discusses how the trajectory of the collective memory may take a drastic turn as Hong Kong's autonomy is abridged. The book promises to be a key reference for anyone interested in collective memory studies, social movement research, political communication, and China and Hong Kong studies.

Mary Austin Holley found life challenging and made it interesting for others. As wife and widow of Horace Holley, eminent orator, clergyman, and educator, and as cousin and friend of Stephen F. Austin, founder of the first Texas colony, she formed friendships among important people. From New Haven to New Orleans and Brazoria, Texas, she was beloved.

The panorama of her life, described in vivid detail by a former head of the English Department at Texas Christian University, transports the reader to the tempestuous early years of the American Republic and, finally, to Texas during its colonization and early Republic years. Throughout this charming book Mrs. Holley's "intuition for important people" brings the reader into the company of many of America's great and accomplished: Noah Webster, John Quincy Adams, President and Mrs. Monroe, Andrew Jackson, Sam Houston, and many others.

The evolution of medical equipment engineering is progressing rapidly, with advances in digital healthcare technologies such as artificial intelligence, virtual/augmented reality, 3D-printing, robotics and nanotechnologies developing at pace. Medical equipment engineering can assist in surveying workplace inefficiencies, and develop efficient optimisation processes, through data research and intelligent learning automation. This edited book covers the benefits of the integration of lean manufacturing, smart sensors, 5G technology, IoTs, virtual reality, 3D printing, robotics and automation.

The story of how one scholar’s experiences in Sri Lanka shaped the contours of the Buddhist visual canon.
 
An early interpreter of Buddhist art to the West, Ananda Kentish Coomaraswamy laid the foundation of what would become the South Asian visual canon, particularly through his efforts to understand how Buddhist art emerged and developed. In Making a Canon, Janice Leoshko examines how Coomaraswamy’s experience as the director of a mineralogical survey in Sri Lanka shaped his understanding of South Asian art and religion. Along the way, she reveals how Coomaraswamy’s distinctive repetition of Sri Lankan visual images in his work influenced the direction of South Asia’s canon formation and left a lasting impression on our understanding of Buddhist art.