A SCHOLARLY BOOK REPOSITORY
In Italy and beyond, the nineteenth century was a time of great political change. Shifts in state boundaries and socio-economic structures deeply affected the Italian political landscape, including the nation’s legal system. Many Italian women, who had lived within a strict patriarchal and hierarchical society, began to redefine their identities beyond the traditional domestic roles of daughter, wife, and mother. This volume charts that process by focusing on women’s attitudes towards the law and their interaction with the legal system. Sara Delmedico seeks to recover the forgotten voices and lives of those ordinary women who, in their everyday lives, reacted against the limitations and constraints imposed upon them by society and who refused to accept their status passively. As this volume shows, the women of the period understood the law, questioned obedience, challenged authority, and stood up for themselves. Even though they did not always achieve their goals, their actions contributed to shaping our present.
The preeminent orator of ancient Athens.
Demosthenes (384–322 BC), orator at Athens, was a pleader in law courts who later became also a statesman, champion of the past greatness of his city and the present resistance of Greece to Philip of Macedon’s rise to supremacy. We possess by him political speeches and law-court speeches composed for parties in private cases and political cases. His early reputation as the best of Greek orators rests on his steadfastness of purpose, his sincerity, his clear and pungent argument, and his severe control of language. In his law cases he is the advocate, in his political speeches a castigator not of his opponents but of their politics. Demosthenes gives us vivid pictures of public and private life of his time.
The Loeb Classical Library edition of Demosthenes is in seven volumes.
The preeminent orator of ancient Athens.
Demosthenes (384–322 BC), orator at Athens, was a pleader in law courts who later became also a statesman, champion of the past greatness of his city and the present resistance of Greece to Philip of Macedon’s rise to supremacy. We possess by him political speeches and law-court speeches composed for parties in private cases and political cases. His early reputation as the best of Greek orators rests on his steadfastness of purpose, his sincerity, his clear and pungent argument, and his severe control of language. In his law cases he is the advocate, in his political speeches a castigator not of his opponents but of their politics. Demosthenes gives us vivid pictures of public and private life of his time.
The Loeb Classical Library edition of Demosthenes is in seven volumes.
The preeminent orator of ancient Athens.
Demosthenes (384–322 BC), orator at Athens, was a pleader in law courts who later became also a statesman, champion of the past greatness of his city and the present resistance of Greece to Philip of Macedon’s rise to supremacy. We possess by him political speeches and law-court speeches composed for parties in private cases and political cases. His early reputation as the best of Greek orators rests on his steadfastness of purpose, his sincerity, his clear and pungent argument, and his severe control of language. In his law cases he is the advocate, in his political speeches a castigator not of his opponents but of their politics. Demosthenes gives us vivid pictures of public and private life of his time.
The Loeb Classical Library edition of Demosthenes is in seven volumes.
The preeminent orator of ancient Athens.
Demosthenes (384–322 BC), orator at Athens, was a pleader in law courts who later became also a statesman, champion of the past greatness of his city and the present resistance of Greece to Philip of Macedon’s rise to supremacy. We possess by him political speeches and law-court speeches composed for parties in private cases and political cases. His early reputation as the best of Greek orators rests on his steadfastness of purpose, his sincerity, his clear and pungent argument, and his severe control of language. In his law cases he is the advocate, in his political speeches a castigator not of his opponents but of their politics. Demosthenes gives us vivid pictures of public and private life of his time.
The Loeb Classical Library edition of Demosthenes is in seven volumes.
The preeminent orator of ancient Athens.
Demosthenes (384–322 BC), orator at Athens, was a pleader in law courts who later became also a statesman, champion of the past greatness of his city and the present resistance of Greece to Philip of Macedon’s rise to supremacy. We possess by him political speeches and law-court speeches composed for parties in private cases and political cases. His early reputation as the best of Greek orators rests on his steadfastness of purpose, his sincerity, his clear and pungent argument, and his severe control of language. In his law cases he is the advocate, in his political speeches a castigator not of his opponents but of their politics. Demosthenes gives us vivid pictures of public and private life of his time.
The Loeb Classical Library edition of Demosthenes is in seven volumes.
The preeminent orator of ancient Athens.
Demosthenes (384–322 BC), orator at Athens, was a pleader in law courts who later became also a statesman, champion of the past greatness of his city and the present resistance of Greece to Philip of Macedon’s rise to supremacy. We possess by him political speeches and law-court speeches composed for parties in private cases and political cases. His early reputation as the best of Greek orators rests on his steadfastness of purpose, his sincerity, his clear and pungent argument, and his severe control of language. In his law cases he is the advocate, in his political speeches a castigator not of his opponents but of their politics. Demosthenes gives us vivid pictures of public and private life of his time.
The Loeb Classical Library edition of Demosthenes is in seven volumes.
The preeminent orator of ancient Athens.
Demosthenes (384–322 BC), orator at Athens, was a pleader in law courts who later became also a statesman, champion of the past greatness of his city and the present resistance of Greece to Philip of Macedon’s rise to supremacy. We possess by him political speeches and law-court speeches composed for parties in private cases and political cases. His early reputation as the best of Greek orators rests on his steadfastness of purpose, his sincerity, his clear and pungent argument, and his severe control of language. In his law cases he is the advocate, in his political speeches a castigator not of his opponents but of their politics. Demosthenes gives us vivid pictures of public and private life of his time.
The Loeb Classical Library edition of Demosthenes is in seven volumes.
"Derrida's ruminations should intrigue anyone interested in Post-Structuralism. . . . . This study of Heidegger is a fine example of how Derrida can make readers of philosophical texts notice difficult problems in almost imperceptible details of those texts."—David Hoy, London Review of Books
"Will a more important book on Heidegger appear in our time? No, not unless Derrida continues to think and write in his spirit. . . . Let there be no mistake: this is not merely a brilliant book on Heidegger, it is thinking in the grand style."—David Farrell Krell, Research in Phenomenology
"The analysis of Heidegger is brilliant, provocative, elusive."—Peter C. Hodgson, Religious Studies Review
“Like a dazzling feather that has fluttered down from some unknown place. . . . How long will the feather keep its colours, waiting? The ‘feather’ stands for memories of childhood. Memories don’t wait.”
In Our Sanitikentan, the late Mahasweta Devi, one of India’s most celebrated writers, vividly narrates her days as a schoolgirl in the 1930s. As the aging author struggles to recapture vignettes of her childhood, these reminiscences bring to the written page not only her individual sensibility but an entire ethos.
Santiniketan is home to the school and university founded by the foremost literary and cultural icon of India, Rabindranath Tagore. In these pages, a forgotten Santiniketan, seen through the innocent eyes of a young girl, comes to life—the place, its people, flora and fauna, along with its educational environment, culture of free creative expression, vision of harmonious coexistence between natural and human worlds, and the towering presence of Tagore himself. Alongside, we get a glimpse of the private Mahasweta—her inner life, family and associates, and the early experiences that shaped her personality.
A nostalgic journey to a bygone era, harking back to its simple yet profound values—so distant today and so urgent yet again—Our Santiniketan is an invaluable addition to Devi’s rich oeuvre available in English translation.
Genocide is commonly understood to be a terrible aberration in human behaviour, performed by evil, murderous regimes such as the Nazis and dictators like Suharto and Pinochet. John Docker argues that the roots of genocide go far deeper into human nature than most people realise.
Genocide features widely in the Bible, the literature of ancient Greece and Rome, and debates about the Enlightenment. These texts are studied in depth to trace the origins of violence through time and across civilisations. Developing the groundbreaking work of Raphaël Lemkin, who invented the term 'genocide', Docker guides us from the dawn of agricultural society, through classical civilisation to the present, showing that violence between groups has been integral to all periods of history.
This revealing book will be of great interest to those wishing to understand the roots of genocide and why it persists in the modern age.
Based on the author's long life of study, observation, and experimentation, this book clears the way for the exploration of many problems in an area of botanical research about which little substantial biochemical information is yet available. Mr. Dostál's investigations largely concern the interrelations among the different organs of plants and the ways in which the various components of the plant correlate to form an integrated whole.
Mr. Dostál writes that he "early acquired the certitude that all regulations in plants take place with an absolute determinism, an iron necessity." He describes many very simple experiments, such as removing all the leaves of a horse chestnut and all the new leaves that follow, until ultimately leaves of an entirely different form, pinnate like those of a legume, develop. Experiments on algae, in parallel with those on higher plants, add to the breadth of the coverage. Much of the work has not been published in scientific journals, and is here presented in simple terms comprehensible to the intelligent layman.
The author also discusses the vital part played by inhibiting substances in the development of the primordia of leaves and other organs, serving as regulators and conservators of reserves, so as to ensure unified organization instead of the chaos that would otherwise result. He finds, too, that his experiments support the idea, now becoming widely accepted, that food for plants may be regarded as a condition rather than a causal factor in their growth and development. As an extension of Mr. Dostál's experimental observations, 40 original figures containing 161 partial illustrations are of exceptional value.
This book also explores the intriguing ways in which Latter-day Saints have interpreted and engaged with this ancient text and the author navigates their diverse interpretations of it. He examines how individuals have alternately embraced the Old Testament as myth or history, law or legend, wise counsel or sacred scripture. He shows where many traditional interpretations have come from, and offers many ways to encourage a more nuanced understanding of the text.
Drawing from a wealth of scholarly research and his own unique perspective, Douglas presents a compelling and multidimensional analysis of the Old Testament. However readers approach the text, this book sheds light on the complex nature of the Old Testament and its enduring relevance to the Latter-day Saint tradition.
Can the stories of bananas, whales, sea birds, and otters teach us to reconsider the seaport as a place of ecological violence, tied to oil, capital, and trade?
San Pedro Bay, which contains the contiguous Ports of Los Angeles and Long Beach, is a significant site for petroleum shipping and refining as well as one of the largest container shipping ports in the world—some forty percent of containerized imports to the United States pass through this so-called America’s Port. It is also ecologically rich. Built atop a land- and waterscape of vital importance to wildlife, the heavily industrialized Los Angeles Harbor contains estuarial wetlands, the LA River mouth, and a marine ecology where colder and warmer Pacific Ocean waters meet. In this compelling interdisciplinary investigation, award-winning author Christina Dunbar-Hester explores the complex relationships among commerce, empire, environment, and the nonhuman life forms of San Pedro Bay over the last fifty years—a period coinciding with the era of modern environmental regulation in the United States. The LA port complex is not simply a local site, Dunbar-Hester argues, but a node in a network that enables the continued expansion of capitalism, propelling trade as it drives the extraction of natural resources, labor violations, pollution, and other harms. Focusing specifically on cetaceans, bananas, sea birds, and otters whose lives are intertwined with the vitality of the port complex itself, Oil Beach reveals how logistics infrastructure threatens ecologies as it circulates goods and capital—and helps us to consider a future where the accumulation of life and the accumulation of capital are not in violent tension.
As the axis connecting the established power centers of Paris, London, and New York became increasingly dominated by monolithic trends including pop, minimalism, and conceptualism—another web of ideas was being spun linking the hubs of Warsaw, Budapest, Zagreb, Buenos Aires, Caracas, and Sao Paulo. These artistic practices were dedicated to what appeared to be an entirely different set of aesthetic concerns: philosophies of art and culture dominated by notions of progress and science, the machine and engineering, construction and perception. This book presents a highly illustrated introduction to this significant transnational phenomenon in the visual arts.
Opera Production was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Designed particularly as a reference work for opera producers, students, performers, and writers, this book provides basic production information about more than 500 operas. Anyone planning to produce an opera will find here the essential information he needs in order to judge whether a given opera is appropriate to his resources for production.
Information for individual operas is given concerning the number and importance of settings; size of orchestra, chorus, and ballet; number of singers, their relative importance and individual requirements; sources for obtaining musical materials' previous performances in America; and the opera story, its period, and composer.
Extensive information about 150 full-length operas and 109 short operas is provided, with supplementary information about more than 260 other operas. The operas are alphabetized by title for easy reference. In order to condense the information as much as possible, codes and abbreviations are used, with keys and indexes at the back of the book.
This book will be invaluable to those working in either amateur or professional companies, in opera workshops, in school, college, or civic opera groups. Those whose interest in opera is confined to the other side of the footlights will find the book absorbing, too, just as a glimpse backstage would be.
What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movements does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors to this book address these questions in a variety of writing practices, each focusing on specific scenes.
Through interviews, artistic and literary texts, visual contributions, and academic texts, On Withdrawal explores various modalities of withdrawal, ranging from a silencing of critical voices to a political and aesthetic strategy of refusal.
Contributors: Arnika Ahldag, Sofia Bempeza, Lauren Berlant, Kathrin Busch, Helen Cammock, Knut Ebeling, Sebastián Eduardo Dávila, Mutlu Ergün-Hamaz, Stefanie Graefe, Rebecca Hanna John, Ulrike Jordan, Pinar Ögrenci, Pallavi Paul, Thorsten Schneider, Judith Sieber, Diana Taylor, Deniz Utlu, Marivi Véliz, Nele Wulff, and Akram Zaatari
Huseyn Efendi, a scribe in the Treasury of Ottoman Egypt who put his service at the disposal of Napoleon Bonaparte during the French expedition to Egypt (1798–1801), wrote his account of Ottoman Egypt in the form of answers to questions posed by the French administrative and financial experts.
Stanford Shaw’s translation is supplemented by an introduction describing the French expedition, and by detailed notes based on material found in the Ottoman archives of Istanbul and Cairo.
Osiris annually examines a particular topic in the history of science, bringing together experts in the field to consider multiple aspects of the time period, episode, or theme. Volume 22 explores the ways that twentieth-century political institutions and the human sciences in the western world attempted to understand and shape the attitudes and behaviors of individuals.
In service of our student- and access-centered mission, Open Access Musicology is a free collection of essays, written in an engaging style and with a focus on modes of inquiry rather than coverage of content. Our authors draw from their experience as scholars but also as teachers. They not only make arguments, but also describe why they became musicologists in the first place and explain how their individual paths led to the topics they explore. Like most scholarly literature, the essays have all been reviewed by experts in the field. Unlike most scholarly literature, the essays have also been reviewed by students at a variety of institutions for clarity and relevance.
These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. They can be incorporated into courses on a range of topics as standalone readings, used to supplement textbooks, or read with an eye to new scholarly insights. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history’s relevance to performers, listeners, and citizens. Open Access Musicology will never pretend to present complete histories, cover all elements of a subject, or satisfy the agenda of every reader. Rather, each essay provides an opening to further contemplation and study. We invite readers to follow the thematic links between essays, pursue notes or other online resources provided by authors, or simply repurpose the essay’s questions into new and exciting forms of research and creativity.
Volume 2 of OAM expands the disciplinary, topical, and geographical ranges of our endeavor, with essays that rely on ethnographic and music theoretical methods as well as historical ones. The essays in this volume touch on music from Europe, South America, and Asia, spanning the 16th century to the present. Throughout, the contributing authors situate music in political, religious, racial, economic, and other cultural and disciplinary contexts. This volume therefore expands what scholars generally mean when they refer to “musicology” and “music,” always with an eye toward relevance and accessibility.
Perceptively explores the shifting intersections between algorithmic systems and human practices in the modern era.
How have algorithmic systems and human practices developed in tandem since 1800? This volume of Osiris deftly addresses the question, dispelling along the way the traditional notion of algorithmic “code” and human “craft” as natural opposites. Instead, algorithms and humans have always acted in concert, depending on each other to advance new knowledge and produce social consequences. By shining light on alternative computational imaginaries, Beyond Craft and Code opens fresh space in which to understand algorithmic diversity, its governance, and even its conservation.
The volume contains essays by experts in fields extending from early modern arithmetic to contemporary robotics. Traversing a range of cases and arguments that connect politics, historical epistemology, aesthetics, and artificial intelligence, the contributors collectively propose a novel vocabulary of concepts with which to think about how the history of science can contribute to understanding today’s world. Ultimately, Beyond Craft and Code reconfigures the historiography of science and technology to suggest a new way to approach the questions posed by an algorithmic culture—not only improving our understanding of algorithmic pasts and futures but also unlocking our ability to better govern our present.
The Other Latinos addresses an important topic: the presence in the United States of Latin American and Caribbean immigrants from countries other than Mexico, Cuba, and Puerto Rico. Focusing on the Andes, Central America, and Brazil, the book brings together essays by a number of accomplished scholars.
Michael Jones-Correa's chapter is a lucid study of the complex issues in posing "established" and "other," and "old" and "new" in the discussion of Latino immigrant groups. Helen B. Marrow follows with general observations that bring out the many facets of race, ethnicity, and identity. Claret Vargas analyzes the poetry of Eduardo Mitre, followed by Edmundo Paz Soldán's reflections on Bolivians' "obsessive signs of identity." Nestor Rodriguez discusses the tensions between Mexican and Central American immigrants, while Arturo Arias's piece on Central Americans moves brilliantly between the literary (and the cinematic), the historical, and the material. Four Brazilian chapters complete the work.
The editors hope that this introductory work will inspire others to continue these initial inquiries so as to construct a more complete understanding of the realities of Latin American migration into the United States.
Copied probably in Venice around 1430, the Oxford manuscript contains the most comprehensive surviving collection of secular songs of the late fourteenth and early fifteenth centuries. Of the 326 pieces, 216 are not found in any other source. Including works by Guillaume Dufay, Binchois, and nearly all other leading composers of their generation, it is central to an understanding of fifteenth-century song traditions. Because of the copyist's clear and distinctive hand, it is also significant for studies of late medieval musical notation. David Fallows's introduction includes a history of the manuscript, analysis of its preparation, and survey of its choice of repertory, as well as a full inventory of the music and alphabetical indexes by title and composer. The original-size facsimile includes beta-radiographs of all watermarks, as well as ultraviolet photos that show the copyist's changes and revisions.
This volume is the first edition in a new series called Late Medieval and Early Renaissance Music in Facsimile edited by Margaret Bent and John Nádas and published by the University of Chicago Press. This series will include high-quality reproductions of some of the most important and frequently studied European music manuscripts of the late thirteenth through early fifteenth centuries. Each beautifully produced facsimile edition will include a detailed critical introduction and a complete inventory by an acknowledged expert in the field.
A call to arms exploring the protest movements of 2020 as they reverberated through the athletic world
Starting with the refusal of George Hill of the Milwaukee Bucks to participate in an August 2020 playoff game following the shooting of Jacob Blake by police in Kenosha, Wisconsin, Grant Farred shows how the Covid-restricted NBA “bubble” released an energy that spurred athletes into radical action. They disrupted athletic normalcy, and in their grief and rage against American racism they demonstrated the true progressivism lacking in even the most reformist-minded politicians and pundits. Farred goes on to trace the radicalism of black athletes in a number of sports, including the WNBA, women’s tennis, the NFL, and NASCAR, locating contemporary athletes in a lineage that runs through Muhammad Ali as well as Tommy Smith and John Carlos at the 1968 Olympics.
Only a Black Athlete Can Save Us Now uses sport as a point of departure to argue that the dystopic crisis of our current moment offers a singular opportunity to reimagine how we live in the world.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Using rich interviews and participant observation, Patrick Ferrucci examines institutions with funding mechanisms that range from traditional mogul ownership and online-only nonprofits to staff-owned cooperatives and hedge fund control. The variations in market models have frayed the tenets of professionalization, with unique work cultures emerging from each organization’s focus on its mission and the implantation of its own processes and ethical guidelines. As a result, the field of American journalism no longer shares uniform newsgathering practices and a common identity, a break with the past that affects what information we consume today and what the press will become tomorrow.
An inside look at a fracturing profession, The Organization of Journalism illuminates the institution’s expanding impact on newsgathering and the people who practice it.
In the theater industry, “off book” refers to the date by which performers are to have memorized their lines and will no longer carry their play script—the “book”—on stage. But for the authors of this volume, the question is not when the book needs to be memorized, but why is there a need to be “on” book in the first place? Practitioners of devised performance choose to compose live performances from scratch rather than follow instructions in someone else’s script; educators of devised performance prefer to practice learning, too, as a generative and creative process that can never be confused with mere memorization. In its usual context, “off book” implies that theater is (literally) authorized by the book—the dramatic text—that represents its essential core or contains its meaning. Yet the “book” is not essential, and the chapters here highlight higher education theater practices that throw away the “book” altogether, creating space for actors and learners to do more than memorize. The conventional rules and hierarchies of theater creation, research, training, and education are not always relevant, or desirable, in these contexts. Instead, the questions and practices that go beyond the “book” matter.
Lively and engaging, Off Book will be a valuable and unique resource for university students, drama educators, theater historians, and practicing devised theater artists.
“Climate is a rather elusive entity,” wrote Helmut Landsberg in 1950 as he sorted out some twenty or so competing definitions. This volume of Osiris explores the complexities in understanding what climate means from a historical perspective. The title of this volume, Klima, evokes its Greek origins, κλίμα, meaning an extended period encompassing vast layers of different kinds of meteorological information. The volume thus seeks not only to decouple Klima from its current exclusive association with atmospheric sciences, but also to re-visit the implications of an ancient vocabulary for medical, geographical, agricultural, economic, racial, and other “endemic” concerns. If climate is not just about the weather, what is it? The essays in this volume treat climate discourse as a framing device that makes explicit all social concerns arising from the anxiety over the sensible and latent experiences of living in an atmosphere of hunger and satiation, disease and health, poverty and wealth, isolation and community, angst and hope.
James Fleming is a historian of science and technology and Professor of Science, Technology and Society at Colby College, Maine. Vladimir Jankovic is a faculty member, at the Centre for the History of Science, Technology and Medicine, University of Manchester. He is a historian of atmospheric sciences, and has published in the history of meteorology, geography of environmental knowledge, and medical climatology.
Written before the occupation of Czechoslovakia in 1968 but not published until 1970, Of Mice and Mooshaber is Fuks’s first novel. The story takes place in an unspecified country in which the ruler has been overthrown and replaced by a dictator. The main protagonist, Mrs. Mooshaber, is an old widow whose husband was a coachman in a brewery. Her life revolves around her job as a caretaker for troublesome children, her own ungrateful children, and her fear of mice, which she tries to catch in traps. Blending elements of the grotesque with the fantastic, Fuks’s novel of heartbreaking tragedy speaks to the evil that can be found within the human soul.
How can architecture develop better aesthetic directions for the twenty-first-century built environment?
Our world, increasingly defined by efficient but unconsidered architecture and cities, seems to be getting uglier. In On the Appearance of the World, Mark Foster Gage asks why. He imagines a future scenario where architectural design and ideas from aesthetic philosophy align toward the production of a built world that is more humane, habitable, beautiful, and just.
Antiquity’s most prolific and influential medical writer and practitioner.
If the work of Hippocrates is taken as representing the foundation upon which the edifice of historical Greek medicine was raised, then the work of Galen, who lived some six hundred years later, may be looked upon as the summit of the same edifice.
He was born in Pergamum AD 129, and both there and in other academic centers of the Aegean pursued his medical studies before being appointed physician to the Pergamene gladiators in 157. Becoming dissatisfied with this type of practice he emigrated to Rome, where he soon won acknowledgement as the foremost medical authority of his time and where, with one brief interruption, he remained until his death in 199.
Galen’s merit is to have crystallized or brought into focus all the best work of the Greek medical schools which had preceded his own time. It is essentially in the form of Galenism that Greek medicine was transmitted to after ages.
Toward a posthumanist art and ethology
The Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that artistic knowledge, with its experimental nature, ability to contain contradictions, and more capacious understanding of truth-claims, presents a valuable supplement to scientific knowledge when it comes to encountering and existing alongside nonhuman animals and life worlds.
Though critical of art works involving animals that are unreflective and exploitative, Gerspacher’s exploration of aesthetic practices by Allora & Calzadilla, Pierre Huyghe, Agnieszka Kurant, Araya Rasdjarmrearnsook, Martin Roth, David Weber-Krebs, and others suggests that, alongside scientific practices, art has much to offer in revealing the otherworldly qualities of animals and forging ecopolitical solidarities with fellow earthlings.
Explores how university governance is restricted by ceremony and what it must do to survive
University shared governance is a microcosm of regulation and thrives particularly on ceremony to communicate its relevance. While many investigations of university governance examine representation, Opening Ceremony offers that, instead, stakeholders’ belief in institutional values can invite revision of stagnant governance practices. Governance tells us what the rules are, but they also tell us how to feel: opening up the ceremonial communication of this system invites new participants to rewrite how universities respond to felt needs.
Kathryn J. Gindlesparger considers how to break the seal of ceremony to invite voices not traditionally heard in governance and, in doing so, protect the ideals of the institution and rebuild trust in higher education.
Ornette Coleman’s career encompassed the glory years of jazz and the American avant-garde. Born in segregated Fort Worth, Texas, during the Great Depression, the African-American composer and musician was zeitgeist incarnate. Steeped in the Texas blues tradition, he and jazz grew up together, as the brassy blare of big band swing gave way to bebop—a faster music for a faster, postwar world. At the luminous dawn of the Space Age and New York’s 1960s counterculture, Coleman gave voice to the moment. Lauded by some, maligned by many, he forged a breakaway art sometimes called “the new thing” or “free jazz.” Featuring previously unpublished photographs of Coleman and his contemporaries, this book tells the compelling story of one of America’s most adventurous musicians and the sound of a changing world.
This collection relies on the language of literary aesthetics to examine Du Bois’s political agenda and, conversely, on varying accounts of that political agenda to assess his aesthetic choices. It also helps us understand why Souls became a literary and political classic and has played such a decisive role in the formation of twentieth-century African American literature and political thought. The essays explore a variety of topics, including the possibility that Souls was modeled on Richard Wagner’s idea of a total artwork, Du Bois’s thinking about the political significance of homosociality, and the interplay of racialism, nationalism, and globalism in Souls.
Contributors. Anne E. Carroll, Vilashini Cooppan, Robert Gooding-Williams, Sheila Lloyd, Dwight A. McBride, Charles I. Nero, Cheryl A. Wall, Alexander G. Weheliye
From basic training at Camp Meigs in Readville, Massachusetts, through campaigns in Georgia, South Carolina, and Florida, Gooding faithfully records the activities of the 54th, including the legendary storming of Fort Wagner. He also voices the injustice felt by soldiers of his regiment over the issue of unequal pay, the refusal to promote deserving black enlistees to officer rank, and the deeply ingrained racism of whites in both the North and South.
Wounded and captured during the battle of Olustee, Florida, in February 1864, Gooding died later that year in Andersonville Prison.
In her introduction, Virginia M. Adams provides biographical details on Gooding's life and examines the antebellum history of New Bedford's large and articulate community of free blacks.
Since Columbus first called the natives of the Americas “Indians,” the sources of their art and culture have been a puzzle. The strange mixture of objects of Asian appearance with those decidedly un-Asian has provided fuel for controversy between those who see the American cultures as products of diffusion and those who see them as independent inventions. Origins of Pre-Columbian Art cuts through this old dispute to provide a fresh look at ancient cultural history in the Americas and the Pacific basin.
Using evidence from archaeology, ethnology, and psychology, Terence Grieder suggests that contact between individuals across cultural borders is the root of both invention and diffusion. By tracing the spread of early symbolic techniques, materials, and designs from Europe and Asia to the lands of the Pacific and to the Americas, he displays the threads woven through humanity’s common cultural heritage.
While archaeology provides examples of ancient symbols, ethnology reveals widely separated modern peoples still using these symbols and giving them similar meanings. Mapping these patterns of use and meaning, the author describes three waves of migration from Asia to the Americas, each carrying its own cluster of ideas and the symbols that expressed them.
First Wave cultures focused on their environment and on the human body, inventing symbols that compared people and nature. Second Wave symbolism emphasized the center and the periphery: the village and the horizon; the tree or pole as world axis; and the world’s rim, where spirits exist. These cultures created masks to give form to those beings beyond the horizon. The heavens were finally incorporated into the system of symbols by Third Wave peoples, who named the celestial bodies as gods, treasured heaven-colored stones, and represented the world in pyramids.
Emphasizing the interpretation of art in its many forms, Grieder has found that such seemingly minor decorations as bark cloth clothing and tattoos have deep meaning. Ancient art, he argues, was the vehicle for ancient science, serving to express insights into biology, astronomy, and the natural world.
Old Brick was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Charles Chauncy was a powerful and influential figure in his own time, but in historical accounts he has always been overshadowed by his contemporaries Benjamin Franklin and Jonathan Edwards. When he is remembered today, it is usually as Edwards's chief antagonist during the Great Awakening of the 1740s. Yet Chauncy's fellow New Englanders knew that there was more to the man than that.
In the course of his 60-year tenure as a pastor of Boston's First Church (the "Old Brick"), Chauncy involved himself in most of the important intellectual, religious, and political issues of the century. Not only did he aggressively oppose the emotional revivalism of the Great Awakening, but he was also a bold pamphleteer and preacher in support of the American Revolution. In theology Chauncy became, as an old man, the leading advocate probably having scandalized his own forebears, but he insisted that he was true to his Protestant tradition and never abandoned his reliance on Scripture and Puritan discipline in favor of rationalist secularism.
Old Brick,the first full-scale biography of Charles Chauncy, attempts to recover not only Chauncy the spokesman for the ideas of a great many colonial Americans, but also the complex man who struggled with himself and with the events of his time to arrive at those positions. The portrait of Chauncy that emerges is fuller, more comprehensive, and more balanced than the stereotypes and partial portraits that have thus far represented him in history. This biography now makes it possible to consider Chauncy a figure worthy of study in his own right and to take a fresh look at eighteenth-century New England in light of the tradition Chauncy represents.
Although open content licenses only account for a fraction of all copyright licenses currently enforced in the world, their introduction has had profound effects on the use and dissemination of information. This book explores the theoretical underpinnings of these licenses and offers insight on the practical advantages and inconveniences of their use. The essays collected here include an objective study of the principles of open content from the perspective of European intellectual property law as well as novel examinations of their possible implementation in different areas of the cultural or information industry.
At a time of debate about the future of “English” as a discipline and the fundamental methods of literary study, few terms appear more frequently than “close reading,” now widely regarded as the core practice of literary study. But what exactly is close reading, and where did it come from? Here John Guillory, author of the acclaimed Professing Criticism, takes up two puzzles. First, why did the New Critics—who supposedly made close reading central to literary study—so seldom use the term? And second, why have scholars not been better able to define close reading?
For Guillory, these puzzles are intertwined. The literary critics of the interwar period, he argues, weren’t aiming to devise a method of reading at all. These critics were most urgently concerned with establishing the judgment of literature on more rigorous grounds than previously obtained in criticism. Guillory understands close reading as a technique, a particular kind of methodical procedure that can be described but not prescribed, and that is transmitted largely by demonstration and imitation.
Guillory’s short book will be essential reading for all college teachers of literature. An annotated bibliography, curated by Scott Newstok, provides a guide to key documents in the history of close reading along with valuable suggestions for further research.
Based on a true story, On the Rope is an account of extreme courage in the face of danger, violence, and hatred. Exploring themes of displacement and survival, friendship and family, it ends with the women’s efforts to bring recognition the selfless heroism of those who faced tremendous personal risk in order to protect them. A novella by one of Europe’s most prominent literary novelists, On the Rope layers deeply personal stories in a grounded historical account of life before, during, and after the Second World War. It paints a vivid picture of the hardships forced upon people by conflict and separation, depicting the forming and unravelling of relationships as a fact of life.
This is an auto-narrated audiobook version of this book.
How do we use our mental images of the present to reconstruct our past? Maurice Halbwachs (1877-1945) addressed this question for the first time in his work on collective memory, which established him as a major figure in the history of sociology. This volume, the first comprehensive English-language translation of Halbwach's writings on the social construction of memory, fills a major gap in the literature on the sociology of knowledge.
Halbwachs' primary thesis is that human memory can only function within a collective context. Collective memory, Halbwachs asserts, is always selective; various groups of people have different collective memories, which in turn give rise to different modes of behavior. Halbwachs shows, for example, how pilgrims to the Holy Land over the centuries evoked very different images of the events of Jesus' life; how wealthy old families in France have a memory of the past that diverges sharply from that of the nouveaux riches; and how working class construction of reality differ from those of their middle-class counterparts.
With a detailed introduction by Lewis A. Coser, this translation will be an indispensable source for new research in historical sociology and cultural memory.
Lewis A. Coser is Distinguished Professor of Sociology Emeritus at the State University of New York and Adjunct Professor of Sociology at Boston College.
Octave Mirbeau was one of the most prolific literary figures of France’s storied Belle Époque, and his innovative theatrical works are only recently being rediscovered and appreciated by modern audiences. Here for the first time in English-language translation are his two most celebrated and successful plays: Business is Business, a classical comedy of manners recalling Molière; and Charity, a satirical comedy centered around the exploitation of adolescents in a dubious charity home. In addition to the play texts, this volume also includes an introduction contextualizing the works and the translation and adaptation process.
Contributors. Giso Amendola, Martín Bergel, Kathy Ferguson, Michael Hardt, Wang Hui, Artemy Magun, John MacKay, Sandro Mezzadra, Antonio Negri, Enzo Traverso
This book tells the story of the garden through accounts of each of its keepers, tracing their work and priorities, from its founding keeper, Jacob Bobart, through to the early nineteenth-century partnership of gardener William Baxter and academic Charles Daubeny, who together gave the garden its greenhouse and ponds and helped ensure its survival to the present. Richly illustrated, this book offers a wonderful introduction to a celebrated Oxford site.
Although Harrison and Williams have since passed away, their voices shine through the pages of this book and the history of their people remains to be passed along and shared. Thanks to the efforts of Scottsdale, Arizona, resident and Orme Dam activist Carolina Butler, this important document is being made available to the public for the first time.
Oral History of the Yavapai offers a wide range of information regarding the Yavapai people, from creation beliefs to interpretations of historical events and people. Harrison and Williams not only relate their perspectives on the relationship between the “White people” and the Native American peoples of the Southwest, but they also share stories about prayers, songs, dreams, sacred places, and belief systems of the Yavapai.
As the Cuban Missile Crisis eases, President Kennedy is casting around for a demonstration of American prowess when one of his Cabinet unearths an old mandate that US Marines be fit enough to walk fifty miles in twenty hours. Perfect! Kennedy decides to throw down the gauntlet to “today’s Marines,” but before he knows it, he’s sparked a wild fad. The entire country has answered the call, it seems, and for a few crazed winter weeks, masses of Americans will embark on their own arduous Big Walks—the “JFK 50-Milers.”
Yet in tiny Humtown—an isolated mill town in the Pacific Northwest—not everyone who shows up for a hastily organized Big Walk is motivated by patriotism. Not Helen Hubka, an inveterate gossip; not the suicidal Caroline, who months earlier lost her beloved husband during the Storm of the Century. Not ex-soldier/fisherman Jaspar Goode, nor the unknown man in their midst, a collared priest who seems to shift identities at will. Certainly not Avis, a battered teenager running from her terrifying brother . . . with a stolen town treasure. And when the walkers stumble upon the abandoned car of a missing young mother, they rekindle a mystery that soon reverberates among them, exposing hidden truths, talents, and alliances.
Splendidly imagined, with prose that sings on the page, On the Way to the End of the World is an adventure story riven with secrets, a national fairy tale twisted into a whodunit.
The effort to achieve greater European unity has absorbed the interests and energies of a number of Europeans and Americans since the end of World War II. Edward Heath, who led Britain's earliest attempt to join the European Economic Community, first made this comprehensive statement of the philosophy and purpose behind the movement for European unity in a series of lectures he gave at Harvard University in March 1967. In discussing the future development of Europe, Mr. Heath considered factors relating to domestic and foreign politics, economics, and defense, presenting a complete picture of Europe and suggesting a course that might bring about a successful unity.
"The lectures," writes Mr. Heath in 1970, "...were an attempt to look behind the immediate headlines and examine in greater depth the stage which Europe had reached in its search for unity. I was particularly concerned to trace the development of the European Economic Community and to deduce from its history the direction of its future development. At the same time I examined Britain's attitude towards the EEC and how British aspirations in Europe fitted into a general concept of Britain's place in the world..."
"Much has happened since March 1967, but insofar as they concern Europe, events have in a curious way brought us full circle. Now, as in 1967, we in Europe are in the middle of a lively debate about our future. This debate has two main facets. It is partly a debate throughout our continent on the meaning and content of the search for European unity. It is partly a debate within Britain on the likelihood and wisdom of Britain's entry into the EEC and on the effect which such entry would have upon our future prosperity, security, and national identity."
Mr. Heath has updated the lectures in his introduction, although his lucid and intelligent analysis remains extremely far-sighted even in the context of subsequent political changes and events. His consideration of Europe's future is not merely theoretical--Mr. Heath speaks from the standpoint of one who has had direct and continuous practical experience with the problems of Europe. His frank recognition of Britain's loss of power in the world and his belief that through Europe his country may win new influence and play a new political role attest to his great insight. These lectures are thus an important political statement by one of Europe's outstanding leaders.
A new environmental movement is emerging to help combat threats to America's oceans and coasts, with hundreds of local and regional groups as well as dozens of national and international organizations being formed. The Ocean and Coastal Conservation Guide represents a comprehensive guide to this new "Blue Movement."
This one-of-a-kind new reference details more than 2,000 organizations and institutions that are working to understand, protect, and restore our ocean and coastal areas. For each entry, the book gives contact information including phone and fax numbers, email addresses, web addresses and a brief description of program areas of interest. Along with the state-by-state listings of groups, the directory includes three detailed sections that identify relevant government agencies, academic marine programs, and marine and coastal parks and protected areas.
To be published biennially, The Ocean and Coastal Conservation Guide is a vital new resource for anyone interested in the growing community of people working to protect and restore our coastal lands and waters.
This is an auto-narrated audiobook edition of this book.
A timely reconsideration of the history of the profession, Outside Literary Studies investigates how midcentury Black writers built a critical practice tuned to the struggle against racism and colonialism.
This striking contribution to Black literary studies examines the practices of Black writers in the mid-twentieth century to revise our understanding of the institutionalization of literary studies in America. Andy Hines uncovers a vibrant history of interpretive resistance to university-based New Criticism by Black writers of the American left. These include well-known figures such as Langston Hughes and Lorraine Hansberry as well as still underappreciated writers like Melvin B. Tolson and Doxey Wilkerson. In their critical practice, these and other Black writers levied their critique from “outside” venues: behind the closed doors of the Senate Permanent Subcommittee on Investigations, in the classroom at a communist labor school under FBI surveillance, and in a host of journals. From these vantages, Black writers not only called out the racist assumptions of the New Criticism, but also defined Black literary and interpretive practices to support communist and other radical world-making efforts in the mid-twentieth century. Hines’s book thus offers a number of urgent contributions to literary studies: it spotlights a canon of Black literary texts that belong to an important era of anti-racist struggle, and it fills in the pre-history of the rise of Black studies and of ongoing Black dissent against the neoliberal university.
An oak begins its life with the precarious journey of a pollen grain, then an acorn, then a seedling. A mature tree may shed millions of acorns, but only a handful will grow. One oak may then live 100 years, 250 years, or even 13,000 years. But the long life of an individual is only a part of these trees’ story.
With naturalist and leading researcher on the deep history of oaks Andrew L. Hipp as our guide, Oak Origins is a sweeping evolutionary history, stretching back to a population of trees that lived more than fifty million years ago. We travel to ancient tropical Earth to see the ancestors of the oaks evolving in the shadows of the dinosaurs. We journey from the once-warm Arctic forests of the oaks’ childhood to the montane cloud forests of Mexico and the broadleaved evergreen forests of southeast Asia. We dive into current research on oak genomes to see how scientists study genes moving between species and how oaks evolve over generations—and tens of millions of years. Finally, we learn how oak evolutionary history shapes the forests we know today, and how it may even shape the forests of the future.
Oaks are familiar to almost everyone and beloved. They are embedded in our mythology. They have fed us, housed us, provided wood for our ships and wine barrels and homes and halls, planked our roads, and kept us warm. Every oak also has the potential to feed thousands of birds, squirrels, and mice, and host countless insects, mosses, fungi, and lichens. But as Oak Origins makes clear, the story of the oaks’ evolution is not just the story of one important tree. It is the story of the Tree of Life, connecting all organisms that have ever lived on Earth, from oaks’ last common ancestor to us.
This festschrift honors the work of Stanley K. Stowers, a renowned specialist in the field of Pauline studies and early Christianity, on the occasion of his sixty-fifth birthday and retirement from Brown University. The collection includes twenty-eight essays on theory and history of interpretation, Israelite religion and ancient Judaism, the Greco-Roman world, and early Christinity, a preface honoring Stowers, and a select bibliography of his publications.
Contributors include: Adriana Destro, John T. Fitzgerald, John G. Gager, Caroline Johnson Hodge, Ross S. Kraemer, Saul M. Olyan, Mauro Pesce, Daniel Ullucci, Debra Scoggins Ballentine, William K. Gilders, David Konstan, Nathaniel B. Levtow, Jordan D. Rosenblum, Michael L. Satlow, Karen B. Stern, Emma Wasserman, Nathaniel DesRosiers, John S. Kloppenborg, Luther H. Martin, Arthur P. Urbano, L. Michael White, William Arnal, Pamela Eisenbaum, Troels Engberg-Pedersen, Karen L. King, Christopher R. Matthews, Erin Roberts, and Richard Wright.
What do we mean when we say that we are bored? Contributors to this volume, which include artists, art historians, psychoanalysts, and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance, and automation. On Boredom is idiosyncratic for its combination of image and text, and the artworks included in its pages—featuring Mathew Hale, Martin Creed, and Susan Morris—help turn this volume into a material expression of boredom itself. It will appeal to readers in the fields of art history, literature, cultural studies, and visual culture.
In 1961, the University of Chicago Press published Richmond Lattimore's translation of Homer’s The Iliad. For more than sixty years, it has served to introduce readers to the ancient Greek world of gods and heroes and has been one of the most popular and respected versions of the work. Yet through all those decades, Chicago never published a companion translation of the best-known epic in the Western canon, The Odyssey—until now.
With his new Odyssey, celebrated author, critic, classicist, and translator Daniel Mendelsohn has created a rendering worthy of Chicago’s unparalleled reputation in classical literature. Widely known for his essays bringing classical literature and culture to mainstream audiences in the New Yorker and many other publications, Mendelsohn eschews the streamlining and modernizing approach of many recent translations, focusing instead on the epic’s formal qualities—meter, enjambment, alliteration, assonance—in order to bring it to life in all its archaic grandeur. In this line-for-line rendering, the long, six-beat line he uses, closer to the original than that of other recent translations, allows him to capture each Greek line without sacrificing the amplitude and shadings of the original.
The result is a magnificent feat of translation, one that conveys the poetics of the original while bringing to vivid life the gripping adventure, profound human insight, and powerful themes that make Homer’s work continue to resonate today. Supported by an extensive introduction, notes, and commentary, Mendelsohn’s Odyssey is poised to become the authoritative English-language version of this magnificent and enduringly influential masterpiece.
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.
Horace (b. 65 B.C.) claims the lyric poetry of Sappho and Alcaeus as models for his celebrated odes. His four books cover a wide range of moods and topics: friendship is the dominant theme of about a third of the poems; a great many deal with love and amorous situations, often amusingly; others deal with patriotic and political themes. The seventeen epodes, which Horace called iambi, were also inspired by a Greek model: the seventh century iambic poetry of Archilochus. As in the odes, love and politics are frequent themes; some of the epodes also display mockery and ridicule, of a harsher variety than we find in Horace's satires.
The American Indian—origin, culture, and language—engaged the best minds of Europe from 1492 to 1729. Were the Indians the result of a co-creation? Were they descended from the Ten Lost Tribes of Israel? Could they have emigrated from Carthage, Phoenicia, or Troy? All these and many other theories were proposed.
How could scholars account for the multiplicity of languages among the Indians, the differences in levels of culture? And how did the Indian arrive in America—by using as a bridge a now-lost continent or, as was later suggested by some persons in the light of an expanding knowledge of geography, by using the Bering Strait as a migratory route?
Most of the theories regarding the American Indian were first advanced in the sixteenth century. In this distinctive book Lee E. Huddleston looks carefully into those theories and proposals. From many research sources he weaves an historical account that engages the reader from the very first.
The two most influential men in an early-developing controversy over Indian origins were Joseph de Acosta and Gregorio García. Approaching the subject with restraint and with a critical eye, Acosta, in 1590, suggested that the presence of diverse animals in America indicated a land connection with the Old World. On the other hand, García accepted several theories as equally possible and presented each in the strongest possible light in his Origen de los indios of 1607.
The critical position of Acosta and the credulous stand of García were both developed in Spanish writing in the seventeenth century. The Acostans settled on an Asiatic derivation for the Indians; the Garcians continued to accept most sources as possible. The Garcian position triumphed in Spain, as was shown by the republication of García’s Origen in 1729 with considerable additions consistent within the original framework.
Outside of Spain, Acosta was the more influential of the two. His writings were critical in the thinking of such men as Joannes de Laet (who bested Grotius in their polemic on Indian origins), Georg Horn, and Samuel Purchas. By the end of the seventeenth century the Acostans of Northern Europe had begun to apply physical characteristics to the determination of Indian origins, and by the early eighteenth century these new criteria were beginning to place the question of Indian origins on a more nearly scientific level.
On Good Ground was first published in 1951. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Besides providing a vivid yet scholarly account of a religious order, this book reflects much of the regional history of the area where the nuns have done their work. The order maintains the College of St. Catherine and numerous other institutions in Minnesota and North Dakota.
Much of the artwork that rose to prominence in the second half of the twentieth century took on novel forms—such as installation, performance, event, video, film, earthwork, and intermedia works with interactive and networked components—that pose a new set of questions about what art actually is, both physically and conceptually. For conservators, this raises an existential challenge when considering what elements of these artworks can and should be preserved.
This provocative volume revisits the traditional notions of conservation and museum collecting that developed over the centuries to suit a conception of art as static, fixed, and permanent objects. Conservators and museums increasingly struggle with issues of conservation for works created from the mid-twentieth to the twenty-first century that are unstable over time. The contributors ask what it means to conserve artworks that fundamentally address and embody the notion of change and, through this questioning, guide us to reevaluate the meaning of art, of objects, and of materiality itself. Object—Event—Performance considers a selection of post-1960s artworks that have all been chosen for their instability, changeability, performance elements, and processes that pose questions about their relationship to conservation practices. This volume will be a welcome resource on contemporary conservation for art historians, scholars of dance and theater studies, curators, and conservators.
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