A SCHOLARLY BOOK REPOSITORY
Questing Fictions was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Questing Fictions analyzes twentieth-century Latin American fiction in the light of contemporary literary theory. Djelal Kadir examines key works by several writers—including Jorges Luis Borges, Octavio Paz, Lezama Lima, Alejo Carpentier, Juan Rulfo, and Carlos Fuentes—and demonstrates how these writers are obliged to invent their own reality and how their successors inevitably must continue that inventive tradition. In a larger sense, Kadir describes how works of literature originate and, in turn, generate other literary works.
Aiming at the specific nature of discourse written from the perspective of non-European cultures, Questing Fictions identifies and focuses on the predicament of writers caught between the cultural domination of Europe and the need to strive for cultural autonomy. Kadir explains that this predicament is shared by all Latin American authors and may well characterize all recently emergent literatures. He traces the problems of continuity and rupture within the Latin American tradition and addresses, as well, deeper questions of narrative and narration. In the process, Kadir reveals the interrelatedness of the continent's principal fables and shows their relationship to the larger Western tradition. Finally, Questing Fictions posits that Latin American narratives cannot escape the the quest for an identity that they can never fully attain.
Chilean writer Gabriela Mistral (1889-1957), the first Latin American to win theNobel Prize for Literature, was a poetic idol for generations of Latin Americans who viewed her as Womanhood incarnate, the national schoolteacher-mother. How this distinctly masculine woman who never gave birth came to occupy this role, and what Mistral’s image, poetry, and life have to say about the relations-and realities-of race, gender, and sexual politics in her time, are the questions Licia Fiol-Matta pursues in this book, recreating the story of a woman whose misrepresentation is at least as intriguing, and as instructive, as her fame.
A Queer Mother for the Nation weaves a nuanced understanding of how Mistral cooperated with authority and fashioned herself as the figure of Motherhood in collaboration with the state. Drawing on Mistral’s little-known political and social essays, her correspondence and photographs, Fiol-Matta reconstructs Mistral’s relationship to state politics. Her work questions the notion of queer bodies as outlaws, and insists on the many ways in which queer subjects have participated in and sustained the normative discourses they seem to rebel against
"This is a fascinating, brilliantly written book, as interesting in its description of the author's journeys as it is in its investigation of the reality that lies behind 'the finest novel in the English language with an Indian theme,'" as Kim has been described by Nirad Chaudhuri." --T. J. Binyon, Times Literary Supplement
"In an original combination of autobiography, travel writing, and literary detective work, Hopkirk manages accessibly to tell the story of Kim and his own obsession with it. Hopkirk illustrates how creatively and thoroughly the reading of a work of fiction can shape a whole life's experience." -- John R. Bradley, Independent on Sunday
". . . a reminder of just how absorbing was the world Kipling knew, and how fabulous was his transformation of it into literature." --Richard Bernstein, New York Times
Peter Hopkirk has traveled widely over many years in the regions where his books are set--Central Asia, Russia, China, India, Pakistan, and the Middle East. His nearly twenty years with The Times included work as an Asian affairs specialist. His previous books include The Great Game, Foreign Devils on the Silk Road, Trespassers on the Roof of the World, Setting the East Ablaze, and Our Secret Service East of Constantinople. His works have been translated into twelve languages.
Many previous critics of Forster downplayed his homosexuality or read Forster naively in terms of gay liberation. This collection situates Forster within the Bloomsbury Group and examines his relations to major figures such as Henry James, Edward Carpenter, and Virginia Woolf. Particular attention is paid to Forster's several accounts of India and their troubled relation to the British colonial enterprise. Analyzing a wide range of Forster's work, the authors examine material from Forster's undergraduate writings to stories written more than a half-century later.
A landmark book for the study of gender in literature, Queer Forster brings the terms "queer" and "gay" into conversation, opening up a dialogue on wider dimensions of theory and allowing a major revaluation of modernist inventions of sexual identity.
Amideo engages and extends the work of Black queer studies, Oceanic studies, ecocriticism, phenomenology, and new materialism through the theorizations of Sara Ahmed, Omise’eke Natasha Tinsley, M. Jacqui Alexander, Édouard Glissant, José Esteban Muñoz, and Edward Kamau Brathwaite, among others. Ambitious in scope and captivating to read, Queer Tidalectics brings Caribbean writers like Glissant and Brathwaite into queer literary analysis—a major scholarly contribution.
Most significantly, Quiet Orient Riot asks of itself, without release or relief: can a text seek linguistic disorientation and reorientation both? Can a text walk the tightrope from detail to detail to envision a kind of awareness that is kin to worship? Quiet Orient Riot does not shy away from a word like “worship.” Nor does it shy away from how such worship might manifest in the words of a poem, bowing to a “chirpy printed sound” in Palestine and a forest of “little justices.”
She is the winner of the 2019 Omnidawn 1st/2nd Poetry Book Contest, chosen by Dawn Lundy Martin.
Recipient, 2008 Guggenheim Fellowship
With her strong voice and precise language, Meena Alexander has crafted this visceral, worldly collection of poems. The experience she brings to the reader is sensual in many senses of the word, as she invokes bright colors, sounds, smells, and feelings. Her use of vivid imagery from the natural world—birds, lilies, horses—up against that from the world of humans—oppression, slavery, and violence—ties her work to the earth even as she works a few mystical poetic transformations.
In Alexander’s world, the songs of a bird can become the voice of a girl in a café and the red juice of mulberries can be as shocking as blood. When she focuses her attention on the cloth of a girl’s sari, the material of a woman’s life, or the blood in her veins, she speaks to the particular experience of women in the world. The women are vividly present—sometimes they are hidden or veiled, juxtaposed with open gardens in full bloom. It is difficult not to come away from Quickly Changing River without a new sense of the power and frailty of being alive.
In this major rethinking of American literature and culture, Scott Herring explores how a key group of authors manipulated this genre to paradoxically evade the confines of sexual identification. Queering the Underworld examines a range of writers, from Jane Addams and Willa Cather to Carl Van Vechten and Djuna Barnes, revealing how they fulfilled the conventions of slumming literature but undermined its goals, and in the process, queered the genre itself. Their work frustrated the reader’s desire for sexual knowledge, restored the inscrutability of sexual identity, and cast doubt on the value of a homosexual subculture made visible and therefore subject to official control.
Herring is persuasive and polemical in connecting these writers to ongoing debates about lesbian and gay history and politics, and Queering the Underworld will be widely read by students and scholars of literature, history, and sexuality.
The subjects treated in this symposium have one major characteristic in common, that they have recently, or relatively recently, enjoyed high popularity among readers. Also, they have received from substantial to torrents of comment.
A new paradigm for queer theory
Michael Snediker offers a much-needed counterpoint to queer theoretical discourse, which has long privileged melancholy, self-shattering, incoherence, shame, and the death drive. Recovering the forms of positive affect that queer theory has jettisoned, Snediker insists that optimism must itself be taken beyond conventional tropes of hope and futurity and reimagined as necessary for critical engagement.
Through fresh, perceptive, and sensitive readings of the poetry of Emily Dickinson, Hart Crane, Jack Spicer, and Elizabeth Bishop, Snediker reveals that each of these poets demonstrated an interest in the durability of positive affects. Dickinson, Snediker argues, expresses joy and grace as much as pain and loss, and the myriad cryptic smiles in Hart Crane’s White Building contradict prevailing narratives of Crane’s apocryphal literary failures and eventual suicide. Snediker’s ambitious and sophisticated study, informed by thinkers such as Winnicott, Deleuze, and de Man, both supplements and challenges the work of queer theory’s leading figures, including Judith Butler, Leo Bersani, Eve Kosofsky Sedgwick, and Lee Edelman. Queer Optimism revises our understanding of queer love and affiliation, examining Spicer’s serial collusion with matinee idol Billy the Kid as well as the critically neglected force of Bishop’s epistolary and poetic reparations of the drowned figure of Hart Crane. In doing so, Snediker persuasively reconceives a theoretical field of optimism that was previously unavailable to scrupulous critical inquiry and provides a groundbreaking approach to modern American poetry and poetics.
Each chapter is a theoretical inquiry into an aspect of poetics in an expanded sense—from the relation of experimental poetry to cultural logics of liberation and political economy, to questions of community and the politics of the avant-garde, to the cultural contexts where it is produced and intervenes. Each serves as a kind of thought experiment that theorizes and assesses the consequences of Language writing in expanded fields of meaning that include history, political theory, art history, and narrative theory. While all are grounded in a series of baseline questions of poetics, they also polemically address the currently turbulent debates on the politics of the avant-garde, especially Language writing, among emerging communities of poets.
In manifold ways, Watten masterfully demonstrates the aesthetic and political aims of Language writing, its influence on emerging literary schools, and its present aesthetic, critical, and political horizons. Questions of Poetics will be a major point of reference in continuing debates on poetry and literary history, a critical reexamination for already familiar readers and a clearly presented introduction for new ones.
Boeckmann links character, literary genre, and science, revealing how major literary works both contributed to and disrupted the construction of race in turn-of-the-century America.
In A Question of Character, Cathy Boeckmann establishes a strong link between racial questions and the development of literary traditions at the end of the 19th century in America. This period saw the rise of "scientific racism," which claimed that the races were distinguished not solely by exterior appearance but also by a set of inherited character traits. As Boeckmann explains, this emphasis on character meant that race was not only a thematic concern in the literature of the period but also a generic or formal one as well.
Boeckmann explores the intersections between race and literary history by tracing the language of character through both scientific and literary writing. Nineteenth-century pseudo-sciences such as phrenology and physiognomy had a vocabulary for discussing racial character that overlapped conceptually with the conventions for portraying race in literature. Through close readings of novels by Thomas Dixon, Mark Twain, William Dean Howells, Charles Chesnutt, and James Weldon Johnson—each of which deals with a black character "passing" as white—Boeckmann shows how this emphasis on character relates to the shift from romantic and sentimental fiction to realism. Because each of these genres had very specific conventions regarding the representation of character, genres often dictated how races could be depicted.
"Quicksand and Passing are novels I will never forget. They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable." —Alice Walker
"A tantalizing mix of moral fable and sensuous colorful narrative, exploring female sexuality and racial solidarity."—Women's Studies International Forum
Rutgers' all-time bestselling book, Nella Larsen's novels Quicksand (1928) and Passing (1929) document the historical realities of Harlem in the 1920s and shed a bright light on the social world of the black bourgeoisie. The novels' greatest appeal and achievement, however, is not sociological, but psychological. As noted in the editor's comprehensive introduction, Larsen takes the theme of psychic dualism, so popular in Harlem Renaissance fiction, to a higher and more complex level, displaying a sophisticated understanding and penetrating analysis of black female psychology.
Passing is now a major motion picture written, produced, and directed by Rebecca Hall. It premiered at Sundance in 2021 and is available on Netflix.
This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. Questions About Angels--one of the books that helped establish and secure his reputation and popularity during the 1990s--is remarkable for its wry, inquisitive voice and its sheer imaginative range. Edward Hirsch selected this classic book for the National Poetry Series, and each of Collins's poems-from his meditation on forgetfulness to his musings on the behavior of angels-is an exploration of imaginative possibilities. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply "the real thing."
In lines electrified with lyricism and wit, Donald Finkel carves a clearing out of the backyard brush and the intellectual brambles of existence.
Whether he writes a short lyric or a long experimental series, Finkel relies on concrete images—a breeze through grass, a cigarette in a piano player’s hand—to ground his central questions about the clash of order and chaos in our everyday lives.
He delights in naming weeds and towering trees, cars and streets. Yet, in each poem, there is a constant tension between the actual wind and the words we must use to convey the wind’s force.
Working fluently in formal lines and in free verse, he can write with equal authority of butchers or great painters, aged bookkeepers or schizophrenics, Greek gods or house cats. In this new collection, Finkel has given us the priceless keepsakes, the best gifts from the clearing his words have won.
Pretty to think of the mind at its end
as a metaphysician beekeeping
after the leaves have fallen at autumn's end.
The bee metaphor is handled brilliantly and subtly throughout the collection as a reminder of how often our constant activity, whether it is mental or physical, is taken for granted.
Frost continues her investigation of the mortal plight by entering into a Dantesque descent into the ebb and flow of the seascape. Body consumes body over and over again as fish are caught and killed and the poet observes the flora and fauna as they partake in the darker cycles of nature. A long narrative poem about the Spanish explorer de Baca and his harrowing travels from southern Florida to Mexico powerfully reinforces the certainty of consumption and loss as it comments on the colonizing of the new world. In the final section, Frost returns once more to the need for movement and summons the Greek god Pan, who dances a rite of acceptance through a metaphysical landscape on the verge of seasonal change--the bees are not dead, the dark woods are filled with music.
Rachel Hadas reaches the peak of her poetic prowess in Questions in the Vestibule. A deeply personal and meditative collection in three sections, Questions moves through the liminal space of solitude and the coded landscape of dreams toward the startling power of a life-changing love.
Hadas’s voice and her formal elegance, as distinctive and distinguished as ever, endow this new work with a precise and thoughtful beauty. Questions in the Vestibule takes readers into a new territory of unapologetic bliss.
In these stories of magic and memory, clustered around a resort hotel in a small Virginia community, Cary Holladay takes the reader on an excursion through the changes wrought by time on the community and its visitors. From the quiet of a rural forest to the rhythms of rock and roll, The Quick-Change Artist is at once whimsical and hard-edged, dizzying in its matter-of-fact delivery of the fantastic.
Romance, a sense of place and belonging, and the supernatural—especially in the lives of children coming of age—offer windows into worlds beyond the ordinary throughout The Quick-Change Artist. In the title story, a young chambermaid is in love with a foreign magician who performs at the hotel where she works. In “Heaven,” set during the 1918 flu epidemic, a struggling mother and son rely on the support of their fortune-telling plow horse. The narrator of “Jane’s Hat” recalls a childhood enlivened by an unusual school principal and a friend who starts finding beauty everywhere.
Horses and the people who love them, wanderers and those who feed them, creatures that disappear and those who search for them: these are stories with a constant heart.
Based on the true story of a shameful episode in north Texas history, Quakertown draws on the rich texture of the South—the Pecan Creek running along the edges of Quakertown, the remarkable and rare white lilac, and the rising tensions marking each nod and greeting. With strength and a deep wisdom of heart, Martin carves out the delicate story of two families—one white and one black—and the child whose birth brought a gift of forgiveness.
Suffused with Martin’s deep compassion and profound humanity, Quakertown is an unforgettable novel from a master of American prose.
"T.M. McNally's stories are compact, complex, artful and truthful miracles of humanity and language-strong coffee for these narcoleptic times."
-Pam Houston, author of Waltzing the Cat
"Like good blues, these stories don't strain but seem to erupt from the heart, organic as blood."
-Ann Cummins, author of Red Ant House
"Quick is as bold as it is breakneck, part battle and part sermon, fiction meant for high ground and high heaven."
-Lee K. Abbott, author of Wet Places at Noon
From the author of Until Your Heart Stops and Almost Home, Quick is T. M. McNally's collection of powerful and starkly honest stories of American life.
The stories in Quick are complex, sometimes harsh, yet always unafraid of the dark truths many of the characters are forced to confront. Dense and layered, these miniature and compact sagas endow their often damaged characters with uncommon brilliance. Themes of love, loss, addiction, and courage roam freely throughout, and the author sets an unforgettable and palpable tone that is exceedingly spare yet faceted with views of the richness beneath the surface of everyday life.
This satisfying collection includes reminiscences and meditations on the details of memory and what it means to visit the past; the vices of titleism and the hydrosyllabic foot in poetry; a comparison of poems and journeys; appreciation of poets Donald Justice and John Crow Ransom; an attempt to define "image"; discussions of the current state of poetry; and various highlights from the Charles Wright Literary Festival.
Charles Wright's books of poetry include The World of the Ten Thousand Things and Country Music: Selected Early Poems. He received the 1993 Ruth Lilly Poetry Prize and the 1992 Award of Merit Medal from the American Academy of Arts and Letters. He is Souder Family Professor of English, University of Virginia.
Quiet Armor, the third full-length collection from poet Stevie Edwards, examines how capitalism and patriarchy impact romantic relationships and, more broadly, intimacy. Edwards considers the ways in which confessional performances of vulnerability can be coercive, whether popular culture encourages men to seek validation through sexual excess and aggression, and how we encourage women to be complicit in figurative and literal violence against other women.
Drawing on historical and mythological figures—including Medusa, Persephone, Shakespeare’s Lavinia, Saint Agatha, and Saint Christina—Edwards builds a fierce investigation into how rape culture has shaped the literary canon, academia, and the world at large. She brings readers into the quiet and intimate spaces we create despite trauma—or perhaps even because of it. Ultimately, Quiet Armor seeks to reclaim positive intimacy, showing us not only the desperate battles but also the healing embraces. All the while, these poems ask us: What does the end of rape culture look like? How do we get there?
Once or twice in a generation a poet comes along who captures the essential spirit of the American Midwest and gives name to the peculiar nature that persists there. Like James Wright, Robert Bly, Ted Kooser, and Jared Carter before him, Dan Lechay reshapes our imagination to include his distinct and profound vision of this undersung region.
The poetry of Dan Lechay, collected in The Quarry, constructs a myth of the Midwest that is at once embodied in the permanence of the landscape, the fleeting nature of the seasons, and the eternal flow of the river. Lechay writes of memory and the mutability of memory, of the change brought on a person by the years lived and lost, and of the stoic attempts made by those around him to elicit an order and rationale to their lives.
The Quarry is the first full-length collection from this seasoned poet. Final judge Alan Shapiro in writing about The Quarry said: “If Dan Lechay’s poems often begin with the ordinary details and circumstances of life in a small Midwestern town or city, they always end by reminding us that no moment of life is ever ordinary, that ‘Nothing is more mysterious than the way things are.’
The Quarry is a marvelous, disquieting, extraordinarily beautiful book that meditates on fundamental questions of time and change in and through a clear-eyed yet loving evocation of everyday existence. Under Lechay’s soulful gaze, the backyards, neighborhoods, animals, and landscapes he describes dramatize the often wrenching connection between beauty and loss, evanescence and memory. The Quarry is a thoroughly mature and accomplished book.”
These outstanding texts exemplify the glittering variety of styles, themes, settings, and subjects addressed by openly queer authors who write in German today. They explore identity, sexuality, history, fantasy, loss, and discovery. Their authors, narrators, and characters explore gender nonconformity and living queer everywhere from city centers to rural communities. They are gay, lesbian, bisexual, trans, and nonbinary. They are exiles, immigrants, and travelers through time and space.
Witty, titillating, and a delight to read, Quertext opens up new worlds of experience for readers interested in queer life beyond the Anglophone world.
Featuring work by Jürgen Bauer • Ella Blix • Claudia Breitsprecher • Lovis Cassaris • Gunther Geltinger • Joachim Helfer • Odile Kennel • Friedrich Kröhnke • Anja Kümmel • Marko Martin • Hans Pleschinski • Christoph Poschenrieder • Peter Rehberg • Michael Roes • Sasha Marianna Salzmann • Angela Steidele • Antje Rávik Strubel • Alain Claude Sulzer • Antje Wagner • J. Walther • Tania Witte • Yusuf Yeşilöz
A brilliantly savage story, Queer People is, according to Budd Schulberg, “a racy testament to an era as totally vanished as the civilization of the Aztecs,” and if not the Hollywood novel is “at least a truly seminal work.”
Today’s readers will recognize in this long-forgotten Hollywood novel the seeds of three longer-lived ones, The Day of the Locust, What Makes Sammy Run?,and The Last Tycoon. They may also recognize Whitey, the hero of the Grahams’ novel, as a forerunner of F. Scott Fitzgerald’s Pat Hobby.
The central figure in the novel is an archetypal newspaper reporter who drifts to Hollywood. Whitey discovers the social microcosm of the studio-people, and finds himself in his element. He penetrates strange places and encounters queer people—the story conference, the three-day party, the titans and the moguls. When a murder ends his interlude he leaves Hollywood as casually as he discovered it.
Originally published in 1930 Queer People was a scandalous roman à clef, irreverent to the “industry,” and totally amoral—qualities lacking in later Hollywood fiction. Hence itis at once an important social document and an exciting original work.
Rejecting the artificial dichotomy between qualitative and quantitative research strategies in the social and behavioral sciences, Isadore Newman and Carolyn R. Benz argue that the two approaches are neither mutually exclusive nor interchangeable; rather, the actual relationship between the two paradigms is one of isolated events on a continuum of scientific inquiry.
Through graphic and narrative descriptions, Newman and Benz show research to be a holistic endeavor in the world of inquiry. To clarify their argument, they provide a diagram of the "qualitative-quantitative interactive continuum" showing that qualitative analysis with its feedback loops can easily modify the types of research questions asked in quantitative research and that the quantitative results and its feedback can change what will be asked qualitatively.
In their model for research—an "interactive continuum"—Newman and Benz emphasize four major points: the research question dictates the selection of research methods; consistency between question and design can lead to a method of critiquing research studies in professional journals; the interactive continuum model is built around the place of theory; and the assurance of "validity" of research is central to all studies.
As 21st-century citizens of developed countries, we are constantly bombarded by numbers in every aspect of our lives. Almost automatically, we learn to interpret how numbers are used in our language, what magnitude of numbers we expect to hear in particular contexts, how people in our community express degrees of confidence in the reliability of any particular number, etc. Context of this kind is lacking when we read a historical narrative composed in an ancient language, from a world vastly different from ours. In Quantifying Mentalities, Catherine Rubincam helps overcome this barrier to our accurate understanding of the numbers in the works of five major ancient Greek historians by providing a standard against which their credibility can be more accurately judged.
This systematic, quantified study is based on the compilation of statistics concerning a standard constellation of aspects of all the numbers in the historical works of the five earliest wholly or at least substantially surviving ancient Greek historians: Herodotus, Thucydides, Xenophon (Anabasis and Hellenica), Polybius, and Diodorus Siculus. Such a comprehensive study has not been attempted before. For scholars reading and writing about the history of ancient Greece the volume offers a tool for interpreting the numbers in these ancient texts with more sensitivity to the world in which they were written. Standard aspects of number use captured by the coding system are: the different types of number (cardinals, ordinals, compounds, and non-explicit but definite numbers); the subject category to which each number belongs (Time, Distance-Size, Military, Population, Money, and Miscellaneous); and the types of any qualifications attached to it (Approximating, Comparative, Alternative, and Emphatic). The statistics also facilitate comparisons of every aspect of number use between authors and texts, enabling the delineation of a numeric profile for each one. This allows us to read these texts with a greater sensitivity to how they might have sounded to the author and his original readers, thus providing a firmer foundation for reconstructing or interpreting ancient Greek history.
In this modern era of mathematical modeling, applications have become increasingly complicated. As the complexity grows, it becomes more and more difficult to draw meaningful conclusions about the behavior of theoretical models and their relations to reality. Alongside methods that emphasize quantitative properties and the testing of scientific details, there is a need for approaches that are more qualitative. These techniques attempt to cover whole families of models in one bold stroke, in a manner that allows robust conclusions to be drawn about them.
Loop analysis and time averaging provide a means of interpreting the properties of systems from the network of interactions within the system. The authors' methodology concentrates on graphical representation to guide experimental design, to identify sources of external variability from the statistical pattern of variables, and to make management decisions.
Although most of the examples are drawn from ecology, the methods are relevant to all of the pure and applied sciences. This relevance is enhanced by case studies from such diverse areas as physiology, resource management, the behavioral sciences, and social epidemiology. The book will be useful to a broad readership from the biological and social sciences as well as the physical sciences and technology. It will interest undergraduate and graduate students along with researchers active in these disciplines. Here the reader will find a strong rationale for maintaining a holistic approach, revealing what insights and advantages are retained by the broader perspective and, more explicitly, by the synergistic effects that cannot be discerned by reducing systems to their smallest parts.
The more science tells us about the world, the stranger it looks. Ever since physics first penetrated the atom, early in this century, what it found there has stood as a radical and unanswered challenge to many of our most cherished conceptions of nature. It has literally been called into question since then whether or not there are always objective matters of fact about the whereabouts of subatomic particles, or about the locations of tables and chairs, or even about the very contents of our thoughts. A new kind of uncertainty has become a principle of science.
This book is an original and provocative investigation of that challenge, as well as a novel attempt at writing about science in a style that is simultaneously elementary and deep. It is a lucid and self-contained introduction to the foundations of quantum mechanics, accessible to anyone with a high school mathematics education, and at the same time a rigorous discussion of the most important recent advances in our understanding of that subject, some of which are due to the author himself.
Since the late 1920s, the theory formulated by Niels Bohr and his colleagues at Copenhagen has been the dominant interpretation of quantum mechanics. Yet an alternative interpretation, rooted in the work of Louis de Broglie in the early 1920s and reformulated and extended by David Bohm in the 1950s, equally well explains the observational data. Through a detailed historical and sociological study of the physicists who developed different theories of quantum mechanics, the debates within and between opposing camps, and the receptions given to each theory, Cushing shows that despite the preeminence of the Copenhagen view, the Bohm interpretation cannot be ignored. Cushing contends that the Copenhagen interpretation became widely accepted not because it is a better explanation of subatomic phenomena than is Bohm's, but because it happened to appear first.
Focusing on the philosophical, social, and cultural forces that shaped one of the most important developments in modern physics, this provocative book examines the role that timing can play in the establishment of theory and explanation.
The ideas at the root of quantum theory remain stubbornly, famously bizarre: a solid world reduced to puffs of probability; particles that tunnel through walls; cats suspended in zombielike states, neither alive nor dead; and twinned particles that share entangled fates. For more than a century, physicists have grappled with these conceptual uncertainties while enmeshed in the larger uncertainties of the social and political worlds around them, a time pocked by the rise of fascism, cataclysmic world wars, and a new nuclear age.
In Quantum Legacies, David Kaiser introduces readers to iconic episodes in physicists’ still-unfolding quest to understand space, time, and matter at their most fundamental. In a series of vibrant essays, Kaiser takes us inside moments of discovery and debate among the great minds of the era—Albert Einstein, Erwin Schrödinger, Stephen Hawking, and many more who have indelibly shaped our understanding of nature—as they have tried to make sense of a messy world.
Ranging across space and time, the episodes span the heady 1920s, the dark days of the 1930s, the turbulence of the Cold War, and the peculiar political realities that followed. In those eras as in our own, researchers’ ambition has often been to transcend the vagaries of here and now, to contribute lasting insights into how the world works that might reach beyond a given researcher’s limited view. In Quantum Legacies, Kaiser unveils the difficult and unsteady work required to forge some shared understanding between individuals and across generations, and in doing so, he illuminates the deep ties between scientific exploration and the human condition.
As Kenneth W. Ford shows us in The Quantum World, the laws governing the very small and the very swift defy common sense and stretch our minds to the limit. Drawing on a deep familiarity with the discoveries of the twentieth century, Ford gives an appealing account of quantum physics that will help the serious reader make sense of a science that, for all its successes, remains mysterious. In order to make the book even more suitable for classroom use, the author, assisted by Diane Goldstein, has included a new section of Quantum Questions at the back of the book. A separate answer manual to these 300+ questions is available; visit The Quantum World website for ordering information.
There is also a cloth edition of this book, which does not include the "Quantum Questions" included in this paperback edition.
Beller draws her argument from her radical new reading of the history of the quantum revolution, especially the development of the Copenhagen interpretation. One of several competing approaches, this version succeeded largely due to the rhetorical skills of Niels Bohr and his colleagues. Using extensive archival research, Beller shows how Bohr and others marketed their views, misrepresenting and dismissing their opponents as "unreasonable" and championing their own not always coherent or well-supported position as "inevitable."
Quantum Dialogue, winner of the 1999 Morris D. Forkosch Prize of the Journal of the History of Ideas, will fascinate everyone interested in how stories of "scientific revolutions" are constructed and "scientific consensus" achieved.
"[A]n intellectually stimulating piece of work, energised by a distinct point of view."—Dipankar Home, Times Higher Education Supplement
"[R]emarkable and original. . . . [Beller's] arguments are thoroughly supported and her conclusions are meticulously argued. . . . This is an important book that all who are interested in the emergence of quantum mechanics will want to read."—William Evenson, History of Physics Newsletter
In 1953, reflecting on early ventures in quantum theory, J. Robert Oppenheimer spoke of terror and exaltation, of history happening in a realm so remote from common experience that it was “unlikely to be known to any poet or historian.” Yet now, anyone can Google “quantum theory” and find more than 34 million entries—from poets and historians, certainly, as well as film critics and Buddhist monks. How—and how pervasively—quantum mechanics has entered the general culture is the subject of this book, an engaging, eclectic, and thought-provoking look at the curious, boundlessly fertile intersection of scientific thought and everyday life.
Including recollections of encounters with the theory and the people responsible for it, Jeremy Bernstein’s account ranges from the cross-pollination of quantum mechanics with Marxist ideology and Christian and Buddhist mysticism to its influence on theater, film, and fiction. Along the way, Bernstein focuses on those—such as Niels Bohr, the Dalai Lama, W. H. Auden, and Tom Stoppard—who have made quantum physics; who have argued over it, pondered it, or taken literary inspiration from it, and who have misunderstood, misconstrued, or misapplied it. One person in particular supplies a narrative thread: John Bell, a notable yet underappreciated physicist who did groundbreaking research in quantum physics. In Bell’s story, Bernstein provides a uniquely readable account of what physicists call the “measurement problem.”
Quantum Leaps is a lively, erudite book on a subject that Bernstein has lived with for most of its history. His experience and deep understanding are apparent on every page.
Measured by the accuracy of its predictions and the scope of its technological applications, quantum mechanics is one of the most successful theories in science—as well as one of the most misunderstood. The deeper meaning of quantum mechanics remains controversial almost a century after its invention. Providing a way past quantum theory’s paradoxes and puzzles, QBism offers a strikingly new interpretation that opens up for the nonspecialist reader the profound implications of quantum mechanics for how we understand and interact with the world.
Short for Quantum Bayesianism, QBism adapts many of the conventional features of quantum mechanics in light of a revised understanding of probability. Bayesian probability, unlike the standard “frequentist probability,” is defined as a numerical measure of the degree of an observer’s belief that a future event will occur or that a particular proposition is true. Bayesianism’s advantages over frequentist probability are that it is applicable to singular events, its probability estimates can be updated based on acquisition of new information, and it can effortlessly include frequentist results. But perhaps most important, much of the weirdness associated with quantum theory—the idea that an atom can be in two places at once, or that signals can travel faster than the speed of light, or that Schrödinger’s cat can be simultaneously dead and alive—dissolves under the lens of QBism.
Using straightforward language without equations, Hans Christian von Baeyer clarifies the meaning of quantum mechanics in a commonsense way that suggests a new approach to physics in general.
This book will be accessible to students and researchers who have had introductory courses in general relativity and quantum field theory, and will be of interest to scientists in general relativity and related fields.
"May be regarded as a kind of standard encyclopedia for Pleistocene vertebrate paleontology for years to come." —American Scientist
"Should be read by paleobiologists, biologists, wildlife managers, ecologists, archeologists, and anyone concerned about the ongoing extinction of plants and animals." —Science
"Uncommonly readable and varied for watchers of paleontology and the rise of humankind." —Scientific American
"Represents a quantum leap in our knowledge of Pleistocene and Holocene palaeobiology. . . . Many volumes on our bookshelves are destined to gather dust rather than attention. But not this one." —Nature
"Two strong impressions prevail when first looking into this epic compendium. One is the judicious balance of views that range over the whole continuum between monocausal, cultural, or environmental explanations. The second is that both the data base and theoretical sophistication of the protagonists in the debate have improved by a quantum leap since 1967." —American Anthropologist
With Quantifying Life, Dmitry A. Kondrashov offers an accessible introduction to the breadth of mathematical modeling used in biology today. Assuming only a foundation in high school mathematics, Quantifying Life takes an innovative computational approach to developing mathematical skills and intuition. Through lessons illustrated with copious examples, mathematical and programming exercises, literature discussion questions, and computational projects of various degrees of difficulty, students build and analyze models based on current research papers and learn to implement them in the R programming language. This interplay of mathematical ideas, systematically developed programming skills, and a broad selection of biological research topics makes Quantifying Life an invaluable guide for seasoned life scientists and the next generation of biologists alike.
Christine R. B. Boake brings together current theoretical and empirical studies to show how quantitative genetics can illuminate topics as diverse as sexual selection, migration, sociality, and aggressive behavior. Nearly half of the chapters focus on conceptual issues, ranging from quantitative genetic models to the complementary roles of quantitative genetic and optimality approaches in evolutionary studies. Other chapters illustrate how to use the techniques by providing surveys of research fields, such as the evolution of mating behavior, sexual selection, migration, and size-dependent behavioral variation. The balance of the volume offers case studies of territoriality in fruit flies, cannibalism in flour beetles, mate-attractive traits in crickets, locomotor behavior and physiology in the garter snake, and cold adaptation in the house mouse. Taken together, these studies document both the benefits and pitfalls of quantitative genetics.
This book shows the advanced student and scholar of behavioral evolution and genetics the many powerful uses of quantitative genetics in behavioral research.
With extensive histories of a cast of familiar and rare North American plants, The Quiet Extinction explores the reasons why many of our native plants are disappearing. Curious minds will find a desperate struggle for existence waged by these plants and discover the great environmental impacts that could come if the struggle continues.
Kara Rogers relates the stories of some of North America’s most inspiring rare and threatened plants. She explores, as never before, their significance to the continent’s natural heritage, capturing the excitement of their discovery, the tragedy that has come to define their existence, and the remarkable efforts underway to save them. Accompanied by illustrations created by the author and packed with absorbing detail, The Quiet Extinction offers a compelling and refreshing perspective of rare and threatened plants and their relationship with the land and its people.
Presenting a fascinating overview of medicine in Missouri from the early days of epidemics to present-day technological advances, Quinine and Quarantine approaches the history of medicine as an integral part of the state's development.
Examining the changing environmental risks and diseases that threatened Missouri over the years and the role of the Missouri and Mississippi Rivers as prime routes for the spread of diseases and innovations, Loren Humphrey discusses the efforts of citizens, legislators, and health officials confronting various medical challenges. He offers intriguing medical details of the past two centuries interspersed with the stories of significant historical figures and Missourians' personal accounts. He tells of the pioneers' struggles to use natural remedies acquired from Native Americans, the gory and unsanitary attempts to treat early gunshot wounds, and the common afflictions and diseases such as "swamp fever," measles, mumps, consumption, dysentery, smallpox, and typhoid that seemed beyond medicine's effects. Humphrey also discusses the significance of the discovery and reluctant acceptance of the "antifever" breakthrough now famous as quinine, as well as the lessons learned as a result of Civil War medical techniques.
Quinine and Quarantine takes readers on a remarkable journey that concludes in the present, arguably the most exciting and controversial era for medical advances. Humphrey explores new imaging techniques, laparoscopic surgery, and research on ways to overcome bacterial resistance to antibiotics. He challenges the reader to consider such compelling issues as the escalating cost of health care and the threats posed by environmental hazards. He also identifies topics over which Missourians will likely struggle well into the next century, such as transplants, managed care, abortion, and assisted suicide.
Organized chronologically in fifty-year segments and written in language free of jargon, Quinine and Quarantine offers readers a broad historical view of the medical problems and solutions faced by the people of Missouri, preparing them to cope with medical issues of the new millennium.
Since the 1970s, health professionals, researchers, governments, advocacy groups, and commercial interests have invested in the pursuit of something called "sexual health." Under this expansive banner, a wide array of programs have been launched, organizations founded, initiatives funded, products sold—and yet, no book before this one asks: What does it mean to be sexually healthy? When did people conceive of a form of health called sexual health? And how did it become the gateway to addressing a host of social harms and the reimagining of private desires and public dreams?
Conjoining "sexual" with "health" changes both terms: it alters how we conceive of sexuality and transforms what it means to be healthy, prompting new expectations of what medicine can provide. Yet the ideal of achieving sexual health remains elusive and open-ended, and the benefits and costs of promoting it are unevenly distributed across genders, races, and sexual identities. Rather than a thing apart, sexual health is intertwined with nearly every conceivable topical debate—from sexual dysfunction to sexual violence, from reproductive freedom to the practicalities of sexual contact in a pandemic. In this book Steven Epstein analyzes the rise, proliferation, uptake, and sprawling consequences of sexual health activities, offering critical tools to assess those consequences, expand capacities for collective decision making, and identify pathways that promote social justice.
Blending memoir with literary journalism, Montgomery’s Quite Mad: An American Pharma Memoir examines America’s history of mental illness treatment—lobotomies to sterilization, the rest cure to Prozac—to challenge contemporary narratives about mental health. Questioning what it means to be a woman with highly stigmatized disorders, Montgomery also asks why mental illness continues to escalate in the United States despite so many “cures.” Investigating the construction of mental illness as a “female” malady, Montgomery exposes the ways current attitudes towards women and their bodies influence madness as well as the ways madness has transformed to a chronic Illness in our cultural imagination. Montgomery’s Quite Mad is one woman’s story, but it offers a beacon of hope and truth for the millions of individuals living with mental illness and issues a warning about the danger of diagnosis and the complex definition of sanity.
In 1948, when “Mrs. G.,” hospitalized with debilitating rheumatoid arthritis, became the first person to receive a mysterious new compound—cortisone—her physicians were awestruck by her transformation from enervated to energized. After eighteen years of biochemical research, the most intensively hunted biological agent of all time had finally been isolated, identified, synthesized, and put to the test. And it worked. But the discovery of a long-sought “magic bullet” came at an unanticipated cost in the form of strange side effects. This fascinating history recounts the discovery of cortisone and pulls the curtain back on the peculiar cast of characters responsible for its advent, including two enigmatic scientists, Edward Kendall and Philip Hench, who went on to receive the Nobel Prize. The book also explores the key role the Mayo Clinic played in fostering cortisone’s development, and looks at drugs that owe their heritage to the so-called “King of Steroids.”
The untold story behind the popular health food, Quinoa illuminates how Indigenous communities have engaged with the politics and policies surrounding their production of a traditional and minor crop that became a global foodstuff.
Quality Maintenance in Stored Grains and Seeds was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Storage molds are a major cause of quality loss in grains and seeds held in farm bins and tanks, in commercial elevators and warehouses, and in barge and ship transport. The damage done by these storage molds is at first invisible, but later shows up as caking, mustiness, total spoilage of part or all of the grain, and heating - sometimes to the temperature of ignition. The authors, both of whom have had extensive first-hand field and laboratory experience with these grain storage fungi and the problems they cause, summarize in readable and readily understandable form the basic principles and specific practices to be followed in order to minimize such losses.
Chapters are devoted to grain grades and quality; storage fungi; conditions that promote or prevent loss in quality; spoilage in barge and ship transport; mycotoxins (toxic compounds produced by fungi growing in grains and feeds) and mycotoxicoses (the diseases caused in animals that consume such toxic products); insects, mites, and storage fungi, quality control; and identification of storage fungi as an aid in evaluation of grain condition and storability.
In 1895, engineers for the Metropolitan Water Board began to search the state of Massachusetts for a site on which to construct a reservoir to supply water for the growing city of Boston. Sixty-five miles west of the city, in a region of high hills and running streams known as the Swift River Valley, they found what they were looking for. When Quabbin Reservoir was finally completed and filled in 1946, the engineers had created the third largest body of fresh water in New England and hand accomplished one of the larger public works projects of its time. They had also uprooted and displaced the valley's inhabitants, leveled and flooded four towns and six villages--and formed a magnificent wilderness on some 85,000 acres.
The valley that was once known for its picturesque villages and mill ponds is now, over forty years later, home to a wide array of wildlife. Coyote, bobcat, and deer flourish, and Quabbin's eagle restoration project, begun in 1982, produced the first nesting pair of bald eagles in Massachusetts in almost a century. Today, the bald eagle population at Quabbin is estimated at forty-one birds.
But this accidental wilderness is being increasingly threatened. As early as the 1950s, the sounds of power boats occasionally intruded on the peaceful silence of the waters. In more recent years, acid rain, ozone and other pollutants, the ravages of a herd of hungry deer, and demands for increased recreational use are all jeopardizing Quabbin's waters and forests.
This book tells the story of Quabbin, tracing Quabbin's history, describing its natural resources, and discussing the environmental challenges it currently faces. The original edition, issued by the Massachusetts Audubon Society in 1981, has now been expanded and updated.
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