A leading historian argues that in the empire we know as Byzantium, the Greek-speaking population was actually Roman, and scholars have deliberately mislabeled their ethnicity for the past two centuries for political reasons.
Was there ever such a thing as Byzantium? Certainly no emperor ever called himself “Byzantine.” And while the identities of minorities in the eastern empire are clear—contemporaries speak of Slavs, Bulgarians, Armenians, Jews, and Muslims—that of the ruling majority remains obscured behind a name made up by later generations.
Historical evidence tells us unequivocally that Byzantium’s ethnic majority, no less than the ruler of Constantinople, would have identified as Roman. It was an identity so strong in the eastern empire that even the conquering Ottomans would eventually adopt it. But Western scholarship has a long tradition of denying the Romanness of Byzantium. In Romanland, Anthony Kaldellis investigates why and argues that it is time for the Romanness of these so-called Byzantines to be taken seriously.
In the Middle Ages, he explains, people of the eastern empire were labeled “Greeks,” and by the nineteenth century they were shorn of their distorted Greekness and became “Byzantine.” Only when we understand that the Greek-speaking population of Byzantium was actually Roman will we fully appreciate the nature of Roman ethnic identity. We will also better understand the processes of assimilation that led to the absorption of foreign and minority groups into the dominant ethnic group, the Romans who presided over the vast multiethnic empire of the east.
The aim of this book is to offer a fresh approach to the history and archaeology of the Cyclades in Late Antiquity and the Byzantine Early Middle Ages in light of current archaeological investigations. It is an attempt to interpret human-environmental interaction in order to read the relationship between islands, settlements, landscapes, and seascapes in the context of the diverse and highly interactive Mediterranean world.
It offers an interdisciplinary approach, which combines archaeological evidence, literary sources, and observations of the sites and microlandscapes as a whole, using the advantages offered by the application of new technologies in archaeological research (Geographic Information Systems). The islands of Paros and Naxos are used as case-studies. The author traces how these neighboring insular communities reacted under the same general circumstances pertaining in the Aegean and to what extent the landscape played a role in this process.
Synthesizing almost thirty years of Dutch archaeological research in central and southern Italy, this book discusses and compares settlement and land use patterns from the late protohistoric period to the late Roman Republic. Considering both social and environmental factors, the authors analyze the long-term progression of indigenous Bronze Age tribal pastoralist societies towards the complexity of urbanized Roman society. Drawing on a decade of collaboration between Dutch and Italian researchers, this exhaustive study will be of great interest to students and scholars of Mediterranean archaeology.
Biondo Flavio (1392–1463), humanist and historian, was a pioneering figure in the Renaissance discovery of antiquity; famously, he was the author who popularized the term “Middle Age” to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. While serving a number of Renaissance popes, he inaugurated an extraordinary program of research into the history, cultural life, and physical remains of the ancient world.
The capstone of this research program, Rome in Triumph (1459), has been said to bear comparison with the Encyclopédie of Diderot as the embodiment of the ideals of an age, seeking as it does to answer the overarching question of humanists from Petrarch to Machiavelli: what made Rome great? To answer the question Biondo undertakes a comprehensive reconstruction of Rome’s religion, government, military organization, customs and institutions over its thousand-year history. This volume contains the first edition of the Latin text since 1559 and the first translation into any modern language.
In The Restoration of the Roman Forum in Late Antiquity, Gregor Kalas examines architectural conservation during late antiquity period at Rome’s most important civic center: the Roman Forum. During the fourth and fifth centuries CE—when emperors shifted their residences to alternate capitals and Christian practices overtook traditional beliefs—elite citizens targeted restoration campaigns so as to infuse these initiatives with political meaning. Since construction of new buildings was a right reserved for the emperor, Rome’s upper echelon funded the upkeep of buildings together with sculptural displays to gain public status. Restorers linked themselves to the past through the fragmentary reuse of building materials and, as Kalas explores, proclaimed their importance through prominently inscribed statues and monuments, whose placement within the existing cityscape allowed patrons and honorees to connect themselves to the celebrated history of Rome.
Building on art historical studies of spolia and exploring the Forum over an extended period of time, Kalas demonstrates the mutability of civic environments. The Restoration of the Roman Forum in Late Antiquity maps the evolution of the Forum away from singular projects composed of new materials toward an accretive and holistic design sensibility. Overturning notions of late antiquity as one of decline, Kalas demonstrates how perpetual reuse and restoration drew on Rome’s venerable past to proclaim a bright future.
One of the most visited sites in Italy, the Roman Forum is also one of the best-known wonders of the Roman world. Though a highpoint on the tourist route around Rome, for many visitors the site can be a baffling disappointment. Several of the monuments turn out to be nineteenth- or twentieth-century reconstructions, while the rubble and the holes made by archaeologists have an unclear relationship to the standing remains, and, to all but the most skilled Romanists, the Forum is an unfortunate mess.
David Watkin sheds completely new light on the Forum, examining the roles of the ancient remains while revealing what exactly the standing structures embody—including the rarely studied medieval, Renaissance, and Baroque churches, as well as the nearby monuments that have important histories of their own. Watkin asks the reader to look through the veneer of archaeology to rediscover the site as it was famous for centuries. This involves offering a remarkable and engaging new vision of a well-visited, if often misunderstood, wonder. It will be enjoyed by readers at home and serve as a guide in the Forum.
A millennium and a half after the end of the period of its unquestioned dominance, Rome remains a significant presence in western culture. This book explores what the empire meant to its subjects.
The idea of Rome has long outlived the physical empire that gave it form, and now holds sway over vastly more people and a far greater geographical area than the Romans ever ruled. It continues to shape our understanding of the nature of imperialism, and thus, however subtly, to influence the workings of the world. Unlike most works on Roman history, this book does not offer a simplistic narrative, with military triumph followed by decline and fall. Instead, it analyses the origins and nature of Roman imperialism, its economic, social and cultural impact on the regions it conquered, and its continuing influence in discussions and debates about modern imperialism.
In this highly original work, Christopher Kelly paints a remarkable picture of running a superstate. He portrays a complex system of government openly regulated by networks of personal influence and the payment of money. Focusing on the Roman Empire after Constantine's conversion to Christianity, Kelly illuminates a period of increasingly centralized rule through an ever more extensive and intrusive bureaucracy.
The book opens with a view of its times through the eyes of a high-ranking official in sixth-century Constantinople, John Lydus. His On the Magistracies of the Roman State, the only memoir of its kind to come down to us, gives an impassioned and revealing account of his career and the system in which he worked. Kelly draws a wealth of insight from this singular memoir and goes on to trace the operation of power and influence, exposing how these might be successfully deployed or skillfully diverted by those wishing either to avoid government regulation or to subvert it for their own ends. Ruling the Later Roman Empire presents a fascinating procession of officials, emperors, and local power brokers, winners and losers, mapping their experiences, their conflicting loyalties, their successes, and their failures.
This important book elegantly recaptures the experience of both rulers and ruled under a sophisticated and highly successful system of government.
It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days.
A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory.
Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”
Rome’s internal conflicts, from the Gracchi to the Empire.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
Rome’s internal conflicts, from the Gracchi to the Empire.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
Rome’s internal conflicts, from the Gracchi to the Empire.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
Rome’s foreign wars, nation by nation.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
Rome’s foreign wars, nation by nation.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
Rome’s foreign wars, nation by nation.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
By the third century BC, the once-modest settlement of Rome had conquered most of Italy and was poised to build an empire throughout the Mediterranean basin. What transformed a humble city into the preeminent power of the region? In The Rise of Rome, the historian and archaeologist Kathryn Lomas reconstructs the diplomatic ploys, political stratagems, and cultural exchanges whereby Rome established itself as a dominant player in a region already brimming with competitors. The Latin world, she argues, was not so much subjugated by Rome as unified by it. This new type of society that emerged from Rome’s conquest and unification of Italy would serve as a political model for centuries to come.
Archaic Italy was home to a vast range of ethnic communities, each with its own language and customs. Some such as the Etruscans, and later the Samnites, were major rivals of Rome. From the late Iron Age onward, these groups interacted in increasingly dynamic ways within Italy and beyond, expanding trade and influencing religion, dress, architecture, weaponry, and government throughout the region. Rome manipulated preexisting social and political structures in the conquered territories with great care, extending strategic invitations to citizenship and thereby allowing a degree of local independence while also fostering a sense of imperial belonging.
In the story of Rome’s rise, Lomas identifies nascent political structures that unified the empire’s diverse populations, and finds the beginnings of Italian peoplehood.
In the aftermath of national unification in the 1860s, the Italian army was tasked with molding generations of men from warring regions and different social strata into obedient citizens of a centralized state. Integrating large numbers of the educated middle classes into the young kingdom’s armed forces proved decisive in establishing the army as the “main school” and backbone for mass nationalization. Lorenzo Benadusi examines the intersection of Italian military and civil society over the last century as they coalesced in the figure of the gentleman-officer—an idealized image of an altruistic, charming, and competent ruling class that could influence the choices, values, and behavior of the “new Italians.”
Respectability and Violence traces the relationship between civic virtues and military values from the post-Risorgimento period through the end of World War I, when the trauma of trench warfare made it necessary to again redefine ideas of chivalry and manliness and to accept violence as a necessary tool in defense of society and state. The language of conflict and attitudes about war forged in these decades—characterized by patriotism, heroism, and sacrifice—shaped the cultured bourgeoise into loyalists who ushered in Italy’s transition to a powerful Fascist political system. This unique study of the officer is crucial for understanding the military, social, and political history of Italy.
Explores Italian national identity.
More than any other nation, Italy—from its imperial past to its subordinate present, from its colonial forays to its splendid isolation—embodies the myriad and contradictory historical forms of nationhood. This volume covers a range of subjects drawn from Italy and abroad to study the historical and contemporary formations of Italian national identity. In doing so, the work illuminates Italy past and present as well as the local and global dimensions of national identity in general.
Whether considering opera or Ninja Turtles, these essays reveal how cultural identity is constructed and manipulated-an issue made urgent by the influx of African, Indochinese, and Eastern European immigrants into Italy today. Exile, nationalism, and imagined communities are the topics of several essays, including Antonio Negri’s reflection on his own experience of political militancy and exile. Others focus on Italy’s colonial “unconscious,” Mussolini’s adventures in North Africa, and racism from the late nineteenth century to the present. By analyzing Italy’s European and Mediterranean identities, its highly regional character, its north-south economic imbalance, and its ethnic complexity, this truly interdisciplinary volume resists the hierarchizing and monumentalizing of traditional Italian studies in the United States. It will inform and redirect our understanding of what constitutes “Italy.”Contributors: Mohamed Aden; John Agnew, Syracuse U; Ayele Bekerie, Cornell U; Elaine K. Chang, Rutgers U; Antonio Marazzi, U of Padua, Italy; Francesca Miller, U of California, Davis; Antonio Negri, U of Paris VIII, France; Graziella Parati, Dartmouth College; Karen Pinkus, Northwestern U; Paul Robinson, Stanford U; Pasquale Verdicchio, U of California, San Diego; Marguerite R. Waller, U of California, Riverside; and David Ward, Wellesley College.Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities--architectural, historical, political, and social--that constitute Rome.
A multifaceted historical portrait, this richly illustrated work is as gritty as it is gorgeous, immersing readers in the practical world of each period. James McGregor's explorations afford the pleasures of a novel thick with characters and plot twists: amid the life struggles, hopes, and failures of countless generations, we see how things truly worked, then and now; we learn about the materials of which Rome was built; of the Tiber and its bridges; of roads, aqueducts, and sewers; and, always, of power, especially the power to shape the city and imprint it with a particular personality--like that of Nero or Trajan or Pope Sixtus V--or a particular institution.
McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. And, in archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own beautifully written account, the power and politics emerge clearly, manifest in the distinctive styles and structures, practical concerns and aesthetic interests that constitute the myriad Romes of our day and days past.
No nation is a stranger to war, but for Russians war is a central part of who they are. Their “motherland” has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, the highest death tolls paid. Having prevailed over Mongol hordes and vanquished Napoleon and Hitler, many Russians believe no other nation has sacrificed so much for the world. In Russia: The Story of War Gregory Carleton explores how this belief has produced a myth of exceptionalism that pervades Russian culture and politics and has helped forge a national identity rooted in war.
While outsiders view Russia as an aggressor, Russians themselves see a country surrounded by enemies, poised in a permanent defensive crouch as it fights one invader after another. Time and again, history has called upon Russia to play the savior—of Europe, of Christianity, of civilization itself—and its victories, especially over the Nazis in World War II, have come at immense cost. In this telling, even defeats lose their sting. Isolation becomes a virtuous destiny and the whole of its bloody history a point of pride.
War is the unifying thread of Russia’s national epic, one that transcends its wrenching ideological transformations from the archconservative empire to the radical-totalitarian Soviet Union to the resurgent nationalism of the country today. As Putin’s Russia asserts itself in ever bolder ways, knowing how the story of its war-torn past shapes the present is essential to understanding its self-image and worldview.
Illustrated with maps, paintings, photographs, posters, and cartoons, The Russia Reader incorporates song lyrics, jokes, anecdotes, and folktales, as well as poems, essays, and fiction by writers including Akhmatova, Dostoyevsky, Pushkin, and Tolstoi. Transcripts from the show trials of major Party figures and an account of how staff at the Lenin Library in Moscow were instructed to interact with foreigners are among the many selections based on personal memoirs and archival materials only recently made available to the public. From a tenth-century emissary’s description of his encounters in Kyivan Rus’, to a scientist’s recollections of her life in a new research city built from scratch in Siberia during the 1950s, to a novelist’s depiction of the decadence of the “New Russians” in the 2000s, The Russia Reader is an extraordinary introduction to a vast and varied country.
As the dust clears from the fall of Communism, will Western eyes see Russia, the unclaimed orphan of Western history or Russia as she truly is, a perplexing but undeniable member of the European family? A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.
The Russian troika hurtles through these pages. The Spectre, modernity's belief in salvation by revolutionary ideology, haunts them. Alice's looking glass greets us at this turn and that. Throughout, Martin Malia's inspired use of these devices aptly conveys the surreality of the whole Soviet Russian phenomenon and the West's unbalanced perception of it. He shows us the usually distorted images and stereotypes that have dominated Western ideas about Russia since the eighteenth century. And once these emerge as projections of the West's own internal anxieties, he shifts his focus to the institutional structures and cultural forms Russia shares with her neighbors.
Here modern Europe is depicted as an East-West cultural gradient in which the central and eastern portions respond to the Atlantic West's challenge in delayed and generally skewed fashion. Thus Russia, after two centuries of building then painfully liberalizing its Old Regime, in 1917 tried to leap to a socialism that would be more advanced and democratic than European capitalism. The result was a cruel caricature of European civilization, which mesmerized and polarized the West for most of this century. As the old East-West gradient reappears in genuinely modern guise, this brilliantly imaginative work shows us the reality that has for so long tantalized--and eluded--Western eyes.
In a sweeping narrative, Geoffrey Hosking, one of the English-speaking world’s leading historians of Russia, follows the country’s history from the first emergence of the Slavs in the historical record in the sixth century CE to the Russians’ persistent appearances in today’s headlines.
The second edition covers the presidencies of Vladimir Putin and Dmitrii Medvedev and the struggle to make Russia a viable functioning state for all its citizens.
Russia Engages the World, 1453-1825, an elegant new book created by a team of leading historians in collaboration with The New York Public Library, traces Russia's development from an insular, medieval, liturgical realm centered on Old Muscovy, into a modern, secular, world power embodied in cosmopolitan St. Petersburg. Featuring eight essays and 120 images from the Library's distinguished collections, it is both an engagingly written work and a striking visual object. Anyone interested in the dramatic history of Russia and its extraordinary artifacts will be captivated by this book.
Before the late fifteenth century, Europeans knew virtually nothing about Muscovy, the core of what would become the "Russian Empire." The rare visitor--merchant, adventurer, diplomat--described an exotic, alien place. Then, under the powerful tsar Peter the Great, St. Petersburg became the architectural embodiment and principal site of a cultural revolution, and the port of entry for the Europeanization of Russia. From the reign of Peter to that of Catherine the Great, Russia sought increasing involvement in the scientific advancements and cultural trends of Europe. Yet Russia harbored a certain dualism when engaging the world outside its borders, identifying at times with Europe and at other times with its Asian neighbors.
The essays are enhanced by images of rare Russian books, illuminated manuscripts, maps, engravings, watercolors, and woodcuts from the fifteenth to the nineteenth centuries, as well as the treasures of diverse minority cultures living in the territories of the Empire or acquired by Russian voyagers. These materials were also featured in an exhibition of the same name, mounted at The New York Public Library in the fall of 2003, to celebrate the tercentenary of St. Petersburg.
The Soviet Union crumbles and Russia rises from the rubble, once again the great nation--a perfect scenario, but for one point: Russia was never a nation. And this, says the eminent historian Geoffrey Hosking, is at the heart of the Russians' dilemma today, as they grapple with the rudiments of nationhood. His book is about the Russia that never was, a three-hundred-year history of empire building at the expense of national identity.
Russia begins in the sixteenth century, with the inception of one of the most extensive and diverse empires in history. Hosking shows how this undertaking, the effort of conquering, defending, and administering such a huge mixture of territories and peoples, exhausted the productive powers of the common people and enfeebled their civic institutions. Neither church nor state was able to project an image of "Russian-ness" that could unite elites and masses in a consciousness of belonging to the same nation. Hosking depicts two Russias, that of the gentry and of the peasantry, and reveals how the gap between them, widened by the Tsarist state's repudiation of the Orthodox messianic myth, continued to grow throughout the eighteenth and nineteenth centuries. Here we see how this myth, on which the empire was originally based, returned centuries later in the form of the revolutionary movement, which eventually swept away the Tsarist Empire but replaced it with an even more universalist one. Hosking concludes his story in 1917, but shows how the conflict he describes continues to affect Russia right up to the present day.
An overriding assumption has long directed scholarship in both European and Slavic history: that Kievan Rus' in the tenth through twelfth centuries was part of a Byzantine commonwealth separate from Europe. Christian Raffensperger refutes this conception and offers a new frame for two hundred years of history, one in which Rus' is understood as part of medieval Europe and East is not so neatly divided from West.
With the aid of Latin sources, the author brings to light the considerable political, religious, marital, and economic ties among European kingdoms, including Rus', restoring a historical record rendered blank by Russian monastic chroniclers as well as modern scholars ideologically motivated to build barriers between East and West. Further, Raffensperger revises the concept of a Byzantine commonwealth that stood in opposition to Europe-and under which Rus' was subsumed-toward that of a Byzantine Ideal esteemed and emulated by all the states of Europe. In this new context, appropriation of Byzantine customs, law, coinage, art, and architecture in both Rus' and Europe can be understood as an attempt to gain legitimacy and prestige by association with the surviving remnant of the Roman Empire. Reimagining Europe initiates an expansion of history that is sure to challenge ideas of Russian exceptionalism and influence the course of European medieval studies.
Many books chronicle the remarkable life of Russian tsar Peter the Great, but none analyze how his famous reforms actually took root and spread in Russia. In The Revolution of Peter the Great, James Cracraft offers a brilliant new interpretation of this pivotal era.
Linking together and transcending Peter's many reforms of state and society, Cracraft argues, was nothing less than a cultural revolution. New ways of dress, elite social behavior, navigation, architecture, and image-making emerged along with expansive vocabularies for labeling new objects and activities. Russians learned how to build and sail warships; train, supply, and command a modern army; operate a new-style bureaucracy; conduct diplomacy on a par with the other European states; apply modern science; and conceptualize the new governing system. Throughout, Peter remains the central figure, and Cracraft discusses the shaping events of the tsar's youth, his inner circle, the resistance his reforms engendered, and the founding of the city that would embody his vision--St. Petersburg, which celebrated its tercentenary in 2003.
By century's end, Russia was poised to play a critical role in the Napoleonic wars and boasted an elite culture about to burst into its golden age. In this eloquent book, Cracraft illuminates an astonishing transformation that had enormous consequences for both Russia and Europe, indeed the world.
Revolution on My Mind is a stunning revelation of the inner world of Stalin’s Russia. We see into the minds and hearts of Soviet citizens who recorded their lives during an extraordinary period of revolutionary fervor and state terror. Writing a diary, like other creative expression, seems nearly impossible amid the fear and distrust of totalitarian rule; but as Jochen Hellbeck shows, diary-keeping was widespread, as individuals struggled to adjust to Stalin’s regime.
Rather than protect themselves against totalitarianism, many men and women bent their will to its demands, by striving to merge their individual identities with the collective and by battling vestiges of the old self within. We see how Stalin’s subjects, from artists to intellectuals and from students to housewives, absorbed directives while endeavoring to fulfill the mandate of the Soviet revolution—re-creation of the self as a builder of the socialist society. Thanks to a newly discovered trove of diaries, we are brought face to face with individual life stories—gripping and unforgettably poignant.
The diarists’ efforts defy our liberal imaginations and our ideals of autonomy and private fulfillment. These Soviet citizens dreamed differently. They coveted a morally and aesthetically superior form of life, and were eager to inscribe themselves into the unfolding revolution. Revolution on My Mind is a brilliant exploration of the forging of the revolutionary self, a study without precedent that speaks to the evolution of the individual in mass movements of our own time.
What caused the emergence of nationalist movements in many post-communist states? What role did communist regimes play in fostering these movements? Why have some been more successful than others? To address these questions, Yitzhak Brudny traces the Russian nationalist movement from its origins within the Russian intellectual elite of the 1950s to its institutionalization in electoral alliances, parliamentary factions, and political movements of the early 1990s.
Brudny argues that the rise of the Russian nationalist movement was a combined result of the reinvention of Russian national identity by a group of intellectuals, and the Communist Party's active support of this reinvention in order to gain greater political legitimacy. The author meticulously reconstructs the development of the Russian nationalist thought from Khrushchev to Yeltsin, as well as the nature of the Communist Party response to Russian nationalist ideas. Through analysis of major Russian literary, political, and historical writings, the recently-published memoirs of the Russian nationalist intellectuals and Communist Party officials, and documents discovered in the Communist Party archives, Brudny sheds new light on social, intellectual, and political origins of Russian nationalism, and emphasizes the importance of ideas in explaining the fate of the Russian nationalist movement during late communist and early post-communist periods.
Ranging widely across time and geography, Rites of Place is to date the most comprehensive and diverse example of memory studies in the field of Russian and East European studies. Leading scholars consider how public rituals and the commemoration of historically significant sites facilitate a sense of community, shape cultural identity, and promote political ideologies. The aims of this volume take on unique importance in the context of the tumultuous events that have marked Eastern European history—especially the revolutions of 1905 and 1917, World War II, and the collapse of the Soviet Union. With essays on topics such as the founding of St. Petersburg, the battle of Borodino, the Katyn massacre, and the Lenin cult, this volume offers a rich discussion of the uses and abuses of memory in cultures where national identity has repeatedly undergone dramatic shifts and remains riven by internal contradictions.
This important study analyzes the challenges faced by second-generation Russians in post-Soviet Estonia, and, in doing so, explores the interrelationships between ethnicity and social equality. It will be of great value to scholars of immigration, cultural assimilation, ethnicity, and nationalism.
Many westerners used to call the Soviet Union "Russia." Russians too regarded it as their country, but that did not mean they were entirely happy with it. In the end, in fact, Russia actually destroyed the Soviet Union. How did this happen, and what kind of Russia emerged?
In this illuminating book, Geoffrey Hosking explores what the Soviet experience meant for Russians. One of the keys lies in messianism--the idea rooted in Russian Orthodoxy that the Russians were a "chosen people." The communists reshaped this notion into messianic socialism, in which the Soviet order would lead the world in a new direction. Neither vision, however, fit the "community spirit" of the Russian people, and the resulting clash defined the Soviet world.
Hosking analyzes how the Soviet state molded Russian identity, beginning with the impact of the Bolshevik Revolution and civil war. He discusses the severe dislocations resulting from collectivization and industrialization; the relationship between ethnic Russians and other Soviet peoples; the dramatic effects of World War II on ideas of homeland and patriotism; the separation of "Russian" and "Soviet" culture; leadership and the cult of personality; and the importance of technology in the Soviet world view.
At the heart of this penetrating work is the fundamental question of what happens to a people who place their nationhood at the service of empire. There is no surer guide than Geoffrey Hosking to reveal the historical forces forging Russian identity in the post-communist world.
As a nation makes the transition from communism to democracy or another form of authoritarianism, its regime must construct not only new political institutions, but also a new political ideology that can guide policy and provide a sense of mission. The new ideology is crucial for legitimacy at home and abroad, as well as the regime’s long-term viability. In The Return of Ideology, Cheng Chen compares post-communist regimes, with a focus on Russia under Putin and post-Deng China, investigating the factors that affect the success of an ideology-building project and identifies the implications for international affairs.
Successful ideology-building requires two necessary—but not sufficient—conditions. The regime must establish a coherent ideological repertoire that takes into account the nation’s ideological heritage and fresh surges of nationalism. Also, the regime must attract and maintain a strong commitment to the emerging ideology among the political elite.
Drawing on rich primary sources, including interviews, surveys, political speeches, writings of political leaders, and a variety of publications, Chen identifies the major obstacles to ideology-building in modern Russia and China and assesses their respective long-term prospects. Whereas creating a new regime ideology has been a protracted and difficult process in China, it has been even more so in Russia. The ability to forge an ideology is not merely a domestic concern for these two nations, but a matter of international import as these two great powers move to assert and extend their influence in the world.
Since the fall of communism, Russia has witnessed a dramatic struggle between old and new, continuity and change. Corruption and violence have plagued society. Most people have benefited little from the new capitalist order. But positive changes are evident. Russians can speak and act more freely in a state that no longer intrudes on their privacy. They are able to travel abroad, enjoy unprecedented access to information from around the world, and organize and campaign for improvement in their living conditions.
In this engrossing account Robert Service traces the formation of the new Russia from the end of the Soviet Union in 1991 to the present. He paints a fascinating picture of a people in metamorphosis. In wide-ranging discussions on topics from Kremlin politics to rock music and macroeconomics to contemporary poetry, Service takes us inside to witness the changes from both the top down and the bottom up. He examines the reforms of the Yeltsin and Putin administrations in the context of the complex communist legacy, deftly interweaving political history, intellectual thought, and popular consciousness to illuminate the real difficulties Russia has faced on its rocky path to reform.
For the second time in less than a century, the Russians have been engaged in a fundamental reshaping of their society, and the results will prove of vital importance to the global community. Robert Service has provided a valuable and engaging guide to their recent remarkable journey.
The deep and personal story—told through history, poetry, and images—of the forced displacement of the Sámi people from their homeland in northern Norway and Sweden and its reverberations today
More than a hundred years have passed since the Sámi were forcibly displaced from their homes in northern Norway and Sweden, a hundred years since Elin Anna Labba’s ancestors and relations drove their reindeer over the strait to the mainland for the last time. The place where they lived has remained empty ever since. We carry our homes in our hearts, Labba shares, citing the Sámi poet Áillohaš. How do you bear that weight if you were forced to leave? In a remarkable blend of historical reportage, memoir, and lyrical reimagining, Labba travels to the lost homeland of her ancestors to tell of the forced removal of the Sámi in the early twentieth century and to reclaim a place in history, and in today’s world, for these Indigenous people of northern Scandinavia.
When Norway became a country independent from Sweden in 1905, the two nations came to an agreement that called for the displacement of the Northern Sámi, who spent summers on the Norwegian coast and winters in Sweden. This “dislocation,” as the authorities called it, gave rise to a new word in Sámi language, bággojohtin, forced displacement. The first of the sirdolaččat, or “the displaced,” left their homes fully believing they would soon return. Through stories, photographs, letters, and joik lyrics, Labba gathers a chorus of Sámi expression that resonates across the years, evoking the nomadic life they were required to abandon and the immense hardship and challenges they endured: children left behind with relatives, reindeer lost when they returned to familiar territory, sorrow and estrangement that linger through generations.
Starkly poetic and emotionally heart-wrenching, this dark history is told through the voices of the sirdolaččat, echoing the displacements of other Indigenous people around the world as it depicts the singular experience of the Northern Sámi. For her extraordinary work, Labba was awarded Sweden’s most important national book prize in 2020, the August Prize for Best Nonfiction.
Most histories of the Spanish Civil War (1936–1939) have examined major leaders or well-established political and social groups to explore class, gender, and ideological struggles. The war in Spain was marked by momentous conflicts between democracy and dictatorship, Communism and fascism, anarchism and authoritarianism, and Catholicism and anticlericalism that still provoke our fascination.
In Republic of Egos, Michael Seidman focuses instead on the personal and individual experiences of the common men and women who were actors in a struggle that defined a generation and helped to shape our world. By examining the roles of anonymous individuals, families, and small groups who fought for their own interests and survival—and not necessarily for an abstract or revolutionary cause—Seidman reveals a powerful but rarely considered pressure on the outcome of history. He shows how price controls and inflation in the Republican zone encouraged peasant hoarding, black marketing, and unrest among urban workers. Soldiers of the Republican Army responded to material shortages by looting, deserting, and fraternizing with the enemy. Seidman’s focus on average, seemingly nonpolitical individuals provides a new vision of both the experience and outcome of the war.
In this scholarly work, Zirakzadeh argues that there is a calculated reasoning behind ETA's political violence that is often overlooked by researchers. His book is a comprehensive account of the Basque region's grassroots politics.
Provocative and laden with eyewitness detail, Remaking Muslim Lives offers a rare sustained look at what it means to be Muslim and live a Muslim life in contemporary Bosnia and Herzegovina.
Ezra F. Vogel (July 11, 1930–December 20, 2020) was one of America’s foremost experts on Asia, mastering the Japanese and Chinese languages and contributing important scholarly works on both countries, and on their relationships with each other and with the world. Starting from modest roots in an immigrant family in a small town in Ohio, he came to Harvard in 1953 to train as a sociologist. He then shifted his focus to Asia, spending almost the entirety of his life at Harvard.
Vogel had a dramatic impact around the world, not only through his scholarship and the students he trained, but also through his friendship and mentoring of journalists, diplomats, business executives, and foreign leaders as well as through his public policy advice and devotion to institution building, at Harvard as well as nationally and internationally. Active until the end, his sudden death provoked outpourings of gratitude and grief from countless people whose lives he had affected. The present volume, containing fond reminiscences from 155 diverse individuals, conveys what was so extraordinary about the character and life of Ezra Vogel.
The monarchical presidential regimes that prevailed in the Arab world for so long looked as though they would last indefinitely—until events in Tunisia and Egypt made clear their time was up. The Rise and Fall of Arab Presidents for Life exposes for the first time the origins and dynamics of a governmental system that largely defined the Arab Middle East in the twentieth century.
Presidents who rule for life have been a feature of the Arab world since independence. In the 1980s their regimes increasingly resembled monarchies as presidents took up residence in palaces and made every effort to ensure their sons would succeed them. Roger Owen explores the main features of the prototypical Arab monarchical regime: its household; its inner circle of corrupt cronies; and its attempts to create a popular legitimacy based on economic success, a manipulated constitution, managed elections, and information suppression.
Why has the Arab world suffered such a concentration of permanent presidential government? Though post-Soviet Central Asia has also known monarchical presidencies, Owen argues that a significant reason is the “Arab demonstration effect,” whereby close ties across the Arab world have enabled ruling families to share management strategies and assistance. But this effect also explains why these presidencies all came under the same pressure to reform or go. Owen discusses the huge popular opposition the presidential systems engendered during the Arab Spring, and the political change that ensued, while also delineating the challenges the Arab revolutions face across the Middle East and North Africa.
The monarchical presidential regimes that prevailed in the Arab world for so long looked as though they would last indefinitely—until events in Tunisia and Egypt made clear their time was up. The Rise and Fall of Arab Presidents for Life exposes for the first time the origins and dynamics of a governmental system that largely defined the Arab Middle East in the twentieth century.
Presidents who rule for life have been a feature of the Arab world since independence. In the 1980s their regimes increasingly resembled monarchies as presidents took up residence in palaces and made every effort to ensure their sons would succeed them. Roger Owen explores the main features of the prototypical Arab monarchical regime: its household; its inner circle of corrupt cronies; and its attempts to create a popular legitimacy based on economic success, a manipulated constitution, managed elections, and information suppression.
Why has the Arab world suffered such a concentration of permanent presidential government? Though post-Soviet Central Asia has also known monarchical presidencies, Owen argues that a significant reason is the “Arab demonstration effect,” whereby close ties across the Arab world have enabled ruling families to share management strategies and assistance. But this effect also explains why these presidencies all came under the same pressure to reform or go. Owen discusses the huge popular opposition the presidential systems engendered during the Arab Spring, and the political change that ensued, while also delineating the challenges the Arab revolutions face across the Middle East and North Africa.
Remembering the Dead in the Ancient Near East is among the first comprehensive treatments to present the diverse ways in which ancient Near Eastern civilizations memorialized and honored their dead, using mortuary rituals, human skeletal remains, and embodied identities as a window into the memory work of past societies.
In six case studies teams of researchers with different skillsets—osteological analysis, faunal analysis, culture history and the analysis of written texts, and artifact analysis—integrate mortuary analysis with bioarchaeological techniques. Drawing upon different kinds of data, including human remains, ceramics, jewelry, spatial analysis, and faunal remains found in burial sites from across the region’s societies, the authors paint a robust and complex picture of death in the ancient Near East.
Demonstrating the still underexplored potential of bioarchaeological analysis in ancient societies, Remembering the Dead in the Ancient Near East serves as a model for using multiple lines of evidence to reconstruct commemoration practices. It will be of great interest to students and scholars of ancient Near Eastern and Egyptian societies, the archaeology of death and burial, bioarchaeology, and human skeletal biology.
Growing up is a universal experience, but the particularities of homeland, culture, ethnicity, religion, family, and so on make every childhood unique. To give Western readers insight into what growing up in the Middle East was like in the twentieth century, this book gathers thirty-six original memoirs written by Middle Eastern men and women about their own childhoods.
Elizabeth Warnock Fernea, a well-known writer of books and documentary films about women and the family in the Middle East, has collected stories of childhoods spent in Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Morocco, Palestine, Saudi Arabia, Sudan, Syria, Tunisia, and Turkey. The accounts span the entire twentieth century, a full range of ethnicities and religions, and the social spectrum from aristocracy to peasantry. They are grouped by eras, for which Fernea provides a concise historical sketch, and include a brief biography of each contributor. The introduction by anthropologist Robert A. Fernea sets the memoirs in the larger context of Middle Eastern life and culture.
As a collection, the memoirs offer an unprecedented opportunity to look at the same period in history in the same region of the world from a variety of very different remembered experiences. At times dramatic, humorous, or tragic, and always deeply felt, the memoirs document the diversity and richness of people's lives in the modern Middle East.
From Augustus to Constantine, the Roman Empire in the Near East expanded step by step, southward to the Red Sea and eastward across the Euphrates to the Tigris. In a remarkable work of interpretive history, Fergus Millar shows us this world as it was forged into the Roman provinces of Syria, Judaea, Arabia, and Mesopotamia. His book conveys the magnificent sweep of history as well as the rich diversity of peoples, religions, and languages that intermingle in the Roman Near East. Against this complex backdrop, Millar explores questions of cultural and religious identity and ethnicity—as aspects of daily life in the classical world and as part of the larger issues they raise.
As Millar traces the advance of Roman control, he gives a lucid picture of Rome’s policies and governance over its far-flung empire. He introduces us to major regions of the area and their contrasting communities, bringing out the different strands of culture, communal identity, language, and religious belief in each. The Roman Near East makes it possible to see rabbinic Judaism, early Christianity, and eventually the origins of Islam against the matrix of societies in which they were formed. Millar’s evidence permits us to assess whether the Near East is best seen as a regional variant of Graeco-Roman culture or as in some true sense oriental.
A masterful treatment of a complex period and world, distilling a vast amount of literary, documentary, artistic, and archaeological evidence—always reflecting new findings—this book is sure to become the standard source for anyone interested in the Roman Empire or the history of the Near East.
In Radical Arab Nationalism and Political Islam, Lahouari Addi attempts to assess the history and political legacy of radical Arab nationalism to show that it contained the seeds of its own destruction. While the revolutionary regimes promised economic and social development and sought the unity of Arab nations, they did not account for social transformations, such as freedom of speech, that would eventually lead to their decline. But while radical Arab nationalism fell apart, authoritarian populism did not disappear. Today it is expressed by political Islam that aims to achieve the kind of social justice radical Arab nationalism once promised.
Addi creatively links the past and present while also raising questions about the future of Arab countries. Is political Islam the heir of radical Arab nationalism? If political Islam succeeds, will it face the same challenges faced by radical Arab nationalism? Will it be able to implement modernity? The future of Arab countries, Addi writes, depends on this crucial issue.
Published in collaboration with Center for Contemporary Arab Studies, Georgetown University.
Over 5,000 years ago, the history of humanity radically changed direction when writing was invented in Sumer, the southern part of present-day Iraq. For the next three millennia, kings, aristocrats, and slaves all made intensive use of cuneiform script to document everything from royal archives to family records.
In engaging style, Dominique Charpin shows how hundreds of thousands of clay tablets testify to the history of an ancient society that communicated broadly through letters to gods, insightful commentary, and sales receipts. He includes a number of passages, offered in translation, that allow readers an illuminating glimpse into the lives of Babylonians. Charpin’s insightful overview discusses the methods and institutions used to teach reading and writing, the process of apprenticeship, the role of archives and libraries, and various types of literature, including epistolary exchanges and legal and religious writing.
The only book of its kind, Reading and Writing in Babylon introduces Mesopotamia as the birthplace of civilization, culture, and literature while addressing the technical side of writing and arguing for a much wider spread of literacy than is generally assumed. Charpin combines an intimate knowledge of cuneiform with a certain breadth of vision that allows this book to transcend a small circle of scholars. Though it will engage a broad general audience, this book also fills a critical academic gap and is certain to become the standard reference on the topic.
The looting of the Iraqi National Museum in April of 2003 provoked a world outcry at the loss of artifacts regarded as part of humanity's shared cultural patrimony. But though the losses were unprecedented in scale, the museum looting was hardly the first time that Iraqi heirlooms had been plundered or put to political uses. From the beginning of archaeology as a modern science in the nineteenth century, Europeans excavated and appropriated Iraqi antiquities as relics of the birth of Western civilization. Since Iraq was created in 1921, the modern state has used archaeology to forge a connection to the ancient civilizations of Mesopotamia and/or Islamic empires and so build a sense of nationhood among Iraqis of differing religious traditions and ethnicities.
This book delves into the ways that archaeology and politics intertwined in Iraq during the British Mandate and the first years of nationhood before World War II. Magnus Bernhardsson begins with the work of British archaeologists who conducted extensive excavations in Iraq and sent their finds to the museums of Europe. He then traces how Iraqis' growing sense of nationhood led them to confront the British over antiquities law and the division of archaeological finds between Iraq and foreign excavators. He shows how Iraq's control over its archaeological patrimony was directly tied to the balance of political power and how it increased as power shifted to the Iraqi government. Finally he examines how Iraqi leaders, including Saddam Hussein, have used archaeology and history to legitimize the state and its political actions.
While some scholars would argue that there was no “Iraq” before King Faysal’s coronation in 1921, Iraqi history spans fourteen centuries of tribal communities that endured continual occupation in their historic homeland, including Mongol invasions in the thirteenth century and subsequent Ottoman and British invasions. An Iraqi identity was established long before the League of Nations defined the nation-state of Iraq in 1932. Drawing on neglected primary sources and other crucial accounts, including memoirs and correspondence, Reclaiming Iraq puts the 1920 revolt against British occupation in a new light—one that emphasizes the role of rural fighters between June and November of that year.
While most accounts of the revolution have been shaped by the British administration and successive Iraqi governments, Abbas Kadhim sets out to explore the reality that the intelligentsia of Baghdad and other cities in the region played an ideological role but did not join in the fighting. His history depicts a situation we see even today in conflicts in the Middle East, where most military engagement is undertaken by rural tribes that have no central base of power. In the study of the modern Iraqi state, Kadhim argues, Faysal’s coronation has detracted from the more significant, earlier achievements of local attempts at self-rule. With clarity and insight, this work offers an alternative perspective on the dawn of modern Iraq.
During the early years of the Iraq War, the US Army was unable to translate initial combat success into strategic and political victory. Iraq plunged into a complex insurgency, and defeating this insurgency required beating highly adaptive foes. A competition between the hierarchical and vertically integrated army and networked and horizontally integrated insurgents ensued. The latter could quickly adapt and conduct networked operations in a decentralized fashion; the former was predisposed to fighting via prescriptive plans under a centralized command and control.
To achieve success, the US Army went through a monumental process of organizational adaptation—a process driven by soldiers and leaders that spread throughout the institution and led to revolutionary changes in how the army supported and conducted its operations in Iraq. How the army adapted and the implications of this adaptation are the subject of this indispensable study. Intended for policymakers, defense and military professionals, military historians, and academics, this book offers a solid critique of the army’s current capacity to adapt to likely future adversary strategies and provides policy recommendations for retaining lessons learned in Iraq.
On April 10, 2003, as the world watched a statue of Saddam Hussein come crashing down in the heart of Baghdad, a mob of looters attacked the Iraq National Museum. Despite the presence of an American tank unit, the pillaging went unchecked, and more than 15,000 artifacts—some of the oldest evidence of human culture—disappeared into the shadowy worldwide market in illicit antiquities. In the five years since that day, the losses have only mounted, with gangs digging up roughly half a million artifacts that had previously been unexcavated; the loss to our shared human heritage is incalculable.
With The Rape of Mesopotamia, Lawrence Rothfield answers the complicated question of how this wholesale thievery was allowed to occur. Drawing on extensive interviews with soldiers, bureaucrats, war planners, archaeologists, and collectors, Rothfield reconstructs the planning failures—originating at the highest levels of the U.S. government—that led to the invading forces’ utter indifference to the protection of Iraq’s cultural heritage from looters. Widespread incompetence and miscommunication on the part of the Pentagon, unchecked by the disappointingly weak advocacy efforts of worldwide preservation advocates, enabled a tragedy that continues even today, despite widespread public outrage.
Bringing his story up to the present, Rothfield argues forcefully that the international community has yet to learn the lessons of Iraq—and that what happened there is liable to be repeated in future conflicts. A powerful, infuriating chronicle of the disastrous conjunction of military adventure and cultural destruction, The Rape of Mesopotamia is essential reading for all concerned with the future of our past.
As the site of several miracles in the Jewish and Christian traditions, the Jordan is one of the world’s holiest rivers. It is also the major political and symbolic border contested by Israelis and Palestinians. Combining biblical and folkloric studies with historical geography, Rachel Havrelock explores how the complex religious and mythological representations of the river have shaped the current conflict in the Middle East.
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