“Yo ho ho and a bottle of rum!” A favorite of pirates, the molasses-colored liquid brings to mind clear blue seas, weather-beaten sailors, and port cities filled with bar wenches. But enjoyment of rum spread far beyond the scallywags of the Caribbean—Charles Dickens savored it in punch, Thomas Jefferson mixed it into omelets, Queen Victoria sipped it in navy grog, and the Kamehameha Kings of Hawaii drank it straight up. In Rum,Richard Foss tells the colorful, secret history of a spirit that not only helped spark the American Revolution but was even used as currency in Australia.
In 1968 Jim Morrison, founder and lead singer of the rock band the Doors, wrote to Wallace Fowlie, a scholar of French literature and a professor at Duke University. Morrison thanked Fowlie for producing an English translation of the complete poems of Rimbaud. He needed the translation, he said, because, "I don’t read French that easily. . . . I am a rock singer and your book travels around with me." Fourteen years later, when Fowlie first heard the music of the Doors, he recognized the influence of Rimbaud in Morrison’s lyrics.
In Rimbaud and Jim Morrison Fowlie, a master of the form of the memoir, reconstructs the lives of the two youthful poets from a personal perspective. In their twinned stories he discovers an uncanny symmetry, a pattern far richer than the simple truth that both led lives full of adventure and both made poetry of their thirst for the liberation of the self. The result is an engaging account of the connections between an exceptional French symbolist who gave up writing poetry at the age of twenty, died young, and whose poems are still avidly read to this day, and an American rock musician whose brief career ignited an entire generation and has continued to fascinate millions around the world in the twenty years since his death in Paris. In this dual portrait, Fowlie gives us a glimpse of the affinities and resemblances between European literary traditions and American rock music and youth culture in the late twentieth century.
A personal meditation on two unusual, yet emblematic, cultural figures, this book also stands as a summary of a noted scholar’s lifelong reflections on creative artists.
In “Constitutional Mandates and Choices,” Paul Freund discusses the recent Supreme Court school-prayer decisions and the Constitution. Acknowledging the need for instilling tradition, morality, and reverence—the “religious component” called for by many—Freund still maintains that “the school-prayer decisions are more important for the doors they leave open than for those they shut. The study of religious tradition, training in moral analysis, and the cultivation of sensibilities beyond the intellectual are all left open and beckoning… Today the need is not to reform the First Amendment but to examine and reform our ideas and practices of moral education in the schools.”
After presenting a brief historical description of religious education in our Western Judeo-Christian civilization, and outlining the present situation in our public schools, Robert Ulich, in “The Historical Present,” declares that if by “religion” we do not mean allegiance to a particular creed, then, “whatever is the decision of the Supreme Court, it will never be able to divorce the religious from the educational spheres in our education system.”
Ring Lardner - American Writers 49 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Rival Empires of Trade in the Orient, 1600-1800 was first published in 1976. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume presents an account of European expansion in Asia through the seventeenth and eighteenth centuries - the story of the rivalries of the East India companies and the growth of British maritime dominance which forged the Pax Britannica destined to keep Asia under European control until 1941. The author explains that it is called Rival Empires of Trade in the Orient because the few thousands of Europeans who built these empires thought of themselves primarily as merchants rather than as rulers.
The book consists of two parts, the first, narrative, the second, interpretive. The story of European commercial activity in the East is told in three chapters, the first ending with the Dutch conquest of Ceylon in 1656 and the reorganization and revival of the English East India Company as a permanent joint stock company under Oliver Cromwell's charter of 1657. The second chapter ends with the European peace settlement at Utrecht in 1713, and the third with the establishment of British preponderance in the East India trade at the close of the eighteenth century.
In the second part the author discusses the organization and structure of East India companies, the commodities in East India trade, the nature, growth, and development of the "country trade," and the relations between Europeans and Asians with some reference to the growth of European knowledge of Asia and the influence of the European presence in Asia on social history in both Asia and Europe.
Garcilaso de la Vega, the first native of the New World to attain importance as a writer in the Old, was born in Cuzco in 1539, the illegitimate son of a Spanish cavalier and an Inca princess. Although he was educated as a gentleman of Spain and won an important place in Spanish letters, Garcilaso was fiercely proud of his Indian ancestry and wrote under the name EI Inca.
Royal Commentaries of the Incas is the account of the origin, growth, and destruction of the Inca empire, from its legendary birth until the death in 1572 of its last independent ruler. For the material in Part One of Royal Commentaries—the history of the Inca civilization prior to the arrival of the Spaniards—Garcilaso drew upon "what I often heard as a child from the lips of my mother and her brothers and uncles and other elders . . . [of] the origin of the Inca kings, their greatness, the grandeur of their empire, their deeds and conquests, their government in peace and war, and the laws they ordained so greatly to the advantage of their vassals."
The conventionalized and formal history of an oral tradition, Royal Commentaries describes the gradual imposition of order and civilization upon a primitive and barbaric world. To this Garcilaso adds facts about the geography and the flora and fauna of the land; the folk practices, religion, and superstitions; the agricultural and the architectural and engineering achievements of the people; and a variety of other information drawn from his rich store of traditional knowledge, personal observation, or speculative philosophy.
Important though it is as history, Garcilaso's classic is much more: it is also a work of art. Its gracious and graceful style, skillfully translated by Harold V. Livermore, succeeds in bringing to life for the reader a genuine work of literature.
Part One covers the history of the Incas up to the arrival of the Spanish.
Garcilaso de la Vega, the first native of the New World to attain importance as a writer in the Old, was born in Cuzco in 1539, the illegitimate son of a Spanish cavalier and an Inca princess. Although he was educated as a gentleman of Spain and won an important place in Spanish letters, Garcilaso was fiercely proud of his Indian ancestry and wrote under the name El Inca.
Royal Commentaries of the Incas is the account of the origin, growth, and destruction of the Inca empire, from its legendary birth until the death in 1572 of its last independent ruler. For the material in Part One of Royal Commentaries—the history of the Inca civilization prior to the arrival of the Spaniards—Garcilaso drew upon "what I often heard as a child from the lips of my mother and her brothers and uncles and other elders . . . [of] the origin of the Inca kings, their greatness, the grandeur of their empire, their deeds and conquests, their government in peace and war, and the laws they ordained so greatly to the advantage of their vassals."
The conventionalized and formal history of an oral tradition, Royal Commentaries describes the gradual imposition of order and civilization upon a primitive and barbaric world. To this Garcilaso adds facts about the geography and the flora and fauna of the land; the folk practices, religion, and superstitions; the agricultural and the architectural and engineering achievements of the people; and a variety of other information drawn from his rich store of traditional knowledge, personal observation, or speculative philosophy.
Important though it is as history, Garcilaso's classic is much more: it is also a work of art. Its gracious and graceful style, skillfully translated by Harold V. Livermore, succeeds in bringing to life for the reader a genuine work of literature.
Part Two covers the Spanish conquest of the Incas.
Garcilaso de la Vega, the first native of the New World to attain importance as a writer in the Old, was born in Cuzco in 1539, the illegitimate son of a Spanish cavalier and an Inca princess. Although he was educated as a gentleman of Spain and won an important place in Spanish letters, Garcilaso was fiercely proud of his Indian ancestry and wrote under the name El Inca.
Royal Commentaries of the Incas is the account of the origin, growth, and destruction of the Inca empire, from its legendary birth until the death in 1572 of its last independent ruler. For the material in Part One of Royal Commentaries—the history of the Inca civilization prior to the arrival of the Spaniards—Garcilaso drew upon "what I often heard as a child from the lips of my mother and her brothers and uncles and other elders . . . [of] the origin of the Inca kings, their greatness, the grandeur of their empire, their deeds and conquests, their government in peace and war, and the laws they ordained so greatly to the advantage of their vassals."
The conventionalized and formal history of an oral tradition, Royal Commentaries describes the gradual imposition of order and civilization upon a primitive and barbaric world. To this Garcilaso adds facts about the geography and the flora and fauna of the land; the folk practices, religion, and superstitions; the agricultural and the architectural and engineering achievements of the people; and a variety of other information drawn from his rich store of traditional knowledge, personal observation, or speculative philosophy.
Important though it is as history, Garcilaso's classic is much more: it is also a work of art. Its gracious and graceful style, skillfully translated by Harold V. Livermore, succeeds in bringing to life for the reader a genuine work of literature.
The traditional radio medium has seen significant changes in recent years as part of the current global shift toward multimedia content, with both digital and FM making significant use of new technologies, including mobile communications and the Internet. This book focuses on the important role these new technologies play—and will play as radio continues to evolve. This series of essays by top academics in the field examines new options for radio technology as well as a summary of the opportunities and challenges that characterize academic and professional debates around radio today.
Beginning in Tunisia and spreading across the Middle East and North Africa, everyday citizens stepped into the streets, staking their claim to a democratic future. The image of these protests captured the imagination of the world. Revolution by Love takes you inside these protests, onto those streets, and shares with you the stories of the individuals who made this historic moment possible. The book's contributors bear witness to the bravery of Libyans who faced down troops as they secured satellite technology to share with the world what was happening in Tripoli; the courage of doctors, facing gunfire, as they treated patients in Bahrain; and the everyday struggles of families in Gaza. At each moment, within every story shared, there is also a continual return to the love shared with friends and within families--a love that served as the foundation for the protests that changed the world.
Contributors include: Ahmed Abdelhakim Hachelaf, Raghda Abushahla, Muna Abbas Ali AlBuloushi, Shatha Al-Harazi, Samah Elmeri, Dala Ghandour, Mirelle Karam Halim, Shadin Hamaideh, Mohammed Masbah, Amal Matar, Salma Nazzal, Ibrahim Yousif Shebani, and Emna Ben Yedder.
A personal guide to the transformations, hard truths, profound pleasures, and infinite possibilities of aging
One May morning shortly before her seventy-fifth birthday, Andrea Gilats awoke to a startling, sudden spike in consciousness that she was about to leap from older to old. Radical Endurance is the story of the reckoning that followed, a candid, clear-eyed journey of discovery through the pitfalls and possibilities of aging. Facing the realities of her age, Gilats explores her fears of failing health and loss of independence while navigating the terrain of an ageist culture. But among such troubling uncertainties, she also encounters the singular pleasures of “growing up again,” of finding fresh and unexpected ways of understanding herself and making meaning during this new era of her life.
Reflecting on moments in midlife, from the painful adjustments of widowhood to life-altering medical diagnoses, Gilats arrives at a valuable insight: the journey toward old age begins sooner and lasts longer than we might imagine. Yet from any moment in this process, old age is the future, brimming with potential. In her account, Gilats combines personal and professional experience, offering firsthand knowledge of a stage of life that we each meet in our own time, in our own way. She also contributes the learning and wisdom of her heroes and mentors, including feminist author Barbara Ehrenreich, poet May Sarton, singer and activist Joan Baez, psychiatrist Gene Cohen, archaeologist Arthur C. Parker, physician Jane Hodgson, and Nobel literature laureate Isaac Bashevis Singer.
Enlightening and deeply moving, alive to the sadness and joy of time passing, Radical Endurance is a guide and a companion through the experience of growing old as well as an unconventional coming-of-age story, celebrating a new stage of life when we need it most.
Retail e-book files for this title are screen-reader friendly.
Contributors. Kofi Agawu, Günter Brosche, Bryan Gilliam, Stephen Hefling, James A. Hepokoski, Timothy L. Jackson, Michael Kennedy, Lewis Lockwood, Barbara A. Peterson, Pamela Potter, Reinhold Schlötterer, R. Larry Todd
Rubén Darío (1867–1916), the undisputed standard-bearer of the Modernist movement in Hispanic letters, was born in Nicaragua. In 1886 he went to Chile, where he published Azul (1888), his first important book of poems and stories. Later he lived for extended periods in Argentina, Spain, and France, and in these countries produced his best work: compelling poems of beauty, style, and dignity, especially Cantos de vida y esperanza (1905). The perfection of form, exotic essences, and rich ornamentation of his earlier work give way in his most mature poems to self-probings and doubts, the anguish so characteristic of twentieth-century literature. But the hedonistic note, the quenchless appetite for life, dominating Azul and Prosas profanas (1896) never die out, and are magnificently present in El poema del otoño (1910). Darío has had a tremendous impact on Hispanic literature. He is one of the best examples of the poet who is true to his art as determined by his innermost impulses. His poetry has fertilized a whole generation of writers in Spanish America and in Spain, and even now his influence continues to be felt.
Frances Goodrich and Albert Hackett wrote the screenplays for some of America’s most treasured movies, including It’s a Wonderful Life, The Thin Man, Easter Parade, Father of the Bride, Naughty Marietta, and Seven Brides for Seven Brothers. Legendary films, indeed, but writing both the play and screenplay for The Diary of Anne Frank was their crowning achievement.
Controlled chaos best describes their writing method. They discussed a scene at length, sometimes acting it out. Afterwards, they each wrote a draft, which they exchanged. “Then,” Frances said, “began ‘free criticism’—which sometimes erupted into screaming matches.” Noisy and contentious, the method worked splendidly.
Enormously successful and remarkably prolific, Goodrich and Hackett began their thirty-four-year collaboration in 1928. Married after the first of their five plays became a hit, they were in many ways an unlikely pair. Frances, the privileged daughter of well-to-do parents, graduated from Vassar, then played minor parts on Broadway. Albert’s mother put him on stage at age five, when his father died, to help pay the bills, and he became a highly paid comedian.
The Hacketts were known for their wit and high spirits and the pleasure of their Bel Air dinner parties. They waged memorable battles with their powerful bosses and were key activists in the stressful creation of the Screen Writers Guild. Once they had created Nick and Nora Charles, The Thin Man’s bright, charming, sophisticated lead couple, played memorably by William Powell and Myrna Loy, many people saw a strong resemblance, and the Hacketts acknowledged that they “put themselves into” Nick and Nora.
The Real Nick and Nora is a dazzling assemblage of anecdotes featuring some of the most talented writers and the brightest lights of American stage and screen. The work was arduous, the parties luminous. On any given night the guests singing and acting out scripts at a party might include F. Scott Fitzgerald and Sheilah Graham, S. J. Perelman, Oscar Levant, Ogden Nash, Judy Garland, Abe Burrows, Hoagy Carmichael, Johnny Mercer, Ira Gershwin, George Burns and Gracie Allen, Pat O’Brien, Dick Powell and June Allyson, Dashiell Hammett, Lillian Hellman, James Cagney, and Dorothy Parker.
Racism in America has been the subject of serious scholarship for decades. At Harvard University Press, we’ve had the honor of publishing some of the most influential books on the subject. The excerpts in this volume—culled from works of history, law, sociology, medicine, economics, critical theory, philosophy, art, and literature—are an invitation to understand anti-Black racism through the eyes of our most incisive commentators.
Readers will find such classic selections as Toni Morrison’s description of the Africanist presence in the White American literary imagination, Walter Johnson’s depiction of the nation’s largest slave market, and Stuart Hall’s theorization of the relationship between race and nationhood. More recent voices include Khalil Gibran Muhammad on the pernicious myth of Black criminality, Elizabeth Hinton on the link between mass incarceration and 1960s social welfare programs, Anthony Abraham Jack on how elite institutions continue to fail first-generation college students, Mehrsa Baradaran on the racial wealth gap, Nicole Fleetwood on carceral art, and Joshua Bennett on the anti-Black bias implicit in how we talk about animals and the environment.
Because the experiences of non-White people are integral to the history of racism and often bound up in the story of Black Americans, we have included writers who focus on the struggles of Native Americans, Latinos, and Asians as well. Racism in America is for all curious readers, teachers, and students who wish to discover for themselves the complex and rewarding intellectual work that has sustained our national conversation on race and will continue to guide us in future years.
In the past decade, the number of Americans who consider themselves runners more than doubled—in 2008, more than 16 million Americans claimed to have run or jogged at least 100 days in the year. Though now running thrives as a convenient and accessible form of exercise, it is no surprise to learn that the modern craze is not truly new; humans have been running as long as they could walk. What may be surprising however are the myriad reasons why we have performed this exhausting yet exhilarating activity through the ages. In this humorous and unique world history, Thor Gotaas collects numerous unusual and curious stories of running from ancient times to modern marathons and Olympic competitions.
Amongst the numerous examples that illustrate Gotaas’s history are King Shulgi of Mesopotamia, who four millennia ago boasted of running from Nippur to Ur, a distance of not less than 100 miles. Gotaas’s account also includes ancient Egyptian pharaohs who ran to prove their vitality and maintain their power, Norwegian Vikings who exercised by running races against animals, as well as little-known naked runs, bar endurance tests, backward runs, monk runs, snowshoe runs, and the Incas’ ingenious infrastructure of professional runners.
The perfect gift for the sprinter, the marathoner, or the daily jogger, this intriguing world history will appeal to all who wish to know more about why the ancients shared our love—and hatred—of this demanding but rewarding pastime.
What exactly is it we want from dogs today?
This is a little book about the oldest relationship we humans have cultivated with another large animal—in something like the original interspecies space, as old or older than any other practice that might be called human. But it’s also about the role of this relationship in the attrition of life—especially social life—in late capitalism. As we become more and more obsessed with imagining ourselves as benevolent rescuers of dogs, it is increasingly clear that it is dogs who are rescuing us. But from what? And toward what? Exploring adoption, work, food, and training, this book considers the social as fundamentally more-than-human and argues that the future belongs to dogs—and the humans they are pulling along.
Bell-bottoms are in. Bell-bottoms are out. Bell-bottoms are back in again. Fads constantly cycle and recycle through popular culture, each time in a slightly new incarnation. The term “retro” has become the buzzword for describing such trends, but what does it mean? Elizabeth Guffey explores here the ambiguous cultural meanings of the term and reveals why some trends just never seem to stay dead.
Drawing upon a wealth of original research and entertaining anecdotal material, Guffey unearths the roots of the term “retro” and chronicles its evolving manifestations in culture and art throughout the last century. Whether in art, design, fashion, or music, the idea of retro has often meant a reemergence of styles and sensibilities that evoke touchstones of memory from the not-so-distant past, ranging from the drug-induced surrealism of psychedelic art to the political expression of 1970s afros.
Guffey examines how and why the past keeps coming back to haunt us in a variety of forms, from the campy comeback of art nouveau nearly fifty years after its original decline, to the infusion of art deco into the kitschy glamor of pop art, to the recent popularity of 1980s vogue. She also considers how advertisers and the media have employed the power of such cultural nostalgia, using recycled television jingles, familiar old advertising slogans, and famous art to sell a surprising range of products.
An engrossing, unprecedented study, Retro reveals the surprising extent to which the past is embedded in the future.
In recent decades, Turkish economy, society, and culture have undergone intense changes affected by influences other than Western modernity. Issues of national identity are being transformed by such phenomena as the rise of political Islam, integration into a global economy, ethnic conflict, and women’s struggles for autonomy. This special issue of SAQ explores how these redefinitions are occurring in the areas of art, literature, and popular culture as well as economy and politics. The essays examine the preoccupation of modern Turkish literature and popular culture with notions of imitation and authenticity, as well as the ways in which the country’s secularization serves to promote an "official Islam"
Contributors. Hülya Adak, Meltem Ahiska, Ayse Gül Altinay, Tanil Bora, Ayse Bugra, Ümit Cizre, Menderes Çinar, Andrew Davison, Tuna Erdem, Suna Ertugrul, Kathy Ewing, Erdag Göknar, Nurdan Gülalp, Sibel Irzik, Orhan Koçak, Bruce Kuniholm, Jale Parla, Nükhet Sirman, Levent Soysal, Necmi Zeka
Makes accessible to modern readers the 17th-century rhetorics of Thomas Hobbes (1588–1677) and Bernard Lamy (1640–1715)
Hobbes’ A Briefe of the Art of Rhetorique, the first English translation of Aristotle’s rhetoric, reflects Hobbes’ sense of rhetoric as a central instrument of self-defense in an increasingly fractious Commonwealth. In its approach to rhetoric, which Hobbes defines as “that Faculty by which wee understand what will serve our turne, concerning any subject, to winne beliefe in the hearer,” the Briefe looks forward to Hobbes’ great political works De Cive and Leviathan.
Published anonymously in France as De l’art de parler, Lamy’s rhetoric was translated immediately into English as The Art of Speaking. Lamy’s long association with the Port Royalists made his works especially attractive to English readers because Port Royalists were engaged in a vicious quarrel with the Jesuits during the last half of the 17th century.
Readings in Primary Art Education focuses on the challenges of and approaches to teaching art to primary-school students. Drawn from articles originally published in the International Journal of Art and Design, this volume gathers the work of the best scholars in the field and provides a critical framework for developing methods of teaching art to young students. Capturing the key issues and debates that are shaping both curricula and practice, Readings in Primary Art Education is an essential starting point for anyone involved in art education. This collection of essays will be a welcome addition to art and design education and will be of interest to those active in primary art and design education, including practicing teachers and scholars.
Long before Rumania existed as a sovereign state, Rumanians struggled for national identity in Transylvania, an area in Eastern Europe of great ethnic and cultural diversity. The growth of their national consciousness between 1780 and 1849 affords an intriguing case study in nationalism. Keith Hitchins gives us in this book the first systematic survey and analysis of the movement—its leadership, techniques, and literary and political manifestations.
Transylvania at that time was a principality in the Habsburg domain inhabited by four groups: Magyars, Szeklers, Saxons, and Rumanians. Through the centuries the region had frequently changed status—at times independent, more often dominated by either Hungary or Austria. In 1867 it became an integral part of Hungary. After the First World War it was annexed by Rumania (which had won its independence in 1878) and is Rumanian soil today.
Hitchins finds that in the late eighteenth and early nineteenth centuries, the national movement in Transylvania was led by Western-oriented Rumanian intellectuals, the majority of whom were Uniate and Orthodox priests or the sons of priests. Their principal weapons were their writings, the schools, and the church. Influenced by the Enlightenment, these men fashioned the goals of the movement and gave it its characteristic dimensions—its moderation, rationalism, and Western orientation. Through their emphasis on education and their own personal labors in the fields of Rumanian history and linguistics, they succeeded in creating a national ethos, without which political activity of any kind would have been fruitless and on which, later, more secularly-oriented national leaders could base their specific political demands.
Chronicling the changing course of the Rumanian struggle, the author shows that the nationalists began with a demand for the feudal rights enjoyed by their neighbors the Magyars, Szeklers, and Saxons, who were represented in the provincial diet and organized according to estates, or noble nations. Still reasoning within the context of a feudal constitution and thinking in terms of the historic principality, the Rumanians, who constituted a majority of the population of Transylvania, did not yet dare dream of a separate Rumanian nation in which they would be the dominant element. By 1849, however, they had come to regard the recognition of Rumanian autonomy within the Austrian Empire as the paramount issue and even looked toward the accretion of Rumanian-inhabited areas outside Transylvania to the grand duchy they hoped to see established. Ultimately, their goal became a union of all Rumanians, including the Kingdom of Rumania, in a modern national state.
A growing number of cultural anthropologists and others in allied disciplines are doing ethnographic fieldwork in the communities where they live and work. Essays in Reinventing and Reinvesting in the Local for Our Common Good describe an engaged local anthropology that contributes to the common good by informing social change and public policy.
The volume includes examples of citizen or student involvement in ethnographic research: Residents of a rural community were both subjects and collaborators on a study of cultural attachment to land. A group of American university students on an international travel course and their South African peer mentors explored racism and cultural differences in an immersive fieldwork experience.
One essay traces the discipline’s evolving understanding of the ethnographer’s relationship to the community being studied—from dispassionate observer to critically self-conscious participant-observer. Another heralds the success of an unconventional local initiative: a popular radio drama shows great promise for raising HIV awareness among young women in Botswana. A final essay makes a plea for broad public engagement in improving the lives of people with Autism Spectrum Disorder.
These papers were presented at the April 2016 annual meeting of the Southern Anthropological Society (SAS) in Huntington, West Virginia.
BRIAN A. HOEY is associate dean of the Honors College and a professor of anthropology at Marshall University.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press