A SCHOLARLY BOOK REPOSITORY
But recent propaganda images that define public debate around growing tensions with Russia are not new or arbitrary. Russia and the Media asks, what is the role of Western journalism in constructing a new kind of Cold War with Russia? Focusing on British and US media coverage of moments of crisis and of co-operation between the West and Russia, McLaughlin exposes how such a Cold War framework shapes public perceptions of a major, hostile power reasserting itself on the world stage.
Scrutinizing events such as the Ukraine/Crimea crisis, the Skripal Poisoning and Russia's military intervention in Syria - as well as analyzing media coverage of the 2018 Russian presidential election and build up to the 2018 World Cup - Russia and the Media makes a landmark intervention at the intersection of media studies and international relations.
Dostoevsky’s Russian chauvinism and anti-Semitism have long posed problems for his readers and critics. How could the author of The Brothers Karamazov also be the source of the slurs against Jews in Diary of a Writer? And where is the celebrated Christian humanist in the nationalist outbursts of The Idiot? These enigmas—the coexistence of humanism and hatred, faith and doubt—are linked, Susan McReynolds tells us in Redemption and the Merchant God. Her book analyzes Dostoevsky’s novels and Diary to show how the author’s anxieties about Christianity can help solve the riddle of his anti-Semitism as well as that of his Russian messianism.
McReynolds’ reading demonstrates Dostoevsky suffered from a profound discomfort with the crucifixion as a vehicle for redemption. Through his work, she traces this ambivalence to certain beliefs and values that Dostoevsky held consistently throughout his life. And she reveals how this persistent ambivalence about the crucifixion led Dostoevsky to project what he didn’t like about Christianity onto the Jews—and to invest those aspects of the crucifixion that he could approve with the “Russian idea.”
A radical rereading of one of the Western canon’s most revered and perplexing authors, McReynolds’ book is also a major reconfiguring of Dostoevsky’s intellectual biography and a significant contribution to literary and cultural studies.
In this novel, however, he turns his lens elsewhere: to a college town in Ohio. Here he finds human relations and the battle between the community and the individual no less compelling, or ridiculous. In Athens, Ohio, old high school friends Rachel Boucher and Jason de Klerk reconnect and rekindle a relationship that quickly becomes passionate. Initially, all seems well. Not only the couple, but their friends and family, are happy at this unexpected conjunction. But then Rachel meets someone else. Jason’s anger boils over into violence—violence that turns the community on its head, pitting friends and neighbors against one another. And all this happens before Rachel realizes she’s pregnant.
A powerful, piercing satire of contemporary life, love, and society, Rachel’s Blue is a wonderful example of the social novel, surprising us with undeniable revelations about everyday life.
Hasard, providence, intrication quantique, rituel, animisme, étreinte ou porosité, pensée ou art sont autant de tentatives de tourner autour de ce qui nous échappe quand nous nous rencontrons. Et autant de façons de se rencontrer là où la philosophie reconnait que l’art lui échappe.
When the civil rights movement began to challenge Jim Crow laws, the white southern press reframed the coverage of racism and segregation as a debate over journalism standards. Many white southern editors, for instance, designated Black Americans as “Negro” in news stories, claiming it was necessary for accuracy and “objectivity,” even as white subjects went unlabeled. These news professionals disparaged media outlets that did not adhere to these norms, such as the Black press. In this way, the southern white press weaponized journalism standards—and particularly the idea of objectivity—to counter and discredit reporting that challenged white supremacy.
Through deep engagement with letters and other materials in numerous archives from editors, journalists, and leaders of newswire services, Racializing Objectivity interrogates and exposes how the white southern press used journalism standards as a professional rationalization for white supremacy and a political strategy to resist desegregation. Gwyneth Mellinger argues that white skin privilege gave these news professionals a stake in the racial status quo and was thus a conflict of interest as they defended Jim Crow. Her study includes an examination of the Southern Education Reporting Service, an objectivity project whose impartiality, she contends, instead affirmed systemic racism. In a pointed counternarrative, Mellinger highlights Black editors and academics who long criticized the supposed objectivity of the press and were consequently marginalized and often dismissed as illegitimate, fanciful, and even paranoid.
Elegant and incisive, Racializing Objectivity unequivocally demonstrates that a full telling of twentieth-century press history must reckon with the white southern press’ cooptation of objectivity and other professional standards to skew racial narratives about Black Americans, as well as northern whites and democracy itself.
Through philosophy, history, education, art, and personal musing on everyday uncanny experiences, Menza reveals why people have long found rabbits our special kin and emblems of love. Menza considers human nature and how we are undone by separation—both from each other and from our childhood selves. Surprising allies in these non-traditional philosophical wanderings include Ludwig Wittgenstein, Elizabeth Bowen, Albert Murray, Beatrix Potter, Donald Winnicott, Sterling Stuckey, and Lev Vygotsky.
Menza examines what symbols are and how they work, the value of dialect, and the subversive lesson of animal fables, alongside his thoughts on language learning, memory, and slavery. Only now did he see that he’d taken to Brer Rabbit early on. Just as the Uncle Remus tales displayed the small hero’s virtues in warm dialogues, The Rabbit Between Us shows we abound in talents and moves when we “lean like Socrates did to the Aesop in us.” Gentle and political at once, this unique book will appeal to any intellectually curious reader.
This modern era has had many names: the golden age, the machine age, the atomic age, the electronic age, and so on. One further title, hitherto unpublicized, it eminently deserves: the age of noise. Man has compounded the natural noise that preceded his existence on the earth until no point on this globe is free from it. Even in the desert's hush, radio waves pervade the air and provide a source of potential noise. The shorter waves escape from the earth and fill interplanetary space with the mingled clamor of FM, TV, radar, and other insistent voices.
This book deals with the important problem of radio noise, its sources, whether manmade or natural, over the known range of frequencies. Certain of these contributions will interest the communicator, enabling him to estimate the potential interference from various types of sources. Other contributions deal mainly with scientific problems, such as the origins and significance of certain characteristic noise radiations.
The contributors to this book are experts on the various phases of radio noise. The individual chapters derive from papers presented at a Conference on Radio Noise, held at Harvard College Observatory, April 22, 1958.
Houses, in the Argentine and Chilean films of the early twenty-first century, provide much more than a backdrop to on-screen drama. Nor are they simply refuges from political turmoil or spaces of oppression. Remaking Home argues that domestic spaces are instead the medium through which new, fragile common identities are constructed. The varied documentary and fiction films analyzed here, which include an early work by Oscar winner Sebastián Lelio, use the domestic sphere as a laboratory in which to experiment with narrative, audiovisual techniques, and social configurations. Where previous scholarship has focused on the social fragmentation and political disillusionment visible in contemporary film, Remaking Home argues that in order to understand the political agency of contemporary cinema, it is necessary to move beyond deconstructive critical approaches to Latin American culture. In doing so, it expands the theoretical scope of studies in Latin American cinema by finding new points of contact between the cultural critique of Nelly Richard, the work of Bruno Latour, and theories of new materialism.
Cuba has been transformed more radically within one decade than almost any society in recent history. Yet the Cuban Revolution is poorly understood abroad because of its physical and political isolation, the controversies between adherents of the old and new regimes, and the murky skirmishes of the cold war.
This collection of essays is a comprehensive and authoritative study of almost all major aspects of socialist Cuba. It draws together the talents of the ablest group of Cuban specialists ever represented in a single volume.
Roberto Michels' First Lectures in Political Sociology was first published in 1949. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A number of papers on key ideas in the social sciences are made available to Americans for the first time in this book. Representative of Western European culture, Roberto Michels, author of the famous Political Parties and many other works, asks and gives answers to a number of questions basic to the further study of political behavior, socialeconomic institutions, and public law.
There parade before the reader of this volume the really great European contributors to social science of the last century: Saint-Simon, Karl Marx, Gabriel Tarde, Gaetano Mosca, Vilfredo Pareto, Max Weber, Werner Sombart, Georges Sorel, and many other critics and scholars. At every step the sociologist, the economist, the psychologist, and the political scientist — for Michels was all of these—intermingle and reinforce each other.
German born, Roberto Michels studied at Paris, Munich, Leipzig, Halle, and Turin, and taught successively in some of Europe's greatest universities. In 1927 he lectured in America at the University of Chicago and elsewhere.
Ralph Waldo Emerson - American Writers 41 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Richard Eberhart - American Writers 55 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
As an economist and political theorist, Rosa Luxemburg created a body of work that still resonates powerfully today. Born in Poland in 1871, she became a revolutionary leader in Berlin, publishing works including Reform or Revolution and The Accumulation of Capital. In this account of Luxemburg’s short yet extraordinary life, Dana Mills examines Luxemburg’s writings, including her own correspondence, to reveal a woman who was fierce in professional battles and loving in personal relationships. What is her legacy today, a hundred years after her assassination in Berlin in 1919 at the age of forty-seven? Luxemburg’s emphasis on humanity and equality and her insistence on revolution give coherence, as this compelling biography illustrates, to a fraught life story and to her colossal economic and political legacy.
But there is a darker side to these gorgeous flowers. Daphne du Maurier used the red rhododendron as a symbol of blood in her best-selling novel Rebecca, and numerous Chinese folktales link the plant with tragedy and death. It can poison livestock and intoxicate humans, and its narcotic honey has been used as a weapon of war. Rhododendron ponticum has run riot across the British countryside, but the full story of this implacable invader contains many fascinating surprises.
In this beautifully illustrated volume, Richard Milne explores the many ways in which the rhododendron has influenced human societies, relating this to the extraordinary story of the plant’s evolution. Over one thousand species of the plant exist, ranging from rugged trees on Himalayan slopes to rock-hugging alpines, and delicate plants perched on rainforest branches. Milne relays tales of mythical figures, intrepid collectors, and eccentric plant breeders. However much you may think you know about the rhododendron, this charming book will offer something new.
Robinson Jeffers’ name has been so inseparably linked with California that it is difficult to think of his origins being elsewhere. Jeffers was both in 1887 in Pittsburgh, Pennsylvania. His father was a professor at Western Theological Seminary and a scholar of ancient languages who taught his son to read Greek before he started school. In 1902, Jeffers enrolled in the University of Western Pennsylvania, now the University of Pittsburgh, but his family moved to California soon thereafter, and he graduated from Occidental College at the age of eighteen.
Inhumanism was the label Jeffers first used in the preface to The Double Axe and Other Poems to explain the doctrine that permeates all of his poetry. Defining humanism as “a system of thinking in which man, his interests, and development, are made dominant, his addition of the negative prefix was his attempt to subdue human interests and development to something greater, contrasting them against the magnificent beauty and immense worth of the natural world.
In addition to discussing Jeffers’ life and philosophy, Monjian analyzes the form and style of his poetry, calling it “a singular style, slashing its way across the page with violence of image and a free, crashing rhythm.” She ends the book: “Whatever the future holds for this poet, our own age is still awed by the magnificent talent and effort of a burdened mind struggling to free humanity from the shackles of an impoverished self-love, and the myths to which he believes it gave birth.”
Winner, McGannon Communications Research Award, 2004
In 1971, the Sloan Commission on Cable Communications likened the ongoing developments in cable television to the first uses of movable type and the invention of the telephone. Cable's proponents in the late 1960s and early 1970s hoped it would eventually remedy all the perceived ills of broadcast television, including lowest-common-denominator programming, inability to serve the needs of local audiences, and failure to recognize the needs of cultural minorities. Yet a quarter century after the "blue sky" era, cable television programming closely resembled, and indeed depended upon, broadcast television programming. Whatever happened to the Sloan Commission's "revolution now in sight"?
In this book, Megan Mullen examines the first half-century of cable television to understand why cable never achieved its promise as a radically different means of communication. Using textual analysis and oral, archival, and regulatory history, she chronicles and analyzes cable programming developments in the United States during three critical stages of the medium's history: the early community antenna (CATV) years (1948-1967), the optimistic "blue sky" years (1968-1975), and the early satellite years (1976-1995). This history clearly reveals how cable's roots as a retransmitter of broadcast signals, the regulatory constraints that stymied innovation, and the economic success of cable as an outlet for broadcast or broadcast-type programs all combined to defeat most utopian visions for cable programming.
By drawing our attention back to the center as an object of analytical and empirical study, this book counters a long-term trend in both planning and urban scholarship that emphasizes decentralization as the hallmark of the twenty-first-century city. It argues that such a “centrifugal” turn in urban studies is neither empirically accurate nor normatively incontestable, especially when one looks beyond the West. Rather, as the contributions to this volume show, decentering obscures the ways in which the center continues to exert a powerful influence on cities of today. The concise chapters, situated at the intersection of urban studies, social anthropology, architecture, and art theory, provide new perspectives on the role of the center in defining the city’s terrain. Together, they constitute a collection of sharp, provocative interventions into debates about the transformation of global urban forms in the twenty-first century.
Murra intermixes a study of Andean ecology with an exploration of the ideal of economic self-sufficiency, stressing two foundational socioeconomic forces: reciprocity and redistribution. He shows how both enabled Andean communities to realize direct control of a maximum number of vertically ordered ecological floors and the resources they offered. He famously called this arrangement a “vertical archipelago,” a revolutionary model that is still examined and debated almost fifty years after it was first presented in these lecture. Written in a crisp and elegant style and inspired by decades of ethnographic fieldwork, this set of lectures is nothing less than a lost classic, and it will be sure to inspire new generations of anthropologists and historians working in South America and beyond.
Red Scare was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Few periods in American history have been so dramatic, so fraught with mystery, or so bristling with fear and hysteria as were the days of the great Red Scare that followed World War I. For sheer excitement, it would be difficult to find a more absorbing tale than the one told here. The famous Palmer raids of that era are still remembered as one of the most fantastic miscarriages of justice ever perpetrated upon the nation. The violent labor strife still makes those who lived through it shudder as they recall the Seattle general strike and Boston police strike, the great coal and steel strikes, and the bomb plots, shootings, and riots that accompanied these conflicts. But, exciting as the story may be, it has far greater significance than merely that of a lively tale. For, just as American was swept by a wave of unreasoning fear and was swayed by sensational propaganda in those days, so are we being tormented by similar tensions in the present climate of the cold war.
The objective analysis of the great Red Scare which Mr. Murray provides should go a long way toward helping us to avert some of the tragic consequences that the nation suffered a generation ago before hysteria and fear had finally run their course. The author traces the roots of the phenomenon, relates the outstanding events of the Scare, and evaluates the significant effects of the hysteria upon subsequent American life.
Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social, and cultural aspects of community-conscious theatre-making. While doing so, the volume reflects on recent transformations in structural, textual, and theatrical conventions and traditions, and explores the changing modes of production and spectatorship in relation to theatre communities. The essays in this collection present an array of emerging perspectives on the politics, ethics, and practices of community representation in the contemporary international theatre landscape. An international, interdisciplinary collection featuring work by theatre scholars, theatre-makers, and artistic directors from across Europe and beyond, Redefining Theatre Communities will appeal to those interested in the diverse forms of socially engaged theatre and performance.
Winner, Ray & Pat Browne Award for Best Reference/Primary Source Work in Popular and American Culture, Popular Culture Association/American Culture Association, 2016
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino’s films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino’s films but kept very much on the quiet—is the subject of Race on the QT.
Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama’s eclectic fusion of cultural criticism and film analysis looks beyond the director’s personal racial attitudes and focuses on what Tarantino’s filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
Naylor seeks to rectify this imbalance by presenting a historical geography of regional science. Taking an in-depth look at the county of Cornwall, questions on how science affected provincial Victorian society, how it changed people’s relationship with the landscape and how it shaped society are applied to the Cornish case study, allowing a depth and texture of analysis denied to more general scientific overviews of the period.
Investigating and documenting the histories, theories and forms of Conceptual Art, this timely book, including both established writers and a new generation of art historians, shows that Conceptual Art was a broad movement encompassing a range of artistic tendencies. This is the most stimulating account of the movement to date, arguing forcefully for its vitality and potential as well as examining its influence on art today.
With essays by Alex Alberro, Stephen Bann, Jon Bird, David Campany, Helen Molesworth, Michael Newman, Peter Osborne, Birgit Pelzer, Desa Philipagesi, Anne Rorimer, Peter Wollen and William Wood.
In this groundbreaking publication, originally published in 1972, George Nickelsburg places ideas in their historical circumstances as he probes biblical and postbiblical texts and challenges widely accepted scholarship. The continuities in literary forms demonstrate that divine justice was the central issue, but that people differed as to whether that justice was enacted in this life, in the assumption to heaven, in a resurrection, or in the ongoing life as an immortal soul.
The expanded edition includes subsequent studies on the resurrection accounts and theologies of the New Testament, the New Testament passion narratives, and Jewish and Christian theologies about the Son of Man.
This book provides a window into aspects of the ancient apocalyptic worldview whose dynamics and functions are often misunderstood.
In two of the most fateful months of Mexican history, the delegates to the Constitutional Convention of 1916–1917 came to grips with the basic problem of twentieth-century Mexico. They hammered out pragmatic solutions to establish the legal foundations of the Mexican Revolution, the definitive break between the old Mexico and the new, the constitutional bases for the socioeconomic changes from 1917 onward. Honored and obeyed, dishonored and disobeyed, many times amended, the constitution they wrote still serves as the instrument for achieving the national purpose.
Revolution at Querétaro is the first book in English to study in depth the remarkable convention that produced the Constitution of 1917. It chronicles the unfolding of ideas expressed in the debates on the most significant articles of the constitution, those that have given it a revolutionary flavor and have served the groundwork for the emergence of Mexico as a modern nation. These articles concern the Catholic church and its role in the sphere of education (Article 3); the relationship of the church to the state (Articles 24 and 130); the attack on vested interest and the establishment of guidelines for agrarian reform (Article 27); the drafting of a detailed labor code (Article 123); and attempts to implement municipal reform (Article 114). Other debates described in the book concern unsuccessful attempts to institute prohibition, outlaw bullfights, abolish capital punishment, and grant suffrage to women.
This study also sheds light on the delegates themselves, who they were and where they came from, their idiosyncrasies and attitudes, and their individual contributions to the writing of the constitution. Much material is taken from unpublished albums in which the delegates recorded their sentiments during the convention.
In Space, the second volume in the University of Chicago Press’s translation of Nora’s ambitious Les Lieux de mémoire, a group of France’s leading historians and cultural commentators call attention to the meaning of space for the French and the firm connection between the nation’s history and its geography. The essays gathered here cover the most essential approaches to French space: external and internal boundaries, the base unit of local space, and the mental construction that gives a general idea of the concept of landscape. The analyses focus on three aspects of natural boundaries: the forest, the north and the south, and the coastline. Each region of France, they show, is a space of memory that is the fruit of all the knowledge that gives it shape: statistical, cartographical, geological, and historical.
A crucial piece in Nora’s profound historical project on the way the French understand themselves, this volume will be appreciated by any critical thinker with an interest in French history, politics, culture, or philosophy.
Author P. J. O’Connell traces Robert Drew’s influence on cinema verite through extensive interviews with Drew and with some of the founding fathers of American cinema verite filmmaking—Donn Alan Pennebaker, Gregory Shuker, and Richard Leacock.
Robert Drew’s contributions to documentary film have been both technical and conceptual. Realizing that his equipment was too heavy and intrusive, Drew persuaded Time-Life Broadcasting to sponsor the development of new, lightweight, portable synchronous sound equipment that freed documentary filmmakers from the bulky, tripod-mounted, AC-powered equipment of the past. His new technology allowed him to capture intense moments as they happened, and to make viewers feel personally involved in the events he presented. While making more than twenty documentaries in the early 1960s, Drew continued to initiate innovations that were not thought possible a generation before him.
P. J. O’Connell is the executive producer of public affairs at Penn State Television and an affiliate assistant professor in the School of Communication at Penn State University.
Red Creative is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.
Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society.
With Riddle, Mystery, and Enigma, statesman and author David Owen tells the story of Britain’s relationship with Russia, which has been surprisingly underexplored. Through his characteristic insight and expertise, he depicts a relationship governed by principle as often as by suspicion, expediency, and necessity.
When the two nations formed a pragmatic alliance and fought together at the Battle of Navarino in Greece in 1827, it was overwhelmingly the work of the British prime minister, George Canning. His death brought about a drastic shift that would see the countries fighting on opposite sides in the Crimean War and jostling for power during the Great Game. It was not until the Russian Revolution of 1917 that another statesman had a defining impact on relations between Britain and Russia: Winston Churchill, who opposed Bolshevism yet never stopped advocating for diplomatic and military engagement with Russia. In the Second World War, he recognized early on the necessity of allying with the Soviets against the menace of Nazi Germany. Bringing us into the twenty-first century, Owen chronicles how both countries have responded to their geopolitical decline. Drawing on both imperial and Soviet history, he explains the unique nature of Putin’s autocracy and addresses Britain’s return to “blue water” diplomacy. Newly revised, this paperback edition features extended chapters on Putin’s Russia and the future of British–Russian relations after the Russo-Ukrainian War.
Contributors. Rachel Ida Buff, Caleb Duarte, Treva Ellison, Jason Ezell, Carla Hung, Kyle B. T. Lambelet, Sunaina Maira, Rachel McIntire, A. Naomi Paik, Jason Ruiz, Rebecca M. Schreiber, Aimee Villarreal, Elliot Young
This book is designed as a source of inspiration, replication, and adaptation. Each chapter, in varying modalities, addresses interdisciplinary course development and implementation in institutions of higher education. The essays focus on common issues like navigating administrative systems and solving the challenges encountered when crossing departments or colleges, whether regarding course listings or the intricacies of course loads on each professor. Chapters also provide detailed information on the nuts and bolts of the specific course or courses taught, including syllabi, lesson examples, and both formal and informal assessments implemented.
Contributors candidly offer discussions of the failures and successes of their interdisciplinary collaborations, including course design, lesson planning, or complications brought in by unforeseen pandemics. Most chapters end with a summary of lessons learned, where experiences from the field provide opportunities for growth and continued exploration. An excellent resource for educators, this volume offers readers guidance and encouragement to implement the approaches described and inspiration to forge their own paths in the world of multi- and interdisciplinary teaching and research.
This annual volume offers the most complete and current listings of the requirements for certification of a wide range of educational professionals at the elementary and secondary levels. Requirements for Certification is a valuable resource, making much-needed knowledge available in one straightforward volume.
This annual volume offers the most complete and current listings of the requirements for certification of a wide range of educational professionals at the elementary and secondary levels. Requirements for Certification is a valuable resource, making much-needed knowledge available in one straightforward volume.
This annual volume offers the most complete and current listings of the requirements for certification of a wide range of educational professionals at the elementary and secondary levels. Requirements for Certification is a valuable resource, making much-needed knowledge available in one straightforward volume.
This annual volume offers the most complete and current listings of the requirements for certification of a wide range of educational professionals at the elementary and secondary levels. Requirements for Certification is a valuable resource, making much-needed knowledge available in one straightforward volume.
Randolph Bourne - American Writers 60 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Rethinking the Andes-Amazonia Divide brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines.
Peavitt takes us to the early closets, cabinets, and boxes into which we first started packing ice and the various things we were trying to keep cool. From there she charts the development of mechanical and chemical technologies that have led to modern-day refrigeration on both industrial and domestic scales, showing how these technologies have created a completely new method of preserving and transporting perishable goods, having a profound impact on society from the nineteenth century and on. She explores the ways the marketing of refrigerators have expressed and influenced our notions of domestic life, and she looks at how refrigeration has altered the agriculture and food industries as well as our own appetites.
Strikingly illustrated, this book offers an informative and entertaining history of an object that has radically changed—in a little over one hundred years—one of the most important things we do: eat.
Res: Anthropology and Aesthetics is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes textual and iconographic documents important to the history and theory of the arts.
Volume 51 includes articles by Michael W. Meister, Michele Matteini, Ladislav Kesner, Yukio Lippit, Xavier Urcid, Anna Anquissola, Bissera Pentcheva, Friedrich T. Bach, Daniel Sherer, Noga Arikha, Erika Naginski, Haim Finkelstein, Nuit Banai, Laura Ilea, and Remo Guidieri.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes iconographic and textual documents important to the history and theory of the arts.
Res appears twice yearly, in the spring and autumn. The journal is edited by Francesco Pellizzi. More information about Res is available at www.res-journal.org.
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