The period in Northern Ireland known as 'the Troubles' (1968-98) seemed to have been conclusively ended by the official peace process. But recent violence from dissident Republicans shows that tensions from the past remain unresolved.
State Violence, Collusion and the Troubles reveals disturbing unanswered questions about the use of state violence during this period. Maurice Punch documents in chilling detail how the British government turned to desperate, illegal measures in a time of crisis, disregarding domestic and international law. He broadens out his analysis to consider other cases of state violence against ‘insurgent groups’ in Spain and South Africa.
This is the story of how the British state collaborated with violent groups and directly participated in illegal violence. It also raises urgent questions about why states around the world continue to deploy such violence rather than seeking durable political settlements.
A haunting homage to life and liberty, to society and solitude, and to the binding and unbinding that constitute the weft of our lives.
This is an extensively revised edition of W. V. Quine’s introduction to abstract set theory and to various axiomatic systematizations of the subject. The treatment of ordinal numbers has been strengthened and much simplified, especially in the theory of transfinite recursions, by adding an axiom and reworking the proofs. Infinite cardinals are treated anew in clearer and fuller terms than before.
Improvements have been made all through the book; in various instances a proof has been shortened, a theorem strengthened, a space-saving lemma inserted, an obscurity clarified, an error corrected, a historical omission supplied, or a new event noted.
The 13th Volume in the Sociolinguistics in Deaf Communities Series
This volume collects for the first time various accounts of contact between sign languages throughout the world, presenting an exciting opportunity to further understand the structural and social factors of this linguistic component in Deaf communities. Editor David Quinto-Pozos has divided Sign Languages in Contact into four parts, starting with Contact in a Trilingual Setting. The sole essay in this section features a study of Maori signs by Rachel McKee, David McKee, Kirsten Smiler, and Karen Pointon that reveals the construction of indigenous Deaf identity in New Zealand Sign Language.
In Part Two: Lexical Comparisons, Jeffrey Davis conducts an historic, linguistic assessment of varieties of North American Indian sign languages. Daisuke Sasaki compares the Japanese Sign Language lexicon with that of Taiwan Sign Language by focusing on signs that share the same meaning and all parameters except for their handshapes. Judith Yoel’s chapter takes up the entirety of Part Three: Language Attrition, with her analysis of the erosion of Russian Sign Language among immigrants to Israel.
The final part describes how educators and other “foreign”visitors can influence indigenous sign languages. Karin Hoyer delineates the effects of international sign and gesture on Albanian Sign Language. Jean Ann, Wayne H. Smith, and Chiangsheng Yu close this significant collection by assessing contact between Mainland China’s sign language and Taiwan Sign Language in the Ch’iying School in Taiwan.
During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery—namely, how Renaissance artists made touch, sound, and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories of representation, which were evolving throughout the sixteenth century, and explains how this shaped early modern notions of art, spectatorship, and artistic creation.
Featuring many beautiful images by artists such as Dürer, Leonardo da Vinci, Titian, Pontormo, Michelangelo, and Brueghel, The Sensory World of Renaissance Art presents a comprehensive study of Renaissance theories of art in the context of the actual works they influenced. Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history.
This edition is based on new manuscripts of this important treatise on classical Sanskrit poetics. It was composed by the famous eleventh-century King Bhoja of Malwa (West India), a patron of traditional learning.
The text has never received a complete critical edition. It is important not only because of the theoretical treatment of the erotic sentiment (śṛṅgāra) in classical Sanskrit texts. It is also a mine of quotations from extant and also from lost Sanskrit and Prakrit poetical texts.
“Rapp-Hooper takes on directly and convincingly the Trumpian critique that alliances are not worth the investment and have led the nation to fight other people’s battles for them…Her deep erudition, crisp prose style, and innate brilliance shine through on most every page.”
—Boston Review
“The threat of COVID-19 has bolstered her argument, making plain both the importance of the alliance system and the imperative to adapt alliances to new ends.”
—Foreign Policy
“Musters rock-solid evidence to demonstrate what policymakers have long believed: that America’s alliances are a remarkably effective foreign policy tool.”
—Stephen Hadley, former National Security Advisor
“Argues persuasively that the complex alliance system instituted after the devastation of World War II has proven remarkably successful.”
—Kirkus Reviews
For the first 150 years of its existence, heeding George Washington’s warning about the dangers of “entangling alliances,” the United States had just one alliance—a valuable but highly controversial military arrangement with France. That changed dramatically with the Second World War. Between 1948 and 1955, the United States extended defensive security guarantees to twenty-three countries in Europe and Asia. Seventy years later, it is allied with thirty-seven countries.
Today the alliance system is threatened from without and within. China and Russia seek to break America’s alliances through conflict and non-military erosion, while US politicians and voters, skeptical of costs, believe we may be better off without them. But what if the alliance system is a victim of its own quiet success? Mira Rapp-Hooper argues that a grand strategy focused on allied defense, deterrence, and assurance helped to keep the peace throughout the Cold War and that the alliance system remains critical to America’s safety and prosperity in the twenty-first century.
The discovery of radium by Marie and Pierre Curie in 1898 eventually led to a craze for radium products in the 1920s until their widespread use proved lethal for consumers, patients, and medical practitioners alike. Radium infiltrated American culture, Maria Rentetzi reveals, not only because of its potential to treat cancer but because it was transformed from a scientific object into a familiar, desirable commodity. She explores how Standard Chemical Company in Canonsburg, Pennsylvania—the first successful commercial producer of radium in the United States—aggressively promoted the benefits of radium therapy and its curative properties as part of a lucrative business strategy. Over-the-counter products, from fertilizers to paints and cosmetics to tonics and suppositories, inspired the same level of trust in consumers as a revolutionary pharmaceutical. The radium industry in the United States marketed commodities like Liquid Sunshine and Elixir of Youth at a time when using this new chemical element in the laboratory, in the hospital, in private clinics, and in commercial settings remained largely free of regulation. Rentetzi shows us how marketing campaigns targeted individually to men and women affected not only how they consumed these products of science but also how that science was understood and how it contributed to the formation of ideas about gender. Seduced by Radium ultimately reveals how innovative advertising techniques and seductive, state-of-the-art packaging made radium a routine part of American life, shaping scientific knowledge about it and the identities of those who consumed it.
Every year, over a hundred thousand workers bring claims to an Employment Tribunal. The settling of disputes between employers and unions has been exchanged by many for individual litigation.
In Struck Out, barrister David Renton gives a practical and critical guide to the system. In doing so he punctures a number of media myths about the Tribunals. Far from bringing flimsy cases, two-thirds of claimants succeed at the hearing. And rather than paying lottery-size jackpots, average awards are just a few thousand pounds – scant consolation for a loss of employment and often serious psychological suffering. The book includes a critique of the present government’s proposals to reform the Tribunal system.
Employment Tribunals are often seen by workers as the last line of defence against unfairness in the workplace. Struck Out shows why we can't rely on the current system to deliver fairness and why big changes are needed.
Iggy Pop once said of women: “However close they come I’ll always pull the rug from under them. That’s where my music is made.” For so long, rock ’n’ roll has been fueled by this fear and loathing of the feminine. The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock’s dark heart—the music is often most thrilling when it is most misogynist and macho. And, looking at music made by female artists, it asks: must it always be this way?
Provocative and passionately argued, the book walks the edgy line between a rock fan’s excitement and a critic’s awareness of the music’s murky undercurrents. Here are the angry young men like the Stones and Sex Pistols, cutting free from home and mother; here are the warriors and crusaders, The Clash, Public Enemy, and U2 taking refuge in a brotherhood-in-arms; and here are the would-be supermen, with their man-machine fantasies and delusions of grandeur, from Led Zeppelin and Jim Morrison to Nick Cave and gangsta rap. The authors unravel the mystical, back-to-the-womb longings of the psychedelic tradition, from Pink Floyd, Jimi Hendrix, and Van Morrison to Brian Eno, My Bloody Valentine, and ambient techno. Alongside the story of male rock, The Sex Revolts traces the secret history of female rebellion in rock: the masquerade and mystique of Kate Bush, Siouxie, and Grace Jones, the demystifiers of femininity, like the Slits and Riot Grrl, tomboy rockers like L7 and P.J. Harvey, and confessional artists like Janis Joplin, Joni Mitchell, and Courtney Love.
A heady blend of music criticism, cultural studies, and gender theory by two of rock’s keenest observers, The Sex Revolts is set to become the key text in the women-in-rock debate.
Anthropology is arguably one of the most diverse fields in academe. It ranges in focus from archaeology to evolution and primate studies, to linguistics, and to observation of current cultural practices. Methodologically, it may include any combination of lab work, library and archival research, and fieldwork. The materials vary significantly, including visual records such as film and photography, sound recordings, ancient artifacts, dusty notebooks, digital records, and biological materials. In practice it is highly interdisciplinary, intersecting with biology, political science, geography, art history, literature, religion, sociology, history, and more. Collection development for any subject can be a challenging task; anthropology, with its many subfields, may exceed the typical challenge. Whether you are brand new to anthropology, or well-versed in many of its facets, Sudden Selector’s Guide to Anthropology is designed to provide you with an access point to the diverse realms of the field and the resources that will allow you to build and maintain strong collections to serve your community, no matter where their research interests lie.
The Sudden Selector’s series is designed to help library workers become acquainted with the tools, resources, individuals, and organizations that can assist in developing collections in new or unfamiliar subject areas. This guide is designed to facilitate collection development processes in two ways: it is a bibliography of resources and can be used as a mini-course in anthropology librarianship.
A Financial Times Book of the Year
A Fortune Book of the Year
“This book compels us to change our position, move out of our comfort zone, and see the world differently.”—Branko Milanovic, author of Capitalism, Alone
“A very smart book…not just about globalization, but also about the power and importance of narrative…Highly recommended.”—Anne-Marie Slaughter, CEO, New America
“An indispensable guide to how and why many people have abandoned the old, time-tested ways of thinking about politics and the economy. This is the book the world needs to read now.”—Richard Baldwin, author of The Great Convergence
When it comes to the politics of free trade and open borders, the camps are clear, producing a kaleidoscope of claims and counterclaims. But what exactly are we fighting about? Anthea Roberts and Nicolas Lamp cut through the confusion and mudslinging with an indispensable survey of the interests, logics, and ideologies driving these seemingly intractable arguments.
Instead of picking sides, Six Faces of Globalization guides us through six competing narratives about the virtues and vices of globalization, giving each position its due and showing how each deploys sophisticated arguments and compelling evidence. Both globalization’s boosters and detractors will come away with their eyes opened. By isolating the fundamental value conflicts driving disagreement—growth versus sustainability, efficiency versus social stability—and showing where rival narratives converge, this book provides an invaluable framework for understanding ongoing debates and finding a way forward.
This bilingual edition, a parallel text in Old French and English, is based on a reexamination of the Old French manuscript, and makes Silence available to specialists and students in various fields of literature and women's studies.
The Roman de Silence, an Arthurian romance of the thirteenth century, tells of a girl raised as a boy, equally accomplished as a minstrel and knight, whose final task, the capture of Merlin, leads to her unmasking.
The music of Serbia and Greece has long been a vital part of Balkan culture, but it has been excluded from the academic canon of Western music history. Katy Romanou corrects this oversight with Serbian and Greek Art Music, the first book in English on the subject. Written by seven renowned musicologists, the book stresses the interaction between music and politics and relates the efforts of local musicians to synchronize their musical environment with the West. Focusing on music education, musical culture, and creation, this timely volume will be of interest to musicologists and scholars of Balkan culture.
Sculpture in Wood was first published in 1950. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In simple every-day language and with lavish use of photographs, a noted sculptor takes you, step-by-step, through the process of wood sculpture and explains how to appreciate and use this kind of art in your own home. The how-to-do-it section contains information on the tools needed, the various woods and their qualities, and finishes. Photographs showing examples of the author's work and that of other contemporary sculptors illustrate his points clearly. The beginner will find this book opens the way to a rewarding hobby; the serious artist will be challenged by Mr. Rood's forceful ideas on art.
Sculpture with a Torch was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
John Rood, a sculpture and former professor of art at the University of Minnesota, provides in this book a practical, how-to-do-it discussion of the technique of welded metal sculpture. In addition to serving as an instruction manual for students and artists working with welded sculpture, the book will be helpful to art critics, connoisseurs, and others, who will gain greater insight into this kind of art by knowing something of the processes involved. In an introductory chapter the author discusses welded sculpture as an art form. In separate chapters he considers oxyacetylene welding, equipment, finishes, brazing, techniques, and arc-welding. He gives a step-by-step account of the making of a piece of welded sculpture for an architectural setting. A chapter on the making of sketches and a list of safety rules conclude the text, and there is a brief bibliography. The book is profusely illustrated with photographs showing the author's own metal sculpture, works of other artists, and tools and equipment.
John Rood is also the author of Sculpture in Wood, and his art is critically discussed and portrayed in John Rood's Sculpture by Bruno Schneider, both published by the University of Minnesota Press.
The essays in this volume testify to the far-reaching effects of Emanuel Swedenborg’s works in Western culture. From his early days as an ambitious young scientist in the ferment of the eighteenth-century Enlightenment Europe, through his mid-life entrance into an ongoing experience of the spiritual world, to his last decades as a researcher of things spiritual, Swedenborg built a career that left a unique legacy. His vivid descriptions of the nonphysical realm made a powerful impression on minds as diverse as Goethe, Blake, Emerson, Yeats, and Borges.
This book serves as a self-contained resource on Swedenborg’s life and thought and as a gateway into further exploration of the labyrinthine garden of Swedenborg’s works. It includes a biography, rich in fascinating detail; lively overviews of the content and history of Swedenborg’s writings on spiritual topics; and essays tracing Swedenborg’s impact in various regions of the world.
The State You See uncovers a racial gap in the way the American government appears in people’s lives. It makes it clear that public policy changes over the last fifty years have driven all Americans to distrust the government that they see in their lives, even though Americans of different races are not seeing the same kind of government.
For white people, these policy changes have involved a rising number of generous benefits submerged within America’s tax code, which taken together cost the government more than Social Security and Medicare combined. Political attention focused on this has helped make welfare and taxes more visible representations of government for white Americans. As a result, white people are left with the misperception that government does nothing for them, apart from take their tax money to spend on welfare. Distrust of government is the result. For people of color, distrust is also rampant but for different reasons. Over the last fifty years, America has witnessed increasingly overbearing policing and swelling incarceration numbers. These changes have disproportionately impacted communities of color, helping to make the criminal legal system a unique visible manifestation of government in these communities.
While distrust of government emerges in both cases, these different roots lead to different consequences. White people are mobilized into politics by their distrust, feeling that they must speak up in order to reclaim their misspent tax dollars. In contrast, people of color are pushed away from government due to a belief that engaging in American elections will yield the same kind of unresponsiveness and violence that comes from interactions with the police. The result is a perpetuation of the same kind of racial inequality that has always been present in American democracy. The State You See is essential reading for anyone interested in understanding how the American government engages in subtle forms of discrimination and how it continues to uphold racial inequality in the present day.
The Social Programs of Sweden was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In his forward to this book, Marquis Childs, author of the classic work Sweden: The Middle Way,comments: "There has been a great deal of emotional writing about the effort of the labor government in Stockholm to regulate capitalism and provide a decent standard of living for every citizen. Much of this emotional writing has come from those who for one reason or another have sought to discredit the Swedish experiment ... The net result of much of this highly colored writing has been to ignore the real contribution that Sweden has made in a half dozen fields and particularly in the fields of social security and health. But now comes an author ideally equipped to appraise this contribution by reason of his background. This is the great virtue of this book. It is a careful and thorough examination of Sweden's achievement by a specialist familiar with our own social security, public health and welfare systems ... No subsequent appraisal of what Sweden has done can be made henceforth without this basic work."
The author traces the development of the Swedish programs and provides detailed descriptions of the social security, health insurance, public health, and welfare programs, with case examples. He evaluates and compares the programs with their American counterparts, and, in conclusion, considers the effects of the Swedish system on personal freedom. The work is based on extensive research done in Sweden.
Saul Bellow - American Writers 65 was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Sounding Like a No-No traces a rebellious spirit in post–civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the black community, and to make space for new futures for their listeners. The book's perspective on music as a form of black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir.
“No man ever entered earth more honorably than those who died in Spain.”—Ernest Hemingway
In 1937, Hank Rubin, a twenty-year-old Jewish pre-med student at UCLA, volunteered for service in the International Brigades combating fascists in the Spanish Civil War. In his illustrated memoir, Rubin reflects on those events, making no apologies for his youthful impulsiveness, bravado, and ideology, but recalling the heroics and sufferings he witnessed and experienced in Spain, as well as the disappointing treatment he received upon his return.
Spatialities: The Geographies of Art and Architecture draws on a distinguished panel of artists, cultural theorists, architects, and geographers to offer a nuanced conceptual framework for understanding the ever-evolving spatial orderings that materially constitute our world. With chapters covering a wide range of topics, including the interstitial, the liminal and the relational processes of networks, accumulations, and assemblage as possibilities for spatial reflection, this volume shows space to be less a defining category and more an abstract terrain whose boundaries may be continually probed and contested.
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE).
Studies on Philo and Hellenistic Judaism from experts in the field
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria. This volume includes five articles on topics ranging from preserved fragments of Philo to travel in Philo’s works. Nine book reviews cover recent books on Philo, Josephus, and ancient pedagogy.
Features:
Studies on Philo and Hellenistic Judaism from experts in the field
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria. This volume includes articles on allegory, Platonic interpretations of the law, rhetoric, and Philo’s thoughts on reincarnation.
Features:
Studies on Philo and Hellenistic Judaism from experts in the field
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE). Volume 33 includes a special section on the history of editions of Philo, five general articles on Philo’s work, an annotated bibliography, and thirteen book reviews.
Celebrate the contributions of Gregory E. Sterling
Harold W. Attridge, Ellen Birnbaum, Adela Yarbro Collins, John J. Collins, Michael B. Cover, Jan Willem van Henten, Carl R. Holladay, Andrew McGowan, Karl-Wilhelm Niebuhr, Maren R. Niehoff, James R. Royse, and David T. Runia offer essays honoring Professor Gregory E. Sterling in this special edition of the The Studia Philonica Annual. This volume includes a biography of Sterling’s life by David T. Runia and a bibliography of Sterling’s scholarship by Michael B. Cover. Essays cover a range of topics on Philo, the Bible, and Josephus.
Features:
The best current research on Philo and Hellenistic Judaism
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE).
Features:
The best current research on Philo and Hellenistic Judaism
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE).
Features:
Celebrate the contributions of David T. Runia
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria. More than fifteen scholars from around the world offer contributions to this special edition of the Annual in honor of Professor David T. Runia on the occasion of his 65th birthday and retirement from his post as Master of Queens College, University of Melbourne. Professor Runia is internationally recognized as one of the world's foremost experts on Philo of Alexandria. As founder of The Studia Philonica Annual, he has been editor or coeditor for twenty-seven years. He initiated a Philo Bibliography project prior to the Annual and incorporated the bibliography into the Annual from the outset. It serves as the primary bibliography for Philonic studies worldwide.
The best current research on Philo and Hellenistic Judaism
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE). This volume includes a soecial section on Philo's De plantatione.
Features:
Jennifer Rycenga recovers a pioneering example of antiracism and Black-white cooperation. At once an inspirational and cautionary tale, Canterbury Academy succeeded thanks to far-reaching networks, alliances, and activism that placed it within Black, women’s, and abolitionist history. Rycenga focuses on the people like Sarah Harris, the Academy’s first Black student; Maria Davis, Crandall’s Black housekeeper and her early connection to the embryonic abolitionist movement; and Crandall herself. Telling their stories, she highlights the agency of Black and white women within the currents, and as a force changing those currents, in nineteenth-century America.
Insightful and provocative, Schooling the Nation tells the forgotten story of remarkable women and a collaboration across racial and gender lines.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press