A SCHOLARLY BOOK REPOSITORY
The Somervell and Mier Expeditions of 1842, culminating in the famous "black bean episode" in which Texas prisoners drew white or black beans to determine who would be executed by their Mexican captors, still capture the public imagination in Texas. But were the Texans really martyrs in a glorious cause, or undisciplined soldiers defying their own government? How did the Mier Expedition affect the border disputes between the Texas Republic and Mexico? What role did Texas President Sam Houston play? These are the questions that Sam Haynes addresses in this very readable book, which includes many dramatic excerpts from the diaries and letters of expedition participants.
The first scholarly assessment of Steinbeck’s bestselling travelogue Travels with Charley, published in 1962, a narrative that blurs the lines between nonfiction and fiction
Looking at philosophy, sociology, critical theory, art, architecture and literature, The Situationist International is an up-to-date and comprehensive survey of the SI and its thought. Leading thinkers analyze the SI's interdisciplinary challenges, its roots in the artistic avant-garde and the traditional workers' movements, its engagement with the problems of postcolonialism and issues of gender and sexuality.
Including contributions from key thinkers, including Anselm Jappe and Michael Lowy, as well as new and upcoming scholars, The Situationist International unpacks the complexity of a group that has come to define radical politics and culture in the postwar period.
Written by some of the nation's leading thinkers on race and colorism, these essays ask whether skin tone differentiation is imposed upon communities of color from the outside or is an internally-driven process aided and abetted by community members themselves. They also question whether the stratification process is the same for African Americans, Hispanics, and Asian Americans.
Skin Deep addresses such issues as the relationship between skin tone and self esteem, marital patterns, interracial relationships, socioeconomic attainment, and family racial identity and composition. The essays also grapple with emerging issues such as biracialism, color-blind racism, and 21st century notions of race.
In 1971 RAND consultant Daniel J. Ellsberg made national news by handing over to the New York Times a top secret Pentagon study on the Vietnam War. Publication of the Pentagon Papers rocked the American defense establishment and fanned the flames of the growing antiwar protest movement in the United States.
By late that year, most of the Pentagon Papers had been released to the public. Four volumes, however, were held back, Ellsberg himself conceding their special sensitivity. These so-called negotiating volumes deal with the diplomacy of the war between 1964 and 1968. Published in book form with extensive commentary, they provide an indispensable source for the study of diplomacy during the Vietnam conflict.
These documents cover thirteen major peace contacts and initiatives that took place during the presidency of Lyndon Johnson. They furnish a wealth of new information about the American bombing pauses of May 1965 and January 1966; several third-party peace initiatives; and a still virtually unknown 1965 contact, mysteriously called “xyz,” between North Vietnamese and American diplomats in Paris. They afford the most complete documentation yet available of the Polish-sponsored peace move codenamed “marigold” and the abortive peace initiative launched early in 1967 by British Prime Minister Wilson and Soviet Premier Kosygin.
The utility of this important book is greatly enhanced by Herring’s extensive annotation, highly informative introductory essays, and helpful glossaries.
This is a source book unique in its scope, clarity, and general interest. Its 116 excerpts range in time from Epicurus (ca. 300 B.C.) to the turn of the present century and sometimes, when continuity requires, a little beyond (as to K. S. Lashley, 1929). It includes excerpts from Kepler (1604) on the inverted retinal image, Descartes (1650) on the soul's interaction with the machine of the body, Newton (1675) on the seven colors of the spectrum, Locke (1700) on association of ideas, Whytt (1751) on the spinal reflex, Weber (1834) on Weber's law, Darwin (1859) on evolution, Sechenov (1863) on reflexology, Hughlings Jackson (1884) on nervous dissolution, William James (1890) on associationism, Thorndike, Pavlov, Wertheimer, Watson, and 70 other great figures in the history of psychology.
Arranged by topic rather than in the usual strict chronological order, each of the first fourteen chapters traces the development of one important subject in experimental and quantitative psychology. The final chapter discusses the history of thinking about the nature of psychology itself. The editors provide an introduction to each chapter and each excerpt, indicating the significance of the content to follow and establishing historical continuity.
Suffering for Science reveals more than the passion evident in many scientific vocations; it also illuminates a nation's changing understandings of the purposes of suffering, the limits of reason, and the nature of freedom in the aftermath of slavery.
Sixties Rock offers a provocative look at these artists and their innovations in two pivotal rock genres: garage rock and psychedelic music. Delving into everything from harmony to hardware, Michael Hicks shows what makes this music tick and what made it unique in its time. Looking at bands like the Doors, the Rolling Stones, the Yardbirds, and Love, Hicks puts legends and flashes in the pan alike through a rigorous analysis that places their music within rock history while exploring its place in the oft-swirling contexts of the time.
Studies in French Cinema looks at the development of French screen studies in the United Kingdom over the past twenty years and the ways in which innovative scholarship in the UK has helped shape the field in English- and French-speaking universities. This seminal text is also a tribute to six key figures within the field who have been leaders in research and teaching of French cinema: Jill Forbes, Susan Hayward, Phil Powrie, Keith Reader, Carrie Tarr, and Ginette Vincendeau.
Covering a wide range of key films—contemporary and historical, popular and auteur—the volume provides an invaluable overview for students and scholars of the state of French cinema, and French film studies at the beginning of the twenty-first century.
It is everywhere recognized that China's mid-century population is a world problem, and not merely a national one. In spite of numerous studies on China's population by occidental and Chinese scholars, many aspects of the subject remain obscure because of the problems of interpretation. Ping-ti Ho makes a thorough examination of the machineries with which population data were collected in different periods. This has led him to redefine, among other things, the key term ting, which has served as almost the sole basis of reconstruction of China's historical population by many well-known authorities.
The second part of the book deals with factors which have affected the growth of China's population during the last six centuries: the approximate extents of cultivated conditions, institutional factors like fiscal burden and land tenure, and major deterrents to population growth such as floods, famines, and female infanticide. In his conclusion Ho correlates population data with economic and institutional factors of various periods and he suggests ways for a reconstruction of China's population history. While it is primarily an historical study, the book also correlates the past with the present.
Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey.
A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.
“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New York Times Book Review
“The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic
“Smart and unexpectedly hilarious.”—Kevin Nance, Chicago Sun-Times
“One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, Chicago Tribune
“Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker
Sir Robert Ho Tung (1862–1954) is a compelling figure in Hong Kong history. He is regularly portrayed as the colony’s greatest philanthropist and wealthiest man of his day, the first Chinese to live on the Peak, and, at the end of his life, the “Grand Old Man of Hong Kong.” The illegitimate son of a Chinese mother and European father, he was highly sensitive about his mixed heritage, although his success was driven as much by his entrepreneurial talents as by his being Eurasian. This book shows him in all his immense variety—financial wizard, husband and lover, patriarch of a large family, loyal British subject but also, paradoxically, Chinese patriot. China’s president Yuan Shikai awarded him the Order of the Excellent Crop, and King George V knighted him. May Holdsworth’s thoughtful and deftly written account of his life is the first full-length biography in English. Given unique and unprecedented access to family and personal papers, including letters, diaries, notes, and photographs, she offers a nuanced perspective on a public but also a private man. Her book will be a rich resource for historians and readers interested in the men and women who played a key part in the shaping of nineteenth- and early twentieth-century Hong Kong.
In A.D. 986, Earl Hákon, ruler of most of Norway, won a triumphant victory over an invading fleet of Danes in the great naval battle of Hjórunga Bay. Sailing under his banner were no fewer than five Icelandic skalds, the poet-historians of the Old Norse world. Two centuries later their accounts of the battle became the basis for one of the liveliest of the Icelandic sagas, with special emphasis on the doings of the Jómsvikings, the famed members of a warrior community that feared no one and dared all. In Lee M. Hollander's faithful translation, all of the unknown twelfth-century author's narrative genius and flair for dramatic situation and pungent characterization is preserved.
The Satires and Epistles spans the poet's career as a satirist, critic, and master of lyric poetry, as man of the world, friend of the great, and relentless enemy of the mediocre. "Horace," writes translator Smith Palmer Bovie, "is the best antidote in the world for anxiety. His Satires and Epistles demonstrate the good-humored freedom of a man who has cheerfully assumed the responsibility for making his own life not so much a 'success' as the occasion for a true enjoyment of virtue and knowledge." Bovie's impeccable translation, along with Clancy's edition of the Odes and Epodes, offers the reader a complete and modern Horace.
Artful hexameters.
Horace (Quintus Horatius Flaccus, 65–8 BC) was born at Venusia, son of a freedman clerk who had him well educated at Rome and Athens. Horace supported the ill-fated killers of Caesar, lost his property, became a secretary in the Treasury, and began to write poetry. Maecenas, lover of literature, to whom Virgil and Varius introduced Horace in 39, became his friend and made him largely independent by giving him a farm. After 30 Horace knew and aided with his pen the emperor Augustus, who after Virgil’s death in 19 engaged him to celebrate imperial affairs in poetry. Horace refused to become Augustus’ private secretary and died a few months after Maecenas. Both lyric (in various metres) and other work (in hexameters) was spread over the period 40–10 or 9 BC. It is Roman in spirit, Greek in technique.
In the two books of Satires Horace is a moderate social critic and commentator; the two books of Epistles are more intimate and polished, the second book being literary criticism as is also the Ars Poetica. The Epodes in various (mostly iambic) metres are akin to the ‘discourses’ (as Horace called his satires and epistles) but also look towards the famous Odes, in four books, in the old Greek lyric metres used with much skill. Some are national odes about public affairs; some are pleasant poems of love and wine; some are moral letters; all have a rare perfection. The Odes and Epodes are found in LCL 33.
Samuel Bell Maxey was an important political figure in nineteenth-century Texas, but no previous book-length study of his life and career has been published. Louise Horton has utilized his private papers as well as numerous other sources in preparing this biography, which includes many of Maxey's own comments on his contemporaries. The letters also provide new information on the development of railroads across the Southwest.
An emigrant from Kentucky, Samuel Bell Maxey practiced law in North Texas, raised a regiment at the beginning of the Civil War, returned to Texas to defend the Indian Territory during 1863-1865, and was elected on his first candidacy to be the first Democratic senator from Texas after the Civil War. After two years in office he became Texas's senior senator and held that position until defeated by John H. Reagan in 1887. Maxey's term of office spanned the turbulent period immediately following Reconstruction, and a great deal of his influence derived from his moderation. He was concerned that the breach caused by the Civil War be healed. He was influential among Republican congressmen from the North and aided substanially in Texas's regaining its status in the Union. Louise Horton's biography of Maxey emphasizes the contribution he made to the state and the nation and fills a gap in the history of the post-Civil War period.
South End Shout: Boston’s Forgotten Music Scene in the Jazz Age details the power of music in the city’s African American community, spotlighting the era of ragtime culture in the early 1900s to the rise of big band orchestras in the 1930s. This story is deeply embedded in the larger social condition of Black Bostonians and the account is brought to life by the addition of 20 illustrations of musicians, theaters, dance halls, phonographs, and radios used to enjoy the music.
South End Shout is part of an emerging field of studies that examines jazz culture outside of the major centers of music production. In extensive detail, author Roger R. House covers the activities of jazz musicians, jazz bands, the places they played, the relationships between Black and white musicians, the segregated local branches of the American Federation of Musicians (AFL-CIO), and the economics of Boston’s music industry. Readers will be captivated by the inclusion of vintage local newspaper reports, classified advertisements, and details of hard-to-access oral history accounts by musicians and residents. These precious documentary materials help to understand how jazz culture evolved as a Boston art form and contributed to the national art form between the world wars.
With this book, House makes an important contribution to American studies and jazz history. Scholars and general readers alike who are interested in jazz and jazz culture, the history of Boston and its Black culture, and 20th century American and urban studies will be enlightened and delighted by this book.
Four of the most well-known tales, translated by Laurence Housman, are reproduced in this collector’s edition: “Sindbad the Sailor,” “Aladdin and his Wonderful Lamp,” “The Story of the Three Calendars” and “The Sleeper Awakened.” Each is illustrated with exquisite watercolors by the renowned artist Edmund Dulac. The sumptuous illustrations reproduced here capture the beauty and timeless quality of these ever-fascinating stories, made at the zenith of early twentieth-century book illustration.
In this first comprehensive account of Shawnee culture, Dr. Howard assembled data concerning the tribe by utilizing published accounts, documents, maps, photographs, and paintings; and by visiting present-day Shawnees and participating in their ceremonies, games and everyday activities. The work is embellished with musical notations of Shawnee songs, maps, heirloom photographs and several photographs taken by the author during his fieldwork. Of particular interest is a remarkable series of paintings of Shawnee life by gifted Shawnee artist, Earnest Spybuck.
This poem belongs of the little-known Newari (Nepal Bhasha) language and literature, specifically to its even less known Buddhist version. It is one of the very rare cases that works in Newari language appear outside Nepal.
In nineteen long cantos, the Sugata Saurabha tells of the life of the Buddha, following the traditional accounts, but situates it in the strongly local context of Newar and Nepali Buddhism. It emulates the classical (Kavya) style of the long-standing Indian tradition, and has been inspired by the 2,000-year-old Sanskrit poem, the Buddhacarita. Consequently, the poet inserts stanzas composed in traditional classical Sanskrit meter, though written in polished Newari.
The poem was composed by the greatest modern writer in Newari language, Chittadhar Hrdaya (1906– 1982), while he was imprisoned by the autocratic strongly pro-Hindu Rana regime that governed Nepal from the mid-nineteenth to the mid-twentieth century.
The poem is the best-known work of the flowering of modern Newari literature that emerged after the restrictions of the Rana regime were lifted in 1950.
The present book is one of the best-known essays pulbished in L'Année sociologique and has been regarded as a model for method and mode of interpretation. Its subject is at the very center of the comparative study of religion. The authors describe a basic sacrifice drawn from Indian sources and show what is fundamental and constant, comparing Indian and Hebrew practices in particular, then Greek and Roman, then additional practices from many eras and cultures.
Sarah Angelina Acland (1849–1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Born to a preeminent English family, Acland first gained note as a portraitist whose illustrious subjects—among them two prime ministers, the physicist Lord Kelvin, and the noted art critic John Ruskin—were visitors to her family’s Oxford home. Yet it was through her work in the thenfledgling field of color photography that Acland achieved her greatest acclaim. When her color photographs were shown at the Royal Photographic Society in 1905, many considered them to be among the finest work produced in the new medium.
An introduction to Acland’s entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal. Additional images include four unrecorded portraits by Lewis Carroll of Acland and her brothers—shed light on the work of her contemporaries, including acquaintances and artistic influences like Carroll and Julia Margaret Cameron. A fascinating look at the earliest days of color photography, this book also offers a glimpse into the lives of an influential English family and its circle of friends.
Ranging from the Ancient to the Modern world, and investigating the function of artistic reproduction in cultures as diverse as the Catholic Spain of the Golden Age and the avant-garde of early twentieth century Germany, these essays significantly add to our understanding of a number of major sculptors, including Michelangelo, Rodin and Brancusi.
With essays by Ed Allington, Malcolm Baker, Anthony Hughes, Neil McWilliam, Miranda Marvin, Alexandra Parigoris, Martin Postle, Erich Ranfft and Marjorie Trusted.
Signed chapter summaries will be available on the Gallaudet University Press YouTube channel upon publication.
In this work, the reader experiences the life of Samuel Pepys and his freinds, great and small, in seventeenth-century London. We see great men of war, business and letters, enhanced by Percival Hunt’s comprehensive bibliography.
In a classic work, Samuel P. Huntington challenges most of the old assumptions and ideas on the role of the military in society. Stressing the value of the military outlook for American national policy, Huntington has performed the distinctive task of developing a general theory of civil–military relations and subjecting it to rigorous historical analysis.
Part One presents the general theory of the "military profession," the "military mind," and civilian control. Huntington analyzes the rise of the military profession in western Europe in the eighteenth and nineteenth centuries, and compares the civil–military relations of Germany and Japan between 1870 and 1945.
Part Two describes the two environmental constants of American civil–military relations, our liberal values and our conservative constitution, and then analyzes the evolution of American civil–military relations from 1789 down to 1940, focusing upon the emergence of the American military profession and the impact upon it of intellectual and political currents.
Huntington describes the revolution in American civil–military relations which took place during World War II when the military emerged from their shell, assumed the leadership of the war, and adopted the attitudes of a liberal society. Part Three continues with an analysis of the problems of American civil–military relations in the era of World War II and the Korean War: the political roles of the Joint Chiefs of Staff, the difference in civil–military relations between the Truman and Eisenhower administrations, the role of Congress, and the organization and functioning of the Department of Defense. Huntington concludes that Americans should reassess their liberal values on the basis of a new understanding of the conservative realism of the professional military men.
Isidore Isou was a young Jew in wartime Bucharest who barely survived the Romanian Holocaust. He made his way to Paris, where, in 1945, he founded the avant-garde movement Lettrism, described as the missing link between Dada, Surrealism, Situationism, and May ’68. In Speaking East, Andrew Hussey presents a colorful picture of the postwar Left Bank, where Lettrist fists flew in avantgarde punch-ups in Jazz clubs and cafés, and where Isou—as sexy and as charismatic as the young Elvis—gathered around him a group of hooligan disciples who argued, drank, and had sex with the Parisian intellectual élite. This is a vibrant account of the life and times of a pivotal figure in the history of modern art.
For forty-eight years, The Supreme Court Review has been lauded for providing authoritative discussion of the Court’s most significant decisions. The Review is an in-depth annual critique of the Supreme Court and its work, at the forefront of studies of the origins, reforms, and interpretations of American law. Recent volumes have considered such issues as the 2000 presidential election, cross burning, federalism and state sovereignty, the United States v. American Library Association case, failed Supreme Court nominations, and numerous First and Fourth amendment cases.
Since it first appeared in 1960, The Supreme Court Review has won acclaim for providing a sustained and authoritative survey of the implications of the Court's most significant decisions. Consisting of diverse essays by distinguished lawyers, historians, and social scientists, each volume presents informed analyses of past and present opinions and discusses important public law issues that have come under Court consideration.
The Supreme Court Review keeps you at the forefront of the Court's most significant decisions by surveying its origins, reforms, and interpretations of American law and compelling you to consider the impacts of legal institutions and judicial opinion. Diverse essays of informed analyses of past and present opinions document the complexities of the Court and relevant public law issues. Legal scholars, lawyers, judges, historians, political scientists, economists, and journalists have won acclaim for their contributions to each volume.
What kind of university is possible when digital tools are not taken for granted, but hacked for a more experimental future?
The global pandemic has underscored contemporary reliance on digital environments. This is particularly true among schools and universities, which, in response, shifted much of their instruction online. Because the rise of e-learning logics, ed-tech industries, and enterprise learning-management systems all threaten to further commodify and instrumentalize higher education, these technologies and platforms have to be creatively and critically struggled over.
Studious Drift intervenes in this struggle by reviving the relationship between studying and the generative space of the studio in service of advancing educational experimentation for a world where digital tools have become a permanent part of education. Drawing on Alfred Jarry’s pataphysics, the “science of imaginary solutions,” this book reveals how the studio is a space-time machine capable of traveling beyond the limits of conventional online learning to redefine education as interdisciplinary, experimental, public study.
This collection of essays represents the results of more than twenty years of research by one of this country's foremost experts on Soviet sociology and psychology. Although Alex Inkeles covers a wide range of subjects, he has one primary purpose: to identify the main elements of the process of modernization in the Soviet social system. While he thus provides a broad description of Soviet institutions and the ways in which they function, his chief concern is to find the principles common to social change in all aspects of Soviet society and to determine if these principles underlie the same process in other countries, both those with and without a revolutionary tradition.
The author has divided his book into seven main sections: “Change and Continuity in Soviet Russia,” “The Psychology of Soviet Politics,” “Social Stratification,” “The Family, Church, and Ethnic Group,” “Mass Communications and Public Opinion,” “International Propaganda and Counterpropaganda,” and “Comparative Perspectives on the Future.”
Jolanda Insana’s Slashing Sounds uses invectives, fragments, epigrams, and epigraphs to construct poems that pulse with the texture of an idiosyncratic Sicilian dialect. The poems in this collection are ferocious, irreverent, strange, snarky, and otherworldly. Insana’s commitment to contentiousness, her brutal and skeptical eye, and her preoccupation with language make Insana’s poetry particularly arresting. For Insana, there is no subject more worthy of our interest than language’s misfires and contradictory impulses—language being the ultimate arrow, forging a direction in the world and forcing a turn toward whatever reality appears in front of you.
The first book-length collection of Insana’s poetry published in English, Slashing Sounds is a powerful offering that addresses a lack of female Italian voices in Anglophone poetry publishing.
An anecdotal history published on the occasion of the one hundredth anniversary of Ohio University’s renowned E. W. Scripps School of Journalism.
After its founding in 1924, what is now the E. W. Scripps School of Journalism at Ohio University quickly became one of the premier programs in the country. For decades, it has produced leaders who have reached the highest levels of journalism and communication in their careers, and their success is a direct product not only of the education they get in Athens but of the community the school fosters.
In this book, nearly one hundred alumni, faculty, friends, and students offer their stories of life at and after Scripps. The result is a multilayered, inspiring portrait of the school and how it shapes those who pass through its doors. At the same time, The Scripps School gives a nuanced history of journalism education at Ohio University. From covering assassinations and presidential elections to major moments in sports, alumni have documented the unprecedented and the historic, and here they show just how Scripps prepared them to be there.
The Scripps School, edited by former director Ralph Izard, is a love letter to the people and the institution. At a time when journalism is more important than ever, this book humanizes and contextualizes the profession in ways that will resonate in the Scripps community and beyond.
One of Europe’s finest contemporary poets, Jaccottet is a writer of exacting attention. Through keen observations of the natural world, art, literature, and music, and reflections on the human condition, Jaccottet opens his readers’ eyes to the transcendent in everyday life. The Second Seedtime is a collection of “things seen, things read, and things dreamed.” The volume continues the project Jaccottet began three decades earlier in his first volume of notebooks, Seedtime. Here, again, he gathers flashes of beauty dispersed around him like seeds that may blossom into poems or moments of inspiration. He returns, insistently, to such literary touchstones as Dante, Montaigne, Góngora, Goethe, Kierkegaard, Hölderlin, Michaux, Hopkins, Brontë, and Dickinson, as well as musical greats including Bach, Monteverdi, Purcell, and Schubert. The Second Seedtime is the vivid chronicle of one man’s passionate engagement with the life of the mind, the spirit, and the natural world.
Seedtime III, which brings this series to a close, records numerous fleeting thoughts, ephemeral experiences, and philosophical observations from a renowned poet well into his seventies, charting the single steps—sometimes forwards, sometimes back—taken in a lifelong attempt to transcend the limits of art. The inconclusive nature of the notebook entries, their tentativeness and lack of resolution, renders them as intriguing and evocative as some of Jaccottet’s best works. In them readers will find a life full of the kind of contemplation that attracts yet eludes most of us in our daily existence.
Traces the Early Evolution of Britain’s System of Scientific Advice
In twenty-first-century Britain, scientific advice to government is highly organized, integrated across government departments, and led by a chief scientific adviser who reports directly to the prime minister. But at the end of the eighteenth century, when Roland Jackson’s account begins, things were very different. With this book, Jackson turns his attention to the men of science of the day—who derived their knowledge of the natural world from experience, observation, and experiment—focusing on the essential role they played in proffering scientific advice to the state, and the impact of that advice on public policy. At a time that witnessed huge scientific advances and vast industrial development, and as the British state sought to respond to societal, economic, and environmental challenges, practitioners of science, engineering, and medicine were drawn into close involvement with politicians. Jackson explores the contributions of these emerging experts, the motivations behind their involvement, the forces that shaped this new system of advice, and the legacy it left behind. His book provides the first detailed analysis of the provision of scientific, engineering, and medical advice to the nineteenth-century British government, parliament, the civil service, and the military.
All of this information at our fingertips—and we might not need any of it
Concurrent with the compulsory connectivity of the digital age is the rise of the spoiler. The inevitability of information has changed the critical quality of modernity, leaving us with acute vertigo—a feeling that nothing new is left out there. Encompassing memes and trigger warnings, Vilem Flusser and Thomas Pynchon, Spoiler Alert wrangles with the state of surprise in post-historical times. Aaron Jaffe delivers a timely corrective to post-critical modes of reading that demonstrates the dangers of forfeiting critical suspicion.
Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
Surgical Anatomy of the Head and Neck was immediately hailed as indispensable when it was first published in 2001. In demand ever since, this classic surgical atlas—packed with more than 700 exceptional drawings, 537 of them in full color, by an internationally noted medical illustrator—is now available again, with an extensive new index, after years of being out of print.
Here is a surgeon’s-eye view of all anatomic details, from the upper thorax to the crown. Ideal for both surgery and test preparation, this volume features special boxed sections that focus on the surgical significance of each anatomical structure. Every illustration is clearly labeled with key anatomic landmarks, and a user-friendly design allows quick reference. This volume is an invaluable resource for surgeons, residents, and medical students.
Shakespeare without Boundaries: Essays in Honor of Dieter Mehl offers a wide-ranging collection of essays written by an international team of distinguished scholars who attempt to define, to challenge, and to erode boundaries that currently inhibit understanding of Shakespeare, and to exemplify how approaches that defy traditional bounds of study and criticism may enhance understanding and enjoyment of a dramatist who acknowledged no boundaries in art.
The Volume is published in tribute to Professor Dieter Mehl, whose critical and scholarly work on authors from Chaucer through Shakespeare to D. H. Lawrence has transcended temporal and national boundaries in its range and scope, and who, as Ann Jennalie Cook writes, has contributed significantly to the erasure of political boundaries that have endangered the unity of German literary scholarship and, more broadly, through his work for the International Shakespeare Association, to the globalization of Shakespeare studies.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
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