The Infante Dom Pedro (1392–1449), prince of Portugal, warrior, traveler, regent, was hero and victim of a legend. In the Book of the Infante Dom Pedro, an early-sixteenth-century Spanish fantasy by Gómez de Santisteban, Pedro’s journeys may dimly reflect the Infante’s actual wanderings in Europe but also involve Amazons and Giants in a medieval world that includes the goals of Prester John’s court and Apostle Thomas’s shrine in the Indies.
Here is a full translation of the Book, with a detailed discussion of the real travels, their transformation into legend, the tale’s influence, and the Spanish author’s true purpose.
Each state in this region maintains a Big Tree program that honors the largest individual tree of each species. Champion trees are determined by adding together measurements of trunk circumference, height, and canopy spread. Rosburg identifies the trees with the largest diameter and the tallest trees among the champion trees in the Upper Midwest by their county and state. Together his superb photographs and key information make this guide the perfect companion for enjoying the diversity of trees in all kinds of environments.
Theory and Method in the Social Sciences was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A series of essays dealing with some previously neglected areas of theory and research in the social sciences make up this volume. The problems considered fall into the general categories of social theory, values in social research, the contributions of sociological theory to the other social sciences, methodological issues in sociology, and some specific techniques of sociological research. The chapter entitled "A Theory of Social Organization and Disorganization," published here for the first time, won for Dr. Rose the 1952 prize of the American Association for the Advancement of Science for essays in social science. Although addressed primarily to sociologists, the book offers material of interest and value to other social scientists, particularly economists, psychologists, political scientists, and students of law.
Finalist, 2022 INDIES Book of the Year Award, Poetry
Territorial explores the bargains that women make to stay safe from violence. Set in a landscape of looming ecological ruin, the poems bear witness to the effects of drought on the California chaparral region and delve into difficult personal terrain to reveal patterns of abuse we inflict on the earth and each other. How can we emerge from a devastated landscape into a sense of healing and repair? Using the characteristics of violence—repetition and escalation—the collection connects subjects that range from the dawn of recorded sound to the mapping of myths onto constellations, the ecosystem of a leach pond, and the photographs of Alfred Stieglitz. In tracing the ways narratives of predation imprint onto the body, memory, environment, and future generations, Territorial finds resilience in the powers of language to reshape experience.
Thomas Hobbes in His Time was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Thomas Hobbes, the seventeenth-century English philosopher, is the subject of lively discussion among philosophers, historians, and political theorists today. Both as a participant in a revolutionary commonwealth and as a student of the science of human nature, Hobbes has achieved a new relevance to contemporary society. As the editors of this volume point out, moralists are apt to place him in the twentieth century, and historians are apt to portray him as an antique. The aim of these essays is to get an accurate account of how radical Hobbes was in his own revolutionary century.
The essays are the fruit of years of cooperative study, going back to John Dewey's calling attention to Hobbe's interest in transforming the courts of common law into courts of equity. The recent discovery of more manuscripts and the publication of better editions of his writings have stimulated an extensive reinterpretation of Hobbe's ideas and goals.
Even in his own time, Hobbes was subject to attacks from many sides. Although scholars now generally reject the stereotype of "Hobbism" which grew during four centuries of revolutionary developments, new stereotypes to describe his philosophy have emerged. By assessing Hobbes in terms of his own day, the book will serve to counteract much contemporary misunderstanding.
The essays cover four aspects of Hobbe's thought: his political theory, his views on religion, his moral philosophy, and his theory of motion and philosophical method. With the exception of John Dewey's "The Motivation of Hobbes's Political Philosophy," all the essays were written especially for this book. The other essays and authors are "The Anglican Theory of Salvation in Hobbes" by Paul Johnson, San Bernardino State College; "Some Puzzles in Hobbes" by Ralph Ross, Scripps College, The Claremont Colleges; "The Piety of Hobbes" by Herbert W. Schneider, emeritus professor of Columbia University and Claremont Graduate School, The Claremont Colleges; "The Generation of the Public Person" by Theodore Waldman, Harvey Mudd College, The Claremont Colleges; and "The Philosophia Prima of Thomas Hobbes" by Craig Walton, University of Nevada.
This book proposes that in a number of French Renaissance texts, produced in varying contexts and genres, we observe a shift in thinking about memory and forgetting. Focusing on a corpus of texts by Marguerite de Navarre, Pierre de Ronsard, and Michel de Montaigne, it explores several parallel transformations of and challenges to traditional discourses on the human faculty of memory.
Throughout Classical Antiquity and the Middle Ages, a number of influential authors described memory as a powerful tool used to engage important human concerns such as spirituality, knowledge, politics, and ethics. This tradition had great esteem for memory and made great efforts to cultivate it in their pedagogical programs. In the early sixteenth century, this attitude toward memory started to be widely questioned. The invention of the printing press and the early stages of the scientific revolution changed the intellectual landscape in ways that would make memory less important in intellectual endeavors. Sixteenth-century writers began to question the reliability and stability of memory. They became wary of this mental faculty, which they portrayed as stubbornly independent, mysterious, unruly, and uncontrollable–an attitude that became the norm in modern Western thought as is illustrated by the works of Descartes, Locke, Freud, Proust, Foucault, and Nora, for example.
Writing in this new intellectual landscape, Marguerite de Navarre, Ronsard, and Montaigne describe memory not as a powerful tool of the intellect but rather as an uncontrollable mental faculty that mirrored the uncertainty of human life. Their characterization of memory emerges from an engagement with a number of traditional ideas about memory. Notwithstanding the great many differences in concerns of these writers and in the nature of their texts, they react against or transform their classical and medieval models in similar ways. They focus on memory’s unruly side, the ways that memory functions independently of the will. They associate memory with the fluctuations of the body (the organic soul) rather than the stability of the mind (the intellectual soul). In their descriptions of memory, these authors both reflect and contribute to a modern understanding of and attitude towards this mental faculty.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.This book is about the intersection of two evolving dance-historical realms—theory and practice—during the first two decades of the eighteenth century. France was the source of works on notation, choreography, and repertoire that dominated European dance practice until the 1780s. While these French inventions were welcomed and used in Germany, German dance writers responded by producing an important body of work on dance theory. This book examines consequences in Germany of this asymmetrical confrontation of dance perspectives.
Between 1703 and 1717 in Germany, a coherent theory of dance was postulated that called itself dance theory, comprehended why it was a theory, and clearly, rationally distinguished itself from practice. This flowering of dance-theoretical writing was contemporaneous with the appearance of Beauchamps-Feuillet notation in the Chorégraphie of Raoul Auger Feuillet (Paris, 1700, 1701). Beauchamps-Feuillet notation was the ideal written representation of the dance style known as la belle danse and practiced in both the ballroom and the theater. Its publication enabled the spread of belle danse to the French provinces and internationally. This spread encouraged the publication of new practical works (manuals, choreographies, recueils) on how to make steps and how to dance current dances, as well as of new dance treatises, in different languages.
The Rechtschaffener Tantzmeister, by Gottfried Taubert (Leipzig, 1717), includes a translated edition of Feuillet’s Chorégraphie. Theory and Practice in Eighteenth-Century Dance addresses how Taubert and his contemporary German authors of dance treatises (Samuel Rudolph Behr, Johann Pasch, Louis Bonin) became familiar with Beauchamps-Feuillet notation and acknowledged the Chorégraphie in their own work, and how Taubert’s translation of the Chorégraphie spread its influence northward and eastward in Europe. This book also examines the personal and literary interrelationships between the German writers on dance between 1703 and 1717 and their invention of a theoria of dance as a counterbalance to dance praxis, comparing their dance-theoretical ideas with those of John Weaver in England, and assimilating them all in a cohesive and inclusive description of dance theory in Europe by 1721.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
From chai to oolong to sencha, tea is one of the world’s most popular beverages. Perhaps that is because it is a unique and adaptable drink, consumed in many different varieties by cultures across the globe and in many different settings, from the intricate traditions of Japanese teahouses to the elegant tearooms of Britain to the verandas of the deep South.
In Tea food historianHelen Saberi explores this rich and fascinating history. Saberi looks at the economic and social uses of tea, such as its use as a currency during the Tang Dynasty and 1913 creation of a tea dance called “Thé Dansant” that combined tea and tango. Saberi also explores where and how tea is grown around the world and how customs and traditions surrounding the beverage have evolved from its legendary origins to its present-day popularity.
Featuring vivid images of teacups, plants, tearooms, and teahouses as well as recipes for both drinking tea and using it as a flavoring, Tea will engage the senses while providing a history of tea and its uses.
This book distills the essence of child psychoanalysis from the practice and thought of its founder Anna Freud, who for over 50 years has been at the forefront of this controversial field. Children are the most refractory of all subjects to treat analytically. Here, for the first time, is a primer on the difficult technique as practiced at the Hampstead Clinic in London, which was founded by Anna Freud and is today the leading child analytic center in the world. She and her colleagues expose their wealth of experience to systematic review, which yields up rich insights not only into child psychoanalysis and psychotherapy but also into basic child development. In addition, their findings have relevance to the understanding of emotional disturbance at all ages.
The book follows the treatment situation through all its stages, from the first session to termination and follow-up. It focuses on the interaction between therapist and child in the treatment room, illustrating the points with copious clinical vignettes. One point examined is the structure of treatment with respect to such matters as scheduling sessions and handling interruptions. Another element that comes under scrutiny is the development of the child's relationship to the therapist, which subsumes such factors as establishing an alliance, transference, and resistance. The child's repertoire of expressions, both verbal and nonverbal, is explored, as is the therapist's armamentarium of interpretations and interventions. Woven throughout the description of these elements is incisive commentary by Anna Freud. Her commonsense approach gives the book unique value, lifting it to a rare level of human wisdom.
In this first book-length biography of Mercedes de Acosta, theatre historian Robert A. Schanke adroitly mines lost archival materials and mixes in his own interviews with de Acosta’s intimates to correct established myths and at last construct an accurate, detailed, and vibrant portrait of the flamboyantly uninhibited early-twentieth-century author, poet, and playwright.
Born to wealthy Spanish immigrants, Mercedes de Acosta (1893–1968) lived in opulence and traveled in the same social circles as the Astors and Vanderbilts. Introduced to the New York theater scene at an early age, her dual loves of performance and of women informed every aspect of her life thereafter. Alice B. Toklas’s observation, “Say what you will about Mercedes, she’s had the most important women in the twentieth century,” was well justified, as her romantic conquests included such internationally renowned beauties as Greta Garbo, Marlene Dietrich, Isadora Duncan, and Eva Le Gallienne as well as Alla Nazimova, Tamara Karsavina, Pola Negri, and Ona Munson.
More than a record of her personal life and infamous romances, this account offers the first analysis of the complete oeuvre of de Acosta’s literary works, including three volumes of poetry, two novels, two film scripts, and a dozen plays. Although only two of her plays were ever published during her lifetime, four of them were produced, featuring such stage luminaries as John Gielgud, Ralph Richardson, and Eva Le Gallienne. Critics praised her first volume of poetry, Moods, in 1919 and predicted her rise to literary fame, but the love of other women that fueled her writing also limited her opportunities to fulfill this destiny. Failing to achieve any lasting fame, she died in relative poverty at the age of seventy-five.
De Acosta lived her desires publicly with verve and vigor at a time when few others would dare, and for that, she paid the price of marginalized obscurity. Until now. With “That Furious Lesbian” Schanke at last establishes Mercedes de Acosta’s rightful place as a pioneer—and indeed a champion—in the early struggle for lesbian rights in this country.
Robert A. Schanke has edited a companion to this biography, Women in Turmoil: Six Plays by Mercedes de Acosta,also available from Southern Illinois University Press.
THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text as well as SIRS.
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text as well as SIRS.
The world of traditional Chinese drama can be at once fascinating and bewildering to the uninitiated Western observer. Attuned to his own dramatic conventions, he is hard put to apprehend the delicate fusion of poetry, music, and subtle gesture which is the essence of Chinese theatre. Because of these difficulties, the task of translating traditional Chinese drama must go far beyond the conventional literary treatment and evoke the entire world of stagecraft and directing.
Longing for Worldly Pleasures (Ssu Fan) is a lyric monologue in which a young Buddhist laments the waning of her youth in the seclusion of the convent. The brief piece involves a complexity of mood which makes it an actor’s tour de force, undertaken only by the most highly skilled performers.
Fifteen Strings of Cash (Shih Wu Kuan), a much longer play, is a comic murder mystery satirizing bureaucratic ineptitude in the administration of justice. The comic lead role of Lou the Rat is a virtuoso part which illustrates the intricate mimetic art of the traditional comic actor and was the play’s main appeal to Chinese audiences.
In Theater and Violence, through interviews, play excerpts, and full-length plays—including the first American publication of two major German playwrights and directors—theater artists offer their own narratives for humankind’s violent psychologies. One full-length play, Falk Richter’s Seven Seconds (In God We Trust), probes the mind of an American pilot moments before he releases a bomb on a city below. Another, René Pollesch’s 24 Hours Are Not a Day, humorously explores the ironies and pathologies of globalization after September 11. The issue also includes a commentary on the National Endowment for the Arts’ Shakespeare presentations for the U.S. military; interviews with Russian theater artists on the first anniversary of the Chechen rebels’ siege of a Moscow theater; and Jonathan Kalb’s powerful adaptation of Heiner Müller’s Mauser, set in Tikrit.
Contributors. Josh Fox, Gitta Honegger, Jonathan Kalb, Anna Kohler, James Leverett, Mark Lord, Marlene Norst, René Pollesch, Falk Richter, Yana Ross, Scott Saul, Tom Sellar, Catherine Sheehy, Robert Woodruff
The Two Houses of Israel: State Formation and the Origins of Pan-Israelite Identity bridges the gap between the biblical narrative of the great united monarchy ruled by David and Solomon and archaeological and historical reconstructions of a gradual, independent formation of Israel and Judah. Based on a thorough examination of the material remains and settlement patterns in the southern Levant during the Late Bronze Age and the Iron Age and on a review of the relevant historical sources, this book provides a detailed reconstruction of the ways in which Israel and Judah were formed as territorial polities and specifically how the house of David rose to power in Jerusalem and Judah. Omer Sergi further situates the stories of Saul and David in their accurate social and historical context in order to illuminate the historical conception of the united monarchy and the pan-Israelite ideology out of which it grew. Sergi provides a new history of the early Israelite monarchies, their formation, and the ways in which these social and political developments were commemorated in the cultural memory of generations to come.
A riveting memoir of one family’s struggle under a totalitarian regime
“Mayme Sevander and Laurie Hertzel tell a poignant tale of a hidden corner of U.S. and Soviet history. Tracing the hopes and hardships of one family over two continents, They Took My Father explores the boundaries of loyalty, identity, and ideals.” —Amy Goldstein, Washington Post
“What makes Mayme’s story so uniquely—almost unbelievably—tragic is that her family chose to move from the United States to the Soviet Union in 1934, thinking they were going to help build a ‘worker’s paradise.’ They found, instead, a deadly nightmare.” —St. Paul Pioneer Press“This gripping and timely book traces the beginnings of communism not as dry history but as a fascinating personal drama that spreads across Russia, Finland, and the mining towns of Upper Michigan and the Iron Range of Minnesota. . . . An important and largely ignored part of history comes alive in one woman’s story of her tragic family, caught up in the all-consuming struggle of the twentieth century.” —Frank Lynn, political reporter, New York TimesSam Shepard was arguably America’s finest working dramatist, as well as an accomplished screenwriter, actor, and director. Winner of a Pulitzer Prize, he wrote more than forty-five plays, including True West, Fool for Love, and Buried Child. Shepard also appeared in more than fifty films, beginning with Terrence Malick’s Days of Heaven, and was nominated for an Academy Award for his performance in The Right Stuff. Despite the publicity his work and life attracted, however, Shepard remained a strongly private man who said many times that he would never write a memoir. But he did write intensively about his inner life and creative work to his former father-in-law and housemate, Johnny Dark, who was Shepard’s closest friend, surrogate brother (they were nearly the same age), and even artistic muse.
Two Prospectors gathers nearly forty years of correspondence and transcribed conversations between Shepard and Dark. In these gripping, sometimes gut-wrenching letters, the men open themselves to each other with amazing honesty. Shepard’s letters give us the deepest look we will ever get into his personal philosophy and creative process, while in Dark’s letters we discover insights into Shepard’s character that only an intimate friend could provide. The writers also reflect on the books and authors that stimulate their thinking, their relationships with women (including Shepard’s anguished decision to leave his wife and son—Dark’s stepdaughter and grandson—for actress Jessica Lange), personal struggles, and accumulating years. Illustrated with Dark’s candid, revealing photographs of Shepard and their mutual family across many years, as well as facsimiles of numerous letters, Two Prospectors is a compelling portrait of a complex friendship that anchored both lives for decades, a friendship also poignantly captured in Treva Wurmfeld’s film, Shepard & Dark.
Just like its predecessor, Thinking Critically helps students improve reading, writing, and research skills while exploring and analyzing major global issues. Although many of the same topics are explored in this second edition—world hunger, global health, gender equality, regional conflict, cultural heritage, and immigration policies—all 31 authentic readings in the second edition are new. New topics included in this edition are cybersecurity, climate change, education reform, leadership, and human rights.
Each chapter contains two or three readings (from print and online news sources, journals, and blogs) designed to raise rather than provide answers; a vocabulary review and discussion questions for each reading; a reaction writing task; a question on the topic to research; a writing assignment for a specific academic or business genre (with models in an appendix); speaking activities (oral presentation, debate, or role-play); and a Thinking about It task. The Thinking about It task calls on students’ ability to evaluate a complex issue with objectivity and to propose a realistic approach, making this textbook good preparation for academic courses that require critical-thinking skills to express opinions both orally and in writing.
Several new academic/business written genres (abstract, fact sheet, briefing paper, report on a survey) have also been added.
History passed in review along the highways of Texas in the century 1761–1860. This was the century of exploration and settlement for the big new land, and many thousands of people traveled its trails: traders, revolutionaries, missionaries, warriors, government agents, adventurers, refugees, gold seekers, prospective settlers, land speculators, army wives, and filibusters. Their reasons for coming were many and varied, and the travelers viewed the land and its people with a wide variety of reactions. Political and industrial revolution, famine, and depression drove settlers from many of the countries of Europe and many of the states of the United States. Some were displeased with what they found in Texas, but for many it was a haven, a land of renewed hope. So large was the migration of people to Texas that the land that was virtually unoccupied in 1761 numbered its population at 600,000 a century later.
Several hundred of these travelers left published accounts of their impressions and adventures. Collectively the accounts tell a panoramic story of the land as its boundaries were drawn and its institutions formed. Spain gave way to Mexico, Mexico to the Republic of Texas, the Republic to statehood in the United States, and statehood in the Union was giving way to statehood in the Confederate states by 1860. The travelers’ accounts reflect these changes; but, more important, they tell the story of the receding frontier.
In Travelers in Texas, 1761–1860, the author examines the Texas seen by the traveler-writer. Opening with a chapter about travel conditions in general (roads or trails, accommodations, food), she also presents at some length the travelers’ impressions of the country and its people. She then proceeds to examine particular aspects of Texas life: the Indians, slavery, immigration, law enforcement, and the individualistic character of the people, all as seen through the eyes of the travelers. The discussion concludes with a “Critical Essay on Sources,” containing bibliographic discussions of over two hundred of the more important travel accounts.
Theatre in Passing explores spaces of performance in contemporary Moscow. Inspired by French philosopher Michel de Certeau’s model of a "second, poetic geography" in which the walker—the everyday practitioner—invents the space observed by the voyeur, this book takes the reader on a tour of spaces of performance in contemporary Moscow. Through text and photography, the city’s "theatrical geography" is uncovered, from the Bolshoi Theater in Theater Square to hidden gems like the recently restored Kuskovo estate. With additional sections on street theater and other public gatherings, Theatre in Passing is a must-read book for anyone curious about the theatrical architecture and geography of Russia’s capital.
Included in this volume are considerations of the relation between theories of art and the avant-garde; art’s relation to cognition; the aesthetic as history; the aesthetic as a unique access to modernity; and its impact on problems of identity formation, ideology, and resistances to the institutional powers inherent in dominant social formations.
Contributors. Charles Altieri, Peter Burger, David Carroll, Anthony J. Cascardi, Howard Caygill, Allen Dunn, Eric Gans, Agnes Heller, Ronald A. T. Judy, Marie-Rose Logan, Daniel T. O’Hara, Donald E. Pease, Alan Singer
Written in a lively manner by one of Colorado's preeminent historians, this book honors the 2009 sesquicentennial of Colorado's gold rush. Smith's narrative will appeal to anybody with an interest in the state's fascinating mining history over the past 150 years.
Calls for an Honest Reckoning of the Successes, Failures, and Unanticipated Results of International Developments
In general, “development” denotes movement or growth toward something better in the future. International development—widespread in the decades following World War II—was an effort at purposeful change in landscapes around the world. Contributors to this volume argue that these projects constituted an effort to transplant modernity, such as knowledge or technology, from places seen as more developed to places perceived as un- or underdeveloped. During its heyday, international development included not just dams, roads, health programs, and agricultural projects but also animal husbandry schemes, urban development, and wildlife protection plans. Projects often succeeded or failed because of existing environmental conditions, and in turn, these programs remade—or tried to remake—the land, water, wildlife, and people around them. From American-directed failures in water engineering in Afghanistan to the impact of livestock epidemics on economic growth in East Africa, the chapters in Transplanting Modernity question how science, technology, and faith in Western notions of progress have influenced the pace, scope, and scale of development.Trees seen like never before—a world expert presents a stunning compendium, illuminating science, conservation, and art.
Trees provoke deep affection, spirituality, and creativity. They cover about a third of the world’s land and play a crucial role in our environmental systems—influencing the water, carbon, and nutrient cycles and the global climate. This puts trees at the forefront of research into mitigating our climate emergency; we cannot understate their importance in shaping our daily lives and our planet’s future.
In these lavish pages, ecologist Paul Smith celebrates all that trees have inspired across nearly every human culture throughout history. Generously illustrated with over 450 images and organized according to tree life cycle—from seeds and leaves to wood, flowers, and fruit—this book celebrates the great diversity and beauty of the 60,000 tree species that inhabit our planet. Surprising photography and infographics will inspire readers, illustrating intricate bark and leaf patterns, intertwined ecosystems, colorful flower displays, archaic wooden wheels, and timber houses. In this lavishly illustrated book, Smith presents the science, art, and culture of trees. As we discover the fundamental and fragile nature of trees and their interdependence, we more deeply understand the forest without losing sight of the magnificent trees.
Theater and Social Change not only tracks the historical evolution of political theater but also explores the current state and future prospects of different modes, including agit-prop, demonstrations, solo performance, Augusto Boal’s Theater of the Oppressed, and community-based production. With such notable contributors as Anna Deavere Smith, Jonathan Kalb, Holly Hughes, and Tony Kushner, the issue offers a diverse assemblage of personal statements, conversations, photographs, interviews, and performance text.
Contributors include: Reverend Billy, Jan Cohen-Cruz, Arlene Goldbard, Sharon Green, Lani Guinier, Holly Hughes, Jonathan Kalb, Tony Kushner, Judith Malina, Robbie McCauley, John O'Neal, Claudia Orenstein, Bill Rauch, Julie Salverson, Anna Deavere Smith, Alisa Solomon, Roberta Uno
The Alliance for Progress was a program intended to stimulate and aid the economic development of the peoples of Latin America. It proposed that the United States and nineteen Latin American republics pool financial and technical resources to aid the peoples of all these republics in achieving better living standards, greater human dignity, and increased political freedom. Although achievement of these goals depended partially upon the availability of external assistance, it depended even more upon the ability and willingness of the Latin Americans themselves to make numerous far-reaching institutional reforms within their countries.
One of the most important needs was in the area of tax reform, which had been made a quid pro quo for the twenty billion dollars promised by the United States through the program. This limitation upon the use of United States funds made obvious the need for a means of evaluating the adequacy of Latin American tax-reform efforts. In this study Raynard M. Sommerfeld presents an examination of this problem and recommends basic criteria for such evaluation. The study reviews the objectives of the Alliance for Progress, investigates the prevailing tax systems in the Latin American republics, and offers recommendations for tax-reform efforts to harmonize tax policy with the economic development goals stipulated in the Charter of Punta del Este.
The author emphasizes and reiterates the fact that thorough studies of the individual countries are necessary for the planning of truly adequate tax reform. He offers the facts developed in his study as interim tools for United States Alliance for Progress agencies in evaluating Latin American tax-reform efforts, for Latin American planners seeking to guide their countries most easily on the road to economic maturity, and for all scholars, teachers, and students interested in the fields of Latin American economics, taxation, and political history.
The Tactics of Toleration examines the preconditions and limits of toleration during an age in which Europe was sharply divided along religious lines. During the Age of Religious Wars, refugee communities in borderland towns like the Rhineland city of Wesel were remarkably religiously diverse and culturally heterogeneous places. Examining religious life from the perspective of Calvinists, Lutherans, Mennonites, and Catholics, this book examines how residents dealt with pluralism during an age of deep religious conflict and intolerance. Based on sources that range from theological treatises to financial records and from marriage registries to testimonies before secular and ecclesiastical courts, this project offers new insights into the strategies that ordinary people developed for managing religious pluralism during the Age of Religious Wars.
Historians have tended to emphasize the ways in which people of different faiths created and reinforced religious differences in the generations after the Reformation’s break-up of Christianity, usually in terms of long-term historical narratives associated with modernization, including state building, confessionalization, and the subsequent rise of religious toleration after a century of religious wars. In contrast, Jesse Spohnholz demonstrates that although this was a time when Christians were engaged in a series of brutal religious wars against one another, many were also learning more immediate and short-term strategies to live alongside one another. This book considers these “tactics for toleration” from the vantage point of religious immigrants and their hosts, who learned to coexist despite differences in language, culture, and religion. It demands that scholars reconsider toleration, not only as an intellectual construct that emerged out of the Enlightenment, but also as a dynamic set of short-term and often informal negotiations between ordinary people, regulating the limits of acceptable and unacceptable behavior.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.For fifty years the progressive Coleman-Fulton Pasture Company, popularly known as the Taft Ranch, led in the development of South Texas, and in the early twentieth century achieved national and international repute for its contributions to agriculture. The story of the ranch reaches its climax as the firm is absorbed into the community growing up around it—the same community the ranch had nurtured to an unprecedented prosperity.
In 1961 A. Ray Stephens visited Taft, Texas, and received permission to use the dust-covered records, which for thirty years had been closed to historians. These records, plus the valuable supplementary material in the Fulton Collection at the University of Texas, have enabled the author to tell the complete story of the ranch from its inception in 1880 to its dissolution in 1930.
In 1880, with a fifty-year charter, the Coleman-Fulton Pasture Company was legally born as a private corporation. For the duration of its history this company aided the advancement of South Texas through effective utilization of the fertile land, through development of agriculture and related industries, and through encouragement of settlers and curious visitors to the Coastal Bend region. Its history is a long, determined fight against severe drought, cattle disease, and financial insolvency. Guided by farsighted men who believed in experimentation in agriculture—and who also promoted the establishment of stores, schools, colleges, churches, and industrial plants—the company not only survived but prospered, and by 1920 its owners could survey their vast properties with well-earned satisfaction. The struggling cattle firm of 1880 had expanded into a multi-interest, profitable corporation that had established and supervised most of the industries in Taft, Texas.
Stephens' well-documented 1964 study had been long needed. During the three decades preceding it, the ranch had been well-nigh forgotten; only the handful of people, then still living, who had worked on the ranch had kept its memory fresh, while the voluminous company records remained inaccessible. The author supplemented his study of company records and newspapers with archival material, government records, and information obtained during hours of interviewing. His book will insure for the Taft Ranch its deservedly prominent position in Texas history.
The lively introduction was written by Joe B. Frantz (1917–1993) who, in his role of Professor of History at the University of Texas, encouraged the study and watched its development.
This teacher's manual was written to accompany the textbook Norsk, nordemenn og Norge, published by the University of Wisconsin Press (text ISBN 0-299-08690-9)
"As engaging a tale as I have encountered in months of looking for something really amusing to read.”—Kelsey Guilfoil, Chicago Tribune
“A pleasantly muted mystery that is genuinely funny fantasy as well.”—New York Times
On the outskirts of a small English town, young Arnie discovers the body of a middle-aged man in the woods. Three people are convinced they are responsible for the death: the captain thinks he accidentally shot the man while hunting rabbits; the local spinster thinks she may have done more damage than she intended when she hit him with her shoe—and Arnie’s mother, most damningly of all, reveals that the man is her long-lost husband, Harry, and that she had smashed a bottle over his head when he suddenly reappeared.
The police are called in to investigate the crime, but free-thinking artist Sam Marlowe becomes a good-natured sleuth, helping the townspeople to bury, dig up, and rebury the corpse in an effort to evade the authorities and discover the truth. While no one is particularly troubled by Harry’s death, everyone feels some guilt over the apparent murder. In the end, two couples fall in love, Arnie has a new father, and the mystery is happily solved.
First published in 1949, The Trouble with Harry was one of Jack Trevor Story’s early successes. Written with wit and insight, the novel was a bestseller and praised for both its succinct style and its original blend of mystery and humor. The story was adapted by Alfred Hitchcock for his film of the same name in 1955.READERS
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