American Indians remain familiar as icons, yet poorly understood as historical agents. In this ambitious book that ranges across Utah, Nevada, New Mexico, Colorado, and eastern California (a region known as the Great Basin), Ned Blackhawk places Native peoples squarely at the center of a dynamic and complex story as he chronicles two centuries of Indian and imperial history that profoundly shaped the American West.
On the distant margins of empire, Great Basin Indians increasingly found themselves engulfed in the chaotic storms of European expansion and responded in ways that refashioned themselves and those around them. Focusing on Ute, Paiute, and Shoshone Indians, Blackhawk illuminates this history through a lens of violence, excavating the myriad impacts of colonial expansion. Brutal networks of trade and slavery forged the Spanish borderlands, and the use of violence became for many Indians a necessary survival strategy, particularly after Mexican Independence when many became raiders and slave traffickers. Throughout such violent processes, these Native communities struggled to adapt to their changing environments, sometimes scoring remarkable political ends while suffering immense reprisals.
Violence over the Land is a passionate reminder of the high costs that the making of American history occasioned for many indigenous peoples, written from the vantage point of an Indian scholar whose own family history is intimately bound up in its enduring legacies.
This volume presents a far-ranging conversation on the topic of Hohokam platform mounds in the history of the southern Arizona desert, exploring why they were built, how they were used, and what they meant in the lives of the farming communities who built them. Vapaki brings together diverse theoretical approaches, a mix of big-picture and tightly focused perspectives, detailed coverage for regional specialists of variation in the mounds, a broad synthesis useful for those working from other regional and topical foundations, and a rich corpus of perspectives and ideas for further research. Contributors grapple with questions about platform mounds, including the social, political, ideological, symbolic, and adaptive factors that contributed to their development, spread, and eventual cessation.
The differing perspectives presented here about what motivated Ancestral O’Odham populations of the Hohokam Period to build these monuments, whether as displays of status, identity, political ability, membership in regional networks, or architectural models of the cosmological order, offer insights to researchers studying monumental architecture in other contexts. O’Odham knowledge of the history and uses of mounds is combined with archaeological data to understand the place of platform mounds in the lives of the Ancestors and their continued presence among modern descendants.
The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples.
Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.
In 1899 an American could open a newspaper and find outrageous images, such as an American soldier being injected with leprosy by Filipino insurgents. These kinds of hyperbolic accounts, David Brody argues in this illuminating book, were just one element of the visual and material culture that played an integral role in debates about empire in late nineteenth- and early twentieth-century America.
Visualizing American Empire explores the ways visual imagery and design shaped the political and cultural landscape. Drawing on a myriad of sources—including photographs, tattoos, the decorative arts, the popular press, maps, parades, and material from world’s fairs and urban planners—Brody offers a distinctive perspective on American imperialism. Exploring the period leading up to the Spanish-American War, as well as beyond it, Brody argues that the way Americans visualized the Orient greatly influenced the fantasies of colonial domestication that would play out in the Philippines. Throughout, Brody insightfully examines visual culture’s integral role in the machinery that runs the colonial engine. The result is essential reading for anyone interested in the history of the United States, art, design, or empire.
As Mallapragada shows, ideologies around family and citizenship shift to fit the transnational contexts of the online world and immigration. At the same time, the tactical use of the home page to make gender, racial, and class struggles visible and create new modes for belonging implicates the web within complex political and cultural terrain. On e-commerce, community, and activist sites, the recasting of home and homeland online points to intrusion by public agents such as the state, the law, and immigration systems in the domestic, the private, and the familial. Mallapragada reveals that the home page may mobilize to reproduce conservative narratives of Indian immigrants' familial and citizenship cultures, but the reach of a website extends beyond the textual and discursive to encompass the institutions shaping it, as the web unmakes and remakes ideas of "India" and "America."
Two profound atrocities in the history of Western culture form the subject of this moving philosophical exploration: American Slavery and the Holocaust. An African American and a Jew, Laurence Mordekhai Thomas denounces efforts to place the suffering of one group above the other. Rather, he pronounces these two defining historical experiences as profoundly evil in radically different ways and points to their logically incompatible aims.
The author begins with a discussion of the nature of evil, exploring the fragility of human beings and the phenomena of compartmentalizing, unquestioning obedience to authority, and moral drift. Citing compelling examples from history and contemporary life, he characterizes evil acts in terms of moral agency, magnitude, and intent.
With moving testimony, Thomas depicts the moral pain of African Americans and Jews during their ordeals and describes how their past as victims has affected their future. Without invidious comparison, he distinguishes between extermination and domination, death and natal alienation, physical and mental cruelty, and between being viewed as irredeemable evil and as a moral simpleton. Thomas also considers the role of blacks and Jews in the Christian narrative.
In Vessels of Evil, Thomas also considers the ways Jews and blacks have gone on to survive. He analyzes the relative flourishing of Jews and the languishing of blacks in this country and examines the implications of their dissimilar tragedies on any future relationship between these two minorities.
Ulysses S. Grant’s ingenious campaign to capture the last Confederate stronghold on the Mississippi River was one of the most decisive events of the Civil War and one of the most storied military expeditions in American history. The ultimate victory at Vicksburg effectively cut the Confederacy in two, gave control of the river to Union forces, and delivered a devastating blow from which the South never fully recovered. Editors Steven E. Woodworth and Charles D. Grear have assembled essays by prominent and emerging scholars, who contribute astute analysis of this famous campaign’s most crucial elements and colorful personalities.
Encompassed in this first of five planned volumes on the Vicksburg campaign are examinations of the pivotal events that comprised the campaign’s maneuver stage, from March to May of 1863. The collection sheds new light on Grant’s formidable intelligence network of former slaves, Mississippi loyalists, and Union spies; his now legendary operations to deceive and confuse his Confederate counterparts; and his maneuvers from the perspective of classic warfare. Also presented are insightful accounts of Grant’s contentious relationship with John A. McClernand during the campaign; interactions between hostile Confederate civilians and Union army troops; and the planning behind such battles as Grierson’s Raid, Port Gibson, Raymond, Jackson, Champion Hill, and Big Black River Bridge.
At the outbreak of the Civil War, Massachusetts native Gilbert Thompson joined the regular army, which assigned him to the engineer battalion, a unit that provided critical support for the Union military effort in building bridges and roads and surveying and producing maps. While serving, Thompson kept a journal that eventually filled three volumes. The author’s early education in a utopian community called Hopedale left him well read, affording a journal peppered with literary allusions. Once the war ended, Corporal Thompson added some postwar reflections to create a unified single volume, which editor Mark A. Smith has carefully arranged so that the reader can clearly distinguish between Thompson’s contemporary accounts and his postwar reminiscences. An accomplished artist and topographer, Thompson illustrated his journals, adding depth to his narrative with portraits of key figures, drawings of ordinary scenes such as soldiers playing chess, and sights of the war. Additionally, he collected photographs both during and after the war, many of which are included.
Thompson’s wartime musings and postwar recollections have much to offer. Few diaries contain glimpses into the workings of a highly specialized unit such as the engineer battalion, and Thompson’s skills in depicting daily camp life in both words and pictures provide a distinctive look at the Union Army during the Civil War as well as an insightful look into the human condition. In his 1879 introduction, Thompson writes, “I wonder how I wrote as much and as well, and am thankful I was so fortunate as to have the opportunity to do so.” Students of the Civil War will feel fortunate he did.
The only Confederate ship to circumnavigate the globe
The Confederate cruiser Shenandoah was the last of a group of commerce raiders deployed to prey on Union merchant ships. Ordered to the Pacific Ocean to “greatly damage and disperse” the Yankee whaling fleet in those waters, the Shenandoah’s successful pursuit of her quarry compared favorably with the exploits of the more celebrated Alabama and Florida but has never been as well known because it coincided with the war’s end and the Confederacy’s downfall. It was, however, one of the best documented naval expeditions—from England to the Indian Ocean, Australia and the South Pacific, the Bering Sea, San Francisco, and finally to port in Liverpool—during the Civil War.
The ship’s log and Captain James Waddell’s notes are well preserved, and a number of the Shenandoah’s officers kept detailed journals of the entire voyage. One of the most significant journals, by Lieutenant William Whittle, is presented here, with annotations from other journals, the official records and logs, and newspaper accounts of the Shenandoah’s activities, together bringing to life the history of this remarkable voyage.
On June 8, 1982, Ronald Reagan delivered a historic address to the British Parliament, promising that the United States would give people around the world “a voice in their own destiny” in the struggle against Soviet totalitarianism. While British Prime Minister Margaret Thatcher celebrated Reagan’s visit and thanked him for putting “freedom on the offensive,” over 100,000 Britons marched from Hyde Park to Trafalgar Square to protest his arrival and call for nuclear disarmament. Reagan’s homecoming was equally eventful, with 1,000,000 protesters marking his return with a rally for nuclear disarmament in Central Park—the largest protest in American history up to that point.
Employing a wide range of previously unexamined primary sources, Anthony M. Eames demonstrates how the Reagan and Thatcher administrations used innovations in public diplomacy to build back support for their foreign policy agendas at a moment of widespread popular dissent. A Voice in Their Own Destiny traces how competition between the governments of Reagan and Thatcher, the Anglo-American antinuclear movement, and the Soviet peace offensive sparked a revolution in public diplomacy.
“This book will serve as a valuable resource for other scholars in their attempts to better understand how Latino newcomers are transforming their new homes in this country.” —Melvin Delgado, author of Social Work with Latinos: A Cultural Assets Paradigm
The Dalton-Whit?eld County area of Georgia has one of the highest concentrations of Latino residents in the southeastern United States. In 2006, a Washington Post article referred to the carpet-manufacturing city of Dalton as a “U.S. border town,” even though the community lies more than twelve hundred miles from Mexico. Voices from the Nueva Frontera explores this phenomenon, providing an in-depth picture of Latino immigration and dispersal in rural America along with a framework for understanding the economic integration of the South with Latin America.
Voices from the Nueva Frontera sheds new light on the often invisible changes that have transformed this north Georgia town over the last thirty years. The book's contributors explore the changes to labor markets and educational, religious, and social organizations and show that Dalton provides a largely successful example of a community that has provided a home to a newly arriving immigrant work force. While debates about immigration have raged in the public spotlight in recent years, some of the most important voices-those of the immigrants themselves-have been nearly unheard. In this pathbreaking book, therefore, each chapter opens with an interview of a worker, student, teacher, or other professional involved in the immigrant experience. These narratives add human faces to the realities of dramatic change occurring in rural industrial towns.
Sure to spark lively discussion in the classroom and beyond, Voices from the Nueva Frontera gives readers a look at individual human stories and provides much-needed documentation for what might be the most important social change in recent southern history.
Donald E. Davis, Thomas M. Deaton, and David Boyle are on the faculty at Dalton State College. Jo-Anne Schick is the former director of the Georgia Project.
This true story of the Texas brush range and the first cowboys, as thrilling as any tale of fiction, has become a classic in Western literature. It is the story of the land where cattle by tens of thousands were killed on the prairie and where the "Skinning War" was fought. It is the story of the Chisholm Trail up to Abilene and the Platte and of establishing a ranch on the free grass of the Texas Panhandle, of roping elk in Colorado, of trailing Billy the Kid in New Mexico, of the grim lands of the Pecos. And it is the story of John Young, old-time vaquero who was trail driver, hog chaser, sheriff, ranger, hunter of Mexican bandits, horse thief killer, prairie fire fighter, ranch manager, and other things—a man who was also something of a dreamer, a man of imagination.
2022 Ramirez Family Award for Most Significant Scholarly Book, Texas Institute of Letters
An in-depth history of the Civil War in the Texas Hill Country that examines patterns of violence on the Texas frontier to illuminate white Americans’ cultural and political priorities in the nineteenth century.
In the nineteenth century, Texas’s advancing western frontier was the site of one of America’s longest conflicts between white settlers and native peoples. The Texas Hill Country functioned as a kind of borderland within the larger borderland of Texas itself, a vast and fluid area where, during the Civil War, the slaveholding South and the nominally free-labor West collided. As in many borderlands, Nicholas Roland argues, the Hill Country was marked by violence, as one set of peoples, states, and systems eventually displaced others.
In this painstakingly researched book, Roland analyzes patterns of violence in the Texas Hill Country to examine the cultural and political priorities of white settlers and their interaction with the century-defining process of national integration and state-building in the Civil War era. He traces the role of violence in the region from the eve of the Civil War, through secession and the Indian wars, and into Reconstruction. Revealing a bitter history of warfare, criminality, divided communities, political violence, vengeance killings, and economic struggle, Roland positions the Texas Hill Country as emblematic of the Southwest of its time.
Voice Lessons explores the rich personal and political terrain of Alice Embree, a 1960s activist and convert to the women’s liberation movement of the 1970s, bringing a woman’s perspective to a transformational time in US history. This riveting memoir traces the author’s roots in segregated Austin and her participation in efforts to integrate the University of Texas. It follows her antiwar activism from a vigil in front of President Lyndon Johnson’s ranch in 1965 to a massive protest after the shootings at Kent State in 1970. Embree’s activism brought her and the Students for a Democratic Society into conflict with Frank Erwin, the powerful chairman of the UT Board of Regents, and inspired a campus free speech movement. She recounts her experiences living in New York during the tumultuous years of 1968 and 1969, including the Columbia University strike and the Woodstock music festival. She also tells about protesting at the Chicago Democratic Convention, her interactions with Yippies and poets, and her travels to Chile, Cuba, and Mexico. Embree highlights the radical roots of the women’s liberation movement in Austin and the audacious women’s community that challenged gender roles, fought for reproductive justice, and inspired a lifetime of activism.
Founded before the Civil War, the King and Kenedy Ranches have become legendary for their size, their wealth, and their endless herds of cattle. A major factor in the longevity of these ranches has always been the loyal workforce of vaqueros (Mexican and Mexican American cowboys) and their families. Some of the vaquero families have worked on the ranches through five or six generations.
In this book, Jane Clements Monday and Betty Bailey Colley bring together the voices of these men and women who make ranching possible in the Wild Horse Desert. From 1989 to 1995, the authors interviewed more than sixty members of vaquero families, ranging in age from 20 to 93. Their words provide a panoramic view of ranch work and life that spans most of the twentieth century.
The vaqueros and their families describe all aspects of life on the ranches, from working cattle and doing many kinds of ranch maintenance to the home chores of raising children, cooking, and cleaning. The elders recall a life of endless manual labor that nonetheless afforded the satisfaction of jobs done with skill and pride. The younger people describe how modernization has affected the ranches and changed the lifeways of the people who work there.
For many whites, desegregation initially felt like an attack on their community. But how has the process of racial change affected whites’ understanding of community and race? In Vanishing Eden, Michael Maly and Heather Dalmage provide an intriguing analysis of the experiences and memories of whites who lived in Chicago neighborhoods experiencing racial change during the 1950s through the 1980s. They pay particular attention to examining how young people made sense of what was occurring, and how this experience impacted their lives.
Using a blend of urban studies and whiteness studies, the authors examine how racial solidarity and whiteness were created and maintained—often in subtle and unreflective ways. Vanishing Eden also considers how race is central to the ways social institutions such as housing, education, and employment function. Surveying the shifting social, economic, and racial contexts, the authors explore how race and class at local and national levels shaped the organizing strategies of those whites who chose to stay as racial borders began to change.
On July 23, 1967, the Detroit police raided a blind pig (after-hours drinking establishment), touching off the most destructive urban riot of the 1960s. It took the U.S. Army, the Michigan National Guard, the Michigan State Police, and the Detroit police department—17,000 men—more than a week to restore order. When all was done, the riot had claimed 43 lives (mostly Black) and resulted in nearly 700 injuries. Over 7,000 individuals were arrested, with property damage estimates over $75 million. Yet, Detroit had been lauded nationally as a "model city" in the governance of a large industrial metropolis. On the 40th anniversary of this nation-changing event, we are pleased to reissue Sidney Fine's seminal work—a detailed study of what happened, why, and with what consequences.
The spell that the West has always exercised on the American people had its most intense impact on American literature and thought during the nineteenth century. Henry Nash Smith shows, with vast comprehension, the influence of the nineteenth-century West in all its variety and strength, in special relation to social, economic, cultural, and political forces. He traces the myths and symbols of the Westward movement such as the general notion of a Westward-moving Course of Empire, the Wild Western hero, the virtuous yeoman-farmer—in such varied nineteenth-century writings as Leaves of Grass, the great corpus of Dime Novels, and most notably, Frederick Jackson Turner’s The Frontier in American History. Moreover, he synthesizes the imaginative expression of Western myths and symbols in literature with their role in contemporary politics, economics, and society, embodied in such forms as the idea of Manifest Destiny, the conflict in the American mind between idealizations of primitivism on the one hand and of progress and civilization on the other, the Homestead Act of 1862, and public-land policy after the Civil War.
The myths of the American West that found their expression in nineteenth-century words and deeds remain a part of every American’s heritage, and Smith, with his insight into their power and significance, makes possible a critical appreciation of that heritage.
Herding cattle from horseback has been a tradition in northern Mexico and the American West since the Spanish colonial era. The first mounted herders were the Mexican vaqueros, expert horsemen who developed the skills to work cattle in the brush country and deserts of the Southwestern borderlands. From them, Texas cowboys learned the trade, evolving their own unique culture that spread across the Southwest and Great Plains. The buckaroos of the Great Basin west of the Rockies trace their origin to the vaqueros, with influence along the way from the cowboys, though they, too, have ways and customs distinctly their own.
In this book, three long-time students of the American West describe the history, working practices, and folk culture of vaqueros, cowboys, and buckaroos. They draw on historical records, contemporary interviews, and numerous photographs to show what makes each group of mounted herders distinctive in terms of working methods, gear, dress, customs, and speech. They also highlight the many common traits of all three groups.
This comparative look at vaqueros, cowboys, and buckaroos brings the mythical image of the American cowboy into focus and detail and honors the regional and national variations. It will be an essential resource for anyone who would know or portray the cowboy—readers, writers, songwriters, and actors among them.
Powerful personal accounts from migrants crossing the US–Mexico border provide an understanding of their experiences, as well as the consequences of public policy
Migrants, refugees, and deportees live through harrowing situations, yet their personal stories are often ignored. While politicians and commentators mischaracterize and demonize, herald border crises, and speculate about who people are and how they live, the actual memories of migrants are rarely shared. In the tradition of oral storytelling, Voices of the Border reproduces the stories migrants have told, offering a window onto both individual and shared experiences of crossing the US–Mexico border.
This collection emerged from interviews conducted by the Kino Border Initiative (KBI), a Jesuit organization that provides humanitarian assistance and advocates for migrants. Based in Nogales, Arizona, and Nogales, Sonora—twin border cities connected by shared histories, geographies, economies, and cultures—the editors and their colleagues documented migrants’ testimonios to amplify their voices. These personal narratives of lived experiences, presented in the original Spanish with English translations, bring us closer to these individuals’ strength, love, and courage in the face of hardship and injustice. Short introductions written by migrant advocates, humanitarian workers, religious leaders, and scholars provide additional context at the beginning of each chapter.
These powerful stories help readers better understand migrants' experiences, as well as the consequences of public policy for their community.
Royalties from the sale of the book go to the Kino Border Initiative.
Unlike many other handicrafts in the Mexican state of Oaxaca, which have long cultural and historical trajectories, Oaxacan woodcarving began in the second half of the twentieth century and has always been done for the commercial market. In The Value of Aesthetics, Alanna Cant explores how one family’s workshop in the village of San Martín Tilcajete has become the most critically and economically successful, surpassing those of neighbors who use similar materials and techniques. The dominance of this family is tied to their ability to produce a new aesthetic that appeals to three key “economies of culture”: the tourist market for souvenirs, the national market for traditional Mexican artesanías, and the international market for indigenous art.
Offering a new analytical model by which anthropologists can approach visual aesthetics and conceptualize the power of artworks as socially active objects, The Value of Aesthetics shows how aesthetic practices produce and redefine social and political relationships. By investigating the links between aesthetics and issues of production, authorship, ownership, and identity, Cant shows aesthetic change to be a process that ultimately repackages everyday life into commodified objects in Oaxaca.
Incorporating a nuanced understanding of visual culture into his analysis, Overmyer-Velázquez shows how ideas of modernity figured in Oaxacans’ ideologies of class, race, gender, sexuality, and religion and how they were expressed in Oaxaca City’s streets, plazas, buildings, newspapers, and public rituals. He pays particular attention to the roles of national and regional elites, the Catholic church, and popular groups—such as Oaxaca City’s madams and prostitutes—in shaping the discourses and practices of modernity. At the same time, he illuminates the dynamic interplay between these groups. Ultimately, this well-illustrated history provides insight into provincial life in pre-Revolutionary Mexico and challenges any easy distinctions between the center and the periphery or modernity and tradition.
Jade, stone tools, honey and wax, ceramics, rum, land. What gave these commodities value in the Maya world, and how were those values determined? What factors influenced the rise and fall of a commodity’s value? The Value of Things examines the social and ritual value of commodities in Mesoamerica, providing a new and dynamic temporal view of the roles of trade of commodities and elite goods from the prehistoric Maya to the present.
Editors Jennifer P. Mathews and Thomas H. Guderjan begin the volume with a review of the theoretical literature related to the “value of things.” Throughout the volume, well-known scholars offer chapters that examine the value of specific commodities in a broad time frame—from prehistoric, colonial, and historic times to the present. Using cases from the Maya world on both the local level and the macro-regional, contributors look at jade, agricultural products (ancient and contemporary), stone tools, salt, cacao (chocolate), honey and wax, henequen, sugarcane and rum, land, ceramic (ancient and contemporary), and contemporary tourist handicrafts.
Each chapter author looks into what made their specific commodity valuable to ancient, historic, and contemporary peoples in the Maya region. Often a commodity’s worth goes far beyond its financial value; indeed, in some cases, it may not even be viewed as something that can be sold. Other themes include the rise and fall in commodity values based on perceived need, rarity or overproduction, and change in available raw materials; the domestic labor side of commodities, including daily life of the laborers; and relationships between elites and nonelites in production.
Examining, explaining, and theorizing how people ascribe value to what they trade, this scholarly volume provides a rich look at local and regional Maya case studies through centuries of time.
Contributors:
Rani T. Alexander
Dean E. Arnold
Timothy Beach
Briana Bianco
Steven Bozarth
Tiffany C. Cain
Scott L. Fedick
Thomas H. Guderjan
John Gust
Eleanor Harrison-Buck
Brigitte Kovacevich
Samantha Krause
Joshua J. Kwoka
Richard M. Leventhal
Sheryl Luzzadder-Beach
Jennifer P. Mathews
Heather McKillop
Allan D. Meyers
Gary Rayson
Mary Katherine Scott
E. Cory Sills
The Resurrection Plate, a Late Classic Maya dish, is decorated with an arresting scene. The Maize God, assisted by two other deities, emerges reborn from a turtle shell. At the center of the plate, in the middle of the god’s body and aligned with the point of emergence, there is a curious sight: a small, neatly drilled hole.
Art historian Andrew Finegold explores the meanings attributed to this and other holes in Mesoamerican material culture, arguing that such spaces were broadly understood as conduits of vital forces and material abundance, prerequisites for the emergence of life. Beginning with, and repeatedly returning to, the Resurrection Plate, this study explores the generative potential attributed to a wide variety of cavities and holes in Mesoamerica, ranging from the perforated dishes placed in Classic Maya burials, to caves and architectural voids, to the piercing of human flesh. Holes are also discussed in relation to fire, based on the common means through which both were produced: drilling. Ultimately, by attending to what is not there, Vital Voids offers a fascinating approach to Mesoamerican cosmology and material culture.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This is the first of four volumes on the famous Pacific Coast site of Cotzumalhuapa, Escuintla, Guatemala. This fascicle describes the site and history of exploration at one of the major Late Classic cities of Mesoamerica, as well as the city’s interchange and cultural overlaps with the lowland Maya region. It includes coverage of twenty-one monuments from Bilbao, a major ceremonial compound with sculptures that serve as distinctive examples of the Cotzumalhuapa art style.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This is the fourth of five anticipated volumes on the Classic Maya monuments of Tonina, which lies east of the town of Ocosingo in Chiapas, Mexico. The volume describes and illustrates 36 sequentially-numbered sculptures, representing most of the remaining unpublished and largely intact sculptures at the site.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This fascicle includes addenda to introductory text for the site Tonina; appendix with sources of sculpture and their codes; index to volumes 1 through 6; and one oversized map in pocket.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This fascicle includes addenda to the introductory text for Tonina (Volume 6, Part 1).
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This fascicle includes four oversized site plans in pocket.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
The first of five anticipated volumes on the renowned monuments of Piedras Negras, Guatemala, this volume describes the site and the history of exploration at this important center of Classic Maya civilization. It includes photographs and detailed line drawings of twelve of the inscribed sculpted monuments at Piedras Negras, as well as a map of the ruins.
The Vigorous Core of Our Nationality explores conceptualizations of regional identity and a distinct population group known as nordestinos in northeastern Brazil during a crucial historical period. Beginning with the abolition of slavery and ending with the demise of the Estado Novo under Getúlio Vargas, Stanley E. Blake offers original perspectives on the paradoxical concept of the nordestino and the importance of these debates to the process of state and nation building.
Since colonial times, the Northeast has been an agricultural region based primarily on sugar production. The area’s population was composed of former slaves and free men of African descent, indigenous Indians, European whites, and mulattos. The image of the nordestino was, for many years, linked with the predominant ethnic group in the region, the Afro-Brazilian. For political reasons, however, the conception of the nordestino later changed to more closely resemble white Europeans.
Blake delves deeply into local archives and determines that politicians, intellectuals, and other urban professionals formulated identities based on theories of science, biomedicine, race, and social Darwinism. While these ideas served political, social, and economic agendas, they also inspired debates over social justice and led to reforms for both the region and the people. Additionally, Blake shows how debates over northeastern identity and the concept of the nordestino shaped similar arguments about Brazilian national identity and “true” Brazilian people.
“I imagine everyone has a center of gravity,” says Ellen Bromfield Geld. “Something which binds one to the earth and gives sense and direction to what one does.” For Ellen, this center is a writing table before a window that looks out upon groves of pecan trees and mahogany-colored cattle in seas of grass. The place is Fazenda Pau D’Alho, Brazil, where she and her husband, Carson, have lived and farmed since 1961.
Healing the ravaged coffee plantation, rearing five children, exploring the outposts, the Gelds have created a dynamic yet peaceful life far from Ellen’s native Ohio. Their practice of sustainable agriculture, and Ellen’s plea for the preservation of Brazil’s remaining wilderness areas, reflect the legacy of her father, the novelist and farm visionary Louis Bromfield. Their shared vision is crystallized in her account of a cattle drive across the Pantanal, the vast flood plain on Brazil’s side of the Paraguay River. She describes a two-hundred year symbiosis between ranchers and a fragile ecosystem that is being threatened by development.
View from the Fazenda is distilled from fifty years of living in Brazil, weaving daily life on the farm into her quest to understand a nation. It portrays a true melting pot of people who—as conquerers, immigrants, or slaves, their blood and history mingled with those of native Indians—have created the character of Brazil. This huge, diverse county, living in several eras at the same time, is ever changing through its people’s amazing ability to “find a way.”
Ellen Bromfield Geld evokes the land and people of Brazil and offers readers an invigorating glimpse into a soulful life. “It seems to me that being a bit of a poet is perhaps the only way one can survive as a farmer,” she explains. “For in the end, more than anything, farming is a way of life you either love or become bitter enduring.”
A rich new source of important archival information, Voices from Vilcabamba examines the fall of the Inca Empire in unprecedented detail. Containing English translations of seven major documents from the Vilcabamba era (1536–1572), this volume presents an overview of the major events that occurred in the Vilcabamba region of Peru during the final decades of Inca rule.
Brian S. Bauer, Madeleine Halac-Higashimori, and Gabriel E. Cantarutti have translated and analyzed seven documents, most notably Description of Vilcabamba by Baltasar de Ocampo Conejeros and a selection from Martín de Murúa’s General History of Peru, which focuses on the fall of Vilcabamba. Additional documents from a range of sources that include Augustinian investigations, battlefield reports, and critical eyewitness accounts are translated into English for the first time.
With a critical introduction on the history of the region during the Spanish Conquest and introductions to each of the translated documents, the volume provides an enhanced narrative on the nature of European-American relations during this time of important cultural transformation.
2007 — LASA Peru Flora Tristán Book Prize from the Peru Section – Latin American Studies Association
Voices from the Global Margin looks behind the generalities of debates about globalization to explore the personal impact of global forces on the Peruvian poor. In this highly readable ethnography, William Mitchell draws on the narratives of people he has known for forty years, offering deep insight into how they have coped with extreme poverty and rapid population growth—and their creation of new lives and customs in the process. In their own passionate words they describe their struggles to make ends meet, many abandoning rural homes for marginal wages in Lima and the United States. They chronicle their terror during the Shining Path guerrilla war and the government's violent military response. Mitchell's long experience as an anthropologist living with the people he writes about allows him to put the stories in context, helping readers understand the impact of the larger world on individuals and their communities. His book reckons up the human costs of the global economy, urging us to work toward a more just world.
The microhistory of the wine industry in colonial Moquegua, Peru, during the colonial period stretches from the sixteenth through nineteenth centuries, yielding a wealth of information about a broad range of fields, including early modern industry and labor, viniculture practices, the cultural symbolism of alcohol consumption, and the social history of an indigenous population. Uniting these perspectives, Vintage Moquegua draws on a trove of field research from more than 130 wineries in the Moquegua Valley.
As Prudence Rice walked the remnants of wine haciendas and interviewed Peruvians about preservation, she saw that numerous colonial structures were being razed for development, making her documentary work all the more crucial. Lying far from imperial centers in pre-Hispanic and colonial times, the area was a nearly forgotten administrative periphery on an agricultural frontier. Spain was unable to supply the Peruvian viceroyalty with sufficient wine for religious and secular purposes, leading colonists to import and plant grapevines. The viniculture that flourished produced millions of liters, most of it distilled into pisco brandy. Summarizing archaeological data and interpreting it through a variety of frameworks, Rice has created a three-hundred-year story that speaks to a lost world and its inhabitants.
Victims and Warriors examines contemporary violence in the context of political and economic processes that transcend local events. Casey High explores how popular imagery of Amazonian violence has become part of Waorani social memory in oral histories, folklore performances, and indigenous political activism. As Amazonian forms of social memory merge with constructions of masculinity and other intercultural processes, the Waorani absorb missionaries, oil development, and logging depredations into their legacy of revenge killings and narratives of victimhood. High shows that these memories of past violence form sites of negotiation and cultural innovation, and thus violence comes to constitute a central part of Amazonian sociality, identity, and memory.
With the Midwest under water, America had a chance to see how effectively it had “improved” its rivers. We’ve straightened and dredged them, revetted and rerouted them, made massive efforts to control them, yet our actions have been less than successful. Too often, physical changes made to a river conflict with natural processes, resulting in damage rather than alleviating it. Applying available knowledge on how rivers form and act could prevent such problems. Luna B. Leopold seeks to organize such knowledge. Widely regarded as the most creative scholar in the field of river morphology, Leopold presents a coherent description of the river, its shape, size, organization, and action, along with a consistent theory that explains much of the observed character of channels.
The laws of physics that govern rivers allow for variations, many of them dictated by random chance. Thus, a river’s adaptation, as Leopold describes it, tends toward the most probable form, the one with the least variance among hydraulic parameters. We see how this probabilistic tendency plays out as Leopold views the river as a whole from headwater to mouth, in the drainage net, in the behavior of meanders, and in aspects of sediment transport.
Grounded in hydraulics, geomorphology, and surveying, as well as in extensive fieldwork on rivers in the eastern and Rocky Mountain states, Leopold’s view of a river is at once technical and personal, providing both a firm foundation for understanding the behavior of rivers—including instructions for getting started in backyard hydrology—and a wealth of firsthand observations by a thoughtful and experienced scientist. It will be of immediate interest and great use as we seek to develop, preserve, and appreciate our most fluid natural resource.
Putting a provocative new slant on the history of U.S. conservation, Vanishing America reveals how wilderness preservation efforts became entangled with racial anxieties—specifically the fear that forces of modern civilization, unless checked, would sap white America’s vigor and stamina.
Nineteenth-century citizens of European descent widely believed that Native Americans would eventually vanish from the continent. Indian society was thought to be tied to the wilderness, and the manifest destiny of U.S. westward expansion, coupled with industry’s ever-growing hunger for natural resources, presaged the disappearance of Indian peoples. Yet, as the frontier drew to a close, some naturalists chronicling the loss of animal and plant populations began to worry that white Americans might soon share the Indians’ presumed fate.
Miles Powell explores how early conservationists such as George Perkins Marsh, William Temple Hornaday, and Aldo Leopold became convinced that the continued vitality of America’s “Nordic” and “Anglo-Saxon” races depended on preserving the wilderness. Fears over the destiny of white Americans drove some conservationists to embrace scientific racism, eugenics, and restrictive immigration laws. Although these activists laid the groundwork for the modern environmental movement and its many successes, the consequences of their racial anxieties persist.
Bennett examines the political and theoretical implications of vital materialism through extended discussions of commonplace things and physical phenomena including stem cells, fish oils, electricity, metal, and trash. She reflects on the vital power of material formations such as landfills, which generate lively streams of chemicals, and omega-3 fatty acids, which can transform brain chemistry and mood. Along the way, she engages with the concepts and claims of Spinoza, Nietzsche, Thoreau, Darwin, Adorno, and Deleuze, disclosing a long history of thinking about vibrant matter in Western philosophy, including attempts by Kant, Bergson, and the embryologist Hans Driesch to name the “vital force” inherent in material forms. Bennett concludes by sketching the contours of a “green materialist” ecophilosophy.
The Value of Life is an exploration of the actual and perceived importance of biological diversity for human beings and society. Stephen R. Kellert identifies ten basic values, which he describes as biologically based, inherent human tendencies that are greatly influenced and moderated by culture, learning, and experience. Drawing on 20 years of original research, he considers:
The words most commonly associated with the environmental movement—save, recycle, reuse, protect, regulate, restore—describe what we can do to help the environment, but few suggest how we might transform ourselves to better navigate the sudden turns of the late Anthropocene. Which words can help us to veer conceptually along with drastic environmental flux? Jeffrey Jerome Cohen and Lowell Duckert asked thirty brilliant thinkers to each propose one verb that stresses the forceful potential of inquiry, weather, biomes, apprehensions, and desires to swerve and sheer. Each term is accompanied by a concise essay contextualizing its meaning in times of resource depletion, environmental degradation, and global climate change.
Some verbs are closely tied to natural processes: compost, saturate, seep, rain, shade, sediment, vegetate, environ. Many are vaguely unsettling: drown, unmoor, obsolesce, power down, haunt. Others are enigmatic or counterintuitive: curl, globalize, commodify, ape, whirl. And while several verbs pertain to human affect and action—love, represent, behold, wait, try, attune, play, remember, decorate, tend, hope—a primary goal of Veer Ecology is to decenter the human. Indeed, each of the essays speaks to a heightened sense of possibility, awakening our imaginations and inviting us to think the world anew from radically different perspectives. A groundbreaking guide for the twenty-first century, Veer Ecology foregrounds the risks and potentialities of living on—and with—an alarmingly dynamic planet.
Contributors: Stacy Alaimo, U of Texas at Arlington; Joseph Campana, Rice U; Holly Dugan, George Washington U; Lara Farina, West Virginia U; Cheryll Glotfelty, U of Nevada, Reno; Anne F. Harris, DePauw U; Tim Ingold, U of Aberdeen; Serenella Iovino, U of Turin; Stephanie LeMenager, U of Oregon; Scott Maisano, U of Massachusetts, Boston; Tobias Menely, U of California, Davis; Steve Mentz, St. John’s U; J. Allan Mitchell, U of Victoria; Timothy Morton, Rice U; Vin Nardizzi, U of British Columbia; Laura Ogden, Dartmouth College; Serpil Opperman, Hacettepe U, Ankara; Daniel C. Remein, U of Massachusetts, Boston; Margaret Ronda, U of California, Davis; Nicholas Royle, U of Sussex; Catriona Sandilands, York U; Christopher Schaberg, Loyola U; Rebecca R. Scott, U of Missouri; Theresa Shewry, U of California, Santa Barbara; Mick Smith, Queen’s U; Jesse Oak Taylor, U of Washington; Brian Thill, Golden West College; Coll Thrush, U of British Columbia, Vancouver; Cord J. Whitaker, Wellesley College; Julian Yates, U of Delaware.
Madisonville was one of the key settlements of the Ohio Valley Fort Ancient people and was the subject of James Griffin’s 1943 classic, The Fort Ancient Aspect. It is a site rich in burials and artifacts documenting the earliest European influences. Drooker re-explores a century of excavation to explain how Contact Period events affected Madisonville inhabitants and their links to eastern Fort Ancient, northern Ohio, Iroquoian, Oneota, and Mississipian groups.
Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work. Visual anthropology involves much more than media alone.
This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes.
Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book's fifteen contributors feature populations living on all of the world's continents as well as within the United States. The final chapter gives readers practical advice about how to use the most current digital and interactive technologies to present research findings.
What brought the ape out of the trees, and so the man out of the ape, was a taste for blood. This is how the story went, when a few fossils found in Africa in the 1920s seemed to point to hunting as the first human activity among our simian forebears—the force behind our upright posture, skill with tools, domestic arrangements, and warlike ways. Why, on such slim evidence, did the theory take hold? In this engrossing book Matt Cartmill searches out the origins, and the strange allure, of the myth of Man the Hunter. An exhilarating foray into cultural history, A View to a Death in the Morning shows us how hunting has figured in the western imagination from the myth of Artemis to the tale of Bambi—and how its evolving image has reflected our own view of ourselves.
A leading biological anthropologist, Cartmill brings remarkable wit and wisdom to his story. Beginning with the killer-ape theory in its post–World War II version, he takes us back through literature and history to other versions of the hunting hypothesis. Earlier accounts of Man the Hunter, drafted in the Renaissance, reveal a growing uneasiness with humanity’s supposed dominion over nature. By delving further into the history of hunting, from its promotion as a maker of men and builder of character to its image as an aristocratic pastime, charged with ritual and eroticism, Cartmill shows us how the hunter has always stood between the human domain and the wild, his status changing with cultural conceptions of that boundary.
Cartmill’s inquiry leads us through classical antiquity and Christian tradition, medieval history, Renaissance thought, and the Romantic movement to the most recent controversies over wilderness management and animal rights. Modern ideas about human dominion find their expression in everything from scientific theories and philosophical assertions to Disney movies and sporting magazines. Cartmill’s survey of these sources offers fascinating insight into the significance of hunting as a mythic metaphor in recent times, particularly after the savagery of the world wars reawakened grievous doubts about man’s place in nature.
A masterpiece of humanistic science, A View to a Death in the Morning is also a thoughtful meditation on what it means to be human, to stand uncertainly between the wilderness of beast and prey and the peaceable kingdom. This richly illustrated book will captivate readers on every side of the dilemma, from the most avid hunters to their most vehement opponents to those who simply wonder about the import of hunting in human nature.
Another significant focus of the collection is the U.S. military's exploitation of ethnographic research, particularly through its controversial Human Terrain Systems (HTS) Program, which embeds anthropologists as cultural experts in military units. Several pieces address the ethical dilemmas that HTS and other counterinsurgency projects pose for anthropologists. Other essays reveal the relatively small scale of those programs in relation to the military's broader use of, and ambitions for, social scientific data.
Contributors. Robertson Allen, Brian Ferguson, Sverker Finnström, Roberto J. González, David H. Price, Antonius Robben, Victoria Sanford, Jeffrey Sluka, Koen Stroeken, Matthew Sumera, Neil L. Whitehead
Folklorist Wayland Hand once called Mary Alicia Owen “the most famous American Woman Folklorist of her time.” Drawing on primary sources, such as maps, census records, court documents, personal letters and periodicals, and the scholarship of others who have analyzed various components of Owen’s multifaceted career, historian Greg Olson offers the most complete account of her life and work to date. He also offers a critical look at some of the short stories Owen penned, sometimes under the name Julia Scott, and discusses how the experience she gained as a fiction writer helped lead her to a successful career in folklore.
Vampires are the most fearsome and fascinating of all creatures of folklore. For the first time, detailed accounts of the vampire and how its tradition developed in different cultures are gathered in one volume by eminent folklorist Alan Dundes. Eleven leading scholars from the fields of Slavic studies, history, anthropology, and psychiatry unearth the true nature of the vampire from its birth in graveyard lore to the modern-day psychiatric patient with a penchant for drinking blood.
The Vampire: A Casebook takes this legend out of the realm of literature and film and back to its dark beginnings in folk traditions. The essays examine the history of the word “vampire;” Romanian vampires; Greek vampires; Serbian vampires; the physical attributes of vampires; the killing of vampires; and the possible psychoanalytic underpinnings of vampires. Much more than simply a scary creature of the human imagination, the vampire has been and continues to haunt the lives of all those who encounter it—in reality or in fiction.
What can a cemetery tell us about the social and cultural dynamics of a place and time? Anthropologist Alison Bell suggests that cemeteries participate in the grassroots cultural work of crafting social connections, even as they test the transcendental durability of the deceased person and provide a measure of a culture’s values. In The Vital Dead, Bell applies this framework to the communities of Virginia’s Shenandoah Valley and the cemeteries that have both claimed them and, paradoxically, sustained them.
Bell surveys objects left on graves, images and epitaphs on grave markers, and other artifacts of material culture to suggest a landscape of symbols maintaining relationships across the threshold of death. She explores cemetery practice and its transformation over time and largely presents her interpretations as a struggle against alienation. Rich in evocative examples both contemporary and historical, Bell’s analysis stems from fieldwork interviews, archival sources, and recent anthropological theory. The book’s chapters range across cemetery types, focusing on African American burials, the grave sites of institutionalized individuals, and modern community memorials. Ultimately, The Vital Dead is an account of how lives, both famous and forgotten, become transformed and energized through the communities and things they leave behind to produce profound and unexpected narratives of mortality. Bell’s deft storytelling coupled with skill for scholarly analysis make for a fascinating and emotionally moving read.
Groundbreaking in its approach, The Vital Dead makes important contributions to cemetery and material culture studies, as well as the fields of anthropology, archaeology, history, geography, and folklore.
How a city government in central Mexico evolved from waging war on graffiti in the early 2000s to sanctioning its creation a decade later, and how youth navigated these changing conditions for producing art.
The local government, residents, and media outlets in León, Mexico, treated graffiti as a disease until the state began sponsoring artistic graffiti through a program of its own. In Voices in Aerosol, the first book-length study of state-sponsored graffiti, Caitlin Frances Bruce considers the changing perceptions and recognition of graffiti artists, their right to the city, and the use of public space over the span of eighteen years (2000–2018). Focusing on the midsized city of León, Bruce offers readers a look at the way negotiations with the neoliberal state unfolded at different levels and across decades.
Issues brought to light in this case study, such as graffiti as a threat and graffiti as a sign of gentrification, resonate powerfully with those germane to other urban landscapes throughout the Western Hemisphere and beyond. Combining archival work, interviews, considerations of urban planning, local politics in Mexico, and insights gained by observing graffiti events and other informal artistic encounters, Bruce offers a new lens through which to understand the interplay between sanctioned and unsanctioned forms of cultural expression. Ultimately, Voices in Aerosol builds a strong case for graffiti as a contested tool for "voicing" public demands.
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