***Winner of an English PEN Award 2021***
During the 1948 war more than 750,000 Palestinian Arabs fled or were violently expelled from their homes by Zionist militias. The legacy of the Nakba - which translates to ‘disaster’ or ‘catastrophe’ - lays bare the violence of the ongoing Palestinian plight.
Voices of the Nakba collects the stories of first-generation Palestinian refugees in Lebanon, documenting a watershed moment in the history of the modern Middle East through the voices of the people who lived through it.
The interviews, with commentary from leading scholars of Palestine and the Middle East, offer a vivid journey into the history, politics and culture of Palestine, defining Palestinian popular memory on its own terms in all its plurality and complexity.
A volume that offers a fresh perspective on the art of Venice and the Veneto region of Italy by focusing on the artistic idea of disegno.
Disengo (Italian for drawing or design) refers to the philosophical relationship between the conceptual role of design and the physical act of drawing. Venetian Disegno explores this theme and its history in the Veneto artistic landscape with contributions on myriad artists and art forms including drawing, painting, printmaking, sculpture, and architecture.
Divided into five thematic sections and sumptuously illustrated with over one hundred images, Venetian Disegno represents a significant contribution to scholarship on the art of Venice, Renaissance workshops, and drawing studies.
Between 1926 and 1929, thousands of Mexicans fought and died in an attempt to overthrow the government of their country. They were the Cristeros, so called because of their battle cry, ¡Viva Cristo Rey!—Long Live Christ the King! The Cristero rebellion and the church-state conflict remain one of the most controversial subjects in Mexican history, and much of the writing on it is emotional polemic. David C. Bailey, basing his study on the most important published and unpublished sources available, strikes a balance between objective reporting and analysis. This book depicts a national calamity in which sincere people followed their convictions to often tragic ends.
The Cristero rebellion climaxed a century of animosity between the Catholic church and the Mexican state, and this background is briefly summarized here. With the coming of the 1910 revolution the hostility intensified. The revolutionists sought to impose severe limitations on the Church, and Catholic anti-revolutionary militancy grew apace. When the government in 1926 decreed strict enforcement of anticlerical legislation, matters reached a crisis. Church authorities suspended public worship throughout Mexico, and Catholics in various parts of the country rose up in arms. There followed almost three years of indecisive guerrilla warfare marked by brutal excesses on both sides. Bailey describes the armed struggle in broad outline but concentrates on the political and diplomatic maneuvering that ultimately decided the issue.
A de facto settlement was brought about in 1929, based on the government’s pledge to allow the Church to perform its spiritual offices under its own internal discipline. The pact was arranged mainly through the intercession of U.S. Ambassador Dwight Morrow. His role in the conflict, as well as that of other Americans who decisively influenced the course of events, receives detailed attention in the study. The position of the Vatican during the conflict and its role in the settlement are also examined in detail.
With the 1929 settlement the clergy returned to the churches, whereupon the Cristeros lost public support and the rebellion collapsed. The spirit of the settlement soon evaporated, more strife followed, and only after another decade did permanent religious peace come to Mexico.
When Antonio María Bucareli took up his duties in 1771 as the forty-sixth viceroy of New Spain, he assumed command of a magnificent complexity of land areas, large and small, whose people constituted a cultural and social entity ranging from the traditional Apache to the European gentleman of the Enlightenment.
He governed a key area at a significant time. Shortly before Bucareli's arrival in Mexico, José de Gálvez had completed an intensive inspection of the country, had instituted many reforms, and was ready to present the new viceroy with progressive policies for administrative reorganization.
How Bucareli, a loyal, indefatigable Spanish aristocrat, reacted to the new order is the particular concern of this book. It examines the actions and reflections of this cautious and conservative man as they relate to certain major problems of his administration: defense, the colonization of the Californias, mining, the Roman Catholic Church, the interior provinces, and—above all—filling Spanish coffers with Mexican pesos as resurgent Spain strove to regain her former position in world affairs.
The period of Bucareli's viceregency is seen as a transitional one, during which the seeds of the Enlightenment, of change, even of rebellion, were sown but had not yet begun to sprout. Bucareli, conservative by nature and training, continued to administer New Spain on the basis of a well-established and traditional system, although he supported changes of mere modification or those offering greater efficiency. Evidence of his dual success is the fact that revenues climbed steadily during his tenure and that Charles III was exceptionally pleased with his performance, while at the same time he won from people of all stations a degree of respect and affection far beyond that usually accorded to a viceroy.
Prior to the publication of Bucareli, only two other full-scale studies of Spanish viceroys existed, and both of them were concerned with sixteenth-century officials. The appearance of this book, providing at once a study of an important figure and of the system of viceregal administration as it had developed by the latter part of the eighteenth century, filled a long-existing gap in Latin American literature.
The heart of this study comes from the prodigious correspondence that passed between the Viceroy and Madrid. Authority for most statements was found in the thousands of documents that the author perused in the Archivo General de Indies in Seville and in the Archivo General de la Nación in Mexico City.
This provocative book draws from a variety of sources—literature, politics, folklore, social history—to attempt to set Southern beliefs about violence in a cultural context. According to Dickson D. Bruce, the control of violence was a central concern of antebellum Southerners.
Using contemporary sources, Bruce describes Southerners’ attitudes as illustrated in their duels, hunting, and the rhetoric of their politicians. He views antebellum Southerners as pessimistic and deeply distrustful of social relationships and demonstrates how this world view impelled their reliance on formal controls to regularize human interaction.
The attitudes toward violence of masters, slaves, and “plain-folk”—the three major social groups of the period—are differentiated, and letters and family papers are used to illustrate how Southern child-rearing practices contributed to attitudes toward violence in the region. The final chapter treats Edgar Allan Poe as a writer who epitomized the attitudes of many Southerners before the Civil War.
Verdi's Aida was first published in 1978. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In a world desperate to comprehend and address what appears to be an ever-enlarging explosion of violence, this book provides important insights into crucial contemporary issues, with violence providing the lens. Violence: Analysis, Intervention, and Prevention provides a multidisciplinary approach to the analysis and resolution of violent conflicts. In particular, the book discusses ecologies of violence, and micro-macro linkages at the local, national, and international levels as well as intervention and prevention processes critical to constructive conflict transformation.
The causes of violence are complex and demand a deep multidimensional analysis if we are to fully understand its driving forces. Yet in the aftermath of such destruction there is hope in the resiliency, knowledge, and creativity of communities, organizations, leaders, and international agencies to transform the conditions that lead to such violence.
The role of large-scale business enterprise—big business and its managers—during the formative years of modern capitalism (from the 1850s until the 1920s) is delineated in this pathmarking book. Alfred Chandler, Jr., the distinguished business historian, sets forth the reasons for the dominance of big business in American transportation, communications, and the central sectors of production and distribution.
The managerial revolution, presented here with force and conviction, is the story of how the visible hand of management replaced what Adam Smith called the “invisible hand” of market forces. Chandler shows that the fundamental shift toward managers running large enterprises exerted a far greater influence in determining size and concentration in American industry than other factors so often cited as critical: the quality of entrepreneurship, the availability of capital, or public policy.
The young statesman’s first major prosecution.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
The young statesman’s first major prosecution.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
Hailing from the small river town of Moundsville, West Virginia, Davis Grubb (1919–1980) became a key figure in the canon of Appalachian literature. The author of ten novels and dozens of short stories and radio plays, Grubb’s writings, as Tom Douglass observes, “catalogued his life”—and a turbulent life it was, marked by the traumatic loss of both the family home and his father during the Great Depression, the overbearing affections of his mother, the fear of failure, painful struggles with alcohol and drug abuse, profligate spending, and a conflicted sexuality.
Grubb originally aspired to be a visual artist but, thwarted by color blindness, turned to writing instead, honing his skills in the advertising industry. Today he is best remembered for his first novel, The Night of the Hunter (1953), a gripping story of a Depression-era serial killer and his pursuit of two young children along the Ohio River. This book spent twenty-eight weeks on The New York Times best-seller list and became the basis for a classic film directed by Charles Laughton, starring Robert Mitchum, Shelley Winters, and Lillian Gish. While his subsequent work never achieved that same level of popularity, the fierce thematic oppositions he set forth in his debut novel—between love and hate, good and evil, the corrupt and the pure, the rich and the poor—would inform his entire oeuvre. Although Grubb’s career took him to the great cities of New York, Philadelphia, and Los Angeles, his work was always rooted in key emblems of his Appalachian childhood—the river, the state penitentiary, and the largest Indian mound east of the Mississippi, all in his native Moundsville.
In his works, Douglass asserts, Grubb was “an avenging angel, righting the wrongs of the past in his own life, in his own country, and putting trust in his own vision of divine love.” Off the page, he was riven by personal demons, “more than once in danger of losing his life to self-annihilation and to the self-accusation that he was a fallen angel.” This biography, the first ever written of Grubb, captures his life and work in all their intriguing complexity.
The dominant public figure in Brazil from 1930 until 1954 was a highly contradictory and controversial personality. Getúlio Vargas, from the pampas of the southern frontier state of Rio Grande do Sul, became the dictator who ruled without ever forgetting the lower classes.
Vargas was a consummate artist at politics. He climbed the political ladder through seats in the state and national legislatures to the post of federal Finance Minister and to the governorship of Rio Grande do Sul. His career then took him to the National Palace as Provisional President and as Constitutional President, and later as the dictator of his "New State." After his deposition in 1945 and a period of semiretirement, his continuing widespread popularity resulted in his successful come-back campaign in 1950 for the Presidency on the Labor Party ticket.
Vargas' contributions to Brazilian political and economic life were many and important. Taking advantage of the power which his political magic provided him, he brought Brazil from a loose confederacy of semifeudal states to a strongly centralized nation. He was a great eclectic, welding into his social, political, and economic policies what he found good in various programs. He was also a great opportunist in the sense that he adroitly took advantage of conditions and circumstances to effect his ends. He was intimately related to the revolutionary changes in Brazilian life after 1930.
Vargas, "Father of the Brazilians," attributed achievements such as these to power in his own hands. His foes, however, still feared the political wizard, and they cheered the military when it deposed him. After his return, "on the arms of the people," Vargas saw that the armed forces were determined to repeat history, and in 1954 he chose another path—suicide.
All of these exciting events are related in John W. F. Dulles's Vargas of Brazil: A Political Biography. Despite its emphasis on Vargas the politician and statesman, the reader comes to know Vargas the man.
For this portrait of Vargas and of Brazil the author has drawn much material from State Department papers in the National Archives and from other public sources, and from interviews with numerous persons who were participants in the events he describes or observers of them. The result is an interesting, revealing, valid account of an important people. Many illustrations supplement the text.
Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the multimedia museum, and curatorial design. Rounding out the volume are case studies with accompanying illustrations.
“A book for these times as we confront the fault lines in our democracy…A deeply provocative work about the place of children in strengthening our sense of community.”
—Alex Kotlowitz, author of There Are No Children Here
“Earls and Carlson have discovered…an aspect of development previously unrecognized: how children and youth can find their voice, feel empowered to use that voice, and translate that voice into political action. This is a remarkable book.”
—Gordon Harper, Journal of the American Academy of Child & Adolescent Psychiatry
“An inspiring vision of a newly inclusive democracy.”
—Kirkus Reviews (starred review)
Voice, Choice, and Action is the fruit of the extraordinary personal and professional partnership between a psychiatrist and neurobiologist whose research and social activism have informed each other for the last thirty years. Inspired by the UN Convention on the Rights of the Child, Felton Earls and Mary Carlson embarked on a series of studies to help children find their voice in the adult world. In Romania, they saw the devastating consequences of infant institutionalization. In Brazil, they found street children who had banded together to advocate for themselves. In Chicago, Earls sought to understand the origins of antisocial behavior in teenagers, and in Tanzania, they piloted a program to guide children’s growth as deliberative citizens.
Here in vivid detail are the science, ethics, and everyday practices needed to foster young citizens eager to confront social challenges. At a moment when adults regularly decry the state of our democracy, Voice, Choice, and Action offers invaluable tools to build a new generation of active citizens.
Visual Cultures is the first study of the place of visuality and literacy in specific nations around the world, featuring authoritative, insightful essays on the value accorded to the visual and the verbal in Japan, Poland, China, Russia, Ireland, and Slovenia.
Focusing on the national instead of the global, distinguished art critic James Elkins offers a critique of general histories of visuality, such as those of Martin Jay or Jean Baudrillard, as well as a critique of local histories of visuality, as in Third Text and other postcolonial studies. The content is not only analytic, but also historical, tracing changes in the significance of visual and verbal literacy in each nation. Visual Cultures also explores questions of national identity and the many issues Elkins raises suggest a wealth of promising avenues for future research.
Few animals have a worse reputation than the vulture. But is it deserved? With Vulture, Katie Fallon offers an irresistible argument to the contrary, tracing a year in the life of a typical North American turkey vulture. Turkey vultures, also known as buzzards, are the most widely distributed and abundant scavenging birds of prey on the planet, found from central Canada to the southern tip of Argentina and nearly everywhere in between. Deftly drawing on the most up-to-date scientific papers and articles and weaving those in with interviews with world-renowned raptor and vulture experts and her own compelling natural history writing, Fallon examines all aspects of the bird’s natural history: breeding, incubating eggs, raising chicks, migrating, and roosting. The result is an intimate portrait of an underappreciated bird—one you’ll never look at in the same way again.
The videos on this site are designed to be used with the textbook (9780472033423 or 9780472124770). The book must purchased separately at https://www.press.umich.edu/363197/academic_interactions or via another retailer). Video access is only available through our online platform: https://michelt.ublish.com.
The ability to understand and be understood when communicating with professors and with native speakers is crucial to academic success. The Academic Interactions videos focus on actual academic speaking events, particularly classroom interactions and office hours, and give students practice improving the ways that they communicate in a college/university setting.
The Academic Interactions textbook addresses skills like using names and names of locations correctly on campus, giving directions, understanding instructors and their expectations, interacting during office hours, participating in class and in seminars, and delivering formal and informal presentations. In addition, advice is provided for communicating via email with professors and working in groups with native speakers (including negotiating tasks in groups).
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