A SCHOLARLY BOOK REPOSITORY
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to the woodland and bog rein orchids forms part of a series that will cover all the wild orchids of the continental United States and Canada.
Brown provides a description, general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so challenging. For the woodland and bog rein orchids, which make up some of the most delicate and subtly colored of all wild orchids, he includes information on nineteen species, four subspecies and varieties, and seven hybrids.
The genus Platanthera is the largest genus of orchids to be found in North America north of Mexico; the woodland and bog rein orchids comprise a significant group of species found throughout much of temperate U.S. and Canada. The luminously green rein orchids, so-called because of the resemblance of some of the flowers to the reins used on horses, are especially abundant in rich woodlands, wetlands, and bogs in the more northerly and cooler habitats. Most are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plants with the striking photos in this backpack-friendly laminated guide and the information in the simple key should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
Many things in the natural world are round—the sun, the moon, a bird’s nest with three bright baby birds. So are the turning wheels of a train and a hot air balloon high in the sky. So are cakes, pies, cookies, and many other delicious things to eat!
Page by brightly colored page, What is Round? invites young readers to pick out the shape in the world around them, from the smallest raindrop to a big spectacular carousel. Many of the objects can be found in our own homes, like the clock that tells the time or the colorful decorations on a Christmas tree. Others, like the portholes of a passing ship, require a watchful eye. Striking and vibrant illustrations by Vladimir Bobri accompany the playful rhymes of Blossom Budney in this lively look at this shape that can be found in the most unexpected places.
Originally published in 1954, What is Round? will make a wonderful addition to any child’s library, and it’s the perfect story to read aloud.
This book celebrates the mysterious world of worms from gardens to toothaches and beyond. Kevin Butt introduces all manner of worms, including many that bear only superficial resemblance to our limbless, sinuous friends in the dirt. To trace the intimate history between worms and people, he discusses worms that live in bodies, soil, and water as well as worms from literature and mythology. Throughout the ages, worms have been portrayed as benign, even beautiful, yet at other times spitefully ostracized as deadly creatures. This richly illustrated book looks at the microscopic and the very large indeed, asking what the future holds for both human- and worm-kind.
This collection of articles relates to a research area currently developing in the Humanities, which calls for philosophical and historical approaches to questions of sustainable development and waste management. The title of the issue reflects the central questions raised by all contributors: how are waste and abundance represented, how may we conceptualize these representations, and what ethical problems do they raise?
Particular attention is paid to the cultural and moral factors that condition our attitudes to waste and the ways in which literature addresses the problematic relationship that binds production, consumption and waste to social and political systems.
For much of the developed world, health care for a surging elderly population looms as one of the most daunting problems of the coming decade. In this book, contributors from diverse disciplinary backgrounds and countries discuss resource allocation for the elderly and debate plans for the years ahead. Essays focus on five general issues: the meaning of old age, the goals of medicine and health care for the elderly, the balance between the needs of the young and old, the pressures of other social priorities, and the role of families, especially the burden on women, in long-term care.
In consideration of the difficult moral and practical issues involved, the editors conclude the volume with a special report containing policy recommendations from representatives of eight countries (the United States, Belgium, the Czech Republic, Germany, Hungary, the Netherlands, Sweden, and the United Kingdom). This important volume will be of interest to policymakers and a broad spectrum of health care professionals, as well as to anyone interested in the fate of the elderly or in coming health care challenges.
The Monroe Doctrine, "dollar diplomacy," the policy of the Good Neighbor—these well-known terms indicate the spectrum of the United States's relationships with its neighbors of the Western Hemisphere. Hemisphere thinking in the "Yankee" nation, founded on economic, political, and strategic needs, has come to encompass an appreciation of social and intellectual aspects as a vital part of a unified international unit.
In The Western Hemisphere: Its Influence on United States Policies to the End of World War II, Wilfrid Hardy Callcott traces the rise of this awareness of the essential unity of the Western Hemisphere in international affairs. Although Callcott concentrates on the United States, he discusses all hemisphere countries, and his inclusion of Canada adds an additional dimension to previous studies on the subject.
From the early days of the Republic to the end of World War I, the relations of the United Stales with its neighbors gradually developed from mere curiosity and from on-the-spot decision-making into policy. During the eighteenth century the persons entrusted with United States foreign policy pressed forward with their own country's westward expansion, while they expressed only an academic interest in the affairs of other Western Hemisphere nations from Canada to Brazil.
By the end of the nineteenth century the United States had enthusiastically joined the imperialist nations. Although it soon replaced the use of force with economic controls, its military and economic manipulations naturally generated more fear and antagonism in the neighboring nations than cooperation and sympathy.
After World War I, attention to the hemisphere was fostered by the need for strategic raw materials that were to be found from Canada to South America, and by Old World rivalries and needs that endangered New World interests. Canadian and Latin American views of Europe and the League of Nations became much like those of the United States. The new conditions that arose called forth the Good Neighbor policy to combine economic and strategic values in a complex program that included intellectual, social, and cultural elements. World War II accentuated the new consciousness and compelled recognition of the significance of hemisphere relationships in all of the New World nations.
Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.
Diversity, disparity, and opposition are central to the dynamic frictional fiction considered in this book. The American West provides a powerful test case in which these features are present and yet, historically, have often been masked or denied in the rush toward unanimity and nation building. Worlding is, therefore, a positive, critical concept through which to view the notion of a single world under pressure.
The new edition of the Workbook includes 85 exercises to facilitate students’ understanding of some of the most complex or troublesome writing areas discussed in the Handbook. Exercises have been revised, and new exercises have been added to Sections 4 (Research Paper) and 5 (Grammar and Style).
— from the Judge’s Citation by Kimiko Hahn
Why Misread a Cloud takes its name from clouds of ash and smoke in wartime which appear to the author as a “storm, blown over the sea.” Both an exploration of the mind’s ability to turn what is into something else, in order to survive, and the mind’s ability to resist the effects of psychosocial warfare—imposed by the military and the police. “Who wants you to be afraid” the poet’s friend asks as he “added sugar to his tea.” The realization this question brings enables the poet to explore forces that separate us from one another and ways we rise up within ourselves to move through fear toward love.
We have all experienced stressful times—maybe a major work deadline or relocating cross-country for a new job—when we came out unscathed, feeling not only emotionally and physically healthy, but better than we did prior to the crisis. Why do some people withstand adversity without a scratch, while others fall ill or become emotionally despondent when faced with even a seemingly minor hassle? Without oversimplifying the discussion, Deborah Carr succinctly provides readers with key themes and contemporary research on the concept of stress. Understanding individuals’ own sources of strength and vulnerability is an important step toward developing personal strategies to minimize stress and its unhealthy consequences. Yet Carr also challenges the notion that merely reducing stress in our lives will help us to stay healthy. Many of the stressors that we face in everyday life are not our problems alone; rather, they are symptoms of much larger, sweeping problems in contemporary U.S. society.
To readers interested in the broad range of chronic, acute, and daily life stressors facing Americans in the twenty-first century, as well as those with interest in the many ways that our physical and emotional health is shaped by our experiences, this brief book will be an immediate and quick look at these significant issues.
View a three minute video of Deborah Carr speaking about Worried Sick.
Artificial Intelligence fuels both enthusiasm and panic. Technologists are inclined to give their creations leeway, pretend they’re animated beings, and consider them efficient. As users, we may complain when these technologies don’t obey, or worry about their influence on our choices and our livelihoods. And yet, we also yearn for their convenience, see ourselves reflected in them, and treat them as something entirely new. But when we overestimate the automation of these tools, award-winning author Antonio A. Casilli argues, we fail to recognize how our fellow humans are essential to their efficiency. The danger is not that robots will take our jobs, but that humans will have to do theirs.
In this bracing and powerful book, Casilli uses up-to-the-minute research to show how today’s technologies, including AI, continue to exploit human labor—even ours. He connects the diverse activities of today’s tech laborers: platform workers, like Uber drivers and Airbnb hosts; “micro workers,” including those performing atomized tasks like data entry on Amazon Mechanical Turk; and the rest of us, as we evaluate text or images to show we’re not robots, react to Facebook posts, or approve or improve the output of generative AI. As Casilli shows us, algorithms, search engines, and voice assistants wouldn’t function without unpaid or underpaid human contributions. Further, he warns that if we fail to recognize this human work, we risk a dark future for all human labor.
Waiting for Robots urges us to move beyond the simplistic notion that machines are intelligent and autonomous. As the proverbial Godot, robots are the bearers of a messianic promise that is always postponed. Instead of bringing prosperity for all, they discipline the workforce, so we don’t dream of a world without drudgery and exploitation. Casilli’s eye-opening book makes clear that most “automation” requires human labor—and likely always will—shedding new light on today’s consequences and tomorrow’s threats of failing to recognize and compensate the “click workers” of today.
“The story of the marines in France is told with authority and interest.”—Booklist
“It is one of the books about the American war effort which is well worth keeping as well as reading.”—Outlook
“A well-written and complete account.”—Library Bulletin
In an area of woods smaller than New York City’s Central Park, the United States Marines made a desperate and dramatic stand against the might of the Imperial Germany Army’s final offensive in June 1918. Had the Germans broken through the lines as planned, there would have been no Allied forces between them and Paris. World War I had stagnated for nearly four years, and this last German push was a desperate, but powerful gamble to finally bring the war to a close. As at Guadalcanal during World War II, the enemy had not anticipated the ferocity and doggedness of the United States Marines. Leading this small expeditionary force was Brigadier General Albertus Wright Catlin. For most of the month of June the marines fought the Germans at close range, using their rifles effectively and engaging in hand-to-hand combat. Toward the end of the battle, Catlin was shot in the chest by a sniper and removed from the field. While recuperating, he began “With the Help of God and a Few Marines”, his account of the marines’ experience in France, including what became known as the Battle of Belleau Wood. First published in 1919, and considered among the finest American memoirs from World War I, it is notable for its description of what it means to be a United States Marine—an account as relevant today as it was nearly a century ago—and its straightforward depiction of life and death on the Western Front in the last months of the war.
The contributors' wide-ranging but intersecting essays span the disciplines of art history, social and cultural history, urban studies, and film history. Walls of Algiers presents a multifaceted look at the social use of urban space in a North African city. Its contributors' innovative methodologies allow important insights into often overlooked aspects of life in a city whose name even today conjures up enchantment as well as incomprehensible violence.
Produced by a team of world-leading economists, this is the benchmark account of recent and historical trends in inequality.
World Inequality Report 2022 is the most authoritative and comprehensive account available of global trends in inequality. Researched, compiled, and written by a team of world-leading economists, the report builds on the pioneering edition of 2018 to provide policy makers and scholars everywhere up-to-date information about an ever broader range of countries and about forms of inequality that researchers have previously ignored or found hard to trace.
Over the past decade, inequality has taken center stage in public debate as the wealthiest people in most parts of the world have seen their share of the economy soar relative to that of others. The resulting political and social pressures have posed harsh new challenges for governments and created a pressing demand for reliable data. The World Inequality Lab, housed at the Paris School of Economics and the University of California, Berkeley, has answered this call by coordinating research into the latest trends in the accumulation and distribution of income and wealth on every continent. This new report not only extends the lab’s international reach but provides crucial new information about the history of inequality, gender inequality, environmental inequalities, and trends in international tax reform and redistribution.
World Inequality Report 2022 will be a key document for anyone concerned about one of the most imperative and contentious subjects in contemporary politics and economics.
Chapman examines the issues of truthfulness and realism that arise in depictions of war, whether in the supposed truth telling of war documentaries or Hollywood battle scenes that are “more realistic than the real thing.” The book considers films from the U. S., Britain, and Europe, and the national responses to cinematic depictions of particular conflicts. In case studies of such legendary works as Das Boot, Apocalypse Now, and All Quiet on the Western Front, the book parses their dominant narrative themes, ranging from war as a pointless tragedy to combat as an exciting and heroic adventure. But few films, Chapman contends, probe into the deeper ramifications of war—the psychological scars left on the soldier and civilians.
A study of remarkable breadth and scope, War and Film exposes the power of cinema in shaping our perceptions of violent conflict.
Walt Whitman - American Writers 9 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Wanano Indians of the northwest Amazon have a social system that differs from those of most tropical forest tribes. Neither stratified by wealth nor strictly egalitarian, Wanano society is "ranked" according to rigidly bound descent groups. In this pioneering ethnographic study, Janet M. Chernela decodes the structure of Wanano society.
In Wanano culture, children can be "grandparents," while elders can be "grandchildren." This apparent contradiction springs from the fact that descent from ranked ancestors, rather than age or accumulated wealth, determines one's standing in Wanano society. But ranking's impulse is muted as senior clans, considered to be succulent (referring to both seniority and resource abundance), must be generous gift-givers. In this way, resources are distributed throughout the society.
In two poignant chapters aptly entitled "Ordinary Dramas," Chernela shows that rank is a site of contest, resulting in exile, feuding, personal shame, and even death. Thus, Chernela's account is dynamic, placing rank in historic as well as personal context.
As the deforestation of the Amazon continues, the Wanano and other indigenous peoples face growing threats of habitat destruction and eventual extinction. If these peoples are to be saved, they must first be known and valued. The Wanano Indians of the Brazilian Amazon is an important step in that direction.
In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years’ War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity.
Today, as one walks through Old Synagogue Street in a rich neighborhood of Osnabrück, one might miss noticing a pile of pale stones held together by chicken wire that sits between two fashionable homes. These are the well-kept ruins from behind which stares a gaping space—a place of memory and oblivion. Four polished plaques tell the tale of the horror-filled night of November 9, 1938—today known as Kristallnacht—when the synagogue that had stood on this spot was desecrated, looted, set on fire, and eventually demolished by Hitler’s forces. On the same day, ninety parishioners were imprisoned by the Gestapo and eventually sent to the Buchenwald concentration camp.
Osnabrück was also home to Eve Klein, a member of the city’s early-twentieth-century Jewish community and the mother of author Hélène Cixous. In Well-Kept Ruins, Cixous returns to the historic city in 2019 and reflects on the remains of the synagogue that “express the life lost, the life kept.” Walking the streets of the city, plumbing the depths of the past along with her own family’s history, looking deep into the future, and punctuating her poetic prose with haunting photographs, Cixous explores the ruins at the heart of humanity. Part memoir, part philosophical meditation, Well-Kept Ruins is a genre-defying and timely reflection of the contemporary human condition.
Restless, protean, fluid, evanescent—despite being a challenge to represent visually, water has gained a striking significance in the art of the twentieth century. This may be due to the fact that it allows for a range of metaphorical meanings, many of which are particularly appropriate to the modern age. Water is not merely a subject of contemporary art, but also a material increasingly used in art-making, giving it a distinct dual presence.
Water and Art probes the ways in which water has gained an unprecedented prominence in modern Western art and seeks to draw connections to its depiction in earlier art forms. David Clarke looks across cultures, finding parallels within contemporary Chinese art, which draws on a cultural tradition in which water has an essential presence and is used as both a subject and a medium. The book features a wealth of images by artists from East and West, including Fu Baoshi, Shi Tao, Wei Zixi, Fang Rending, Leonardo da Vinci, Bernini, Turner, Gericault, Klee, Matisse, Monet, Picasso, Mondrian, and Kandinsky.
Fast-paced, accessible, and comprehensive, Water and Art will appeal to the specialist and the general reader alike, offering fresh perspectives on familiar artists as well as an introduction to others who are less well-known.
Al Qaeda detonates a nuclear weapon in Times Square during rush hour, wiping out half of Manhattan and killing 500,000 people. A virulent strain of bird flu jumps to humans in Thailand, sweeps across Asia, and claims more than fifty million lives. A single freight car of chlorine derails on the outskirts of Los Angeles, spilling its contents and killing seven million. An asteroid ten kilometers wide slams into the Atlantic Ocean, unleashing a tsunami that renders life on the planet as we know it extinct.
We consider the few who live in fear of such scenarios to be alarmist or even paranoid. But Worst Cases shows that such individuals—like Cassandra foreseeing the fall of Troy—are more reasonable and prescient than you might think. In this book, Lee Clarke surveys the full range of possible catastrophes that animate and dominate the popular imagination, from toxic spills and terrorism to plane crashes and pandemics. Along the way, he explores how the ubiquity of worst cases in everyday life has rendered them ordinary and mundane. Fear and dread, Clarke argues, have actually become too rare: only when the public has more substantial information and more credible warnings will it take worst cases as seriously as it should.
A timely and necessary look into how we think about the unthinkable, Worst Cases will be must reading for anyone attuned to our current climate of threat and fear.
Though Singapore was home to a flourishing Chinese and Malay film industry in the 1950s and 1960s, between independence in 1965 and the early 1990s, few movies were made there. A new era for cinema in the sovereign city-state started with the international recognition of Eric Khoo’s first features, followed by a New Wave comprised of graduates from local film schools. In recent years the Singapore film industry has produced commercially successful fare, such as the horror movie The Maid, as well as more artistic films like Sandcastle, the first Singaporean film to be selected for International Critic’s Week at Cannes, and Ilo Ilo, which won the Caméra d’or at Cannes in 2013. Covering the myths that surround Singaporean film and exploring the realities of the movies that come from this exciting city, World Film Locations: Singapore introduces armchair travelers to a rich, but less known, national cinema.
The Mishnah is the foundational document of rabbinic Judaism—all of rabbinic law, from ancient to modern times, is based on the Talmud, and the Talmud, in turn, is based on the Mishnah. But the Mishnah is also an elusive document; its sources and setting are obscure, as are its genre and purpose.
In January 2021 the Harvard Center for Jewish Studies and the Julis-Rabinowitz Program on Jewish and Israeli Law of the Harvard Law School co-sponsored a conference devoted to the simple yet complicated question: “What is the Mishnah?” Leading scholars from the United States, Europe, and Israel assessed the state of the art in Mishnah studies; and the papers delivered at that conference form the basis of this collection. Learned yet accessible, What Is the Mishnah? gives readers a clear sense of current and future direction of Mishnah studies.
Though democratic government calls for well-designed and implemented policy, there is surprisingly little expert guidance available for policy makers and politicians. Working for Policy fills that gap, addressing the nature of policy work and offering necessary guidance. The contributors bring together academic and experiential knowledge in their analysis and evaluation of what modern policy makers do in given situations and of how such actions contribute to the policy process. This unique book demonstrates how scholars can help to ensure that policy makers can acquire the skills and knowledge required in governing complex modern societies.
Samuel Pepys, the seventeenth century's best-known diarist, walked around London for miles, chronicling these walks in his diary. He made the two-and-a-half-mile trek to Whitehall from his house near the Tower of London on an almost daily basis. These streets, where many of his professional conversations took place while walking, became for him an alternative to his office.
With Walking Pepys’s London, we come to know life in London from the pavement up and see its streets from the perspective of this renowned diarist. The city was a key character in Pepys’s life, and this book draws parallels between his experience of seventeenth-century London and the lives of Londoners today. Bringing together geography, biography, and history, Jacky Colliss Harvey reconstructs the sensory and emotional experience of Pepys’s time. Full of fascinating details, Walking Pepys’s London is a sensitive exploration into the places that made the greatest English diarist of all time.
Contributors. Saliha Belmessous, Julia Clancy-Smith, Alice L. Conklin, Eric Jennings, Erica J. Peters, Clifford Rosenberg, Daniel J. Sherman, Owen White
The Welsh in America was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Welsh formed a small but significant part of the great migration from Europe to the United States during the nineteenth century. In this volume they tell their own story in letters they wrote from America to their families and friends back home. The letters are highly readable, written, for the most part, in vivid and entertaining style which reveals the Welsh as an unusually literate people.
The 197 letters are arranged chronologically and geographically, starting with letters that tell of the voyage across the Atlantic. Once in America, the immigrants described their experiences in the farming country of New York, Pennsylvania, Ohio, and some of the other midwestern states. Later, as the frontier moved west, they wrote of their efforts to establish exclusive Welsh settlements on the Great Plains. From the industrial centers there are letters from coal miners and iron and steel workers. The fortune seekers who went to California in the gold rush or to the mines in Colorado are also represented. Still others tell of their search for salvation in the Mormon Zion of Utah.
For each chapter or group of letters Mr. Conway has written an introduction giving the general background of the region or period and relating it to the Welsh settlers. Thus the events chronicled and the views expressed in the letters become significant in the history of the times. The majority of the letters were written in Welsh and they appear here in translation. Some were obtained from the files of old newspapers or denominational magazines; others came from the collections of the National Library of Wales or from individuals.
Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles—particularly weaving—as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts.
Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.
Cope makes the controversial claim that it is because of these conditions that workers in rich countries benefit from higher incomes and welfare systems with public health, education, pensions, and social security. As a result, the internationalism of populations in the Global North is weakened and transnational solidarity is compromised. The only way forward, Cope argues is through a renewed anti-imperialist politics rooted in a firm commitment to a radical labor internationalism.
Coral evokes the beauty, love, and language of her family and of Puerto Rico as well as the pain of yearning for more. Tastes, colors, and the dreamlike lushness of childhood memories infuse this mournful and propulsive memoir of personal and natural disasters—and the self-discovery made possible only when we choose what to leave behind.
Focusing on Portuguese and Spanish cinema, this collection brings together research about women and their status in relation to Iberian visual culture. The volume contributes to ongoing debates about the position of women in the cinemas of Portugal and Spain through a revision of feminist theory as well as new accounts of film history. It also aims to promote comparisons between Iberian cinemas and visual culture from different regions, a topic that is almost unexplored in academia, despite the similar histories of the two Iberian countries, particularly throughout the twentieth century.
Three months to live.
José Maria, a contemplative engineer in late middle age, and now a victim of leukemia, has received a death sentence from his doctor. His life has been a frustrating nonfulfillment of his early hopes, and his musings are many and varied as his life wanes.
The Brazilian writer Corção's remarkable novel is the diary of this thoughtful man facing the imminent prospect of death and trying to find the meaning of life—and of death—while evaluating his own existence.
One of the best loved of the American spirituals is here interpreted by an artist whose birthright is an authentic understanding of the spirituals. He gives us that understanding in terms of an art having all the appeal of the Negro's conception of religion in its narrative quality, its close emotional identification with religious ideas and events, and its simplicity of feeling.
The thirty-nine black-and-white drawings which compose the drama are not "illustrations" in the usual sense of visual elaborations of a text, but are rather a translation from musical rhythm into visual rhythm. Where the sung spiritual creates cumulative dramatic tension by repeated variations of a musical phrase, the artist lays increasing stress on the central idea of a pictorial sequence, each drawing dependent for its full power on its relation to those preceding and following it. Human figures have been used as symbols depicting the various shadings and accents of the great story as it is suggested by the words and music of the spiritual. The main motif is that of Christ; the secondary motifs or accompaniments are the Blessed Virgin Mary and St. John, with the chorus in the background. Throughout, the spirit is reverent, and there is, as the changing text of the spiritual demands, a subtle and inevitable change from realism to symbolism.
Artistically the drawings are simple, with an unusual vitality and strength characteristic of this artist's skillful brushwork, which is bold or delicate as the subject matter demands. Crite's work has been exhibited extensively throughout the country and is represented in many collections.
In this collection of seven short stories, Moira Crone presents fresh writings about women, love, and strength. "Kudzu" is a tale of a girl's childhood in the stranglehold of American life. "The Brooklyn Lie" deals with a young woman's sexuality and body. The title story explores relationships and women's issues through a series of letters and narratives.
Crowley considers the historical formation of "alcoholism" and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. He also defines the "drunk narrative," a mode of fiction that expresses the conjunction of modernism and alcoholism in a pervasive ideology of despair--the White Logic of John Barleycorn, London's nihilistic lord of the spirits.
For We Are Not Amused, renowned English-language expert David Crystal has explored the most common pronunciation-related controversies during the reign of Queen Victoria and brought together the cartoons and articles that poked fun at them, adding insightful commentary on the context of the times. The collection brings to light a society where class distinctions ruled. Crystal explains why people felt so strongly about accents and identifies which accents were the main sources of jokes, from the dropped h’s of the Cockney working class to the upper-class tendency to drop the final g in words like “huntin’” and “fishin’.”
In this fascinating and highly entertaining book, Crystal shows that outrage over proper pronunciation is nothing new—our feelings today have their origins in the ways our Victorian predecessors thought about the subject.
On the morning of September 8, 1756, a band of about three hundred volunteers of a newly created Pennsylvania militia led by Lt. Col. John Armstrong crept slowly through the western Pennsylvania brush. The night before they had reviewed a plan to quietly surround and attack the Lenape, or Delaware, Indian village of Kittanning. The Pennsylvanians had learned that several prominent Delaware who had led recent attacks on frontier settlements as well as a number of white prisoners were at the village. Seeking reprisal, Armstrong’s force successfully assaulted Kittanning, killing one of the Delaware they sought, but causing most to flee—along with their prisoners. Armstrong then ordered the village burned. The raid did not achieve all of its goals, but it did lead to the Indians relocating their villages further away from the frontier settlements. However, it was a major victory for those Pennsylvanians—including some Quaker legislators—who believed the colony must be able to defend itself from outside attack, whether from the French, Indians, or another colony.
In War in the Peaceable Kingdom: The Kittanning Raid of 1756, historian Brady J. Crytzer follows the two major threads that intertwined at Kittanning: the French and Indian War that began in the Pennsylvania frontier, and the bitter struggle between pacifist Quakers and those Quakers and others—most notably, Benjamin Franklin—who supported the need to take up arms. It was a transformational moment for the American colonies. Rather than having a large, pacifist Pennsylvania in the heart of British North America, the colony now joined the others in training soldiers for defense. Ironically, it would be Pennsylvania soldiers who, in the early days of the American Revolution, would be crucial to the survival of George Washington’s army.
As the months passed however the people of Western Pennsylvania grew restless with the inadequacy of the government’s response and they soon turned to more violent means of political expression. Treasury officers across the west were targeted for their involvement in the tax collection, and they were brutally attacked by armed bands of disgruntled locals. They were tarred and feathered, burned with hot irons, and whipped; their homes were ransacked and burned. Extralegal courts were established in a direct challenge to federal authority, and the frontier slowly drifted toward a state of rebellion.
In response President George Washington raised an army of 13,000 men, one of the largest forces he ever commanded, to suppress the rebellion. No major battle ever occurred, but weeks of arrests, illegal detentions, and civil rights violations rocked the west. The event polarized the nation, and highlighted the dramatic differences between Washington’s Federalist perspective and Jefferson’s emerging Democratic-Republican Party. Two centuries later the Whiskey Rebellion stands as the second largest domestic rebellion in American History, only outdone by the Confederate States of America in 1861.
In The Whiskey Rebellion: A Distilled History of an American Crisis, historian Brady J. Crytzer takes the reader on a journey through Western Pennsylvania following the routes of both the rebels and the United States Army to place this important event into context for the reader. Complete with images and maps, the author illuminates what visitors can still see from the period while providing a cogent and engrossing account of this crisis unfolded and how it was resolved.
Drawing on examples from a diversity of eras and places—from ancient Egypt to medieval Europe to modern Africa—Curnow explores the ways we have sought to overcome the problems posed by our existence, such as love and death, with a steadfast wisdom. He shows how many cultures have attributed wisdom to deities such as Apollo, Odin, and Sarasvati, and how, especially, we have placed it within the vehicle of the proverb, which has safeguarded its lessons throughout time and across cultures.
Including a collection of one hundred sayings that offer a rich record of wisdom’s reification, this history gives new insight into what wisdom actually is and where we might find it.
Beginning with the 1929 publication of The Sound and the Fury (his fourth novel), Faulkner produced a dazzling series of masterpieces in rapid order, including As I Lay Dying; Sanctuary; Light in August; Absalom, Absalom!; and Go Down, Moses—novels and stories that alternately exhilarated and exasperated critics and left readers gasping to keep pace with his storytelling innovations. Transforming his hometown of Oxford, Mississippi, into the fictional Yoknapatawpha County, Faulkner created his own microcosm in which compassion and personal honor struggle to stand up to the violence, lust, and greed of the modern world.
As prolific as Faulkner was, however, the career of this Nobel laureate was neither easy nor carefree. He was perpetually strapped for cash, burdened with supporting a large extended family, ambivalent toward his marriage, and vulnerable to alcoholism. Honoring both the man and the artist, this book examines how Faulkner strained to balance these pressures and pursue his literary vision with single-minded determination.
We Fish is the tale of a father and son's shared dialogue in poetry and in prose, memoir and reflection, as they delight in their time spent fishing while considering the universal challenge of raising good children. Their story and their lesson have the power to teach today's young African American men about friendship, family, and trust; and the potential to save a generation from the dangers of the modern world and from themselves.
While foregrounding the figure of the New Woman as a white imperialist reformer, Das illustrates how the New Woman movement detaches itself from the domestic politics of female friendship. In works by George Eliot, George Gissing, Olive Schreiner, Bram Stoker, and others, antagonism and indifference enable the fin de siècle New Woman to transcend traditionally defined roles and fashion social progress for herself at the expense of femininities she excludes as “other.” By contesting the critical notion of solidarity as the only force that brings Victorian women’s narratives to fruition, Women at Odds reveals the troubled but effective role of antagonistic and indifferent reformist politics in loosening rigid social structures for privileged populations.
Vienna appears in cinema as, among other things, a historical crossroads, a source of great music, and a site of world-famous architecture ranging from gothic cathedrals and baroque palaces to landmark modern structures. A panorama that encompasses all these perspectives, World Film Locations: Vienna sheds new light on the movies shot in the former imperial capital—and on the city itself.
The Ways of the Desert, translated from the French, offers an introduction to the North African Arab nomads—their way of life, customs, dress, and religion. The companion to this volume, The Horses of the Sahara, provides a detailed description and history of the great breeds of Arab horses. While part of this book is devoted to descriptions of the various animals that are both hunted and used for hunting, its appeal goes well beyond its attraction for those with a special interest in the lore of desert hunt and chase. General Daumas and his major collaborator-informant, the Emir Abd-el-Kader, together provide sensitive insights into the total culture of the North African desert people of the nineteenth century.
Both spiritual and material aspects of desert life are encompassed in this work, which ranges from translations of Arab poetry to descriptions of the uses of the fat and remains of the ostrich. The patterns of conviction and conduct described form an important part of the rich cultural heritage of the modern Maghreb nations.
The way of life described in this book is often presented from what comes very close to being an inside point of view. Occasionally Daumas feels obliged to disapprove of certain practices or beliefs or to criticize his Arab friends, but in large part his underlying sympathy for the Arab people permits his informants to speak clearly through his pen.
General Melchior Joseph Eugene Daumas took part in the conquest of Algeria by France and, for his distinguished service, was named Director of the Bureau of Algerian Affairs in the French Ministry of War. During the campaigns and the occupation that followed, he studied and attempted to understand the native peoples with an objectivity and sympathy unusual among the colonialists of the period. He recorded a way of life that has changed much since the nineteenth century, and much of what he recorded has since been lost. His account, as well as being an important source for the historian and ethnographer, provides for the general reader a fascinating record of the vanishing ways of the desert.
Beginning with an introduction by the editors, which offers a guide to studying and comparing miniatures, the following chapters include studies of miniature Neolithic stone circles on Exmoor, Ancient Egyptian miniature assemblages, miniaturization under colonialism as practiced by the Makah People of Washington State, miniature watercraft from India, miniaturized contemporary tourist art of the Warao people of Venezuela, and dioramas on display in the Science Museum. Interspersing the chapters are interviews with miniature-makers, including two miniature boat builders at the National Maritime Museum, Cornwall and a freelance architectural model maker. The interdisciplinary nature of the volume makes it suitable reading for anthropologists, historians, archaeologists, artists, and researchers in related fields across the social sciences.
Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.
De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region’s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De’s analysis shows how the gendered intersections of inequity and opportunity shape women’s fiction filmmaking while illuminating the impact of state and market formations on the process.
Innovative and essential, Women’s Transborder Cinema examines the works of South Asia’s women filmmakers from a regional perspective.
'Work hard, have fun, make history' proclaims the slogan on the walls of Amazon's warehouses. This cheerful message hides a reality of digital surveillance, aggressive anti-union tactics and disciplinary layoffs. Reminiscent of the tumult of early industrial capitalism, the hundreds of thousands of workers who help Amazon fulfil consumers' desire are part of an experiment in changing the way we all work.
In this book, Alessandro Delfanti takes readers inside Amazon's warehouses to show how technological advancements and managerial techniques subdue the workers rather than empower them, as seen in the sensors that track workers' every movement around the floor and algorithmic systems that re-route orders to circumvent worker sabotage. He looks at new technologies including robotic arms trained by humans and augmented reality goggles, showing that their aim is to standardize, measure and discipline human work rather than replace it.
Despite its innovation, Amazon will always need living labor's flexibility and low cost. And as the warehouse is increasingly automated, worker discontent increases. Striking under the banner 'we are not robots', employees have shown that they are acutely aware of such contradictions. The only question remains: how long will it be until Amazon's empire collapses?
Derby’s account of the awakening of her post-college experience living abroad and stories of her global travels infuse this memoir with an international perspective and entertaining vignettes. Ultimately, Derby shares her personal understanding of the transformative power of living among different cultures.
Women’s Work in Post-War Italy explores women’s labor following World War II and Italy’s new republic. War and national reconstruction have typically been framed as masculine undertakings in Italy, but Flora Derounian shifts that frame to investigate the labor that Italian women were doing at this critical time of political, social, and ideological change, as well as how it was viewed by society and by women workers themselves. Drawing on original oral history interviews, Derounian compares women’s own words with the very different ways they were pictured in film, giving voice to the under-represented, and exposing the profound difference that work made to women’s lives.
The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's notions of writing and différence—the untranslatable formulation of a nonmetaphysical "concept" that does not exclude writing—for almost a generation of students of literature, philosophy, and psychoanalysis.
Writing and Difference reveals the unacknowledged program that makes thought itself possible. In analyzing the contradictions inherent in this program, Derrida foes on to develop new ways of thinking, reading, and writing,—new ways based on the most complete and rigorous understanding of the old ways. Scholars and students from all disciplines will find Writing and Difference an excellent introduction to perhaps the most challenging of contemporary French thinkers—challenging because Derrida questions thought as we know it.
Gathered here are texts—letters of condolence, memorial essays, eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière.
With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself.
"In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, Guardian
"Strikingly simpa meditations on friendship, on shared vocations and avocations and on philosophy and history."—Publishers Weekly
The Workbook has now been revised to make it more relevant and useful. It features a new dictionary exercise and word analysis exercises, the replacement of true-false exercises that have caused the most difficulty for students, and the elimination of archaic words and other items that have become dated. The authors have also improved the clarity of the instructions for individual exercises, in some cases adding notes or providing sample answers. As part of the revised front matter, there is a new introduction written just for students to help them get the most out of the workbook. English Words and the Workbook have met with unqualified success in English and Classics courses at both the advanced secondary and college levels. This revision of the Workbook helps to ensure the continuing relevance of the roots approach to vocabulary building for tomorrow’s students.
"I was led to feel that all my life had been a preparation for this work; and that in a thousand ways provision had been made for its extraordinary needs." So wrote Charles Carroll Bonney, a Chicago lawyer, of his work in organizing the first Parliament of World's Religions in 1893. In this short work, George F. Dole examines Bonney's theology and personal beliefs, which were inspired by Emanuel Swedenborg (1688-1772).
Also included in this volume are two essays by Bonney himself, "The Genesis of the World's Religious Congresses of 1893" and "A World's Congress at the World's Fair."
"A profound study of the nebulous Creoles. . . . Domínguez's use of original sources . . . is scholarship at its best. . . . Her study is fascinating, thought-provoking, controversial, and without a doubt, one of the most objective analyses of Creole Louisiana. Her emphasis on social stratification and her excellent integration of ethnic and racial classification of Creoles with legal and social dynamics and individual choice of ethnic identity elucidates strikingly the continuing controversy of who and what is a Louisiana Creole."--Journal of American Ethnic History
"Domínguez's most important contribution lies in her conceptualization of the problem of identity. She treats ethnic identity as something that can change over time, warning us against imposing current meanings on the past and requiring us to consider evidence of how terms were actually used in the past. . . . It is hard to imagine a frame of reference more ideally suited to historical analysis."--Louisiana History
"A valuable interdisciplinary examination of the processes of racial definition in Louisiana's history. Her study combines the anthropologist's sensitivity to language and self definition within a community with a skillful exploitation of historical sources."--Law and Society
"I highly recommend this book to all persons interested in social stratification."--Alvin L. Bertrand, Contemporary Sociology
"A vivid and insightful reading of the historical circumstances that have shaped definitions of Creoles within Louisiana law and society."--Journal of Southern History
"A profound study of the nebulous Creoles. . . . Domínguez's use of original sources . . . is scholarship at its best. . . . Her study is fascinating, thought-provoking, controversial, and without a doubt, one of the most objective analyses of Creole Louisiana. Her emphasis on social stratification and her excellent integration of ethnic and racial classification of Creoles with legal and social dynamics and individual choice of ethnic identity elucidates strikingly the continuing controversy of who and what is a Louisiana Creole."--Journal of American Ethnic History
"Domínguez's most important contribution lies in her conceptualization of the problem of identity. She treats ethnic identity as something that can change over time, warning us against imposing current meanings on the past and requiring us to consider evidence of how terms were actually used in the past. . . . It is hard to imagine a frame of reference more ideally suited to historical analysis."--Louisiana History
"A valuable interdisciplinary examination of the processes of racial definition in Louisiana's history. Her study combines the anthropologist's sensitivity to language and self definition within a community with a skillful exploitation of historical sources."--Law and Society
"I highly recommend this book to all persons interested in social stratification."--Alvin L. Bertrand, Contemporary Sociology
"A vivid and insightful reading of the historical circumstances that have shaped definitions of Creoles within Louisiana law and society."--Journal of Southern History
Suspended between sea and sky, battered by the waves and the wind, lighthouses mark the battle lines between the elements. They guard the boundaries between the solid human world and the primordial chaos of the waters; between stability and instability; between the known and the unknown. As such, they have a strange, universal appeal that few other manmade structures possess.
Engineered to draw the gaze of sailors, lighthouses have likewise long attracted the attention of soldiers and saints, artists and poets, novelists and filmmakers, colonizers and migrants, and, today more than ever, heritage tourists and developers. Their evocative locations, isolation, and resilience, have turned these structures into complex metaphors, magnets for stories. This book explores the rich story of the lighthouse in the human imagination.
Gladden was one of the first among clergymen to respond to the intellectual and social currents that arose to challenge traditional modes of Protestant thought and social action. By the end of the nineteenth century, when both liberal theology and the Social Gospel had, in a sense, triumphed as the dominant forces in American Protestantism, he had achieved recognition as one of the earliest, most constant, and most influential exponents of both movements. He was, in addition, one of their chief popularizers; and his copious writings—some forty books and hundreds of articles—represent classic examples of the liberal, socially-conscious Protestantism that distinguished his age.
Mr. Dorn has provided the first comprehensive study of Gladden’s spectacular career. He traces his life and its influences from his birth in Pennsylvania to his long and successful pastorate at the First Congregational Church in Columbus, Ohio, where he gained national fame in stormy encounters with such prominent figures as the redoubtable Billy Sunday and his wife “Ma,” and for his lucid and vigorous positions on national issues such as the “tainted money” controversy that brought him into conflict with Standard Oil.
This is the first paperback edition of the complete collection of writings that has been called Dostoevsky's boldest experiment with literary form; it is a uniquely encyclopedic forum of fictional and nonfictional genres. The Diary's radical format was matched by the extreme range of its contents. In a single frame it incorporated an astonishing variety of material: short stories; humorous sketches; reports on sensational crimes; historical predictions; portraits of famous people; autobiographical pieces; and plans for stories, some of which were never written while others appeared in the Diary itself.
A variety of perspectives are used to investigate women's work experience at individual, organizational, and societal levels. Some of the essays focus on how women fare in a variety of occupations, summarizing women's representation in different jobs, and discussing the unique problems they face. Others examine the influences of religious and educational institutions on women's career choices. Women and Work also reviews the history of protective legislation.
The contributors consider current research on women's work interests, commitment, and satisfaction, and examine sexual discrimination, harassment and coercion, as well as gender bias in job evaluations and personnel decisions. They also explore various strategies for reducing or eliminating discrimination, harassment, and wage discrimination.
Issues surrounding the work/family intersection are addressed, including when to have children, the difficulties that arise from the competing demands of work and child care, the consequences for women's careers, research examining the effects of mothers' employment on children's development, and issues surrounding eldercare.
The volume surveys the status of women in an international framework, analyzing women and work in selected countries, arranged to reflect the varying levels of development. Women and Work is a valuable reference book, providing a thoughtful overview of the issues facing working women.
Lincoln Kirstein was a tireless champion of the arts in America. Working behind the scenes to provide artists with money, space, audiences, and, at times, emotional support, he helped found such landmark cultural institutions as the New York City Ballet, the School of American Ballet, New York’s Lincoln Center and Stratford's American Shakespeare Festival.
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