A SCHOLARLY BOOK REPOSITORY
Drawing on these writings, Duby describes how women were thought to embody particular sins, such as sorcery, disobedience, and licentiousness. He evaluates Eve's role in man's fall from grace in the Garden of Eden and analyzes the reasoning behind the view that women are unstable, curious, frivolous creatures. He also notes that these charges are leveled against women, even as praise is heaped upon them for the conventional virtues they exhibit in their roles as wives and mothers.
As the final installment in Duby's three-volume study of French noblewomen of the twelfth century, Eve and the Church is the last work of this superb historian. It will be of interest to scholars of medieval history and women's history as well as to anyone interested in current debates about women and religion.
Georges Duby (1919-1996) was a member of the Académie française and for many years held the distinguished chair in medieval history at the Collège de France. His books include The Three Orders; The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and History Continues, all published by the University of Chicago Press.
This book is a critique of the procedures used by the federal government to justify and evaluate public works in the water resource field. The methods of measuring benefits and costs that have been devised for projects in the fields of flood control, irrigation, navigation, and electric power are examined from the point of view of the theory of welfare economics. The major sources of bias are identified, and suggestions are made to improve the evaluation practices.
The author concludes that benefit-cost analysis could become a reliable test for measuring the effect of projects on economic welfare, but that the present procedures overstate benefits and understate costs to such an extent that the economic justification of many of the projects in the present program must be called into question. The suggestions for changes which are made are designed to raise the standards of project evaluation to a point where the public and the Congress can have some assurance that the projects will raise the economic welfare of the country.
A massive quantity of museums’ photographic holdings resides not on gallery walls or archives, but outside of their formal collections, including reference photos and ephemera that are integral to the workings of museums. What Photographs Do explores how museums are defined through their photographic practices. Studied through the prism of the Victoria and Albert Museum in London, this collection asks complex and ambiguous questions about how accumulations of photographs create the values, hierarchies, histories, and knowledge systems of a museum ecosystem. Chapters are comprised of short, auto-ethnographic interventions from museum practitioners, from studio photographers and image managers to conservators and non-photographic curators, who address the significance of both historical and contemporary practices of photography in their work, providing an extensive and unique range of accounts of what photographs do in museums while also expanding the critical discourse of both photography and museums.
We spray them, pluck them, and bury them under mulch; and we curse their resilience when they spring back into place. To most of us, weeds are a nuisance, not worth the dirt they are growing in. But the fact is weeds are a plant just like any other, and it is only we who designate them as a weed or not, as a plant we will dote over or one we will tear out of the earth with abandon. And as Nina Edwards shows in this history, that designation is constantly changing. Balancing popular history with botanical science, she tells the story of the lowly, but proud, weed.
As Edwards shows, the idea of the weed is a slippery one, constantly changing under different needs, fashions, and contexts. In a tightly controlled field of corn, a scarlet poppy is a bright red intruder, but in other parts of the world it is an important cultural symbol, a potent and lucrative pharmaceutical source, or simply a beautiful, lakeside ornament. What we consider a pest—Aristolochia Rotunda, or “fat hen”—was, in Neolithic times, a staple crop, its seeds an important source of nutrition. Sprinkled with personal anecdotes and loads of useful information, Weeds sketches history after history of the fashions and attitudes that have shaped our gardens, showing us that it is just as important what we keep out of them as what we put in, and that just because we despise one species does not mean that there haven’t been others whose very lives have depended on it.
In sixteen timely essays, the contributors map out an urgent intellectual and political terrain for queer studies and the contemporary politics of identity, family, and kinship. Collectively, these essays examine the limits of queer epistemology, the potentials of queer diasporas, and the emergence of queer liberalism. They rethink queer critique in relation to the war on terrorism and the escalation of U.S. imperialism; the devolution of civil rights and the rise of the prison-industrial complex; the continued dismantling of the welfare state; the recoding of freedom in terms of secularization, domesticity, and marriage; and the politics of citizenship, migration, and asylum in a putatively postracial and postidentity age.
Contributors. Michael Cobb, David L. Eng, Roderick A. Ferguson, Elizabeth Freeman, Gayatri Gopinath, Judith Halberstam, Janet R. Jakobsen, Joon Oluchi Lee, Martin F. Manalansan IV, José Esteban Muñoz, Tavia Nyong’o, Hiram Perez, Jasbir K. Puar, Chandan Reddy, Teemu Ruskola, Nayan Shah, Karen Tongson, Amy Villarejo
In the wake of this tragedy, Xabier learns that not only is the family ranch in jeopardy of foreclosure but his father’s death may not have been the accident it first appeared to be. Now, he must find a way to save his family’s ranch while unraveling the mysteries leading to his father’s death. Along the way, Xabier strives to adhere to his father’s memory and words—the invitation to stay true to who he is without losing his arima (soul).
In lyrical language that evokes the mythologies that have shaped the Etxeas’s worldview, White Dove, Tell Me speaks to the divided self that seeks to honor the family’s Basque heritage, while they strive for understanding in a new land.
Although Portland, Oregon, is sometimes called “America’s whitest city,” Black residents who grew up in the neighborhoods of northeast Portland have made it their own. The district of Albina, also called “Northeast,” was their haven and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority white.
In We Belong Here, sociologist Shani Adia Evans offers an intimate look at gentrification from the inside, documenting the reactions of the residents of Albina as the racial demographics of their neighborhood shift. As white culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “white watching,” the questioning look on the faces of white people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “white spacemaking”: the establishment of white space—spaces in which whiteness is assumed to be the norm—in formerly non-white neighborhoods. While gentrification typically describes socioeconomic changes that may have racial implications, white spacemaking allows us to understand racism as a primary mechanism of neighborhood change. We Belong Here illuminates why gentrification and white spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change.
The Why of Music was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In his many tears of teaching and writing about music Professor Ferguson has given much thought to the question of the why of music — why does music affect us as it does, why are we deeply moved by some music by not by other music, what is it about music that "sends" us, and where does it send us? In this book he explores such questions in depth and provides intriguing answers. The discussions are presented in the form of dialogues between the author and several friends.
As Professor Ferguson explains, the book is intended to take the reader on a guided tour, a tour which follows, in part, the familiar roads of formal music appreciation but which leads more often into byways where, almost hidden by the brilliant Hows that line the more familiar roads, lurks the essential Why of music. He describes this Why as the fertilizing commerce between music and human experience—a portrayal, not of the tangible facts of experience, but of the concern aroused by our encounter with those facts. He explains that while avant-garde abstractionism is concerned only with music as art—a concern too specialized for the general music lover to grasp and too narrow to sustain interest—the Why of enduring music lies in its endeavor to portray experience as it lives in Everyman's mind.
Feminism is once again on the political agenda. Across the world women are taking to the streets to protest unfair working conditions, abortion laws, and sexual violence. They are demanding decent wages, better schools and free childcare.
But why do some feminists choose to fight for more women CEOs, while others fight for a world without CEOs?
To understand these divergent approaches, Susan Ferguson looks at the ideas that have inspired women to protest, exploring the ways in which feminists have placed work at the center of their struggle for emancipation. Two distinct trajectories emerge: “equality feminism” and “social reproduction feminism.” Ferguson argues that socialists have too often embraced the “liberal” tendencies of equality feminism, while neglecting the insights of social reproduction feminism. Engaging with feminist anti-work critiques, She proposes that women's emancipation depends upon a radical reimagining of all labor and advocates for a renewed social reproduction framework as a powerful basis for an inclusive feminist politics. Chapters here include;
*The Rational-Humanist Roots of Equality Feminism
*Socialist Feminism: Two Approaches to Understanding Women's Work
*Equal Work for and against Capital
*Anti-Racist Feminism and Women's Work
*A Political Economy of 'Women's Work': Producing Patriarchal Capitalism
*Renewing Social Reproduction Feminism
*The Social Reproduction Strike: Life-Making Beyond Capitalism
Women and Work offers a timely and important look at the intersectionality of feminism and workers rights. Scholars and students will both find valuable insights into the history of feminist theory and social movement.
The essays collectively explore the shifting dynamics and power relations between the civic coalitions that pursue the Winter Olympics and the social movements that oppose their efforts. The contributors look at specific Games impacted by dissent and probe the issues that swirled around failed and withdrawn bids. In addition, contributions on the contemporary Olympics describe current or future bids while delving into the campaigns demanding host nations pay attention to economic, social, humanitarian, and environmental concerns.
A first-of-its-kind collection, Winters of Discontent profiles the wide range of activists and social movements that have organized against the Winter Olympics.
Runner-up in both the John H. Dunning Prize and Albert J. Beveridge Award competitions
Between 1967 and 1972, a previously obscure group of authors entered the US cultural spotlight. During this five-year period, at least thirty anthologies of poetry and prose by African American, Latinx, Asian American, and Native American children came out of adult-led workshops, classrooms, and sites of juvenile incarceration. Mass-market publishers, independent imprinters, and local mimeograph machines produced volumes with titles such as I Am Somebody! and The Me Nobody Knows: Children’s Voices from the Ghetto. These young writers actively participated in the Black Arts Movement, and some collaborated with well-known adult authors, most prominently June Jordan. Their anthologies gained national media coverage, occasionally became bestsellers, were quoted by James Baldwin, and even inspired a hit Broadway musical. While writings by children had long attracted adult attention, this flurry of youth writing and publishing was distinguished by the widespread belief that children of color from poor and working-class neighborhoods were uniquely able to speak truth about American racism and inequality.
Focusing on Black and Latinx youth authorship within New York City, and using deep archival research and elegant close readings, Amy Fish examines child-authored texts of this era within the context of their literary production and reception. These young writers were often supervised and edited by white adults, raising concerns about the authenticity and agency of their voices. Fish contends that young authors themselves shared these concerns and that they employed savvy rhetorical strategies of address, temporality, and trope to self-consciously interrogate the perils and possibilities of their adult-influenced work. Young writers thus contributed to the era’s important debates about the nature of authorship and readership within a racist society, while also using their writing as an intimate occasion of self-discovery.
Wilson’s China draws on Wilson’s writings and the authors’ own travels in the wild areas of China today to deliver a fascinating account of the pioneering botanist’s travels and adventures. Armed with copies of Wilson’s own glass-plate photos of turn-of-the-century Sichuan Province, Mark Flanagan and Tony Kirkham set out to retrace Wilson’s footsteps—and with the help of Chinese guides and local knowledge, they have created new versions of Wilson’s photos. The resulting then-and-now presentation offers fascinating insight into the widespread change—and remarkable continuity—in China over a century, and serves as an informative, appreciative homage to one of history’s greatest plant hunters.
The Workbook has been updated to reflect new content in the Second Edition of the Handbook and once again features exercises that carefully follow the sequence of material in the Handbook. To facilitate use of the Workbook with the Handbook, each exercise is coded with the corresponding pages for the material in the Handbook. Reflecting the different learning styles in any given class, the exercises practice identifying grammatical features in a variety of different ways, including many charts, matching activities, and short answer questions. In addition, the Workbook has a variety of exercises consisting of sentences typical of English language learners so that teachers can become familiar with specific types of errors that ESL students make with certain grammar points.
The Workbook also features some action research projects to guide teachers in collecting small samples of data from their target student populations.
The volume presents practical approaches to land use, land management, and community planning that are motivated by philosophical views on justice, quality of life, and sustainability in the American West. The contributors are policymakers, government employees, land and water managers, urban planners, biologists, tribal members, writers, and academics from a variety of backgrounds and perspectives. The result is a compelling vision of place-based, policy-oriented sustainability across the West.
Formulaic phraseology presents the epitome of words worn and weathered by trial and the tests of time. Scholarship on weathered words is exceptionally diverse and interdisciplinary. This volume focuses on verbal art, which makes Oral-Formulaic Theory (OFT) a major point of reference. Yet weathered words are but a part of OFT, and OFT is only a part of scholarship on weathered words.
Each of the eighteen essays gathered here brings particular aspects of formulaic language into focus. No volume on such a diverse topic can be all-encompassing, but the essays highlight aspects of the phenomenon that may be eclipsed elsewhere: they diverge not only in style, but sometimes even in how they choose to define “formula.” As such, they offer overlapping frames that complement one another both in their convergences and their contrasts. While they view formulaicity from multifarious angles, they unite in a Picasso of perspectives on which the reader can reflect and draw insight.
The folklore of Texas' Big Bend region was still in the making during Walter Fulcher's lifetime. Born in Lampasas County in 1887, he worked on the Martin Ranch near Sheffield when a young man. There he witnessed events in the last outlaw activities of the Black Jack Ketchum gang.
He also listened to legends told almost as gossip, and some of the legendary figures were still alive—or said to be alive, usually in hiding. In every village there was sure to be some ancient with a good memory and a better imagination, and Walter Fulcher heard many versions of many tales. He has set them down as he heard them, as simple folk tales that reflect the color of a wild and vivid country in 400 years of its settlement.
The book has been edited, with introduction and notes, by Elton Miles, Professor of English at Sul Ross State College.
Whether flying high overhead in the fall or swimming in a nearby lake in the summer, waterfowl are notoriously difficult to identify, and Gardner has worked hard to make this guide useful for beginning birders as well as those more experienced in the field. Keep binoculars and Waterfowl in Your Pocket in your car or backpack—or pocket!—during spring and fall migration and summer nesting season for help in identifying such captivating water birds as greater white-fronted geese and tundra swans during spring and fall migration, male wood ducks and mallards in breeding plumage, immature and female red-breasted mergansers and snow geese, and uncommon winter visitors such as eiders and scoters.
This newest addition to Iowa’s popular series of laminated guides—the twenty-eighth in the series—illustrates the thirty-eight species of warblers that occur in the Upper Midwest states of Minnesota, Illinois, Nebraska, Kansas, North Dakota, South Dakota, Iowa, Indiana, Michigan, Ohio, and Wisconsin. For each species, artist Dana Gardner provides length, range, and habitat; he illustrates male, female, and immature birds where plumage varies; and he includes birds similar to warblers such as kinglets and vireos.
For all their brilliance, warblers can be hard to identify, particularly in the fall—the phrase “confusing fall warblers” was coined for a reason—and when they are in immature plumage. Quick-moving and often found in treetops, they can be challenging even in spring, and the drabber colors of the young birds of the season and of many fall adults can make identification difficult. The illustrations and descriptions in Warblers in Your Pocket will be a most welcome reference for bird watchers throughout the Midwest.
When Russel B. Nye and Martin Gardner teamed up to bring out a new edition of The Wonderful Wizard of Oz, theirs was the first critical analysis of L. Frank Baum American classic. The book opens with an essay by Nye, entitled "An Appreciation," which is an overview of Baum's creative and imaginative genius. Nye explores the reasons why earlier critics virtually ignored the Oz stories. Gardner, in his essay, "The Royal Historian of Oz," presents a brief biographical sketch, revealing little-known facts about this prolific writer. The volume also contains the complete, original text of the Wonderful Wizard of Oz, along with many original illustrations by artist W. W. Denslow.
Waters of the United States is an unprecedented exploration of this history—and its importance for today’s efforts to conserve a critical natural resource. The book not only examines how bodies of water are legally defined (and therefore protected), but who gets to decide on these definitions. The result is a fascinating look at the ongoing power struggle between the president and federal agencies, the courts, the states, and Congress, over water quality.
Waters of the United States offers the detailed analysis necessary for any lawyer or environmental advocate to understand the nuances of water policy, while spinning a compelling narrative for readers who have never cracked a law book. The unique mix of insights into environmental law, history, and politics is required reading for anyone who cares about the future of the nation’s water.
Increased public and academic interest in drawing and sketching, both traditional and digital, has allowed drawing research to emerge recently as a discipline in its own right. In light of this development, Writing on Drawing presents a collection of essays that reveal a provocative agenda for the field, analyzing the latest work on creativity, education, and thinking from a variety of perspectives. Bringing together contributions by leading artists and researchers, this volume offers consolidation, discussion, and guidance for a previously fragmented discipline. Available for the first time in paperback, it will be an essential resource for artists, scientists, designers, and engineers.
Will Clayton left his mark on world commerce through the development of Anderson, Clayton & Co., the world's largest cotton marketing firm; he made an equally important impress on international economics and politics through special and vital service in the State Department during three crucial years of world history.
The politico-economic philosophy that Will Clayton developed as cotton merchant to the world provided the basis for his distinguished service as Assistant Secretary of State and as Undersecretary of State for Economic Affairs and influenced the course of international events far more than is generally realized.
"When the full story of the genesis of the Marshall Plan is told, it will become evident that the inspiration was Will Clayton's; which means he will have a firm niche in history, for this, if for nothing else," wrote John Dalgleish in Everybody's Weekly (London) in 1947. Dalgleish's opinion is supported by documentary evidence and the statements of others whose views are given in this short biography.
The principal events in Will Clayton's background that shaped his character and developed his personal philosophy are here portrayed by one who had a unique opportunity to view her subject at close range during the main periods of his careers in government and business. In this brief biography, his eldest daughter, Ellen Clayton Garwood, intimately but objectively traces the evolution of Clayton's realistic internationalism. The effectiveness of his governmental service in a fast-shrinking world had its roots in his early struggles in international cotton marketing. His marked ability to gain the support of Congress for government proposals—extension of the Reciprocal Trade Agreements Act, the British Loan, the Marshall Plan—is foreshadowed in his triumphant defense of his own business before a Senate investigating committee in the early twentieth century, and by his championship of Southern delivery on futures contracts on the New York Cotton Exchange.
But the story is not all one of success. Will Clayton wanted more than anything to see his country assume membership in an International Trade Organization, for the charter of which he had worked so hard. His disappointment here—partially offset by the success of the General Agreement on Tariffs and Trade—finds counterpart throughout these pages in the obstacles he had to overcome in his development as a human being.
And human being he emerges—son, husband, and father; businessman and statesman—whose measure, with its shadow and its highlights, should serve as strong encouragement for those who would serve their country and their world with equally intelligent devotion.
This book, therefore, brings a note of definite optimism. Will Clayton started out as a poor boy among the bewildered people of the reconstructed South. He emerged a statesman who drew out of still worse confusion in the world a program of hopeful and uplifting clarity. His own words, in a cable from Geneva, August 15, 1947, describe the challenge he met—a challenge that recurs in different form today: "A great opportunity to help Europe lift herself permanently out of a morass of bilateralism and restrictionism has floated in to us on a floodtide of destruction. If we fail to seize this opportunity now it will probably never return except possibly after a third World War."
In essays that explore the parallels between conversion and language acquisition, isolated liturgies, cultural inheritances, stalled initiations, disrupted storytelling, and adoption, Gee examines conversion’s grief and hope, losses and gains, hauntings and promises. We Carry Smoke and Paper is a memoir about what we owe to those who sacrifice everything for us, and it is about the many conversions in a lifetime that turn our heads via whispers and shouts, calling us to ourselves.
Like its predecessor, Writing Mormon History, this book delves into the captivating narratives of multiple historians as they unfold the backstories of their various publishing endeavors. The authors detail their journeys in crafting influential books, articles, newspaper pieces, and anthologies that have significantly shaped our comprehension of Mormon history. Beyond the polished final products that readers typically encounter, the book explores the driving forces compelling authors to explore their topics and the sacrifices they make along the way.
The volume invites readers to ponder the motivations that fuel an author’s commitment to rigorous research and writing, and sheds light on the substantial time, ranging from minutes to long hours, invested in the sources they cite. Through these narratives, readers gain an appreciation for the dedication and passion that goes into the making of historical scholarship.
Whether you're an avid historian, a student of history, a scholar, or an aspiring author, Writing Mormon History 2 offers an important glimpse into the minds of these writers. This anthology provides a unique opportunity to connect with the human stories behind the academic works that have left an indelible mark on our understanding of Mormon history.
Written after the country gained independence, the historical novel follows two generations of al-Tihamis, a well-to-do family residing in Fez’s ancient medina. The family members’ lives reflect the profound social changes taking place in Morocco during that time. Bridging two worlds, We Buried the Past begins during the quieter days of the late colonial period, a world of seemingly timeless tradition, in which the patriarch, al-Haj Muhammad, proudly presides over the family. Here, religion is unquestioned and permeates all aspects of daily life. But the coming upheaval and imminent social transition are reflected in al-Haj’s three sons, particularly his second son, Abderrahman, who eventually defies his father and comes to symbolize the break between the old ways and the new.
Noted for marrying classical Arabic style and European literary form, this book also offers insight into the life of Ghallab himself, who was deeply involved in the nationalist movement that led to Moroccan independence. A pioneering work, We Buried the Past beautifully characterizes an influential period in the history of Morocco.
This is an audiobook version of this book.
A damning portrait of the dire realities of retirement in the United States—and how we can fix it.
While the French went on strike in 2023 to protest the increase in the national retirement age, workers in the United States have all but given up on the notion of dignified retirement for all. Instead, Americans—whose elders face the highest risk of poverty compared to workers in peer nations—are fed feel-good stories about Walmart clerks who can finally retire because a customer raised the necessary funds through a GoFundMe campaign.
Many argue that the solution to the financial straits of American retirement is simple: people need to just work longer. Yet this call to work longer is misleading in a multitude of ways, including its endangering of the health of workers and its discrimination against people who work in lower-wage occupations. In Work, Retire, Repeat, Teresa Ghilarducci tells the stories of elders locked into jobs—not because they love to work but because they must.
But this doesn’t need to be the reality. Work, Retire, Repeat shows how relatively low-cost changes to how we finance and manage retirement will allow people to truly choose how they spend their golden years.
William D. Howells - American Writers 63 was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
access to basic water requirements for drinking and sanitation
hydropower and dam construction
water law
water and conflict
water and global climate change
international water institutions and activities.
The book features more than fifty charts, tables, and maps that present the most current data on a range of factors including: the availability and use of water; numbers of threatened and endangered aquatic species, dam and desalination capacity worldwide; trends in several devastating water-borne diseases; changes by region in global precipitation patterns since 1900; and much more.
To be published on a biennial basis, The World's Water will be an essential reference for water resources specialists with both government agencies and nongovernmental organizations, resource economists, planners, public policy and public administration experts, environmental lawyers, students and anyone concerned with water issues.
The quality and availability of fresh water are of critical importance to human and ecosystem health. Given its central role in the functioning of all living systems, water is arguably the most important of all natural resources.
Produced biennially, The World's Water provides a comprehensive examination of issues surrounding freshwater resources and their use. It offers analysis of the most significant trends worldwide along with the most current data available on a variety of water-related topics. This 2000-2001 edition features overview chapters on:
- water as a human right
- water and food
- desalination
- stocks and flows of fresh water
- international watersheds and water-related conflicts
- water reclamation/recycling
- the removal of dams
The World's Water is the most comprehensive and up-to-date source of information and analysis on freshwater resources and the political, economic, scientific, and technological issues associated with them. It is an essential reference for water resource professionals in government agencies and nongovernmental organizations, researchers, students, and anyone concerned with water and its use.
Volume 7 features chapters on U.S. water policy, transboundary waters, and the effects of fossil fuel production on water resources, among other timely issues. Water briefs provide concise updates on topics including bottled water, The Great Lakes Water Agreement, and water and security.
The World's Water is coauthored by MacArthur "genius" Peter H. Gleick and his colleagues at the world-renowned Pacific Institute. Since the first volume was published in 1998, the series has become an indispensable resource for professionals in government agencies and nongovernmental organizations, researchers, students, and anyone concerned with water and its use.
Produced biennially, The World's Water is the most comprehensive and up-to-to date source of information and analysis on freshwater resources. Each new volume examines critical global trends and offers the best data available on a variety of topics related to water.
Volume 8 features chapters on hydraulic fracturing (fracking), water footprints, sustainable water jobs, and desalination financing, among other timely issues. Water briefs provide concise updates on topics including the Dead-Sea and the role of water in the Syrian conflict.
The World's Water is coauthored by MacArthur "genius" Peter H. Gleick and his colleagues at the world-renowned Pacific Institute. Since the first volume was published in 1998, the series has become an indispensable resource for professionals in government agencies and nongovernmental organizations, researchers, students, and anyone concerned with water and its use.
• water and climate change
• water in China
• status of the Millennium Development Goals for water
• peak water
• efficient urban water use
• business reporting on water
This new volume contains an updated chronology of global conflicts associated with water, as well as brief reviews of issues regarding desalination, the Salton Sea, and the Three Gorges Dam.
From the world’s leading authority on water issues, The World’s Water is the most comprehensive and up-to-date source of information and analysis on freshwater resources and the political, economic, scientific, and technological issues associated with them. It is an essential reference for water resource professionals in government agencies and nongovernmental organizations, researchers, students, and anyone concerned with water and its use.
The quality and availability of fresh water are of critical importance to human and ecosystem health. Given its central role in the functioning of all living systems, water is arguably the most important of all natural resources.
Produced biennially, The World's Water provides a timely examination of the key issues surrounding freshwater resources and their use. Each new volume identifies and explains the most significant current trends worldwide, and offers the best data available on a variety of water-related topics.
This 2004-2005 edition of The World's Water features overview chapters on: conservation and efficiency as key tools for meeting freshwater needs; bottled water quality, costs, and trends; United Nations millennium development goals; groundwater issues; case studies of water privatization; the economic value of water; California water policy and climate change.
The World's Water is the most comprehensive and up-to-date source of information and analysis on freshwater resources and the political, economic, scientific, and technological issues associated with them. It is an essential reference for water resource professionals in government agencies and nongovernmental organizations, researchers, students, and anyone concerned with water and its use.
- Water and terrorism
- Business risks of water
- Water and ecosystems
- Floods and droughts
- Desalination
- Environmental justice and water
From one of the world's leading authorities on water issues, The World's Water is the most comprehensive and up-to-date source of information and analysis on freshwater resources and the political, economic, scientific, and technological issues associated with them.
In Western Journeys, Teow Lim Goh charts her journeys immigrating from Singapore and spending the last fifteen years living in and exploring the American West. Goh chronicles her lived experiences while building on the longer history of immigrants from Asia during the nineteenth and twentieth centuries, bringing new insights to places, the historical record, and memory. These vital essays consider how we access truth in the face of erasure. In exploring history, nature, politics, and art, Goh asks, “What does it mean for an immigrant to be at home?”
Looking beyond the captivating landscapes of the American West, Goh uncovers stories of the Chinese people who came to America during the era of Chinese Exclusion Act, as well as the stories of the Indigenous peoples who have been written out of popular narratives, and various others. She examines the links between the transcontinental railroad, the cowboy myth, and the anti-Chinese prejudice that persists today. These essays explore the early efforts to climb Colorado’s highest peaks, the massacre of Chinese miners in Rock Springs, Wyoming, and the increasingly destructive fire seasons in the West. Goh’s essays create a complex, varied, and sometimes contradictory story of people and landscapes, a tapestry of answers and questions.
In this charming volume, avian expert Gerard Gorman delves into the natural and cultural history of woodpeckers, exploring their origins and habitats and the ways they have fascinated humankind throughout history. Gorman finds woodpeckers everywhere—from ancient Babylon, Greece, and Rome, to the jungles of Amazonia and Borneo, to our modern-day Woody Woodpecker cartoon. Richly illustrated with images from both nature and culture, Woodpecker will appeal to everyone who is interested in these extraordinary birds.
A joyous celebration of colors that will encourage young readers’ curiosity about the world around them, What Is Red? is packed with illustrations in bright, primary colors. Originally published in 1961, the book is one of the most recent additions to the Bodleian Library’s children’s book imprint.
The World Checklist of Dioscoreales lists all validly published names of yams and their allies, providing the source of their publication and indication of which names are currently accepted and which are synonyms, making it a standard nomenclatural reference for further research into this important family.
Abner Graboff combines the voice of childhood innocence with a wonderful sense of fun in his quirky book about the mysteries of cats and their secret lives, inspired by the Graboff family’s own beloved cat Tarzan. Told from the point of view of a young child, this whimsical tale is complemented by Graboff’s characteristically playful and bold illustrations.
How to live with difference—not necessarily in peace, but with resilience, engagement, and a lack of vitriol—is a defining worry in America at this moment. The poets, fiction writers, and essayists (plus one graphic novelist) who contributed to Welcome to the Neighborhood don’t necessarily offer roadmaps to harmonious neighboring. Some of their narrators don’t even want to be neighbors. Maybe they grieve, or rage. Maybe they briefly find resolution or community. But they do approach the question of what it means to be neighbors, and how we should do it, with open minds and nuance.
The many diverse contributors give this collection a depth beyond easy answers. Their attentions to the theme of neighborliness as an ongoing evolution offer hope to readers: possible pathways for rediscovering community, even just by way of a shared wish for it. The result is an enormously rich resource for the classroom and for anyone interested in reflecting on what it means to be American today, and how place and community play a part.
Contributors include Leila Chatti, Rita Dove, Jonathan Escoffery, Rebecca Morgan Frank, Amina Gautier, Ross Gay, Mark Halliday, Joy Harjo, Edward Hirsch, Marie Howe, Sonya Larson, Dinty W. Moore, Robert Pinsky, Christine Schutt, and many more.
Contributors to the collection include some of the most prominent scholars in the field of early modern sexualities. They think expansively about Bray’s impact on their own work and, most importantly, test the applicability of his theories (that same-sex desire has a history that can be reconstructed and that the actual object of study is difficult to capture, as its expression varies radically across cultures and societies) in areas where they have not been previously employed. Two essays in this collection explore friendships or intimacies between women or between men and women—topics Bray did not pursue extensively. Others deal with locations outside Bray’s heavily English focus, including France, the Netherlands, Belgium, and Luxembourg, or apply his theories to periods beyond the Renaissance. Additionally, the issue includes a review of Bray’s The Friend, published posthumously, and an assessment of his scholarly career from his earliest writings to this final work.
Contributors. George Chauncey, Carla Freccero, Jonathan Goldberg, Jody Greene, George E. Haggerty, Jeffrey Masten, Jeffrey Merrick, Stephen Orgel, Laurie Shannon, Valerie Traub
Throughout history the Yellow River, or Huang Ho, has repeatedly broken through its levees to rampage over the densely populated North China Plain. In spite of its importance as the major river of China, little has been written on the Yellow River and its management. Charles Greer fills this gap with his comprehensive and thoroughly researched book.
This work deals with the technological problems faced by the Chinese in taming the destructive river and also focuses on cultural attitudes that have governed the Chinese response to nature. For example, water control was not highly regarded by the Taoists, who preferred to let nature take its course; but the Buddhists sought to harness the river against devastating floods and also to benefit their crops.
Greer traces water use and management in the Yellow River Basin through Chinese history and discusses early Western interest in the flood problem and Soviet assistance in Yellow River development. He analyzes traditional methods of control as well as newer strategies and their implications.
The author of this book is one of a small number of social scientists able to master the original Chinese-language historical materials necessary to this undertaking. He has also examined Chinese water management methods first-hand as part of a delegation of water management specialists in 1976.
In addition to geographers and conservationists, China scholars will find this book valuable because of the axial role the control of the Yellow River plays in the fundamental economic health of the People’s Republic of China. Water management engineers will find much useful comparative material.
Written with the involvement of the regarded Vaticanista Saverio Gaeta, Mons. Gänswein offers an account of a particular decade in history and confronts false claims of intrigue and cover-up (Vatileaks, the Orlandi abduction case, the sexual abuse scandal, among other issues) to tell the real story of a pope who faced a changing landscape and a public who largely misunderstood him and his style of governance. Here we meet one of the most affable and intellectually formidable popes the Catholic Church has ever known, and a priest who might also be considered a prophet of the post-modern age. Gänswein brilliantly contextualizes many of Benedict's most poignant theological positions, and in giving us a sense of their origin reveals that Benedict seamlessly lived everything he promulgated. His faith was the single bulwark upon which his personality as both teacher and leader were built. No biography has yet to establish the integrity and heart of Joseph Ratzinger as well as his friend, Georg Gänswein, does here.
As a spiritual testament more than just a journalistic exposé, Gänswein provides something only he can give––namely, the candid intelligence and sanctity witnessed up close. This is a remarkable and singular contribution to the history of the papacy and the record of the life of a saint. As Gänswein asserts, knowing this man is to encounter heroic virtue and an invitation to meet God, the greatest lover of mankind. Pope Benedict's own friendship with God will continue to provide warmth for as long as there are people on this earth who believe.
In an age when individuals could be owned by others, people were lost and found just like other property. Indentured servants and slaves absconded from the custody of their masters, and their value prompted the masters to seek their return. Wives ran from abusive husbands or into the arms of another. Newspapers in the eighteenth and nineteenth centuries carried large numbers of advertisements offering rewards for the return of runaways or announcing the detention of fugitives. Each ad provided a description of the individual and often included some circumstances of their elopement. The overall effectiveness of these advertisements cannot be measured, but the sheer number of ads suggests they were perceived as useful tools by those who placed them. What could not have been known at the time was the substantial contribution to history that these ads make. The descriptive advertisements provide textual snapshots of thousands of individuals who would otherwise be lost to history, people whose names might not otherwise be recorded. In Wives, Slaves, and Servant Girls: Advertisements for Female Runaways in American Newspapers, 1770–1783, historian Don N. Hagist focuses on the American Revolutionary period to provide a striking portrait of a substantial but largely forgotten segment of the population. Comprised of four hundred advertisements presented chronologically, the volume provides invaluable descriptions of women’s clothes, footwear, jewelry, physical appearances, education, nationalities, occupations, and other details.
Contributors: Vanessa Agard-Jones, Jayna Brown, Jodi A. Byrd, Mel Y. Chen, Jack Halberstam, Saidiya Hartman, Lamonda Horton-Stallings, Zakkiyyah Jackson, Martin F. Manalansan IV, Fred Moten, José E. Muñoz, Tavia Nyong’o, Julietta Singh, Riley Snorton, Wu Tsang, Dinesh Wadiwei
After leaving school and becoming lost in adulthood, can one return to these books and revive the quest to be great? For this is why we call such books "great". Yet as Hall says, "few people use the phrase 'great books' any more except ironically, because there is an odd view in the current intellectual fog that there is no such thing as 'greatness'". She is compelled, then, to reexamine the so-called great books and make the case for their eternal importance. It is a task that requires not only swimming against the disenchanted march of the post-modern reader into adulthood, but also asserting the unthinkable––namely, that great books were written by great men who achieved this status through their own labor and endurance.
Hall reintroduces the reader to Plato, Homer, Chaucer, Shakespeare, Milton and Melville and hopes this will expose the fraud of most of contemporary literature, and encourage taste and stamina for the works that promise to exhilarate. And Hall argues well that the thrill of these books draws from one shared feature: "The heart of these books is the drama of choice." If Roger Scruton is famous for showing us that ideas have consequences, Hall provides the reader the vision of himself as standing on the brink and the urgency of taking life seriously again. For many this means taking books seriously again.
This book is an important companion to the works treated therein, for teachers and students alike. Both need encouragement in the laboring of instruction or reading the impressive classics. Particularly apt is Hall's treatment of the difficulty of teaching Shakespeare. For the not-so-recent university graduate, perhaps this book will bring him once again to wander where the Muses still haunt. Indeed, even the well-read will enjoy Hall's keen interpretation of the glory of these stories. This is a book written by a true teacher.
Drawing on more than fifteen years of fieldwork in the region, Tony Hall details over five hundred different species in this volume, presenting all essential botanical information alongside more than six hundred photographs and distribution maps. No one interested in the plants of this region will be able to forego this book.
Hamayon begins by zeroing in on Mongolia and Siberia, where communities host national holiday games similar to the Olympics. Within these events Hamayon explores the performance of ethical values and local identity, and then she draws her analysis into larger ideas examinations of the spectrum of play activities as they can exist in any culture. She explores facets of play such as learning, interaction, emotion, strategy, luck, and belief, and she emphasizes the crucial ambiguity between fiction and reality that is at the heart of play as a phenomenon. Revealing how consistent and coherent play is, she ultimately shows it as a unique modality of action that serves an invaluable role in the human experience.
In 1842, founder Joseph Smith foresaw the LDS Women's Relief Society as "a kingdom of Priests," that he "would ordain them to preside over the society...just the Presidency preside over the church." Originally, the LDS Women's Relief Society paralleled the LDS men's priesthood quorums. Women were "ordained" to various positions, as well as set apart to be healers "with power to rebuke diseases."
In the 19th-century, Mormon theology also spoke of a Mother God, having "all power and glory" with the Father in Heaven. Mormon doctrine also hinted at the divine status of Eve, Mary, and Mary Magdalene.
The 19th-century Woman's Exponent, published by the LDS Women's Relief Society, editorialized in favor of "equal rights before the law, equal pay for equal work, equal political rights." The magazine's masthead read, "The Rights of the Women of Zion and the Rights of Women of All Nations."
One Relief Society founder, Sarah Kimball, referred to herself as "a woman's rights woman," while another leader, Bathsheba Smith, was called on a Relief Society mission in 1870 to preach "woman's rights" throughout southern Utah. According to the Woman's Exponent, a woman's place was not just "in the nursery" but "in the library, the laboratory, the observatory."
Women were encouraged to pursue formal education and career opportunities, study medicine and involve themselves in politics. Mormon women were assured that "when men see that women can exist without them, it will perhaps take a little of the conceit out of some of them."
Women who served inside LDS temples were termed "priestesses," while LDS Women's Relief Society president Eliza R. Snow was known as a "prophetess." Snow discouraged women from confiding their personal issues to male bishops, saying that such matters "should be referred to the Relief Society president and her counselors."
In 1875, LDS Women's Relief Society president, Emmeline B. Wells, could say with confidence: "Let woman speak for herself; she has the right of freedom of speech. Women are too slow in moving forward, afraid of criticism, of being called unwomanly, of being thought masculine. What of it? If men are so much superior to women, the nearer we come up to the manly standard the higher we elevate ourselves."
Beautifully illustrated with seventy full-color illustrations, this book tells the river’s remarkable story through art, poetry, and prose, while celebrating the writers who helped form its enduring legacy.
Because faculty and students have so many wide-ranging experiences, academic trajectories, and disciplinary backgrounds, they don’t necessarily have the same set of concepts in mind when it comes to talking about research, what it means, or how it’s done. For many, “research” is an abstract, culturally constructed concept. With many different definitions and experiences, it can be critical to build a shared foundation for understanding — especially when issues of “what counts” as knowledge, tenure and promotion, and research process are at stake.
Diverse experiences, academic trajectories, and disciplinary backgrounds drive our understanding and interpretations of research, creative practice, and academic values. Despite its long and richly textured history, arts research is still relatively new to many academic departments and disciplines. For most practitioners, arts research is neither a formalized nor a codified process; it can take many paths. And because it can mean different things to different people, defining ‘arts research’ is a spectacular opportunity to create shared awareness, understanding and practice.
With World Film Locations: Chicago, critic Scott Jordan Harris takes readers on a cinematic tour of the city, featuring modern blockbusters and beloved classics. Along the way, scenes from almost fifty films made or set in the city are discussed, accompanied by full-color stills and interspersed with essays examining the city’s unique character onscreen. Among the contributors are Gordon Quinn, cofounder of Chicago’s Kartemquim Films; Elizabeth Weitzman, film critic for the New York Daily News; the BBC’s Samira Ahmed; and Steve James, director of the coming-of-age classic Hoop Dreams. For readers hoping to locate landmarks from favorite films, the book also includes detailed maps that point out key scenes.
A fun and fact-packed read, World Film Locations: Chicago will be welcomed by film fans and anyone planning a trip to the Windy City.
Be they period films, cult classics, or elaborate directorial love letters, New York City has played—and continues to play—a central role in the imaginations of filmmakers and moviegoers worldwide. The stomping grounds of King Kong, it is also the place where young Jakie Rabinowitz of The Jazz Singer realizes his Broadway dream. Later, it is the backdrop against which taxi driver Travis Bickle exacts a grisly revenge.
Audiences across the world, as well as many of the world’s greatest film directors—including Buster Keaton, Orson Welles, George Lucas, Francis Ford Coppola, David Fincher, and Steven Soderbergh—have been seduced by San Francisco. This book is the ideal escape to the city by the bay for arm chair travelers and cinephiles alike.
In Western Places, American Myths: How We Think About the West, geographer Gary J. Hausladen brings together leading scholars to consider how popular perceptions about the West contribute to our understanding of the region’s geography. Topics include ranching, gambling, cinema, the National Park System, and the roles of minorities in Western expansion. The essays are divided into three sections. “Continuity and Change” addresses themes that are relevant to the entire region including the relationship between the American West and the academic field of historical geography. In part two, “Enduring Regional Voices,” the essays depart from predominantly white Euro-American male interpretations to study other perspectives, namely those of women, Mormons, Mexican Americans, and Native Americans. “The West as Visionary Place” investigates the culture of the region.
Drawing from diverse media, contributors explore various images and their contributions to our understanding about the American West. In the final chapter, key western movies are used to examine the issues of settlement and utopianism, as well as empire and territorial expansion. As a collection, these twelve essays reflect the eclectic nature of Western scholarship, examining diverse topics—some historical, some contemporary—from sometimes conflicting perspectives, with widely divergent scope and voices. Western Places, American Myths brings together geography, history, popular culture, and a comprehensive view of the region, bridging the humanities and social sciences.
A World Apart brings together translations of eight stories by Czech women from the turn of the twentieth century—a period of female political emancipation and impressive literary development in Czechoslovakia. Though they’re little known to an English-language public today, all of the writers featured in the book were recognized in their own day and constitute a cross-section of the literary styles of the period. Anna Maria Tilschová’s “A Sad Time” is written in a naturalist style, while Růžena Jesenská’s “A World Apart” presents themes and motifs that appealed to the Decadents. Helena Malířová’s “The Sylph” is both diaristic and satirical, whereas Růžena Svobodová’s ironical “A Great Passion,” with its rural setting and folklore motifs, calls to mind the writings of Karel Jaromír Erben. Gabriela Preissová’s short story “Eva” may be read as a celebration of folk culture, and Božena Benešová’s “Friends” is interesting for its psychological presentation of a child’s point of view and its implicit criticism of anti-Semitism. The book is accompanied by the biographies of each author and an introduction by editor and translator Kathleen Hayes.
An urban archaeologist working anywhere in the world can imagine this scenario: armed with a small digging tool and a soft brush, the archaeologist stands at a freshly cut trench facing off a construction crew driving bulldozers. At stake is the past—the discovery and preservation of our history. Across the gap is the future—progress and new buildings for a modern world. A battle ensues. It happened in Dublin in the early 1960s.
While investigating and salvage-excavating the site for a new municipal office complex, archaeologists made one of the most important and exciting discoveries in Ireland’s history. Buried beneath the present-day city of Dublin was the original Viking settlement from the ninth or tenth century, in an extraordinary state of preservation: houses, undecayed wood, domestic furniture, jewelry, toys, tools, works of art, coins, plots, paths, a veritable map of the medieval town. Because of its impressive size and state of preservation, the site known as Wood Quay was not an “ordinary” kind of archaeological discovery, nor was the battle that followed typical.
What made Wood Quay unique was that its defender was not the archaeological authority—the National Museum of Ireland—as is usually the case, but rather a spontaneously formed movement of thousands of Dubliners. While the museum was ready to turn the site over to the city’s developers after routine salvage work had been done, a group of prominent literary and political figures seized Wood Quay, holding it for almost a month and preventing bulldozers from moving in. Realizing the significance of the find, the people of Dublin took charge and kept the builders at bay for eight years. At the same time, they were able to press the museum to return to its archaeological work there. Archaeologists ultimately were able to complete good maps of a large portion of the site and recover between one and two million artifacts.
Today, the completed Dublin civic office complex stands on the Wood Quay site, fully landscaped and without a trace of the archaeological gold mine that once lay buried below. What does remain, however, is the memory of the powerful impact the citizens of Dublin had in demanding and establishing the connection through Wood Quay to their medieval roots.
Of interest to archaeologists, historic preservationists, and city planners alike, this fascinating and beautifully written account will also engage the general reader.
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