A SCHOLARLY BOOK REPOSITORY
Among all the decentralized authoritarian countries, China is distinctive not only because of its emergence as one of the largest foreign direct investment (FDI) recipient countries with one of the highest levels of fiscal decentralization, but also because of the combination of its fiscal decentralization and the cadre promotion system as incentive institutions for attracting FDI inflows. China is an important case to empirically investigate the impact of fiscal autonomy on adversarial investment because it has become the largest investment destination of its long-term adversary, Taiwan, with Taiwanese FDI being among the largest FDI in mainland China. Given the special role played by local Chinese governments in attracting and hosting Taiwanese FDI, it is important to study the differences between where Taiwanese FDI and other FDI goes.
Given the uniqueness of the China case and that of Taiwanese investment in mainland China, this book explores the following questions. What determines where FDI goes in authoritarian countries like China? Fiscal decentralization has been argued to be a driving force of skyrocketing FDI inflows in China due to its impact on local governments’ incentives. However, is the impact of fiscal autonomy on FDI monolithic with the dynamically changing levels of FDI inflows at the lower administrative levels in China, especially with its special cadre management system? Does the impact of fiscal decentralization on FDI strengthen or weaken or stay the same when attracting FDI inflows from adversarial states? And what are the implications of such adversarial investment—especially as it diffuses from coastal cities to the interior regions, or from key cities to peripheral regions—of decentralized authoritarian countries targeted by this investment?
Contains the Bryant Spann Memorial Prize in Literature for 1997, an award-winning essay, "The Very Last Hurrah" by Eric Leif Davin
This collection of articles delves into the little-known community-based unionism of the 1930s. Worlds apart from bureaucratic business unions like the AFL-CIO, these organizations emerged from workers involved in many kinds of labor, from African American nutpickers in St. Louis to chemical and rubber workers in Akron, and from bootleg miners in Pennsylvania to tenant farmers in the Mississippi Delta.
The contributors draw on eyewitness interviews, first-person narratives, trade union documents, and other primary sources to describe experimental forms of worker activism during the period. This alternative unionism was democratic, deeply rooted in mutual aid among workers in different crafts and work sites, and politically independent. The key to it was a value system based on egalitarianism. The cry, "We are all leaders!" resonated among rank-and-file activists. Their struggle, though often overlooked by historians, has much to teach us about union organizing today.
Contributors: John Borsos, Eric Leif Davin, Elizabeth Faue, Rosemary Feurer, Janet Irons, Michael Kozura, Mark D. Naison, Peter Rachleff, and Stan Weir
The nations of the modern Americas began as successful colonies, but not all colonies succeeded, and the margin between colonies that survived and those that failed was small. Both contribute to our understanding of the ordeals of the Europeans who first settled in the New World and of the Native Americans who had to interact with them, but with the exception of the famous lost Roanoke colony, the failed colonies of North America remain largely unknown except to specialists in colonial history. The Spanish and French repeatedly attempted to colonize parts of Georgia, Florida, and Virginia, while the Dutch, French, and English sought to establish permanent settlements along the northern waterways of the New World. The greatest problem faced by every colony was the specter of starvation. Native Americans gave food to newly arrived colonists, but such generosity could not endure. Indigenous people soon realized that colonists of every nationality were prepared to make war against Native peoples, conquer, subjugate, and even massacre whole communities unless they were cooperative and offered no resistance to the intrusion into their territory. In response, Native Americans withheld aid or resorted to retaliatory violence, dooming many European settlements.
In We Could Perceive No Sign of Them: Failed Colonies in North America, 1526–1689, historians David MacDonald and Raine Waters tell the fascinating stories of the many attempts to establish a European foothold in the New World, from the first Spanish colony in 1526 on the coast of Georgia to the final disastrous French endeavors near the arctic. Using primary source texts, the authors synthesize the shared experiences of Europeans to better understand the very fine line between success and failure and the varieties of Native American responses.
Originally published in 1982, Where the Sky Began, John Madson’s landmark publication, introduced readers across the nation to the wonders of the tallgrass prairie, sparking the current interest in prairie restoration. Now back in print, this classic tome will serve as inspiration to those just learning about the heartland’s native landscape and rekindle the passion of long-time prairie enthusiasts.
From Tokyo Story to Godzilla, You Only Live Twice to Enter the Void, World Film Locations: Tokyo presents a kaleidoscopic view of one of the world’s most exciting cities through the lens of cinema. Illustrated throughout with dynamic screen shots, this volume in Intellect’s World Film Locations series spotlights fifty key scenes from classic and contemporary films shot in Tokyo, accompanied by insightful essays that take us from the wooden streets of pre-nineteenth-century Edo to the sprawling “what-if” megalopolis of science fiction and fantasy anime. Important themes and players—among them Akira Kurosawa, Samuel Fuller, and Sofia Coppola—are individually considered. For the film scholar, or for all those who love Japanese cinema and want to learn more, World Film Locations: Tokyo will be an essential guide.
Iceland is an enigmatic island country marked by contradiction: it’s a part of Europe, yet separated from it by the Atlantic Ocean; it’s seemingly inhospitable, yet home to more than 300,000. Wasteland with Words explores these paradoxes to uncover the mystery of Iceland.
In Wasteland with Words Sigurdur Gylfi Magnússon presents a wide-ranging and detailed analysis of the island’s history that examines the evolution and transformation of Icelandic culture while investigating the literary and historical factors that created the rich cultural heritage enjoyed by Icelanders today. Magnússon explains how a nineteenth-century economy based on the industries of fishing and agriculture—one of the poorest in Europe—grew to become a disproportionately large economic power in the late twentieth century, while retaining its strong sense of cultural identity. Bringing the story up to the present, he assesses the recent economic and political collapse of the country and how Iceland has coped. Throughout Magnússon seeks to chart the vast changes in this country’s history through the impact and effect on the Icelandic people themselves.
Up-to-date and fascinating, Wasteland with Words is a comprehensive study of the island’s cultural and historical development, from tiny fishing settlements to a global economic power.
The companion to Working with Water engages students in hands-on exploration. It highlights historical processes and encourages multiple learning styles.
"Wisconsin: Our State, Our Story" brings history to life! Thinking Like a Historian questions in each chapter encourage critical thinking. Scores of artifacts and documents invite students to become eyewitnesses to the past.
Lively, classroom-tested text will engross students. The rich content aligns with relevant, cross-curricular Wisconsin Model Academic Standards. The specially designed Teacher's Edition and Student Activity Guide provide additional tools to reach all learners.
The Teacher's Edition provides educators with the background, literacy, and other skill-building strategies to teach "Wisconsin: Our State, Our Story" in both social studies and literacy classes.
"Wisconsin: Our State, Our Story" textbook promotes content-focused reading to address both social studies and language arts standards for the state of Wisconsin.
The Teacher's Edition draws on the research-based pedagogy in both literacy developmnent and in historical inquiry to help reach the many different levels of learners in today's classrooms.
"Wisconsin: Our State, Our Story" brings history to life! Thinking Like a Historian questions in each chapter encourage critical thinking. Scores of artifacts and documents invite students to become eyewitnesses to the past.
Lively, classroom-tested text will engross students. The rich content aligns with relevant, cross-curricular Wisconsin Model Academic Standards. The specially designed Teacher's Edition and Student Activity Guide provide additional tools to reach all learners.
Classroom set includes 25 copies of the Spanish textbook (978-0-87020-512-5) PLUS 1 copy of the Teacher's Edition in English (978-0-87020-379-4) and 1 copy of the Student Activity Guide DVD in Spanish (978-0-87020-688-7)
"Wisconsin: Our State, Our Story" brings history to life! Thinking Like a Historian questions in each chapter encourage critical thinking. Scores of artifacts and documents invite students to become eyewitnesses to the past.
Lively, classroom-tested text will engross students. The rich content aligns with relevant, cross-curricular Wisconsin Model Academic Standards. The specially designed Teacher's Edition and Student Activity Guide provide additional tools to reach all learners.
"Wisconsin: Our State, Our Story" brings history to life! Thinking Like a Historian questions in each chapter encourage critical thinking. Scores of artifacts and documents invite students to become eyewitnesses to the past.
Lively, classroom-tested text will engross students. The rich content aligns with relevant, cross-curricular Wisconsin Model Academic Standards. The specially designed Teacher's Edition and Student Activity Guide provide additional tools to reach all learners.
"Wisconsin: Our State, Our Story" brings history to life! Thinking Like a Historian questions in each chapter encourage critical thinking. Scores of artifacts and documents invite students to become eyewitnesses to the past.
Lively, classroom-tested text will engross students. The rich content aligns with relevant, cross-curricular Wisconsin Model Academic Standards. The specially designed Teacher's Edition and Student Activity Guide provide additional tools to reach all learners.
Classroom set includes:
25 Student Textbooks,
1 Teacher’s Edition, and
1 Student Activity Guide disc
"Wisconsin: Our State, Our Story" brings history to life! Thinking Like a Historian questions in each chapter encourage critical thinking. Scores of artifacts and documents invite students to become eyewitnesses to the past.
Lively, classroom-tested text will engross students. The rich content aligns with relevant, cross-curricular Wisconsin Model Academic Standards. The specially designed Teacher's Edition and Student Activity Guide provide additional tools to reach all learners.
"Wisconsin: Our State, Our Story" brings history to life! Thinking Like a Historian questions in each chapter encourage critical thinking. Scores of artifacts and documents invite students to become eyewitnesses to the past.
Lively, classroom-tested text will engross students. The rich content aligns with relevant, cross-curricular Wisconsin Model Academic Standards. The specially designed Teacher's Edition and Student Activity Guide provide additional tools to reach all learners.
Maparyan organizes the contributions around five key ideas. The first section looks at womanist self-care as a life-saving strategy. The second examines healing the Earth as a prerequisite to healing ourselves. In Part Three, the essays illuminate how womanism’s politics of invitation provides a strategy for enlarging humanity’s circle of inclusion, while Part Four considers womanism as both a challenge and antidote to dehumanization. The final section delves into womanism’s potential for constructing worlds and futures. In addition, Maparyan includes a section of works by womanist visual artists.
Defiant and far-sighted, Womanism Rising takes readers on a journey into a new generation of concepts, ideas, and strategies for womanist studies.
This book exposes the history and the future of the Wagner Group, Russia’s notorious and secretive mercenary army, revealing details of their operations never documented before. Using extensive leaks, first-hand accounts, and the byzantine paper trail left in the group’s wake, Jack Margolin traces the Wagner Group from its roots as a battlefield rumor to a private military enterprise tens of thousands–strong that eventually comes to threaten Putin himself. He follows individual commanders and foot soldiers within the group as they fight in Ukraine, Syria, and Africa, sometimes alongside fellow military contractors from the United Kingdom and the United States. He shows Wagner mercenaries committing atrocities, plundering oil, diamonds, and gold, and changing the course of conflicts from Europe to Africa in the name of the Kremlin’s strategic aims.
In documenting the Wagner Group’s story up to the dramatic demise of its chief director, Evgeniy Prigozhin, Margolin demonstrates what the Wagner Group represents for not only the future of Putin’s political system but also the privatization of war.
A revealing cultural history of this American art form.
In her intriguing and heavily illustrated look at post office murals of the 1930s, Karal Ann Marling examines these unique government-sponsored works of art not only as paintings but as part of American cultural history. Depicting scenes from the farm, the frontier, and the factories, these murals were commissioned by the Treasury Department during the administration of Franklin D. Roosevelt. Placed in the building where everyone in town had reason to stop, the thousand-odd paintings discussed here were truly intended to hold appeal for everyone. This spirited and often irreverent discussion offers a close look at the murals and what they represented to small-town America during the Great Depression.
Winner, 2016 BCALA Literary Award (poetry category)
Winner of the 2014 Agnes Lynch Starrett Poetry Prize
Finalist, 2015 NAACP Image Awards (poetry category)
Wild Hundreds is a long love song to Chicago. The book celebrates the people, culture, and places often left out of the civic discourse and the travel guides. Wild Hundreds is a book that displays the beauty of black survival and mourns the tragedy of black death.
Together, the contributors demonstrate that this emergent racism is not simply a product of ideology, but is driven by a combination of social, political, and cultural factors. What Is Islamophobia? concludes with reflections on existing strategies for tackling this growing issue and considers different approaches to countering anti-Muslim prejudice.
Kristin McAndrews states that she “began to suspect that the reason there was so little scholarship on women’s humor was that male researchers didn’t understand it, or perhaps they didn’t recognize it.” To examine the humor of one group of women, she conducted interviews with Winthrop’s female wranglers, collecting stories about their lives as workers and as members of their community. For all these women, professional success depends on courage, ingenuity, a sense of humor, and a facility with language—as well as on an ability to perform within the traditional gender stereotypes evoked by their town’s Wild west image.
A stirring defense of Sinéad O’Connor’s music and activism, and an indictment of the culture that cancelled her.
In 1990, Sinéad O’Connor’s video for “Nothing Compares 2 U” turned her into a superstar. Two years later, an appearance on Saturday Night Live turned her into a scandal. For many people—including, for years, the author—what they knew of O’Connor stopped there. Allyson McCabe believes it’s time to reassess our old judgments about Sinéad O’Connor and to expose the machinery that built her up and knocked her down.
Addressing triumph and struggle, sound and story, Why Sinéad O’Connor Matters argues that its subject has been repeatedly manipulated and misunderstood by a culture that is often hostile to women who speak their minds (in O’Connor’s case, by shaving her head, championing rappers, and tearing up a picture of the pope on live television). McCabe details O’Connor’s childhood abuse, her initial success, and the backlash against her radical politics without shying away from the difficult issues her career raises. She compares O’Connor to Madonna, another superstar who challenged the Catholic Church, and Prince, who wrote her biggest hit and allegedly assaulted her. A journalist herself, McCabe exposes how the media distorts not only how we see O’Connor but how we see ourselves, and she weighs the risks of telling a story that hits close to home.
In an era when popular understanding of mental health has improved and the public eagerly celebrates feminist struggles of the past, it can be easy to forget how O’Connor suffered for being herself. This is the book her admirers and defenders have been waiting for.
Though Hood managed to cut communication between Sherman and George H. Thomas’s Union forces by placing his troops across the railroads south of the city, Hood’s men were spread over a wide area and much of the Confederate cavalry was in Murfreesboro. Hood’s army was ultimately routed. Union forces pursued the Confederate troops for ten days until they recrossed the Tennessee River. The decimated Army of Tennessee (now numbering only about 15,000) retreated into northern Alabama and eventually Mississippi. Hood requested to be relieved of his command. Less than four months later, the war was over.
Written in a lively and engaging style, The Western Confederacy's Final Gamble presents new interpretations of the critical issues of the battle. James Lee McDonough sheds light on how the Union army stole past the Confederate forces at Spring Hill and their subsequent clash, which left six Confederate generals dead. He offers insightful analysis of John Bell Hood’s overconfidence in his position and of the leadership and decision-making skills of principal players such as Sherman, George Henry Thomas, John M. Schofield, Hood, and others.
McDonough’s subjects, both common soldiers and officers, present their unforgettable stories in their own words. Unlike most earlier studies of the battle of Nashville, McDonough’s account examines the contributions of black Union regiments and gives a detailed account of the battle itself as well as its place in the overall military campaign. Filled with new information from important primary sources and fresh insights, Nashville will become the definitive treatment of a crucial battleground of the Civil War.
In 1968 Miguel “Mickey” Melendez was a college student, developing pride in his Cuban and Puerto Rican cultural identity and becoming increasingly aware of the effects of social inequality on Latino Americans. Joining with other like-minded student activists, Melendez helped form the central committee of the New York branch of the Young Lords, one of the most provocative and misunderstood radical groups to emerge during the 1960s. Incorporating techniques of direct action and community empowerment, the Young Lords became a prominent force in the urban northeast. From their storefront offices in East Harlem, they defiantly took back the streets of El Barrio. In addition to running clothing drives, day-care centers, and food and health programs, they became known for their media-savvy tactics and bold actions, like the takeovers of the First People’s Church and Lincoln Hospital.
In this memoir, Melendez describes with the unsparing eye of an insider the idealism, anger, and vitality of the Lords as they rose to become the most respected and powerful voice of Puerto Rican empowerment in the country. He also traces the internal ideological disputes that led the group, but not the mission, to fracture in 1972. Written with passion and compelling detail, We Took the Streets tells the story of how one group took on the establishment—and won.
This volume will be a useful reference for educators, practice-based researchers, and scholars, not only of electronic literature but also in the adjacent areas of language art, new media art practices, digital humanities, and feminist studies.
This inaugural issue is devoted to studies of Taliesin I. Designed and constructed in 1911 upon Wright’s return to Wisconsin from Europe, Taliesin I burned in August 1914. It thus became the most difficult Wright residence for Wright scholars to examine.
In this volume’s critical essays, Neil Levine offers a view of the different layers of meaning of Taliesin I; Scott Gartner explains the legend of the Welsh bard Taliesin and its meaning for Wright; Anthony Alofsin considers the influence of the playwright Richard Hovey and the feminist Ellen Key on Wright’s and Cheney’s thought of the period; and Narciso G. Menocal suggests that the Gilmore and O’Shea houses in Madison, Wisconsin, are a collective antecedent to Taliesin I.
To conclude the volume, Anthony Alofsin has written what amounts to a catalogue raisonné of the drawings and photographs of Taliesin I. Surprisingly, he finds no photographs of the living area and argues that those that have been published are in fact of Taliesin II.
The first extended study of Wilbur's work in twenty-five years, Wilbur's Poetry explores the light poems, the darker mediations, the brilliant translations of Moliere and Racine, as well as the risks Wilbur has taken as an artist. There are chapters on Wilbur's unique use of language and his response to a vast poetic heritage, on form and closure and their thematic implications, and of Wilbur's place as a poet in a complex and "scattering" time.
“Miller’s terrific book reminds that Russia made moves toward the East five hundred years ago, and explains why ignoring the Russian factor in Asian geopolitics today would be a big mistake.”
—Michael McFaul, author of From Cold War to Hot Peace
“Miller presents a Russia little known in the West: a Eurasian power that treats its eastern calling as seriously as it does its western one. Exceptionally well written and argued, We Shall Be Masters helps us understand Russia on its own terms and offers historical insight into the future of its relations with China, its main rival and occasional ally.”
—Serhii Plokhy, author of The Gates of Europe
“Challenges the conventional view that [Russia] has enduring interests in the Far East…For Russia, Miller argues, Asia has been a land of unfulfilled promises.”
—Foreign Affairs
“Captures the immensity, complexity, and importance of Russia’s eastern borderlands through the eyes of its explorers…Comprehensive and fluidly written.”
—Publishers Weekly
Ever since Peter the Great, Russian leaders have been lured by the promise of the East. But from the tsars to Stalin and beyond, Russia’s ambitions have repeatedly outstripped its capacity. In We Shall Be Masters, Chris Miller explores why these expansionist dreams so often ended in disappointment. With the heart of the nation in the European borderlands, Russia’s would-be pioneers struggled to maintain public interest in their far-flung pursuits. But its leaders never stopped setting their sights on the riches of the East. Today, as Vladimir Putin seeks to cement his strategic partnership with Xi Jinping’s China, the East remains as elusive and attractive to Russia as ever—and is likely to be as unattainable.
Miller’s history ranges widely, from ancient times to the present, exploring all the many ways that we’ve rendered water palatable—from boiling it for tea or distilling it as part of alcoholic beverages to piping it from springs, bubbles and all. He covers the histories of water treatment and supply, belief in its medicinal powers, and much more, all supported by fascinating historical illustrations. As access to fresh water becomes an ever more potent problem worldwide, Miller’s book is a fascinating reminder of our long engagement with this most vital fluid.
Combining natural, cultural, and environmental history, Walrus explores the intriguing story of an animal that today is on the front lines of conservation debates. John Miller and Louise Miller describe the problems facing walruses even after the twentieth-century bans on nonindigenous walrus hunting—shrinking pack-ice caused by global warming and the exploitation of Arctic oil and gas resources are destroying the animal’s habitat. Wonderfully illustrated with images of walruses in the wild and from art and popular culture, Walrus offers a refreshing account of these large-flippered mammals while also illustrating the ethical dilemmas they embody, from the intensifying conflict between the developed world and indigenous interests to the impact of global warming on arctic animals.
What is Research? includes conversations with theater director Annie Dorsen, biomedical researcher Elodie Ghedin, sculptor Tom Joyce, physicist Hideo Mabuchi, poet Campbell McGrath, photographer and filmmaker An-My Lê, neuroscientist Sheila Nirenberg, geochemist Terry Plank, and historian Marina Rustow, all of whom grapple with questions about the nature of research from their varied perspectives.
By the thousands they came, the gold-seekers of 1897, pouring through Alaska's White and Chilkoot passes on their way to the Klondike and to fortune. Fast behind them came the entrepreneurs, the bunco artists, and before long, the engineers and financiers whose driving ambition was to build a railway through the White Pass's rocky precipices. This is the epic northern adventure of the men who rushed for gold, the workers who toiled in winter storms and thaw-time muck, carving the grade and laying rail, and the ingenious characters who dreamed, schemed, promoted, and finally built the White Pass and Yukon Railway.
Mitchell draws on decades of experience to describe the trails, routes, wildlife, glaciers, lakes, and streams in Wyoming's fabulous two-and-a-quarter million acre Wind River Range.
A short hike was the beginning of a long career in wilderness living for Finis Mitchell of Rock Springs, Wyoming. He has scaled 244 peaks, including four times to the trop of Gannett Peak, the highest mountain in the state. A vigorous supporter of wilderness, the mountain man pours out his philosophy at meetings and slide shows with amazing attention to detail. He has taken 105,345 pictures as a hobby and uses them in his slide shows to show people their own public lands.
He has drawn on his vast experience in the Wind Rivers to describe, in this guide book, the trails, routes, wildlife, glaciers, 4,000 lakes and 800 miles of streams in Wyoming’s fabulous two and a quarter million acre Wind River Range.
An exciting and visually focused tour of the diverse range of films shot on location in London, World Film Locations: London presents contributions spanning the Victorian era, the swinging ’60s, and the politically charged atmosphere following the 2005 subway bombings. Essays exploring key directors, themes, and historical periods are complemented by reviews of important scenes that offer particular insight into London's relationship to cinema. The book is illustrated throughout with full-color film stills and photographs of cinematic landmarks as they appear now—as well as city maps to aid those keen to investigate them.
From Terror on the Underground to Thames Tales to Richard Curtis's affectionate portrayal of the city in Love Actually, this user-friendly guide explores the diversity and distinctiveness of films shot in location in London.
From 1971 to 1972, William E. Mitchell undertook fieldwork on suffering and healing among the Lujere of Papua New Guinea’s Upper Sepik River Basin. At a time when it was not yet common to make colonial agencies a subject of anthropological study, Mitchell carefully located his research on Lujere practices in the framework of a history of colonization that surrounded the Lujere with a shifting array of Western institutions, dramatically changing their society forever. Mitchell’s work has been well known among anthropologists of Oceania, but the material in this book has remained unpublished until now.
In this major new work, Mitchell revisits his early fieldwork with a three-part study of the history of colonial rule in the region, the social organization of Lujere life at the time, and the forms of affliction, witchcraft, and curing that preoccupied them. Furthermore, Mitchell offers the first sweeping cross-cultural survey of sanguma (magical murder) in Oceania. The book presents a vivid portrait of a society that has since changed dramatically as well as an approach to anthropology that was typical of the era. This is a significant contribution to the ethnography of Papua New Guinea and is sure to be an invaluable source for researchers of Melanesia, medical anthropologists, and scholars of kinship, myth, and ritual.
This collection charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes. Included in the book are the full texts of The Crab Walks and Crab Steps Aside by Phil Smith, Mourning Walk by Carl Lavery, and Tree by Deirdre Heddon, each accompanied by photographs and contextual essays. Taken together or separately, the work of all three artist-scholars raises important issues about memory, the ethics of autobiographical performance, ritual, life writing, and site-specific performance.
As part of the larger, ongoing movement throughout Latin America to reclaim non-Hispanic cultural heritages and identities, indigenous writers in Mexico are reappropriating the written word in their ancestral tongues and in Spanish. As a result, the long-marginalized, innermost feelings, needs, and worldviews of Mexico's ten to twenty million indigenous peoples are now being widely revealed to the Western societies with which these peoples coexist. To contribute to this process and serve as a bridge of intercultural communication and understanding, this groundbreaking, three-volume anthology gathers works by the leading generation of writers in thirteen Mexican indigenous languages: Nahuatl, Maya, Tzotzil, Tzeltal, Tojolabal, Tabasco Chontal, Purepecha, Sierra Zapoteco, Isthmus Zapoteco, Mazateco, Ñahñu, Totonaco, and Huichol.
Volume Three contains plays by six Mexican indigenous writers. Their plays appear first in their native language, followed by English and Spanish translations. Montemayor and Frischmann have abundantly annotated the Spanish, English, and indigenous-language texts and added glossaries and essays that introduce the work of each playwright and discuss the role of theater within indigenous communities. These supporting materials make the anthology especially accessible and interesting for nonspecialist readers seeking a greater understanding of Mexico's indigenous peoples.
Set against the backdrop of Frankfurt’s affluent suburbs, this elliptical tale of coincidence and necessity unfolds through a series of masterly constructed vignettes, which gradually come together to form a scintillating portrait of the funny, tender, and destructive guises that love between two people can assume and the effect it has on everyone around them. Hailed in Germany as the first great social novel of the twenty-first century, What Was Before is an Elective Affinities for our time.
A passionate examination of the social and economic injustices that continue to shackle the American people
Praise for Workin’ on the Chain Gang:
“. . . bracing and provocative. . . .”
—Publishers Weekly
“. . . clear-sighted . . . Mosley offers chain-breaking ideas. . . .”
—Los Angeles Times Book Review
“[A] thoroughly potent dismantling of Yanqui capitalism, the media, and the entertainment business, and at the same time a celebration of rebellion, truth as a tool for emancipation, and much else besides. . . .”
—Toronto Globe and Mail
“Workin’ on the Chain Gang excels at expressing feelings of ennui that transcend race. . . . beautiful language and penetrating insights into the necessity of confronting the past.”
—Washington Post
“Mosley eloquently examines what liberation from consumer capitalism might look like. . . . readers receptive to a progressive critique of the religion of the market will value Mosley’s creative contribution.”
—Booklist
Walter Mosley’s most recent essay collection is Life Out of Context, published in 2006. He is the best-selling author of the science fiction novel Blue Light, five critically acclaimed mysteries featuring Easy Rawlins, the blues novel RL’s Dream, a finalist for the NAACP Award in Fiction, and winner of the Black Caucus of the American Library Association’s Literary Award. His books have been translated into twenty languages. He lives in New York.
Clyde Taylor is Professor of Africana Studies at NYU’s Gallatin School and author of The Mask of Art: Breaking the Aesthetic Contract—Film and Literature.
Thirty-two years after its initial publication, this respected sociological essay, written in the history-making years of 1989 and 1990, is available for the first time in English. The essay tells the story of a despotic Socialist state expropriating the family (and with it the private sphere of life) only to be colonized by the very thing it expropriated forty years later. The essay plunges the reader into the pivotal time of the Velvet Revolution and provides valid explanations for the grassroots causes of the old regime’s downfall, examining the private aspirations and strategies of highly disparate groups of nameless social actors of the old regime that eventually sapped almost everyone of any interest in keeping the regime afloat.
Now available in a new second edition, Working World: Careers in International Education, Exchange, and Development offers an engaging guide for cause-oriented people dedicated to begin or enhance careers in the now burgeoning fields of international affairs. Mueller and Overmann expand their original dialogue between a career veteran and a young professional to address issues that recognize the meteoric rise of social media and dramatic geopolitical events. They explore how the idea of an international career has shifted: nearly every industry taking on more and more international dimensions, while international skills—linguistic ability, intercultural management, and sensitivity—become ever more highly prized by potential employers.
This second edition of Working World offers ten new and four significantly updated profiles as well as new and expanded concepts that include work-life balance, the importance of informational interviews, moving on, and key building blocks for international careers.Like the award-winning first edition, Working World is a rare and valuable resource to students and graduates interested in careers in international affairs, mid-career professionals who want to make a career change or shift, as well as guidance counselors and career center specialists at universities.
Murphy reviews the publishing history of the Houghton Mifflin edition and the prior New Yorker serialization, describing Carson's approach to her project as well as the views and expectations of her editors. She also documents the response of opponents to Carson's message, notably the powerful chemical industry, including efforts to undermine, delay, or stop publication altogether.
Murphy then investigates the media's role, showing that it went well beyond providing a forum for debate. In addition, she analyzes the perceptions and expectations of the public at large regarding the book, the debate, and the media. By probing all of these perspectives, Murphy sheds new light on the dynamic between newsmaking books, the media, and the public. In the process, she addresses a host of broader questions about the place of books in American culture, past, present, and future.
Few American writers were as concerned with their public image as was Walt Whitman. He praised his own work in unsigned reviews; he included engravings or photographs of himself in numerous editions of his work; and he assisted in the writing of two biographies of himself. Whitman was also written about extensively by others throughout his lifetime. Whitman in His Own Time is a collection of these contemporary accounts of the "good gray poet."
The interviews with and recollections of Whitman collected by Joel Myerson represent a wide spectrum of accounts—visitors from America and abroad; newspaper interviewers; Whitman's doctor and nurse during his final illness; his literary executors; a student from his early schoolteaching days; and such well-known authors as Bronson Alcott, John Burroughs, and Henry David Thoreau. The selections also paint a well-rounded picture of Whitman, from his early days as a schoolteacher to the moment of his death, and demonstrate a varying range of attitudes toward the poet. Yet throughout the entire collection, Whitman himself holds center stage, and he is seen as vividly today as he was over one hundred years ago. Myerson's introduction to this expanded edition places these accounts of Whitman within the context of the time and discusses new scholarship on Whitman's life.
Winner of the Society for Military History’s Distinguished Book Award
“Deeply researched and forcefully written . . . deftly explains the confused politics and diplomacy that bedeviled the war against the Nazis.”—Wall Street Journal
“Neiberg is one of the very best historians on wartime France, and his approach to the fall of France and its consequences is truly original and perceptive as well as superbly written.”—Antony Beevor, author of The Second World War
“An utterly gripping account, the best to date, of relations within the turbulent triumvirate of France, Britain, and America in the Second World War.”—Andrew Roberts, author of Churchill: Walking with Destiny
The “most shocking single event” of World War II, according to US Secretary of War Henry Stimson, was not the Japanese attack on Pearl Harbor but the fall of France in the spring of 1940. The Nazi invasion of France destabilized Washington’s strategic assumptions, resulting in hasty and desperate decision-making. Michael Neiberg offers a dramatic history of America’s bewildering response—policies that placed the United States in league with fascism and nearly ruined its alliance with Britain.
FDR and his advisors naively believed they could woo Vichy France’s decorated wartime leader, Marshal Philippe Pétain, and prevent the country from becoming a formal German ally. The British, convinced that the Vichy government was fully subservient to Nazi Germany, chose to back Charles de Gaulle and actively financed and supported the Resistance. After the war, America’s decision to work with the Vichy regime cast a pall over US-French relations that lasted for decades.
First paperback edition.
Women Warriors in Romantic Drama examines a recurring figure that appears in French, British, and German drama between 1789 and 1830: the woman warrior. The term itself, “woman warrior,” refers to quasi-historical female soldiers or assassins. Women have long contributed to military campaigns as canteen women. Camp followers ranged from local citizenry to spouses and prostitutes, and on occasion, women assisted men in combat. However, the woman warrior is a romantic figure, meaning a fanciful ideal, despite the reality of women’s participation in select scenes of the French Revolution and the Napoleonic Wars. The central claim of this book is the woman warrior is a way for some women writers (Olympe de Gouges, Christine Westphalen, Karoline von Günderrode, and Mary Robinson) to explore the case for extending citizenship to women. This project focuses primarily on theater for the reason that the stage simulates the public world that female dramatists and their warriors seek to inhabit. Novels and poetry clearly belong to the realm of fiction, but when audiences see women fighting onstage, they confront concrete visions of impossible women. I examine dramas in the context of their performance and production histories in order to answer why so many serious dramas featuring women warriors fail to find applause, or fail to be staged at all. Dramas about women warriors seem to sometimes contribute to the argument for female citizenship when they take the form of tragedy, because the deaths of female protagonists in such plays often provoke consideration about women’s place in society.
Consequently, where we find women playing soldiers in various entertainment venues, farce and satire often seem to dominate, although this book points to some exceptions. Censorship and audience demand for comedies made producing tragedies difficult for female playwrights, who battled additional obstacles to fashioning their careers. I compare male (Edmund Eyre, Heinrich von Kleist) and female writers’ dramatizations of the woman warrior. This analysis shows that the difficult project of getting audiences to take women warriors seriously resembles women writers’ struggles to enter the ostensibly male domains of tragedy and the public sphere.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
These stories precede all of Nin’s published work to date. In them are many sources of the more mature work that collectors and growing writers can appreciate.
Written when Anaïs Nin was in her twenties and living in Louveciennes, France, these stories contain many elements that will delight her readers: details remembered from childhood, of life in Paris, the cafés, theatres; characters including dancers, artists, writers, women who devote themselves to their work and visions as well as romance, strangers met in the night; themes such as the scruples of lovers, the search for brilliant, imaginative living; the writer’s experimentation with exotic words like “sybaritic” and “violaceous”. In the craft of these stories readers are treated to a deft sense of humor, ironic wit, much conversation as well as ecstatic prose, and surprise endings. Throughout all, the Nin personality shines, a wonderful mixture of feeling and rationality, of vulnerability and strength.
Mongolia, a vibrant democracy landlocked between Russia and China, stands on the edge of becoming Asia’s next boom nation—one of the richest countries per capita in the region. Referred to as the “wolf economy” for its vast natural resources (copper, gold, and rare earth metals), it is also home to a growing number of cutting-edge tech startups and international lifestyle brands. Its vast steppe landscape lends itself not only to herding and tourism but also to renewable energy production and filmmaking.
The Wolf Economy Awakens is about the individuals who are fighting to strengthen the country’s democracy and diversify its economy. It is about innovators aiming to realize Mongolia’s promise as a hub for green energy, tech and lifestyle entrepreneurs who are shaking up traditional industries, and go-getters who have left jobs on Wall Street to return to the country they love and help move it forward. Asia correspondent and award-winning author Johan Nylander travels across Mongolia to speak to the country’s leaders and innovators—not to mention a cast of digital nomads, jazz musicians, and ordinary families—and finds a nation ready to grasp a better future. Unlocking a country’s potential is never easy, but Mongolia stands every chance of becoming Asia’s next success story.
Contributors explore many of the relationships now shaping American literature and criticism, including the tensions between postmodernist playfulness and autobiographical earnestness, art and commerce, and politics and aesthetics. Novelists Miriam Levine, Robert Olmstead, and Jonathan Strong offers essays on their creative processes and discuss the imaginative and emotional mysteries of writing and reading. Essays on Alice Walker, Art Spiegelman, Marilynne Robinson, and AIDS literature examine how the act of writing is linked to themes of longing, discovery, desire, and betrayal.
In evaluating both familiar and rarely studied contemporary literature from the standpoint of practicing writers as well as critics, this volume challenges the literary politics that silence critics as well as writers and testifies to the power of silent works to speak aloud. Certain to spark conversations about the politics of scholarship on current American writing, Write Now will be of interest to teachers and scholars of creative writing and American literary studies, those engaged in the arts of writing and literary criticism, and readers of contemporary American literature.
Contributors. Bonnie Braendlin, Christine Caver, Thomas Doherty, Rachel Blau DePlessis, Jennifer Gillan, Stephanie Girard, Deborah Landau, Miriam Levine, Sharon O’Brien, Robert Olmstead, Juliana Spahr, Jonathan Strong
"This account will be welcome to a large circle of readers. . . . The arduous nature of these campaigns deserves to be far more widely known, and this is just the book for the purpose--short, clear, and easy to read."--Journal of the African Society
The largest battles of World War I were fought in Europe, and it is there where most critical studies focus. The fate of the far-flung colonies of Germany, however, are what gave the war its global scope, with campaigns reaching from China to New Guinea and East to West Africa. While there are detailed accounts of most of these campaigns, The War in Africa and the Far East, 1914-17 is unique in providing a concise history of the entire series of military events in Africa and Asia, giving the reader a better idea of the relationship and chronology of these wide-ranging events. While Germany was stripped of all its overseas colonies, the change in power had unintended consequences, most importantly the rise of Japan in the Pacific, where former German colonies now stood at the territorial boundary between Japan and the United States.
Waged by Allied troops from Britain, Kenya, Zambia, Portugal, Japan, India, Netherlands, and other countries and led by such personalities as General Jan Christian Smuts, the theater of operations crossed modern-day Tanzania, Rwanda, Burundi, Togo, Cameroon, Namibia, New Guinea, Qingdau, the Bismarck Archipelago, and other Pacific Island chains. Originally published in 1918 using official dispatches and other sources, and presented here for the first time in paperback, completely retypeset and with the original maps and additional photographs, The War in Africa and the Far East is a compact overview of an important aspect of the First World War.
This book aims to introduce to a larger audience issues that are too often limited to scholarly circles. A thought-provoking collection of essays by some of the environmental movement's preeminent thinkers, The Wilderness Condition explores the dynamic tension between wild nature and civilization, offering insights into why the relationship has become adversarial and suggesting creative means for reconciliation. Contributors include Paul Shepard, Curt Meine, Max Oelschlaeger, and George Sessions.
What is it like living today in the chaos of a city that is at once brutal and beautiful, heir to immigrant ancestors "who supposed their children's children would be rich and free?" What is it to live in the chaos of a world driven by "intolerable, unquenchable human desire?" How do we cope with all the wars? In the midst of the dark matter and dark energy of the universe, do we know what train we're on? In this cornucopia of a book, Ostriker finds herself immersed in phenomena ranging from a first snowfall in New York City to the Tibetan diaspora, asking questions that have no reply, writing poems in which "the arrow may be blown off course by storm and returned by miracle."
By engaging in what Karl Marx called a workers' inquiry, workers and militant co-researchers are studying their working conditions, the technical composition of capital, and how to recompose their own power in order to devise new tactics, strategies, organisational forms and objectives. These workers' inquiries, from call centre workers to teachers, and adjunct professors, are re-energising unions, bypassing unions altogether or innovating new forms of workers' organisations.
In one of the first major studies to critically assess this new cycle of global working class struggle, Robert Ovetz collects together case studies from over a dozen contributors, looking at workers' movements in China, Mexico, the US, South Africa, Turkey, Argentina, Italy, India and the UK. The book reveals how these new forms of struggle are no longer limited to single sectors of the economy or contained by state borders, but are circulating internationally and disrupting the global capitalist system as they do.
An adroit collection of essays exposing the constitution for what it really is – a rulebook to protect capitalism for the elites.
Written by 55 of the richest white men of early America, and signed by only 39 of them, the constitution is the sacred text of American nationalism. Popular perceptions of it are mired in idolatry, myth, and misinformation - many Americans have opinions on the constitution but have no idea what’s in it.
The misplaced faith of social movements in the constitution as a framework for achieving justice actually obstructs social change - incessant lengthy election cycles, staggered terms, and legislative sessions have kept social movements trapped in a redundant loop. This stymies progress on issues like labor rights, public health, and climate change, projecting the American people and the rest of the world towards destruction.
Robert Ovetz’s reading of the constitution shows that the system isn’t broken. Far from it. It works as it was designed.
William Faulkner - American Writers 3 was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Gregorio Cortez Lira, a ranchhand of Mexican parentage, was virtually unknown until one summer day in 1901 when he and a Texas sheriff, pistols in hand, blazed away at each other after a misunderstanding. The sheriff was killed and Gregorio fled immediately, realizing that in practice there was one law for Anglo-Texans, another for Texas-Mexicans. The chase, capture, and imprisonment of Cortez are high drama that cannot easily be forgotten. Even today, in the cantinas along both sides of the Rio Grande, Mexicans sing the praises of the great "sheriff-killer" in the ballad which they call "El Corrido de Gregorio Cortez."
Américo Paredes tells the story of Cortez, the man and the legend, in vivid, fascinating detail in "With His Pistol in His Hand," which also presents a unique study of a ballad in the making. Deftly woven into the story are interpretations of the Border country, its history, its people, and their folkways.
Combining tight prose with a compulsive delight in detail, Parei’s second novel in English presents a dynamic portrait of the West German soul from World War II through the German Autumn of 1977.
Winters in the World is a beautifully observed journey through the cycle of the year in Anglo-Saxon England, exploring the festivals, customs, and traditions linked to the different seasons. Drawing on a wide variety of source material, including poetry, histories, and religious literature, Eleanor Parker investigates how Anglo-Saxons felt about the annual passing of the seasons and the profound relationship they saw between human life and the rhythms of nature. Many of the festivals celebrated in the United Kingdom today have their roots in the Anglo-Saxon period, and this book traces their surprising history while unearthing traditions now long forgotten. It celebrates some of the finest treasures of medieval literature and provides an imaginative connection to the Anglo-Saxon world.
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