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Wallace Stevens - American Writers 11
University of Minnesota Pamphlets on American Writers
William York Tindall
University of Minnesota Press, 1961

Wallace Stevens - American Writers 11 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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Western Weird
Mark Todd
University Press of Colorado, 2015

The 2015 theme for Manifest West’s annual anthology is “Western Weird.” The works in this collection reflect both myths and suspected truths about the part of the United States we call “the West.” But this year’s edition focuses entirely on the tradition of the strange. To borrow from Jeff VanderMeer’s definition for speculative fiction’s “New Weird,” this volume creates a new parallel genre for work that subverts the traditional romanticized ideas about place, playing with clichés about the West in order to put these elements to discomfiting, rather than consoling, ends.

Topics included in this collection of poetry, fiction, and creative nonfiction range from the West’s numinous fascination with E.T., Bigfoot, and ghosts and its celebration of its indigenous fauna and deadly landscapes to its uncomfortable relationships with its own marginalized peoples and its unforgiving and sometimes violent traditions. The tone of these works ranges from light—even campy—to chilling, but all allow readers to gaze straight into the many faces of what makes the West a weird place.

For the first time in the series, this volume includes solicited work as well as open submissions, including a number of established and award-winning writers and serving its mission by giving voice to brand-new writers.
 

Western Weird is the fourth volume in Western Press Books’ literary anthology series, Manifest West. The press, affiliated with Western State Colorado University, annually produces one anthology focused on Western regional writing

Contributors:
Bredt Bredthauer, Bartholomew Brinkman, Amy Brunvand, George David Clark, Michael Luis Dauro, Carol V. Davis, Russell Davis, Joe DiBuduo, Michael Engelhard, Daniel Ervin, Mel Goldberg, R. S. Gwynn, Aline Kaplan, Don Kunz , Nate Liederbach, Ellaraine Lockie, Nathan Alling Long, Robert McBrearty, Teresa Milbrodt, Lance Nizami, William Notter, Marlene Olin, C. R. Resetarits, Kate Robinson, Michaela Roessner, David J. Rothman, Matt Schumacher, Renée Thompson, Wendy Videlock, Vivian Wagner, Kirby Wright

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Women and the Media in Capitalism and Socialism
An Ecofeminist Inquiry
Edited by Martina Topic
Intellect Books, 2023
A close look at who shapes the news—and how that affects women.
 
Women and the Media in Capitalism and Socialism examines the news media in capitalist, socialist, and mixed governments to understand the position of women—both their work as journalists and their perception by readers and viewers. Drawing on case studies from around the world, the contributors ask: Who creates the news about women? Who is empowered to act as a news source? And what is the impact? The contributors then apply these questions to an array of examples, including sports journalists in the United Kingdom, reports about violence against women in Spain, news creation in Nigeria, and media representation of female politicians in Croatia.
 
Grounded in ecofeminism, the volume argues that women hold unequal positions in both capitalist and socialist societies and that these imbalances can only be erased through structural changes. This exciting international collaboration contributes to research on women in the media and grows our understanding of how gender inequities are experienced in different political economies.
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World Film Locations
Madrid
Edited by Lorenzo J. Torres Hortelano
Intellect Books, 2011
From Death of a Cyclist to Open Your Eyes to The Limits of Control, Madrid has graced the big screen countless times across a wide variety of genres enacted by a similarly eclectic array of directors, including Carlos Saura, Luis Buñuel, and Pedro Almodovar. With the aim of capturing the full range of portrayals of the city onscreen, this volume pairs short synopses of scenes from fifty films with an accompanying array of dynamic full-color film stills. These scenes are set in context through a series of incisive essays that examine significant periods from Madrid’s rich film history, as well as its key industry figures and recurring themes.
 
Packed with fun facts, World Film Locations: Madrid offers a fascinating—and often surprising—tour of the many film representations of Madrid. For jetsetters planning a jaunt to this richly cinematic city, the book also includes photographs of locations as they appear now and city maps with information on how to locate key features.
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Why Study the Middle Ages?
Kisha G. Tracy
Arc Humanities Press, 2022
The study of the Middle Ages in every aspect of the modern liberal arts—the humanities, STEM, and the social sciences—has significant importance for society and the individual. There is a common belief that the peoples of the past were somehow exempt from (positive, especially) human nature, had less of a sense of morality (by any definition) than we do now, or were unaware of basic human dilemmas or triumphs. Relegating the Middle Ages to "primitive" distances us from close examination of what has not changed in society—or what has, which might not be for the better. Exploring and exploding these (mis)conceptions is essential to experience the benefits of a liberal education.
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Warped Minds
Cinema and Psychopathology
Temenuga Trifonova
Amsterdam University Press, 2014
Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the fin de siècle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena.Download the Table of Contents and a sample chapter
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Wicked Philosophy
Philosophy of Science and Vision Development for Complex Problems
Coyan Tromp
Amsterdam University Press, 2018
Wicked Philosophy. Philosophy of Science and Vision Development for Complex Problems provides an overview of the philosophy of the natural sciences, the social sciences and the humanities, and explores how insights from these three domains can be integrated to help find solutions for the complex, ‘wicked’ problems we are currently facing. The core of a new science-based vision is complexity thinking, offering a meta-position for navigating alternative paradigms and making informed choices of resources for projects involving complex problems. The book also brings design thinking into problem-solving and teaching, fostering construction of an integrative approach that bridges structure and action amplified by transdisciplinary engagement of stakeholders in society.
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The Worm in the Apple
A History of the Conservative Party and Europe from Churchill to Cameron
Christopher Tugendhat
Haus Publishing, 2022
The first extensive history of the relationship between the UK Conservative Party and the European Union.
 
The Conservative Party has been in power for 47 of the 65 years since the end of World War II. During that time the division within the party over Europe has been the enduring drama of British politics—from Churchill’s decision not to join the original European Coal and Steel Community in 1951 to Cameron’s decision to hold the Brexit referendum in 2016. Other leaders came and went, but the issue was always there—sometimes center-stage, at others behind the scenes—destabilizing foreign policy, corroding the body politic, and destroying several of the party’s leaders. These questions, and how they panned out, created a deep, grumbling discontent—the worm in the apple—that, over time, turned the Conservative Party and, by extension, a significant section of the electorate, against British membership of the EU. By telling the story of the arguments and divisions within the Conservative Party, The Worm in the Apple helps to explain why Britain voted to leave the European Union in 2016.
 
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Wildflowers of Houston and Southeast Texas
By John and Gloria Tveten
University of Texas Press, 1997

You'll find them throughout the year in Houston—lyre-leaf sage, Drummond skullcap, silver-leaf nightshade, snow-on-the-prairie, lemon beebalm, scarlet pimpernel, plains wild indigo, spring ladies'-tresses, deer pea vetch.

These wildflowers and hundreds of other species flourish in this part of Texas, but until this book was published in 1993 no guide had focused exclusively on the Houston area. John and Gloria Tveten spent years seeking out both the common and the rare flowers. They describe here more than 200 plants. A color photograph of each one will make identification easy.

The guide is arranged by color, with each entry tracing the history and lore of a species. Many plants—for example, prairie Indian plantain and self-heal—were used by Native Americans for medicinal purposes. Others, like poke-weed and wapato, are edible. Southern dewberry and giant ragweed are used as natural dyes. And some, like rattlebush and milkweed, are poisonous.

At the end of each species account is a list of key identifying characteristics for quick reference in the field. Summaries of plant families are also included, as well as tips on where and when to look for wildflowers.

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Writing History in Late Antique Iberia
Historiography in Theory and Practice from the 4th to the 7th Century
Purificación Ubric Rabaneda
Amsterdam University Press, 2023
This volume reflects on the motivations underpinning the writing of history in Late Antique Iberia, emphasising its theoretical and practical aspects and outlining the social, political and ideological implications of the constructions and narrations of the past. The volume includes general topics related to the writing of history, such as the historiographical debates on writing history, the praxis of history writing and the role of central and local powers in the construction of the past, the legitimacy of history, the exaltation of Christian history to the detriment of other religious beliefs, and the perception of time in hagiographical texts. Further points of interest in the volume are the specific studies on the historiographical culture. All these issues are analysed from an innovative perspective, which combines traditional subjects with new historiographical topics, such as the configuration of historical discourse through another type of documentation like councils, hagiography or legislation.
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World Film Locations
Toronto
Edited by Tom Ue
Intellect Books, 2014
Toronto is a changing city that has been a source of reflection and inspiration to writers and artists whose work focuses on the conditions and prospects of human life. A city on the move, it demands policies and regulation, and it offers the pleasures and perils of the massive and the anonymous. As a site of study, the city is inherently multidisciplinary, with natural ties to history, geography, sociology, architecture, art history, literature, and many other fields.

World Film Locations: Toronto explores and reveals the relationship between the city and cinema using a predominately visual approach. The juxtaposition of the images used in combination with insightful essays helps to demonstrate the role that the city has played in a number of hit films, including Cinderella ManAmerican Psycho, and X-Men and encourages the reader to frame an understanding of Toronto and the world around us. The contributors trace Toronto’s emergence as an international city and demonstrate the narrative interests that it has continued to inspire among filmmakers, both Canadian and international.

With support from experts in Canadian studies, the book’s selection of films successfully shows the many facets of Toronto and also provides insider’s access to a number of sites that are often left out of scholarship on Toronto in films, such as the Toronto International Film Festival. The 2014 release of this attractive volume will be a particularly welcome addition to the international celebrations of the city’s 180th anniversary.
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Women as Translators in Early Modern England
Deborah Uman
University of Delaware Press, 2012

Women as Translators in Early Modern England offers a feminist theory of translation that considers both the practice and representation of translation in works penned by early modern women. It argues for the importance of such a theory in changing how we value women’s work. Because of England’s formal split from the Catholic Church and the concomitant elevation of the written vernacular, the early modern period presents a rich case study for such a theory. This era witnessed not only a keen interest in reviving the literary glories of the past, but also a growing commitment to humanist education, increasing literacy rates among women and laypeople, and emerging articulations of national sentiment. Moreover, the period saw a shift in views of authorship, in what it might mean for individuals to seek fame or profit through writing. Until relatively recently in early modern scholarship, women were understood as excluded from achieving authorial status for a number of reasons—their limited education, the belief that public writing was particularly scandalous for women, and the implicit rule that they should adhere to the holy trinity of “chastity, silence, and obedience.”

While this view has changed significantly, women writers are still understood, however grudgingly, as marginal to the literary culture of the time. Fewer women than men wrote, they wrote less, and their “choice” of genres seems somewhat impoverished; add to this the debate over translation as a potential vehicle of literary expression and we can see why early modern women’s writings are still undervalued. This book looks at how female translators represent themselves and their work, revealing a general pattern in which translation reflects the limitations women faced as writers while simultaneously giving them the opportunity to transcend these limitations. Indeed, translation gave women the chance to assume an authorial role, a role that by legal and cultural standards should have been denied to them, a role that gave them ownership of their words and the chance to achieve profit, fame, status and influence.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

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WP vol 53 num 1
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University of Chicago Press Journals, 2019
This is volume 53 issue 1 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
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The Wordsworth Circle, volume 52 number 1 (Winter 2021)
The University of Chicago Press
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The Wordsworth Circle, volume 52 number 2 (Spring 2021)
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The Wordsworth Circle, volume 52 number 3 (Summer 2021)
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University of Chicago Press Journals, 2021

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The Wordsworth Circle, volume 52 number 4 (Autumn 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 52 issue 4 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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The Wordsworth Circle, volume 53 number 1 (Winter 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 1 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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The Wordsworth Circle, volume 53 number 2 (Spring 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 2 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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The Wordsworth Circle, volume 53 number 3 (Summer 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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The Wordsworth Circle, volume 53 number 4 (Autumn 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 4 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 54 number 1 (Winter 2023)
The Wordsworth Circle, volume 54 number 1 (Winter 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 54 issue 1 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 54 number 3 (Summer 2023)
The Wordsworth Circle, volume 54 number 3 (Summer 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 54 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 54 number 4 (Autumn 2023)
The Wordsworth Circle, volume 54 number 4 (Autumn 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 54 issue 4 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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West 86th
A Journal of Decorative Arts, Design History, and Material Culture, volume 27 number 2 (Fall-Winter 2020)
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West 86th
A Journal of Decorative Arts, Design History, and Material Culture, volume 28 number 1 (Spring-Summer 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 28 issue 1 of West 86th: A Journal of Decorative Arts, Design History, and Material Culture. Focusing on the decorative arts, design history, and material culture, West 86th provides a forum for new research into all aspects of the content, meaning, and significance of material objects in history. West 86th publishes scholarly articles; review articles; primary source translations; critical book, catalogue, and exhibition reviews; research inquiries; letters to the editor; and supplementary digital material integral to articles.
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West 86th
A Journal of Decorative Arts, Design History, and Material Culture, volume 28 number 2 (Fall-Winter 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 28 issue 2 of West 86th: A Journal of Decorative Arts, Design History, and Material Culture. Focusing on the decorative arts, design history, and material culture, West 86th provides a forum for new research into all aspects of the content, meaning, and significance of material objects in history. West 86th publishes scholarly articles; review articles; primary source translations; critical book, catalogue, and exhibition reviews; research inquiries; letters to the editor; and supplementary digital material integral to articles.
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West 86th
A Journal of Decorative Arts, Design History, and Material Culture, volume 29 number 1 (Spring-Summer 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 29 issue 1 of West 86th: A Journal of Decorative Arts, Design History, and Material Culture. Focusing on the decorative arts, design history, and material culture, West 86th provides a forum for new research into all aspects of the content, meaning, and significance of material objects in history. West 86th publishes scholarly articles; review articles; primary source translations; critical book, catalogue, and exhibition reviews; research inquiries; letters to the editor; and supplementary digital material integral to articles.
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West 86th
A Journal of Decorative Arts, Design History, and Material Culture, volume 29 number 2 (Fall-Winter 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 29 issue 2 of West 86th: A Journal of Decorative Arts, Design History, and Material Culture. Focusing on the decorative arts, design history, and material culture, West 86th provides a forum for new research into all aspects of the content, meaning, and significance of material objects in history. West 86th publishes scholarly articles; review articles; primary source translations; critical book, catalogue, and exhibition reviews; research inquiries; letters to the editor; and supplementary digital material integral to articles.
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West 86th
A Journal of Decorative Arts, Design History, and Material Culture, volume 30 number 1 (Spring-Summer 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 30 issue 1 of West 86th: A Journal of Decorative Arts, Design History, and Material Culture. Focusing on the decorative arts, design history, and material culture, West 86th provides a forum for new research into all aspects of the content, meaning, and significance of material objects in history. West 86th publishes scholarly articles; review articles; primary source translations; critical book, catalogue, and exhibition reviews; research inquiries; letters to the editor; and supplementary digital material integral to articles.
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Winterthur Portfolio, volume 54 number 4 (Winter 2020)
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University of Chicago Press Journals, 2020

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Winterthur Portfolio, volume 55 number 1 (Spring 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 55 issue 1 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
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front cover of Winterthur Portfolio, volume 55 number 23 (Summer/Autumn 2021)
Winterthur Portfolio, volume 55 number 23 (Summer/Autumn 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 55 issue 23 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
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front cover of Winterthur Portfolio, volume 55 number 4 (Winter 2021)
Winterthur Portfolio, volume 55 number 4 (Winter 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 55 issue 4 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
[more]

front cover of Winterthur Portfolio, volume 56 number 1 (Spring 2022)
Winterthur Portfolio, volume 56 number 1 (Spring 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 56 issue 1 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
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front cover of Winterthur Portfolio, volume 56 number 23 (Summer/Autumn 2022)
Winterthur Portfolio, volume 56 number 23 (Summer/Autumn 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 56 issue 23 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
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front cover of Winterthur Portfolio, volume 56 number 4 (Winter 2022)
Winterthur Portfolio, volume 56 number 4 (Winter 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 56 issue 4 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
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front cover of Winterthur Portfolio, volume 57 number 1 (Spring 2023)
Winterthur Portfolio, volume 57 number 1 (Spring 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 57 issue 1 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
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front cover of Winterthur Portfolio, volume 57 number 23 (Summer/Autumn 2023)
Winterthur Portfolio, volume 57 number 23 (Summer/Autumn 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 57 issue 23 of Winterthur Portfolio. Winterthur Portfolio fosters knowledge of the North American past by publishing articles on material culture and the historical contexts within which artifacts developed. The journal presents interdisciplinary scholarship that critically engages art history, history, geography, ethnology, archaeology, anthropology, craft, design, and literature. It publishes articles that are analytical and synthetic rather than descriptive, and it encourages submissions by scholars underrepresented in material culture studies.
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We Europeans?
Media, Representations, Identities
William Uricchio
Intellect Books, 2009
We Europeans? explores the relationship between media and identity along the fault lines and fissures of the shifting ethnicities, religions, tastes, generations, and languages that make up contemporary Europe. Addressing topics such as film, television, public monuments, and the press, an international group of contributors reveal how European identity is shaped as the continent administratively consolidates. In essays that explore cultural homogenization, longed-for identities, and the fears surrounding transnational media, this volume uncovers the intricate interactions of history and memory as they inform the European present.
 
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The World Wide Web of Work
A History in the Making
Marcel van der Linden
University College London, 2023
A groundbreaking exploration of the core ideas and concepts of global labor history.

Global labor history is one of the fastest-growing fields of study worldwide today. This volume assembles a group of contributors from around the world to discuss the core concepts “capitalism” and “workers,” and to refine notions such as “coerced labor,” “household strategies,” and “labor markets.” It explores in new ways the connections between laborers in different parts of the world, arguing that both globalization and modern labor management originated in agriculture in the Global South and were only later introduced in Northern industrial settings. It reveals that nineteenth-century chattel slavery was frequently replaced by other forms of coerced labor, and it reconstructs the twentieth-century attempts of the International Labor Organisation to regulate work standards internationally. The book also pays attention to the relational inequality through which workers in wealthy countries benefit from the exploitation of those in poor countries. The final part addresses workers’ resistance and acquiescence: why collective actions often have unanticipated consequences, why and how workers sometimes organize massive flights from exploitation and oppression, and why proletarian revolutions took place in pre-industrial or industrializing countries but never in fully developed capitalist societies.
 
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With the Hand
A Cultural History of Masturbation
Mels van Driel
Reaktion Books, 2012

People call it everything from “walking your dog” to “scratching your bean.” Women usually do it at home. Men, it sometimes seems, do it everywhere. Some people think it’s healthy; others think it is a sin that will send you straight to hell. But while many people declare that everyone’s doing it, no one actually talks about it—outside the pages of Cosmo, masturbation is among the most taboo of topics, not suitable for polite society or public conversation.

Mels van Driel boldly breaks this silence in order to help the world overcome its diffidence toward solo sex in With the Hand. Consulting everyone from doctors and sexologists to feminists and chauvinists, van Driel explains what masturbation actually is and describes the latest discoveries and developments on the subject. He also looks to theologians, historians, and philosophers to understand perceptions of masturbation across cultures and religions throughout history. Covering a great number of topics, including age, location, and frequency, as well as the effects of circumcision and the ability to have multiple orgasms, With the Hand also explores masturbation in art, literature, poetry, and music.
 
Addressing the physical, mythical, and mythological, this often humorous and always informative book clears up the confusion surrounding this universal, and universally unmentionable, topic.
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The Work of Authorship
Edited by Mireille van Eechoud
Amsterdam University Press, 2014
Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, and the philosophy of art - have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.
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Willa Cather - American Writers 36
University of Minnesota Pamphlets on American Writers
Dorothy Van Ghent
University of Minnesota Press, 1964

Willa Cather - American Writers 36 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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Woodcuts as Reading Guides
How Images Shaped Knowledge Transmission in Medical-Astrological Books in Dutch (1500-1550)
Andrea van Leerdam
Amsterdam University Press, 2024
In the first half of the sixteenth century, the Low Countries saw the rise of a lively market for practical and instructive books that targeted non-specialist readers. This study shows how woodcuts in vernacular books on medicine and astrology fulfilled important rhetorical functions in knowledge communication. These images guided readers’ perceptions of the organisation, visualisation, and reliability of knowledge. Andrea van Leerdam uncovers the assumptions and intentions of book producers to which images testify, and shows how actual readers engaged with these illustrated books. Drawing on insights from the field of information design studies, she scrutinises the books’ material characteristics, including their lay-outs and traces of use, to shed light on the habits and interests of early modern readers. She situates these works in a culture where medicine and astrology were closely interwoven in daily life and where both book producers and readers were exploring the potential of images.
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Warship 3
Frigate HNLMS Jacob van Heemskerck
Rindert van Zinderen Bakker
Amsterdam University Press

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Warship 4
Frigate USS Clark
Rindert van Zinderen Bakker
Amsterdam University Press

front cover of Warship 6
Warship 6
Destroyer HMCS Haida
Rindert van Zinderen Bakker
Amsterdam University Press

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Wine
A Cultural History
John Varriano
Reaktion Books, 2011

For oenophiles, casual wine-drinkers, and aesthetes alike, an informative and entertaining history sure to delight even the most sensitive palates.

From celebrations of Bacchus in ancient Rome to the Last Supper and casual dinner parties, wine has long been a key component of festivities, ceremonies, and celebrations. Made by almost every civilization throughout history, in every part of the world, wine has been used in religious ceremonies, inspired artists and writers, been employed as a healing medicine, and, most often, sipped as a way to relax with a gathering of friends. Yet, like all other forms of alcohol, wine has also had its critics, who condemn it for the drunkenness and bad behavior that arise with its overconsumption. Wine can render you tongue-tied or philosophical; it can heal wounds or damage health; it can bring society together or rend it. In this fascinating cultural history of wine, John Varriano takes us on a tour of wine’s lively story, revealing the polarizing effect wine has had on society and culture through the ages.
 
From its origins in ancient Egypt and Mesopotamia to the expanding contemporary industries in Australia, New Zealand, and America, Varriano examines how wine is made and how it has been used in rituals, revelries, and remedies throughout history. In addition, he investigates the history of wine’s transformative effects on body and soul in art, literature, and science from the mosaics of ancient Rome to the poetry of Dickinson and Neruda and the paintings of Caravaggio and Manet.
 
A spirited exploration, this book will delight lovers of sauvignon blanc or pinot noir, as well as those who are interested in the rich history of human creativity and consumption.

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Women, Food, and Diet in the Middle Ages
Balancing the Humours
Theresa Vaughan
Amsterdam University Press, 2020
What can anthropological and folkloristic approaches to food, gender, and medicine tell us about these topics in the Middle Ages beyond the textual evidence itself? Women, Food, and Diet in the Middle Ages: Balancing the Humours uses these approaches to look at the textual traditions of dietary recommendations for women’s health, placed within the context of the larger cultural concerns of gender roles and Church teachings about women. Women are expected to be nurturers, healers, and the primary locus of food provisioning for families, especially women of the lower social classes, typically overlooked in the written record. This work illuminates what we can know about women, food, medicine, and diet in the Middle Ages, and examines how the written medical tradition interacts with folk medicine and other cultural factors in both understanding women’s bodies and their roles as healers and food providers.
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Working Together for Change
Collaborative Change Research, Evaluation, and Design, Volume 5
Edited by Lisa M. Vaughn, Sara Neyer, and Kathie Maynard
University of Cincinnati Press, 2023

Strategies for engaging key stakeholders—evaluators, researchers, and designers—to discuss frameworks for promoting collaborative change.

Collaborative Change Research, Evaluation, and Design (CCRED) is a framework and collection of participatory practices that engage people and the systems around them to drive community outcomes. This framework emerged out of the recognition that deep participation (or engagement) is frequently missing in collaborative impact approaches. When collaborative change is implemented effectively, community members are viewed as valuable owners and experts instead of being seen as disinterested or unqualified partners.

CCRED is a social action process with dual goals of collective empowerment and the deepening of social knowledge. Executed successfully, CCRED has the potential to increase the rigor, reach, and relevance of research, evaluation, and design translated to meaningful action. Written in an easily accessible, narrative style, Working Together for Change, the fourth volume in the Interdisciplinary Community Engaged Research for Health series edited by Farrah Jacquez and Lela Svedin brings together evaluators, researchers, and designers to describe collaborative change by describing their own work in the space.

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Wind Energy Modeling and Simulation
Atmosphere and plant, Volume 1
Paul Veers
The Institution of Engineering and Technology, 2020
In order to optimise the yield of wind power from existing and future wind plants, the entire breadth of the system of a plant, from the wind field to the turbine components, needs to be modelled in the design process. The modelling and simulation approaches used in each subsystem as well as the system-wide solution methods to optimize across subsystem boundaries are described in this reference. Chapters are written by technical experts in each field, describing the current state of the art in modelling and simulation for wind plant design. This comprehensive, two-volume research reference will provide long-lasting insight into the methods that will need to be developed for the technology to advance into its next generation.
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Wind Energy Modeling and Simulation
Turbine and system, Volume 2
Paul Veers
The Institution of Engineering and Technology, 2020
In order to optimise the yield of wind power from existing and future wind plants, the entire breadth of the system of a plant, from the wind field to the turbine components, needs to be modelled in the design process. The modelling and simulation approaches used in each subsystem as well as the system-wide solution methods to optimize across subsystem boundaries are described in this reference. Chapters are written by technical experts in each field, describing the current state of the art in modelling and simulation for wind plant design. This comprehensive, two-volume research reference will provide long-lasting insight into the methods that will need to be developed for the technology to advance into its next generation.
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Wind Power Modelling
Power plants and grid integration, Volume 3
Paul Veers
The Institution of Engineering and Technology, 2019
Wind Power Modelling: Power plants and grid integration is the third book in a comprehensive three-volume set on wind farm power modelling; the key to efficient wind plant design and wind power growth. The set covers every aspect - from wind flow over turbine component design to grid integration. With chapters from eminent international experts, the set is written for researchers in academia and industry involved with all facets of wind power modelling. Covering generation, storage technologies and grid models, this volume will be of particular interest to practitioners in the utilities sector.
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front cover of Wearable Technologies and Wireless Body Sensor Networks for Healthcare
Wearable Technologies and Wireless Body Sensor Networks for Healthcare
Fernando José Velez
The Institution of Engineering and Technology, 2019
Continuous advances in wearables, sensors and smart Wireless Body Area Network technologies have precipitated the development of new applications for on-, in- and body-to-body wearable communications for healthcare and sport monitoring. Progress in this cross-disciplinary field is further influenced by developments in radio communication, protocols, synchronization aspects, energy harvesting and storage solutions, and efficient processing techniques for smart antennas.
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William Whewell
Victorian Polymath
Lukas M. Verburgt
University of Pittsburgh Press, 2024
William Whewell, the famous master of Trinity College in Cambridge, was a central figure in nineteenth-century British scientific culture and one of the last great polymaths. His influential work ranged from history and philosophy of science, education, architecture, mineralogy, and political economy to mathematics, engineering, natural theology, metaphysics, and moral philosophy. Among his many gifts to science was his role as cofounder and president of the British Association for the Advancement of Science and his wordsmithing; he coined the terms scientist, physicist, linguistics, and electrode. While he was himself an opponent of evolution through natural selection, Whewell’s most famous works, including his Bridgewater Treatise (1833) and Philosophy of the Inductive Sciences (1840), played a formative role in Charles Darwin’s creation of the theory of evolution. William Whewell: Victorian Polymath reexamines the whole of Whewell’s oeuvre, as well as the wide range and internal unity of his many polymathic endeavors, placing him within the early Victorian intellectual landscape and highlighting his exchanges with other important figures of the period, such as John Herschel, Charles Lyell, and Robert Peel. Bringing together a group of eminent and emergent scholars, the volume explores all major aspects of Whewell’s reform project and its legacy, both in the sciences and the humanities, in the Victorian era and beyond.   
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With a Critical Eye
An Intellectual and His Times
Arthur J. Vidich
University of Tennessee Press, 2009
Internationally renowned sociologist, Arthur J. Vidich (1922-2006), was an active researcher and teacher whose career spanned the second half of the twentieth century. With a Critical Eye: An Intellectual and His Times recounts Vidich’s career in the wider cultural context of his life and work. Providing a window into post-World War II intellectual life, the richness of the autobiography lies not only in Vidich’s perspectives on the academic world, but also in his personal and sociological observations about the world around him.

Best known for his book, Small Town in Mass Society (co-authored with Joseph Bensman, 1958), Vidich taught for more than forty years at the New School for Social Research in New York. He published eighteen books, co-edited a book series with Robert Jackall, and was the founding editor of the International Journal of Politics, Culture, and Society.
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The World Machine
Paolo Volponi
Seagull Books, 2024
A vivid and unforgettable novelistic portrait of rural Italy, exploring the nature of reality and the human condition.
 
A small-time farmer living in central Italy in the 1960s is the keeper of a great truth: that people are machines built by other beings who are machines themselves. Our true destiny is to build ever better machines so that society can become a techno-utopia in which friendship can be established among all people on earth. These ideas bring him into conflict with everyone, especially his wife, against whom he is accused of ill-treatment. His quest takes him to Rome, where he presents his truth, hoping it will bring him worldwide recognition. Behind his poetical reveries and unfathomable scientific notions lies the disturbing fragility of a lone, paranoid, and deluded man in conflict with everyone, including himself.
 
Paolo Volponi’s unique novel The World Machine examines the relationship between rural life and the modern city, as well as the subversive idealism of a society still firmly anchored in the past, dominated by the Church, and unable to grasp the need for change.
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West-Eastern Divan
Complete, annotated new translation (bilingual edition)
Johann Wolfgang von Goethe
Gingko, 2019
In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures.
 
The West-Eastern Divan is one of the world’s great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe’s Divan. In order to preserve the work’s original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe’s own commentary, the “Notes and Essays for a Better Understanding of the West-Eastern Divan.” This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.
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We've Been Here All Along
Wisconsin's Early Gay History
R. Richard Wagner
Wisconsin Historical Society Press, 2020
The first of two groundbreaking volumes on gay history in Wisconsin, We’ve Been Here All Along provides an illuminating and nuanced picture of Wisconsin’s gay history from the reporting on the Oscar Wilde trials of 1895 to the landmark Stonewall Riots of 1969. Throughout these decades, gay Wisconsinites developed identities, created support networks, and found ways to thrive in their communities despite various forms of suppression—from the anti-vice crusades of the early twentieth century to the post-war labeling of homosexuality as an illness to the Lavender Scare of the 1950s.

In We’ve Been Here All Along, R. Richard Wagner draws on historical research and materials from his own extensive archive to uncover previously hidden stories of gay Wisconsinites. This book honors their legacy and confirms that they have been foundational to the development and evolution of the state since its earliest days
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Writing on the Soil
Land and Landscape in Literature from Eastern and Southern Africa
Ng’ang’a Wahu-Muchiri
University of Michigan Press, 2023

Across contiguous nation-states in Eastern Africa, the geographic proximity disguises an ideological complexity. Land has meant something fundamental in the sociocultural history of each country. Those concerns, however, have manifested into varied political events, and the range of struggles over land has spawned a multiplicity of literary interventions. While Kenya and Uganda were both British colonies, Kenya's experience of settler land alienation made for a much more violent response against efforts at political independence. Uganda's relatively calm unyoking from the colonial burden, however, led to a tumultuous post-independence. Tanzania, too, like Kenya and Uganda, resisted British colonial administration—after Germany's defeat in World War 1.

In Writing on the Soil, author Ng’ang’a Wahu-Mũchiriargues that representations of land and landscape perform significant metaphorical labor in African literatures, and this argument evolves across several geographical spaces. Each chapter's analysis is grounded in a particular locale: western Kenya, colonial Tanganyika, post-independence Tanzania, Zimbabwe, Nairobi, Dar es Salaam, Anam Ka'alakol (Lake Turkana), Kampala, and Kitgum in Northern Uganda. Moreover, each section contributes to a deeper understanding of the aesthetic choices that authors make when deploying tropes revolving around land, landscape, and the environment. Mũchiri disentangles the numerous connections between geography and geopolitical space on the one hand, and ideology and cultural analysis on the other. This book embodies a multi-layered argument in the sphere of African critical scholarship, while adding to the growing field of African land rights scholarship—an approach that foregrounds the close reading of Africa’s literary canon.

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World Film Locations
Vancouver
Edited by Rachel Walls
Intellect Books, 2013
Vancouver, the fourth largest film and television production center in North America, has hosted Hollywood filmmakers from Robert Altman and Dennis Hopper to Jason Reitman and Brad Bird, and is home to independent talent such as Bruce Sweeney and Mina Shum. World Film Locations: Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages. The volume presents Vancouver’s rich diversity and complexity, where magnificent marine and mountain views are both showcased and masked, downtown landmarks provide the backdrop for thrilling sequences, and lesser-known neighborhoods frame intriguing characters and plotlines. This book offers new perspectives on the relationship between the movies and the metropolis.

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