A SCHOLARLY BOOK REPOSITORY
This book and its companion volumes are concerned with the slow shaping of many literary conventions over many decades. This volume begins the study with the dime novels and several early series characters who influenced the direction of pulp fiction at its source.
Editorial Advisory Board: Sarah Park Dahlen, Associate Professor, School of Information Sciences, University of Illinois Urbana-Champaign; Marianne Martens, Associate Professor, School of Information, Kent State University; Amy Pattee, Associate Professor and Co-coordinator of Dual-Degree MS LIS/MA Children’s Literature, School of Library and Information Science, Children’s Literature, Simmons University
“Comprehensive and substantial … a highly recommended resource," raved VOYA about the third edition. Now, to keep pace with changes in the field of publishing and realign itself to the newest generation of young adults, Cart returns with a sweeping update of his classic text. Relied upon by educators, LIS instructors and students, and practitioners for its insight and thoroughness, his book
- surveys the landscape of YA lit both past and present, sketching out its origins and showing how it has evolved to deal with subjects every bit as complex as its audience;
- closely examines teen demographics, literacy, audiobooks, the future of print, the role of literary criticism, and other key topics;
- provides updated coverage of perennially popular genre fiction, including horror, sci fi, and dystopian fiction;
- delves deeply into multicultural and LGBTQIA+ literature, substantially updated in this edition;
- features expansive interviews with best-selling authors like Eric Shanower, Jackie Woodson, and Bill Konigsberg as well as several publishers and leaders in the field;
- discusses the impact of the Printz Award, ALAN’s Walden Award, the National Book Award, The Los Angeles Times Book Award, and other honors; and
- features abundant bibliographic material to aid in readers' advisory and collection development.
Yaqui regard song as a kind of lingua franca of the intelligent universe. It is through song that experience with other living things is made intelligible and accessible to the human community. Deer songs often take the form of dialogues in which the deer and others in the wilderness world speak with one another or with the deer singers themselves. It is in this way, according to one deer singer, that “the wilderness world listens to itself even today.”
In this book authentic ceremonial songs, transcribed in both Yaqui and English, are the center of a fascinating discussion of the Deer Song tradition in Yaqui culture. Yaqui Deer Songs/Maso Bwikam thus enables non-Yaquis to hear these dialogues with the wilderness world for the first time.
---Nicholas Coles, University of Pittsburgh
---Alan Wald, University of Michigan
For thirty years poet Jana Harris researched the diaries and letters of North American pioneer women. While the names and experiences of the authors varied, Harris found one story often connected them: their most powerful memories were of courtships and weddings. They dreamed of having a fine wedding while they spent their lives hauling water, scrubbing floors, and hoping for admirers. Many married men they hardly knew.
Based on primary research of nineteenth-century frontier women, Harris uses her compelling poetry to resurrect a forgotten history. She captures the hope, anxiety, anger, and despair of these women through a variety of characters and poetic strategies, while archival photographs give faces to the names and details to the settings. Harris’s meticulous research and stirring words give these pioneer women a renewed voice that proves the timelessness of the hopes and fears of love and marriage.
Most editions have been based on the 1892 New England Magazine publication rather than the handwritten manuscript at Radcliffe College. Publication of the unedited manuscript in 1994 sparked controversy over which of the two was definitive. Since then, scholars have discovered half a dozen parent texts for later twentieth-century printings, including William Dean Howells’s version from 1920 and the 1933 Golden Book version.
While traditional critical editions gather evidence and make an argument for adopting one text as preferable to others,“The Yellow Wall-Paper” by Charlotte Perkins Gilman: A Dual-Text Critical Edition, edited by Shawn St. Jean, offers both manuscript and magazine versions, critically edited and printed in parallel for the first time. New significance appears in such facets as the magazine’s accompanying illustrations, its lineation and paragraphing, Gilman’s choice of pronouns, and her original handwritten ending.
This critical edition of “The Yellow Wall-Paper” includes a full and nontraditional apparatus, making it easy for students and scholars to study the more than four hundred variants between the two texts. Four new essays, written especially for this volume, explore the implications of this multitext model.
In her second collection of poems, Lee Ann Roripaugh probes themes of mixed-race female identities, evoking the molting processes of snakes and insects who shed their skins and shells as an ongoing metaphor for transformation of self. Intertwining contemporary renditions of traditional Japanese myths and fairy tales with poems that explore the landscape of childhood and early adolescence, she blurs the boundaries between myth and memory, between real and imagined selves. This collection explores cultural, psychological, and physical liminalities and exposes the diasporic arc cast by first-generation Asian American mothers and their second-generation daughters, revealing a desire for metamorphosis of self through time, geography, culture, and myth.
In the past twenty-five years many Native American writers have retold the traditional stories of powerful mythological women: Corn Woman, Changing Woman, Serpent Woman, and Thought Woman, who with her sisters created all life by thinking it into being. Within and in response to these evolving traditions, Leslie Marmon Silko takes from her own tradition, the Keres of Laguna, the Yellow Woman. Yellow Woman stories, always female-centered and always from the Yellow Woman's point of view, portray a figure who is adventurous, strong, and often alienated from her own people. She is the spirit of woman. Ambiguous and unsettling, Silko's "Yellow Woman" explores one woman's desires and changes--her need to open herself to a richer sensuality. Walking away from her everyday identity as daughter, wife and mother, she takes possession of transgressive feelings and desires by recognizing them in the stories she has heard, by blurring the boundaries between herself and the Yellow Woman of myth.
Silko's decision to tell the story from the narrator's point of view is traditional, but her use of first person narration and the story's much raised ambiguity brilliantly reinforce her themes. Like traditional yellow women, the narrator is unnamed. By choosing not to reveal her name, she claims the role of Yellow Woman, and Yellow Woman's story is the one Silko clearly claims as her own. The essays in this collection compare Silko's many retellings of Yellow Woman stories from a variety of angles, looking at crucial themes like storytelling, cultural inheritances, memory, continuity, identity, interconnectedness, ritual, and tradition.
This casebook includes an introduction by the editor, a chronology, an authoritative text of the story itself, critical essays, and a bibliography for further reading in both primary and secondary sources. Contributors include Kim Barnes, A. LaVonne Ruoff, Paula Gunn Allen, Patricia Clark Smith, Bernard A. Hirsch, Arnold Krupat, Linda Danielson, and Patricia Jones.
In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the "Second City." From garbage collection to the skyline, nothing escaped Liebling's withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, "You were never in Chicago."
Neil Steinberg has lived in and around Chicago for more than three decades—ever since he left his hometown of Berea, Ohio, to attend Northwestern—yet he remains fascinated by the dynamics captured in Liebling's anecdote. In You Were Never in Chicago Steinberg weaves the story of his own coming-of-age as a young outsider who made his way into the inner circles and upper levels of Chicago journalism with a nuanced portrait of the city that would surprise even lifelong residents.
Steinberg takes readers through Chicago's vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city's complex web of political favoritism and carefully profiles the characters he meets along the way, from greats of jazz and journalism to small-business owners just getting by. Throughout, Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong. Intimate and layered, You Were Never in Chicago will be a welcome addition to the bookshelves of all Chicagoans, be they born in the city or forever transplanted.
Winnowed from a distinguished career, then distilled, then polished and winnowed again, the poems in You Are Here are Leon Stokesbury’s best from fifty years of published work.
The selections from his earlier volumes are as fully realized as one would expect from the winner of the AWP Poetry Competition and the Poets’ Prize. But it is in Stokesbury’s new work, collected under the heading “These Days,” that he reveals something completely different. From a carnival sideshow to Hitchcock’s Mount Rushmore, from John Keats’s backyard to the miseries of a failed crematorium operator, every turned page divulges a particular we didn’t see coming. You Are Here is like a sideshow of this modern world, even when we discover, amazed, our selves looking back at us.
“Why do we still only stand here?” Stokesbury asks in one of his earliest salvos. The poems in this collection give such varied answers that readers will have no idea what the next page holds, only that they will find themselves somewhere new.
Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.
The son of a Paraguayan father and a mother from Pennsylvania, Báez grew up in central Illinois as one of the only brown kids on the block—but that didn’t keep him from feeling like a gringo on family visits to Paraguay. Exploring this contradiction as it weaves through experiences of language, self, and place, Báez revels in showing up the absurdities of empire and chafes at the limits of patrimony, but he always reserves his most trenchant irony for the gaze he turns on himself.
Notably, this raucous collection also wrestles with Guaraní, a state-recognized Indigenous language widely spoken in Paraguay. Guaraní both structures and punctures the book, surfacing in a sequence of jokes that double as poems, and introducing but leaving unresolved ambient questions about local histories of militarism, masculine bravado, and the outlook of the campos. Cutting across borders of every kind, Báez’s poems attempt to reconcile the incomplete, contradictory, and inconsistent experiences of a speaking self that resides between languages, nations, and generations.
Yaguareté White is a lyrical exploration of Paraguayan American identity and what it means to see through a colored whiteness in all of its tangled contradictions.
Winner of a 2015 Obie Award for Playwriting
Mae has returned home to help her father while he undergoes treatment for cancer. But she needs a little help herself. She’s just lost her boyfriend and her job. (It turns out there are consequences to dating your boss . . .) And she’s desperately craving intimacy of any sort. Mae escapes into the the arms of a chain-smoking, imaginary Cowboy who turns her on and ties her up. And she escapes into chatter with her siblings as they attempt to distract and entertain themselves in a hospital waiting room. But ultimately, it’s her deep love for her father that teaches Mae to remain optimistic and ambitious in the face of suffering and that gets her back on track.
Ewa Chrusciel’s fourth book in English, Yours, Purple Gallinule, playfully explores health and illness as they are culturally constructed. Using research into clinical understandings of mental afflictions and their treatments through history, Chrusciel maps various diagnostics onto an array of bird species. A lyrical satire, the book is a reflection on a society that tends to over-diagnose, misdiagnose, and over-medicate. These poems pose questions about what it means to be unique and to accept pain and suffering as a fact of life.
On the pages of Yours, Purple Gallinule, we encounter birds, a poet, and a psychiatrist. The psychiatrist undergoes a series of conversions as she realizes that the point is not to classify thoughtlessly, but to “make music instead”—to dwell in astonishment. Birds evade the anthropomorphizing intentions of the human protagonists as the psychiatrist and the poet eventually become one. The anthropomorphizing goes in reverse, and the human being becomes more avian. Like the dove in the biblical Noah’s ark story, the bird proclaims a new covenant, with a twig in its beak and a message: “We are all mad; some more than others, but no one is spared the affliction. And the madder we are, the more sacred.”
Finalist, 2018 Miller Williams Poetry Prize
Ya Te Veo takes as its title the name of a mythical tree that eats people. Like the branches of that tree, the poems in this book seem to capture and nourish themselves on a diverse cast of would-be passers-by, drawing their life-force from the resulting synthesis of characters. Among the seized are poets and painters alongside musicians from Garth Brooks to Wu-Tang Clan to the composer Morton Feldman, whose mysterious personality serves as a backdrop in many poems for meditations on intimacy, ethics, and anxiety.
As the phrase “ya te veo” (“I see you”) implies, this is a book interested in revealing what we think is hidden, in questioning the gap inside all of us, a gap between what we feel and what we say and do, making space for our many contradictions.
Like the works of Feldman, these poems focus and recede, experimenting with form in order to accomplish a state of deep concentration. They impersonate sonnets, ghazals, terza rima, monologues, translations, and freestyles, but inexactly, embracing failed imitation as an opportunity to remix the familiar.
So began the Hollars family’s year of plenty—a cancer diagnosis on top of the ongoing COVID pandemic, then feelings of falling short as parents, partners, and people. While Hollars traces his family’s daily devastations alongside his father-in-law’s decline, he recounts the small mercies along the way: birthdays, campfires, fishing trips, kayaking, and fireflies. As he, his wife, Meredith, and their three young children grapple with how best to say goodbye to the person they love, they are forced to reassess their own lives. How can we make the most of our time, they wonder, when time feels so short?
Written in vignettes and accompanied by photographs and family interviews, Year of Plenty provides a poignant and unflinching account of how death separates us not only from the people we love but from places and memories too. Hollars explores how death’s all-consuming weight has the potential to fracture—rather than strengthen—even those relationships we think we know the best. Ultimately, he cracks wide personal moments from his own life and allows the world to peer in.
One of the volume's innovative forms is a poetic series called "Quadrilaterals"—four-line poems that present the reader with various ways to leap associative gaps:
Quadrilateral : Pinch in Your Heel
Soars the mackled sound, kites ago :
A Polish boy thinks with accordions, adopts a stammer :
When were we first older than we wanted to be :
That was our city, our chisel, the corbeil from which we ate.
Winner of the FC2 Ronald Sukenick Innovative Fiction Prize
Marc Anthony Richardson's Year of the Rat is a poignant and riveting literary debut narrated in an unabashedly exuberant voice.
In Year of the Rat, an artist returns to the dystopian city of his birth to tend to his invalid mother only to find himself torn apart by memories and longings. Narrated by this nameless figure whose rants, reveries, and Rabelaisian escapades take him on a Dantesque descent into himself, the story follows him and his mother as they share a one-bedroom apartment over the course of a year.
Despite his mother’s precarious health, the lingering memories of a lost love, an incarcerated sibling, a repressed sexuality, and an anarchic inability to support himself, he pursues his dream of becoming an avant-garde artist. His prospects grow dim until a devastating death provides a painful and unforeseeable opportunity. With a voice that is poetic and profane, ethereal and irreverent, cyclical and succinct, he roams from vignette to vignette, creating a polyphonic patchwork quilt of a family portrait.
From conversations with her own brother about his military experiences to Punch and Judy, from the original tale of Pinocchio to the radio chatter of soldiers in active drone operation, Taylor writes about family, power, and the “theater” of war in a voice both sly and sobering, heartbreaking and hopeful.
Set against a rural plains landscape of gas stations, wind, and roadkill bones littering the highways, You Bury the Birds in My Pelvis is a love letter to the nonbinary body as a site of both queer platonic intimacy and chronic illness. Looking at art and friendship, Kelly Weber’s poems imagine alternatives to x-rays, pathologizing medical settings, and other forms of harm. Considering the meeting place of radiological light and sunlit meadows, the asexual speaker’s body, and fox skeletons, these poems imagine possible forms of love. With the body caught in medical crisis and ecological catastrophe, Weber questions how to create a poetry fashioned both despite and out of endings.
You Bury the Birds in My Pelvis explores forms with plainspoken prose poems with a mix of short poems and longer lyric sections that navigate insurance systems and complicated rural relationships to queerness.
You Bury the Birds in My Pelvis is the winner of the 2022 Omnidawn 1st/2nd Poetry Book Contest, chosen by Mary Jo Bang.
Miranda Weber is a hot mess. In Paula Whyman’s debut collection of stories, we find her hoarding duct tape to ward off terrorists, stumbling into a drug run with a crackhead, and—frequently—enduring the bad behavior of men. A drivers’ education class pulsing with racial tension is the unexpected context of her sexual awakening. As she comes of age, and in the three decades that follow, the potential for violence always hovers nearby. She’s haunted by the fate of her disabled sister and—thanks to the crack cocaine epidemic of the ’80s, the wars in the Middle East, and sniper attacks—the threat of crime and terror in her hometown of Washington, D.C. Miranda can be lascivious, sardonic, and maddeningly self-destructive, but, no matter what befalls her, she never loses her sharp wit or powers of observation, which illuminate both her own life and her strange, unsettling times.
"Thomas Bernhard was one of the few major writers of the second half of this century."—Gabriel Josipovici, Independent
"With his death, European letters lost one of its most perceptive, uncompromising voices since the war."—Spectator
Widely acclaimed as a novelist, playwright, and poet, Thomas Bernhard (1931-89) won many of the most prestigious literary prizes of Europe, including the Austrian State Prize, the Bremen and Brüchner prizes, and Le Prix Séguier.
In this novel of the mestizo, or mixed-blood, Frank Waters completes the Southwestern canvas begun in The Man Who Killed the Deer and People of the Valley. Set in a violent Mexican border town, the story centers on Barby, a tormented mestizo, Guadalupe, the mestiza “percentage-girl,” and Tai-Ling, the serene yogi. Their fates mingle though each remains alone—Barby bound to the brute rages of the night; Guadalupe unconscious of all save the sun of her sexuality; Tai-Ling believing it is possible to transcend completely the flow of life.
From his childhood in Scotland and Wisconsin through his young adulthood in the Midwest and Canada, Muir struggled—often without success—to find a place for himself both in nature and in society. Far from granting comfort, the natural world confronted the young Muir with a full range of practical, emotional, and religious conflicts. Only with the help of his family, his religion, and the extraordinary power of nature itself could Muir in his late twenties find a welcoming vision of nature as home—a vision that would shape his lifelong environmental experience, most immediately in his transformative travels through the South and to the Yosemite Valley.
More than a biography, The Young John Muir is a remarkable exploration of the human relationship with wilderness. Accessible and engaging, the book will appeal to anyone interested in the individual struggle to come to terms with the power of nature.
With Crump, we mark the publication of classics like Carson’s Silent Spring and White’s Charlotte’s Web, and even the musical premiere of Tchaikovsky’s Swan Lake. We note the discovery of the structure of DNA and the mountain gorilla, the rise of citizen science projects, and the work of people who’ve shaped how we view and protect nature—from Aristotle to E. O. Wilson. Some days feature US celebrations, like National Poinsettia Day and National Cat Day; others highlight country-specific celebrations, like Australia’s Wombat Day and Thailand’s Monkey Buffet Festival, during which thousands of macaques feast on an ornately arranged spread of fruits and vegetables. Crump also highlights celebrations that span borders, from World Wildlife Conservation Day to International Mountain Day and global festivities for snakes, sea turtles, and chocolate. Interweaving fascinating facts on everything from jellyfish bodies to monthly birth flowers with folkloric entries featuring the Loch Ness Monster, unicorns, and ancient Greek, Roman, and Egyptian mythology, the almanac is as exhaustive as it is enchanting.
A Year with Nature celebrates the wonder and beauty of our natural world as we have expressed it in visual arts, music, literature, science, natural history, and everyday experience. But more than this, the almanac’s vignettes encourage us to contemplate how we can help ensure that future generations will be able to enjoy the landscapes and rich biodiversity we so deeply cherish.
The world's first national park, Yellowstone is a symbol of nature's enduring majesty and the paradigm of protected areas across the globe. But Yellowstone is constantly changing. How we understand and respond to events that are putting species under stress, say the authors of Yellowstone's Wildlife in Transition, will determine the future of ecosystems that were millions of years in the making. With a foreword by the renowned naturalist E. O. Wilson, this is the most comprehensive survey of research on North America's flagship national park available today.
Marshaling the expertise of over thirty contributors, Yellowstone's Wildlife in Transition examines the diverse changes to the park's ecology in recent decades. Since its creation in the 1870s, the priorities governing Yellowstone have evolved, from intensive management designed to protect and propagate depleted large-bodied mammals to an approach focused on restoration and preservation of ecological processes. Recognizing the importance of natural occurrences such as fires and predation, this more ecologically informed oversight has achieved notable successes, including the recovery of threatened native species of wolves, bald eagles, and grizzly bears.
Nevertheless, these experts detect worrying signs of a system under strain. They identify three overriding stressors: invasive species, private-sector development of unprotected lands, and a warming climate. Their concluding recommendations will shape the twenty-first-century discussion over how to confront these challenges, not only in American parks but for conservation areas worldwide. Highly readable and fully illustrated, Yellowstone's Wildlife in Transition will be welcomed by ecologists and nature enthusiasts alike.
Concentrating on Iowa’s tallgrass prairie, Kurtz also points his viewfinder toward the great variety of natural habitats in the eastern United States. Arranged chronologically throughout the year, the fifty-five color photos and their accompanying narratives rotate through the seasons like a nature film. The winter months showcase a frost-covered white-tailed deer, cedar waxwings feeding on winter apples, a muskrat on the surface of an icy pond, and dune-like snowdrifts. Kurtz’s palette warms up in springtime with stunning photos of Virginia bluebells, fox cubs, juvenile chipmunks, and ruddy ducks. Summer brings a host of butterflies, frogs, and goldfinches as well as blooming prairie plants. The colors become more subdued in fall with the change in light, revealing the rich hues of Indian grass and big bluestem and the subtle plumage of migrating warblers.
Just as Kurtz’s Practical Guide to Prairie Reconstruction offers an indispensable manual for individuals and land managers working to create a diverse prairie community, so does A Year of Iowa Nature point the way toward a sincere, month-by-month appreciation of the natural world around us.
From charismatic megafauna like elk, bison, wolves, bighorn sheep, and grizzly bears, to smaller mammals like bats, pikas, beavers, and otters, to some of the 279 species of birds, Johnsgard describes the behavior of animals throughout the seasons, with sections on what summer and autumn mean to the wildlife of the park, especially with the intrusion of millions of tourists each year. Enhanced by Mangelsen’s wildlife photography, Yellowstone Wildlife reveals the beauty and complexity of these species’ intertwined lives and that of Yellowstone’s greater ecosystem.
Here, for the first time in a single book, is the incredible story of the wolves’ return to Yellowstone National Park as told by the very people responsible for their reintroduction, study, and management. Anchored in what we have learned from Yellowstone, highlighting the unique blend of research techniques that have given us this knowledge, and addressing the major issues that wolves still face today, this book is as wide-ranging and awe-inspiring as the Yellowstone restoration effort itself. We learn about individual wolves, population dynamics, wolf-prey relationships, genetics, disease, management and policy, newly studied behaviors and interactions with other species, and the rippling ecosystem effects wolves have had on Yellowstone’s wild and rare landscape. Perhaps most importantly of all, the book also offers solutions to ongoing controversies and debates.
Featuring a foreword by Jane Goodall, beautiful images, a companion online documentary by celebrated filmmaker Bob Landis, and contributions from more than seventy wolf and wildlife conservation luminaries from Yellowstone and around the world, Yellowstone Wolves is a gripping, accessible celebration of the extraordinary Yellowstone Wolf Project—and of the park through which these majestic and important creatures once again roam.
Of practical importance, Yellowstone Cougars addresses the management and conservation of multiple carnivores in increasingly human-dominated landscapes. The authors move beyond a single-species approach to cougar management and conservation to one that considers multiple species, which was impossible to untangle before wolf reestablishment in the Yellowstone area provided biologists with this research opportunity.
Yellowstone Cougars provides objective scientific data at the forefront of understanding cougars and large carnivore community structure and management issues in the Greater Yellowstone Ecosystem, as well as in other areas where wolves and cougars are reestablishing. Intended for an audience of scientists, wildlife managers, conservationists, and academics, the book also sets a theoretical precedent for writing about competition between carnivorous mammals.
This seminal work chronicles George B. Schaller’s two years of travel and observation of gorillas in East and Central Africa in the late 1950s, high in the Virunga volcanoes on the Zaire-Rwanda-Uganda border. There, he learned that these majestic animals, far from being the aggressive apes of film and fiction, form close-knit societies of caring mothers and protective fathers watching over playful young. Alongside his observations of gorilla society, Schaller celebrates the enforced yet splendid solitude of the naturalist, recounts the adventures he experienced along the way, and offers a warning against poaching and other human threats against these endangered creatures. This edition features a postscript detailing Schaller’s more recent visits with gorillas, current to 2009.
“Whether the author is tracking gorillas, slipping past elephant herds on narrow jungle paths, avoiding poachers’ deadfalls, or routing Watusi invaders, this is an exciting book. Although Schaller feels that this is ‘not an adventure book,’ few readers will be able to agree.”—Irven DeVore, Science
With all of the negative media about environmental threats over the last four decades, is it any wonder that most people believe disaster is just around the corner? But despite what the media would lead us to believe, annual reports from the Surgeons General show that Americans are the healthiest they have ever been, are becoming healthier and are, in fact, the healthiest people on the planet.
In You’ve Been Had!, Melvin Benarde aims to set the record straight and counteract the culture of complaint and worry with an unbiased account of the scientific facts — facts which suggest we are worried and frightened about the wrong things. Contrary to what the media would have us believe, he argues that the environmental factors that most adversely affect our health are those that are within our power to alter, such as smoking, diet, drugs, stress, guns speed, exercise, and basic safety precautions. Topics covered include: carcinogens and anti- carcinogens; dietary supplements and neutraceuticals; food safety, pasteurization and irradiation; genetically modified foods; microbial threats to health; hazardous and toxic waste; radiation and skin cancer; global warming; risk-taking; obesity, asthma, violence and longevity. Benarde also looks at the ways the media reports science and evidence-based medicine.
The Deep South has seen a 36 percent increase in AIDS cases while the rest of the nation has seen a 2 percent decline. Many of the underlying reasons for the disease’s continued spread in the region—ignorance about HIV, reluctance to get tested, non-adherence to treatment protocols, resistance to behavioral changes—remain unaddressed by policymakers.
In this extensively revised second edition, Kathryn Whetten and Brian Wells Pence present a rich discussion of twenty-five ethnographic life stories of people living with HIV in the South. Most importantly, they incorporate research from their recent quantitative study, “Coping with HIV/AIDS in the Southeast” (CHASE), which includes 611 HIV-positive patients from North Carolina, South Carolina, Georgia, Alabama, and Louisiana. This new edition continues to bring the participants’ voices to life while highlighting how the CHASE study confirmed many of the themes that originally emerged from the life histories. This is the first cohesive compilation of up-to-date evidence on the unique and difficult aspects of living with HIV in the Deep South.
Your doctor is the second most important person taking care of your health. You're the first. This book was written so that you can do a better job, without going to medical school. It is designed to help you sort out the vital health information you need--what to consider, what to ignore, what to worry about, what to forget.
Deciding how to take care of a pain, an injury, a fever--and whether to call in expert advice--is not always an easy task. Knowing how to prevent disease can be even harder: Will I really live longer and feel better if I cut down on dietary fat, or alcohol, or overwork? The main focus of this book is on prevention: habits you can modify, choices you can make in daily life. Good choices do make a difference. The life expectancy of American adults has been increasing, and it is quite clear that professional medical care is not the only reason people are living longer.
But when you do call in the professionals, this book will guide you in asking the right questions about your diagnosis and treatment. When medical decisions must be made, you can be an active partner in making them.
The doctors who wrote this book have made some fundamental assumptions about their readers: they are people who want to make their own choices about their health, based on the best possible evidence; they want straightforward information unencumbered with excessive detail; when they talk with their physician, they want to ask intelligent questions and understand the answers; they want to live a long life, but also enjoy it along the way; and they want to see "the big picture"--how their personal health is affected by environmental and social forces.
Yam production is concentrated in West Africa, which is responsible for more than 90 percent of the 50 million tons produced annually around the globe. Though the crop can attract high prices, too often its producers live in penury. Regional issues drive up labor costs of food crops because of dependence on obsolete technology. In addition, certain agronomic practices that are peculiar to yam production remain unchanged, and pests and diseases still ravage the crop. Yam in West Africa investigates solutions to these problems with the aim of expanding yam production, increasing sales, helping farmers, and bringing more of this staple food to those who need it. The future of the yam is bright; this book aims to make it more so.
Relatively few people in America build their own homes, but many yearn to make the places they live in more truly their own. Yard Art and Handmade Places profiles twenty homemakers who have used their yards and gardens to express their sense of individuality, to maintain connections to family and heritage, or even to create sacred spaces for personal and community refreshment and healing. Jill Nokes, an authority on native plants and ecological restoration, traveled across the state of Texas, seeking out residents who had transformed their yards and gardens into oases of art and exuberant personal expression. In this book, she presents their stories, told in their own words, about why they created these handmade places and what their yard art has come to mean to them and to their communities.
Rather than viewing yard art as a curiosity or oddity, Nokes treats it as an integral part of home-making, revealing how these places become invested with deep personal or social meaning. Yard Art and Handmade Places celebrates the fact that, despite the proliferation of look-alike suburbs, places still exist where people with ordinary means and skills are shaping space with their own hands to create a personal expression that can be enjoyed by all.
Alongside Maclean’s now-canonical A River Runs through It and Other Stories, Young Men and Fire is recognized today as a classic of the American West. This twenty-fifth anniversary edition of Maclean’s later triumph—the last book he would write—includes a powerful new foreword by Timothy Egan, author of The Big Burn and The Worst Hard Time. As moving and profound as when it was first published, Young Men and Fire honors the literary legacy of a man who gave voice to an essential corner of the American soul.
Introduced pig populations have wreaked havoc on ecosystems the world over. Non-native to the Western Hemisphere, pigs originally arrived in the southeast with De Soto's entrada and in the Hawaiian Archipelago on the outriggers of South Pacific islanders. In America feral hogs are considered pests and invaders because of their omnivorous diet and rooting habits that destroy both fragile native species and agricultural cropland.
Appealing to hunters and adventure readers for its sheer entertainment, Year of the Pig will also be valuable to farmers, land managers, and environmentalists for its broad information and perspective on the topic.
The history of US imperialism remains incomplete without this consideration of long-overlooked nineteenth-century American commercial and whaling ventures in the Indian Ocean.
Yankees in the Indian Ocean shows how nineteenth-century American merchant and whaler activity in the Indian Ocean shaped the imperial future of the United States, influenced the region’s commerce, encouraged illegal slaving, and contributed to environmental degradation. For a brief time, Americans outnumbered other Western visitors to Mauritius, Madagascar, Zanzibar, and the East African littoral. In a relentless search for commodities and provisions, American whaleships landed at islands throughout the ocean and stripped them of resources. Yet Americans failed to develop a permanent foothold in the region and operated instead from a position of weakness relative to other major colonizing powers, thus discouraging the development of American imperial holdings there.
The history of American concerns in the Indian Ocean world remains largely unwritten. Scholars who focus on the region have mostly ignored American involvement, despite arguments for the ocean’s importance in powering global connections during the late eighteenth and early nineteenth centuries. Historians of the United States likewise have failed to examine the western Indian Ocean because of a preoccupation with US interests in Asia and the Pacific. Failing to understand the scale of American trade in the Indian Ocean has led to a fixation on European commercial strength to the exclusion of other maritime networks. Instead, this book reveals how the people of Madagascar and East Africa helped the United States briefly dominate commerce and whaling.
This book investigates how and why Americans were drawn to the western Indian Ocean years before the United States established a formal overseas empire in the late nineteenth century. Ship logs, sailor journals, and travel narratives reveal how American men transformed foreign land- and seascapes into knowable spaces that confirmed American conceptions of people and natural resources; these sources also provide insight into the complex social and ecological worlds of the Indian Ocean during this critical time.
In the arid American West, settlement was generally contingent on the availability of water to irrigate crops and maintain livestock and human residents. Early irrigation projects were usually the cooperative efforts of pioneer farmers, but by the early twentieth century they largely reflected federal intentions to create new farms out of the western public domain. The Yuma Reclamation Project, authorized in 1904, was one of the earliest federal irrigation projects initiated in the western United States and the first authorized on the Colorado River. Its story exemplifies the range of difficulties associated with settling the nation’s final frontier—the remaining irrigable lands in the arid West, including Indian lands—and illuminates some of the current issues and conflicts concerning the Colorado River. Author Robert Sauder’s detailed, meticulously researched examination of the Yuma Project illustrates the complex multiplicity of problems and challenges associated with the federal government’s attempt to facilitate homesteading in the arid West. He examines the history of settlement along the lower Colorado River from earliest times, including the farming of the local Quechan people and the impact of Spanish colonization, and he reviews the engineering problems that had to be resolved before an industrial irrigation scheme could be accomplished. The study also sheds light on myriad unanticipated environmental, economic, and social challenges that the government had to confront in bringing arid lands under irrigation, including the impact on the Native American population of the region.The Yuma Reclamation Project is an original and significant contribution to our understanding of federal reclamation endeavors in the West. It provides new and fascinating information about the history of the Yuma Valley and, as a case study of irrigation policy, it offers compelling insights into the history and consequences of water manipulation in the arid West.
Flowing through the heart of the North China Plain—home to 200 million people—the Yellow River sustains one of China’s core regions. Yet this vital water supply has become highly vulnerable in recent decades, with potentially serious repercussions for China’s economic, social, and political stability. The Yellow River is an investigative expedition to the source of China’s contemporary water crisis, mapping the confluence of forces that have shaped the predicament that the world’s most populous nation now faces in managing its water reserves.
Chinese governments have long struggled to maintain ecological stability along the Yellow River, undertaking ambitious programs of canal and dike construction to mitigate the effects of recurrent droughts and floods. But particularly during the Maoist years the North China Plain was radically re-engineered to utilize every drop of water for irrigation and hydroelectric generation. As David A. Pietz shows, Maoist water management from 1949 to 1976 cast a long shadow over the reform period, beginning in 1978. Rapid urban growth, industrial expansion, and agricultural intensification over the past three decades of China’s economic boom have been realized on a water resource base that was acutely compromised, with effects that have been more difficult and costly to overcome with each passing decade. Chronicling this complex legacy, The Yellow River provides important insight into how water challenges will affect China’s course as a twenty-first-century global power.
Winner, James Beard Foundation Best Cookbook of the Year Award, 2015
James Beard Foundation Best International Cookbook Award, 2015
The Art of Eating Prize for Best Food Book of the Year, 2015
The Yucatán Peninsula is home to one of the world's great regional cuisines. With a foundation of native Maya dishes made from fresh local ingredients, it shares much of the same pantry of ingredients and many culinary practices with the rest of Mexico. Yet, due to its isolated peninsular location, it was also in a unique position to absorb the foods and flavors of such far-flung regions as Spain and Portugal, France, Holland, Lebanon and the Levant, Cuba and the Caribbean, and Africa. In recent years, gourmet magazines and celebrity chefs have popularized certain Yucatecan dishes and ingredients, such as Sopa de lima and achiote, and global gastronomes have made the pilgrimage to Yucatán to tantalize their taste buds with smoky pit barbecues, citrus-based pickles, and fiery chiles. But until now, the full depth and richness of this cuisine has remained little understood beyond Yucatán's borders.
An internationally recognized authority on Yucatecan cuisine, chef David Sterling takes you on a gastronomic tour of the peninsula in this unique cookbook, Yucatán: Recipes from a Culinary Expedition. Presenting the food in the places where it’s savored, Sterling begins in jungle towns where Mayas concoct age-old recipes with a few simple ingredients they grow themselves. He travels over a thousand miles along the broad Yucatán coast to sample a bounty of seafood; shares “the people’s food”at bakeries, chicharronerías, street vendors, home restaurants, and cantinas; and highlights the cooking of the peninsula’s three largest cities—Campeche, Mérida, and Valladolid—as well as a variety of pueblos noted for signature dishes. Throughout the journey, Sterling serves up over 275 authentic, thoroughly tested recipes that will appeal to both novice and professional cooks. He also discusses pantry staples and basic cooking techniques and offers substitutions for local ingredients that may be hard to find elsewhere. Profusely illustrated and spiced with lively stories of the region’s people and places, Yucatán: Recipes from a Culinary Expedition is the long-awaited definitive work on this distinctive cuisine.
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