front cover of Zig-Zag-and-Swirl
Zig-Zag-and-Swirl
Alfred W. Lawson's Quest for Greatness
Lyell D. Henry
University of Iowa Press, 1991

Alfred W. Lawson (1869–1954) was a professional baseball player, inventor of the airliner, leader of a movement in the 1930s calling for the abolition of banks and interest, and founder of a utopian community, the so-called Des Moines University of Lawsonomy. This unusual institution, constantly embroiled in controversy in the 1940s and early 1950s, was dedicated not only to teaching Lawson’s novel religious and scientific ideas but also to initiating a reform of human nature.

Throughout this multifaceted and colorful biography Henry gives special attention to Lawson’s development as a utopian thinker and reformer, providing a thorough treatment of the poignant saga of the controversial and doomed community in Des Moines. Every phase of Lawson’s incredible career is linked to main currents of American life and culture, resulting in an entertaining and sympathetic account that reveals how the self-styled Magic Man of Baseball, Columbus of the Air, Wizard of Reason, and First Knowledgian, for all his claimed and actual uniqueness, was nonetheless a product clearly “Made in America.”

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front cover of The Zoom
The Zoom
Drama at the Touch of a Lever
Hall, Nick
Rutgers University Press, 2018
From the queasy zooms in Alfred Hitchcock’s Vertigo to the avant-garde mystery of Michael Snow’s Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. In The Zoom, Nick Hall traces the century-spanning history of the zoom lens in American film and television. From late 1920s silent features to the psychedelic experiments of the 1960s and beyond, the book describes how inventors battled to provide film and television studios with practical zoom lenses, and how cinematographers clashed over the right ways to use the new zooms. Hall demonstrates how the zoom brought life and energy to cinema decades before the zoom boom of the 1970s and reveals how the zoom continues to play a vital and often overlooked role in the production of contemporary film and television.  
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