At vaudeville theaters, international expositions, commercial nightclubs, and military bases, Hawaiian women acted as ambassadors of aloha, enabling Americans to imagine Hawai'i as feminine and benign, and the relation between colonizer and colonized as mutually desired. By the 1930s, Hawaiian culture, particularly its music and hula, had enormous promotional value. In the 1940s, thousands of U.S. soldiers and military personnel in Hawai'i were entertained by hula performances, many of which were filmed by military photographers. Yet, as Adria L. Imada shows, Hawaiians also used hula as a means of cultural survival and countercolonial political praxis. In Aloha America, Imada focuses on the years between the 1890s and the 1960s, examining little-known performances and films before turning to the present-day reappropriation of hula by the Hawaiian self-determination movement.
Contributors. Ralph A. Austen, Ronald Bailey, William Darity, Jr., Seymour Drescher, Stanley L. Engerman, David Barry Gaspar, Clarence Grim, Brian Higgins, Jan S. Hogendorn, Joseph E. Inikori, Kenneth Kiple, Martin A. Klein, Paul E. Lovejoy, Patrick Manning, Joseph C. Miller, Johannes Postma, Woodruff Smith, Thomas Wilson
This issue of TSQ: Transgender Studies Quarterly, “Trans-Political Economy,” edited by Dan Irving and Vek Lewis, addresses how capitalism differentially and unequally affects trans and sex/gender-diverse people across the globe. “We all, from our different social and political locations, become implicated in those architectures through our everyday interactions with a variety of coordinated and contradictory institutions and rationalities that order our lives across different local and global geopolitical spaces and scales,” write Lewis and Irving. The editors of and contributors to this issue reveal how the narrowly constructed objects of trans studies and political economy (such as gender, labor, class, and economy) have been complicit in the necropolitical devaluation of trans lives and existing strategies crafted for trans survival. Topics include trans visibility and commodity culture; trans credit reporting; the growing population of T-girls, trans women truckers; trans street-based sex workers; the system of sex/gender identification for trans asylum seekers in South Africa; and waria affective labor in Indonesia. There is also a roundtable deconstructing trans* political economy.
The Arts & Culture section of this issue features a review of season 7 of RuPaul's Drag Race in relation to certain political-economic elements of the drag industry as well as an in-depth look at the representation of transgender lives on film, specifically in Dallas Buyers Club.
Iwabuchi has conducted extensive interviews with producers, promoters, and consumers of popular culture in Japan and East Asia. Drawing upon this research, he analyzes Japan’s "localizing" strategy of repackaging Western pop culture for Asian consumption and the ways Japanese popular culture arouses regional cultural resonances. He considers how transnational cultural flows are experienced differently in various geographic areas by looking at bilateral cultural flows in East Asia. He shows how Japanese popular music and television dramas are promoted and understood in Taiwan, Hong Kong, and Singapore, and how "Asian" popular culture (especially Hong Kong’s) is received in Japan.
Rich in empirical detail and theoretical insight, Recentering Globalization is a significant contribution to thinking about cultural globalization and transnationalism, particularly in the context of East Asian cultural studies.
Contributors. Stephen Ansolabehere, Donald Granberg, Shanto Iyengar, Robert Jervis, Milton Lodge, Roger D. Masters, William J. McGuire, Victor C. Ottati, Samuel L. Popkin, William M. Runyan, David O. Sears, Patrick Stroh, Denis G. Sullivan, Philip E. Tetlock, Robert S. Wyer, Jr.
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