With the ever-expanding presence of China in the global economy, Americans more and more look east for goods and trade. But as Caroline Frank reveals, this is not a new development. China loomed as large in the minds—and account books—of eighteenth-century Americans as it does today. Long before they had achieved independence from Britain and were able to sail to Asia themselves, American mariners, merchants, and consumers were aware of the East Indies and preparing for voyages there. Focusing on the trade and consumption of porcelain, tea, and chinoiserie, Frank shows that colonial Americans saw themselves as part of a world much larger than just Britain and Europe

At the beginning of the twentieth century, the Austrian Empire ranked third among the world's oil-producing states (surpassed only by the United States and Russia), and accounted for five percent of global oil production. By 1918, the Central Powers did not have enough oil to maintain a modern military. How and why did the promise of oil fail Galicia (the province producing the oil) and the Empire?

In a brilliantly conceived work, Alison Frank traces the interaction of technology, nationalist rhetoric, social tensions, provincial politics, and entrepreneurial vision in shaping the Galician oil industry. She portrays this often overlooked oil boom's transformation of the environment, and its reorientation of religious and social divisions that had defined a previously agrarian population, as surprising alliances among traditional foes sprang up among workers and entrepreneurs, at the workplace, and in the pubs and brothels of new oiltowns.

Frank sets this complex story in a context of international finance, technological exchange, and Habsburg history as a sobering counterpoint to traditional modernization narratives. As the oil ran out, the economy, the population, and the environment returned largely to their former state, reminding us that there is nothing ineluctable about the consequences of industrial development.

The Renaissance man avant la lettre.

Vitruvius (Marcus V. Pollio), Roman architect and engineer, studied Greek philosophy and science and gained experience in the course of professional work. He was one of those appointed to be overseers of imperial artillery or military engines, and was architect of at least one unit of buildings for Augustus in the reconstruction of Rome. Late in life and in ill health he completed, sometime before 27 BC, De Architectura which, after its rediscovery in the fifteenth century, was influential enough to be studied by architects from the early Renaissance to recent times.

In On Architecture Vitruvius adds to the tradition of Greek theory and practice the results of his own experience. The contents of this treatise in ten books are as follows. Book 1: Requirements for an architect; town planning; design, cities, aspects; temples. 2: Materials and their treatment. Greek systems. 3: Styles. Forms of Greek temples. Ionic. 4: Styles. Corinthian, Ionic, Doric; Tuscan; altars. 5: Other public buildings (fora, basilicae, theaters, colonnades, baths, harbors). 6: Sites and planning, especially of houses. 7: Construction of pavements, roads, mosaic floors, vaults. Decoration (stucco, wall painting, colors). 8: Hydraulic engineering; water supply; aqueducts. 9: Astronomy. Greek and Roman discoveries; signs of the zodiac, planets, moon phases, constellations, astrology, gnomon, sundials. 10: Machines for war and other purposes.

The Renaissance man avant la lettre.

Vitruvius (Marcus V. Pollio), Roman architect and engineer, studied Greek philosophy and science and gained experience in the course of professional work. He was one of those appointed to be overseers of imperial artillery or military engines, and was architect of at least one unit of buildings for Augustus in the reconstruction of Rome. Late in life and in ill health he completed, sometime before 27 BC, De Architectura which, after its rediscovery in the fifteenth century, was influential enough to be studied by architects from the early Renaissance to recent times.

In On Architecture Vitruvius adds to the tradition of Greek theory and practice the results of his own experience. The contents of this treatise in ten books are as follows. Book 1: Requirements for an architect; town planning; design, cities, aspects; temples. 2: Materials and their treatment. Greek systems. 3: Styles. Forms of Greek temples. Ionic. 4: Styles. Corinthian, Ionic, Doric; Tuscan; altars. 5: Other public buildings (fora, basilicae, theaters, colonnades, baths, harbors). 6: Sites and planning, especially of houses. 7: Construction of pavements, roads, mosaic floors, vaults. Decoration (stucco, wall painting, colors). 8: Hydraulic engineering; water supply; aqueducts. 9: Astronomy. Greek and Roman discoveries; signs of the zodiac, planets, moon phases, constellations, astrology, gnomon, sundials. 10: Machines for war and other purposes.

Frank Denius was not yet twenty-one when he fought his way across Europe and was awarded four Silver Stars, a Presidential Unit Citation, and two Purple Hearts. On the Way describes Denius’s formative experiences during World War II in gripping detail and will cause any reader to wonder how he or she might have held up under similar pressure. The powerful opening chapters are followed by a detailed account of Denius’s life and career after the war, assembled into a first-person memoir from conversations between Denius and Thomas Hatfield, and published by the Briscoe Center for American History at the University of Texas at Austin.

Discharged from the army in October 1945, Denius enrolled at the University of Texas within a week. He is a lifelong supporter of the university: as part of the Texas Exes, as a donor to numerous academic programs, and as a fan of Longhorn football. Former UT football coach Mack Brown liked to say, “Frank has been to more practices than I have.”

Denius graduated from the University of Texas School of Law and joined one of Austin’s leading law firms in the late 1940s. Denius recounts how Texas operated in Lyndon Johnson’s prime, observes power plays in the Texas energy industry, and describes his role in building a regional university into a global leader.

This acclaimed edition is making available authentic versions of the works of a key figure in the history of opera.

Gli Equivoci nel Sembiante (1679), Alessandro Scarlatti’s first opera, is a comedy of mistaken identities and amorous intrigues in the pastoral mode. It was one of the most popular and widely performed works of the composer’s long career. A small cast and simple scenic requirements make it an ideal work for performances today.

In preparing the score presented here, Frank A. D’Accone compared the six extant manuscripts. His Introduction sketches the opera’s history and discusses performance practice. A translation of the libretto is appended.

Nicholas Frankel presents a new and revisionary account of Wilde’s final years, spent in poverty and exile on the European continent following his release from an English prison for the crime of “gross indecency” between men. Oscar Wilde: The Unrepentant Years challenges the prevailing, traditional view of Wilde as a broken, tragic figure, a martyr to Victorian sexual morality, and shows instead that he pursued his post-prison life with passion, enjoying new liberties while trying to resurrect his literary career.

After two bitter years of solitary confinement, Frankel shows, Wilde emerged from prison in 1897 determined to rebuild his life along lines that were continuous with the path he had followed before his conviction, unapologetic and even defiant about the crime for which he had been convicted. England had already done its worst. In Europe’s more tolerant atmosphere, he could begin to live openly and without hypocrisy.

Frankel overturns previous misunderstandings of Wilde’s relationship with Lord Alfred Douglas, the great love of his life, with whom he hoped to live permanently in Naples, following their secret and ill-fated elopement there. He describes how and why the two men were forced apart, as well as Wilde’s subsequent relations with a series of young men. Oscar Wilde pays close attention to Wilde’s final two important works, De Profundis and The Ballad of Reading Gaol, while detailing his nearly three-year residence in Paris. There, despite repeated setbacks and open hostility, Wilde attempted to rebuild himself as a man—and a man of letters.

On June 15, 1888, a mere ninety-nine days after ascending the throne to become king of Prussia and German emperor, Frederick III succumbed to throat cancer. Europeans were spellbound by the cruel fate nobly borne by the voiceless Fritz, who for more than two decades had been celebrated as a military hero and loved as a kindly gentleman. A number of grief-stricken individuals reportedly offered to sacrifice their own healthy larynxes to save the ailing emperor.

Frank Lorenz Müller, in the first comprehensive life of Frederick III ever written, reconstructs how the hugely popular persona of “Our Fritz” was created and used for various political purposes before and after the emperor’s tragic death. Sandwiched between the reign of his ninety-year-old father and the calamitous rule of his own son, the future emperor William II, Frederick III served as a canvas onto which different political forces projected their hopes and fears for Germany's future. The book moves beyond the myth that Frederick’s humane liberalism would have built a lasting Anglo-German partnership, perhaps even preventing World War I, and beyond the castigations and exaggerations of parties with a different agenda. Surrounded by an unforgettable cast of characters that includes the emperor’s widely hated English wife, Vicky—daughter of Queen Victoria—and the scheming Otto von Bismarck, Frederick III offers in death as well as in life a revealing, poignant glimpse of Prussia, Germany, and the European world that his son would help to shatter.