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Epiphanius, monastic founder and bishop of Salamis on Cyprus for almost forty years of the fourth century, threw heart and soul into the controversies of the time and produced the Panario or Medicine Chest, a historical encyclopedia of sects and heresies and their refutations. Book I deals with material that is also found in Nag Hammadi, other Gnostic writings, and in such patristic authors as Irenaeus and Hippolytus. Students of Nag Hammadi and Gnosticism, patrologists, historians of religion, church historians, and Judaism have found this translation useful.
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Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.
In 1831, James Fenimore Cooper told his publisher that he wanted to write a story set on Lake Ontario. The book was accepted, but with no hint that it would feature Natty Bumppo from the well-established Leather-Stocking Tales. The Pathfinder (1840) revisits Natty’s military service, extending a story begun in The Last of the Mohicans, and introduces the complications of love against the backdrop of the French and Indian War. Wayne Franklin’s introduction describes the personal and financial circumstances that led to Cooper’s resurrection of his most popular character, underscoring the author’s aim to offer Natty as a “Pathfinder” for a nation he feared had lost its moral bearings.
The John Harvard Library edition reproduces the text of The Pathfinder from The Writings of James Fenimore Cooper (State University of New York Press).
Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.
One of Frank Waters’s most popular novels, People of the Valley takes place high in the Sangre de Cristo Mountains where an isolated Spanish-speaking people confront a threatening world of change.
In Performing Antiracist Pedagogy, Frankie Condon and Vershawn Ashanti Young seek to help create openings to address race and racism not only in course readings and class discussion in writing, rhetoric, and communication courses but also in wider public settings. The contributors to this collection, drawn from a wide range of disciplines, urge readers to renew their commitment to intelligently and publicly deliberate race and to counteract the effects of racism. The book is both theoretically rigorous and practical, providing readers with insightful analyses of race and racism and useful classroom suggestions and examples.
Contributors: Chiara Bacigalupa, Sophia Bell, Susan Leigh Brooks, Frankie Condon, Rasha Diab, John Dean, Thomas Ferrell, Beth Godbee, Dae-Joong Kim, Timothy Lensmire, Calvin M. Logue, Aja Y. Martinez, Rebecca Nathan, Bobbi Olson, Jessica Parker, Charise Pimentel, Octavio Pimentel, Mya Poe, Neil Simpkins, Nathan Snaza, Deatra Sullivan, Vershawn Ashanti Young
Throughout Europe, narratives about the past circulate at a dizzying speed, and producing and selling these narratives is big business. In museums, in cinema and opera houses, in schools, and even on the Internet, Europeans are using the power of performance to craft stories that ultimately define the ways their audiences understand and remember history.
Performing the Past offers unparalleled insights into the philosophical, literary, musical, and historical frameworks within which the past has entered into the European imagination. The essays in this volume, from such internationally renowned scholars as Reinhart Koselleck, Jan Assmann, Jane Caplan, Marianne Hirsch, Leo Spitzer, Peter Burke, and Alessandro Portelli, investigate various national and disciplinary traditions to explain how Europeans see themselves in the past, in the present, and in the years to come.
Written in the early twentieth century for her children and grandchildren and first published in 1975, these eloquent memoirs detail the life of General Ulysses S. Grant’s wife. First Lady Julia Dent Grant wrote her reminiscences with the vivacity and charm she exhibited throughout her life, telling her story in the easy flow of an afternoon conversation with a close friend. She writes fondly of White Haven, a plantation in St. Louis County, Missouri, where she had an idyllic girlhood and later met Ulysses.
In addition to relating the joys she experienced, Grant tells about the difficult and sorrowful times. Her anecdotes give fascinating glimpses into the years of the American Civil War. One recounts the night President Abraham Lincoln was assassinated. Grant insisted she and her husband turn down an invitation to the theater. Her decision saved her husband’s life: like Lincoln, he too had been marked for assassination.
Throughout these memoirs, which she ends with her husband’s death, Grant seeks to introduce her descendants to both her and the man she loved. She also strives to correct misconceptions that were circulated about him. She wanted posterity to share her pride in this man, whom she saw as one of America’s greatest heroes. Her book is a testament to their devoted marriage.
This forty-fifth-anniversary edition includes a new foreword by John F. Marszalek and Frank J. Williams, a new preface by Pamela K. Sanfilippo, the original foreword by Bruce Catton, the original introduction by editor John Y. Simon, recommendations for further reading, and more than twenty photographs of the Grants, their children, and their friends.
Written in the early twentieth century for her children and grandchildren and first published in 1975, these eloquent memoirs detail the life of General Ulysses S. Grant’s wife. First Lady Julia Dent Grant wrote her reminiscences with the vivacity and charm she exhibited throughout her life, telling her story in the easy flow of an afternoon conversation with a close friend. She writes fondly of White Haven, a plantation in St. Louis County, Missouri, where she had an idyllic girlhood and later met Ulysses.
In addition to relating the joys she experienced, Grant tells about the difficult and sorrowful times. Her anecdotes give fascinating glimpses into the years of the American Civil War. One recounts the night President Abraham Lincoln was assassinated. Grant insisted she and her husband turn down an invitation to the theater. Her decision saved her husband’s life: like Lincoln, he too had been marked for assassination.
Throughout these memoirs, which she ends with her husband’s death, Grant seeks to introduce her descendants to both her and the man she loved. She also strives to correct misconceptions that were circulated about him. She wanted posterity to share her pride in this man, whom she saw as one of America’s greatest heroes. Her book is a testament to their devoted marriage.
This forty-fifth-anniversary edition includes a new foreword by John F. Marszalek and Frank J. Williams, a new preface by Pamela K. Sanfilippo, the original foreword by Bruce Catton, the original introduction by editor John Y. Simon, recommendations for further reading, and more than twenty photographs of the Grants, their children, and their friends.
“Leaps straight onto the roster of essential reading for anyone even vaguely interested in Grant and the Civil War.”
—Ron Chernow, author of Grant
“Provides leadership lessons that can be obtained nowhere else… Ulysses Grant in his Memoirs gives us a unique glimpse of someone who found that the habit of reflection could serve as a force multiplier for leadership.”
—Thomas E. Ricks, Foreign Policy
Ulysses S. Grant’s memoirs, sold door-to-door by former Union soldiers, were once as ubiquitous in American households as the Bible. Mark Twain and Henry James hailed them as great literature, and countless presidents credit Grant with influencing their own writing. This is the first comprehensively annotated edition of Grant’s memoirs, clarifying the great military leader’s thoughts on his life and times through the end of the Civil War and offering his invaluable perspective on battlefield decision making. With annotations compiled by the editors of the Ulysses S. Grant Association’s Presidential Library, this definitive edition enriches our understanding of the pre-war years, the war with Mexico, and the Civil War. Grant provides essential insight into how rigorously these events tested America’s democratic institutions and the cohesion of its social order.
“What gives this peculiarly reticent book its power? Above all, authenticity… Grant’s style is strikingly modern in its economy.”
—T. J. Stiles, New York Times
“It’s been said that if you’re going to pick up one memoir of the Civil War, Grant’s is the one to read. Similarly, if you’re going to purchase one of the several annotated editions of his memoirs, this is the collection to own, read, and reread.”
—Library Journal
The Picture of Dorian Gray altered the way Victorians understood the world they inhabited. It heralded the end of a repressive Victorianism, and after its publication, literature had—in the words of biographer Richard Ellmann—“a different look.” Yet the Dorian Gray that Victorians never knew was even more daring than the novel the British press condemned as “vulgar,” “unclean,” “poisonous,” “discreditable,” and “a sham.” Now, more than 120 years after Wilde handed it over to his publisher, J. B. Lippincott & Company, Wilde’s uncensored typescript is published for the first time, in an annotated, extensively illustrated edition.
The novel’s first editor, J. M. Stoddart, excised material—especially homosexual content—he thought would offend his readers’ sensibilities. When Wilde enlarged the novel for the 1891 edition, he responded to his critics by further toning down its “immoral” elements. The differences between the text Wilde submitted to Lippincott and published versions of the novel have until now been evident to only the handful of scholars who have examined Wilde's typescript.
Wilde famously said that Dorian Gray “contains much of me”: Basil Hallward is “what I think I am,” Lord Henry “what the world thinks me,” and “Dorian what I would like to be—in other ages, perhaps.” Wilde’s comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own, which saw Wilde sentenced to two years’ hard labor for gross indecency. The appearance of Wilde’s uncensored text is cause for celebration.
Internationally renowned for its pioneering role in the ecological restoration of tallgrass prairies, savannas, forests, and wetlands, the University of Wisconsin Arboretum contains the world’s oldest and most diverse restored ecological communities. A site for land restoration research, public environmental education, and enjoyment by nature lovers, the arboretum remains a vibrant treasure in the heart of Madison’s urban environment.
Pioneers of Ecological Restoration chronicles the history of the arboretum and the people who created, shaped, and sustained it up to the present. Although the arboretum was established by the University of Wisconsin in 1932, author Franklin E. Court begins his history in 1910 with John Nolen, the famous landscape architect who was invited to create plans for the city of Madison, the university campus, and Wisconsin state parks. Drawing extensive details from archives and interviews, Court follows decades of collaborative work related to the arboretum’s lands, including the early efforts of Madison philanthropists and businessmen Michael Olbrich, Paul E. Stark, and Joseph W. “Bud” Jackson.
With labor from the Civilian Conservation Corps during the 1930s Depression, University of Wisconsin scientists began establishing both a traditional horticultural collection of trees and plants and a completely new, visionary approach to recreate native ecosystems. Hundreds of dedicated scientists and staff have carried forward the arboretum’s mission in the decades since, among them G. William Longenecker, Aldo Leopold, John T. Curtis, Rosemary Fleming, Virginia Kline, and William R. Jordan III.
This archival record of the arboretum’s history provides rare insights into how the mission of healing and restoring the land gradually shaped the arboretum’s future and its global reputation; how philosophical conflicts, campus politics, changing priorities, and the encroaching city have affected the arboretum over the decades; and how early aspirations (some still unrealized) have continued to motivate the work of this extraordinary institution.
In A Place for Dialogue, Sharon McKenzie Stevens views the contradictions and collaborations involved in the management of public land in southern Arizona—and by extension the entire arid West—through the lens of political rhetoric. Revealing the socioecological relationships among cattlemen and environmentalists as well as developers and recreationists, she analyzes the ways that language shapes landscape by shaping decisions about land use.
Stevens focuses on the collaborative Sonoran Desert Conservation Plan initiated by Pima County, Arizona, the ubiquitous use of scientific argument to defend contradictory practices, and the construction and negotiation of rancher/environmentalist identities to illuminate both literally and metaphorically the dynamics of land use politics. Drawing specifically upon extensive interviews with a diverse array of agents on all sides of the debate—ranchers, environmentalists, scientists, land managers, government officials—on historical narratives, and on her own conflicting experiences as someone who grew up with those who work the western lands, she demonstrates that it is possible to use differences to solve, rather than to aggravate, the entrenched problems that bridge land and language.
By integrating her richly textured case study of a fragile region with rhetorical approaches to narrative, science-based argument, and collective identities, Stevens makes a significant contribution to the fields of rhetoric, land management, and cultural studies.
Resource protection and public recreation policies have always been subject to the shifting winds of management philosophy governing both national and state parks. Somewhere in the balance, however, parks and preserves have endured as unique places of mind as well as matter. Places of Quiet Beauty allows us to see parks and preserves, forests and wildlife refuges—all those special places that the term “park” conjures up—as measures of our own commitment to caring for the environment. In this broad-ranging book, historian Rebecca Conard examines the complexity of American environmentalism in the twentieth century as manifest in Iowa's state parks and preserves.
Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a drawer, revealed her true self. She did not live in time but in universals—an acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world.
Dickinson died without fame; only a few poems were published in her lifetime. Her legacy was later rescued from her desk—an astonishing body of work, much of which has since appeared in piecemeal editions, sometimes with words altered by editors or publishers according to the fashion of the day.
Now Ralph Franklin, the foremost scholar of Dickinson's manuscripts, has prepared an authoritative one-volume edition of all extant poems by Emily Dickinson—1,789 poems in all, the largest number ever assembled. This reading edition derives from his three-volume work, The Poems of Emily Dickinson: Variorum Edition (1998), which contains approximately 2,500 sources for the poems. In this one-volume edition, Franklin offers a single reading of each poem—usually the latest version of the entire poem—rendered with Dickinson's spelling, punctuation, and capitalization intact. The Poems of Emily Dickinson: Reading Edition is a milestone in American literary scholarship and an indispensable addition to the personal library of poetry lovers everywhere.
Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: “There is one thing to be grateful for—that one is one’s self and not somebody else.”
Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer—an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson’s poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson’s work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.
Now, after many years of preparation by Ralph W. Franklin, the foremost scholar of Dickinson’s manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson’s spelling, capitalization, and punctuation. Franklin gives Dickinson’s alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin’s editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.
Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson’s poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life.
Published here in full are Ralph Waldo Emerson's nine poetry notebooks, the single greatest source of information about his creative habits in poetry. Emerson kept rough drafts, revised versions, and fair copies of hundreds of poems in these notebooks, so that the genesis and development of poems both famous and obscure can be traced closely. The notebooks have been remarkably little consulted, primarily because their unedited textual condition makes them difficult to use. This edition makes them accessible to scholars by presenting a faithful transcription of each notebook, a detailed analysis of the history of each poem, an introduction, and a cross-referenced index.
For this edition, the editors have followed the high standards of textual practice developed for Harvard University Press's edition of The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson. That editorial approach makes possible a logical, clear presentation of material that Emerson often jotted down in segments or with multiple erasures and insertions.
Because it will allow scholars to examine as never before the many facets of Emerson the poet, The Poetry Notebooks of Ralph Waldo Emerson will be a major impetus to study of the man considered by many to be America's greates thinker.
Health care delivery in the United States is an enormously complex enterprise, and its $1.6 trillion annual expenditures involve a host of competing interests. While arguably the nation offers among the most technologically advanced medical care in the world, the American system consistently under performs relative to its resources. Gaps in financing and service delivery pose major barriers to improving health, reducing disparities, achieving universal insurance coverage, enhancing quality, controlling costs, and meeting the needs of patients and families.
Bringing together twenty-five of the nation’s leading experts in health care policy and public health, this book provides a much-needed perspective on how our health care system evolved, why we face the challenges that we do, and why reform is so difficult to achieve. The essays tackle tough issues including: socioeconomic disadvantage, tobacco, obesity, gun violence, insurance gaps, the rationing of services, the power of special interests, medical errors, and the nursing shortage.
Linking the nation’s health problems to larger political, cultural, and philosophical contexts, Policy Challenges in Modern Health Care offers a compelling look at where we stand and where we need to be headed.
Franklin Ford's unprecedented inquiry into assassination traverses civilizations, cultures, religions, and modes of social behavior to locate the common threads of this often mysterious and always shocking phenomenon.
Are there similarities between the killings of the Gracchi brothers and the Kennedy brothers? Does the Baader-Meinhof terrorist gang have roots in the rightist murder teams of Weimar Germany? Was political context as important to the crucifixion of Jesus as to the death of Martin Luther King in 1968? Are political murders usually produced by elaborate conspiracies, or are they more often the work of lone assassins? What circumstances and impulses motivate an individual to risk his or her own life to kill another for reasons of state? This fast-paced narrative, interspersed with reflections, finds intriguing implications in a multitude of famous cases.
From the first known case of political murder, Ehud the Benjamite's stabbing of Eglon, to the recent gunning down of Indira Gandhi by two trusted Sikh bodyguards, the frequency of such acts has varied greatly over time. Mainland Greece suffered few political murders in the violent century of Pericles. The Romans, despite their bloody record under the Empire, avoided assassination for almost four hundred years under the Republic. There was a third such "remission" during the twelfth and thirteenth centuries, Europe's high Middle Ages, matched by yet another extending from 1650 to 1789. In the interval between, the sixteenth century was an especially violent time in countries such as Scotland, the Netherlands, and France. Assassination and terrorism increased again after 1815, but the nineteenth century did not come close to equaling the twentieth in the number of brutal episodes.
Ford's exploration of calculated, personalized assassination draws on history, literature, law, philosophy, sociology, and religion. Addressing the vast array of cases and combing thousands of years of history, he asks most of all whether assassination works. Does it, in even a minority of cases, produce results consistent with the aims of those who attempt it? Can it forestall evil acts or prevent irreparable damage inflicted by misguided leaders? Or is it "bad politics" in every sense of the term? The questions are large ones, and this book offers a sophisticated basis for seeking answers.
F.E. Romer is Professor and Chair of the Department of Foreign Languages and Literatures, East Carolina University. He is the author of numerous articles and has received awards for both his writing and teaching.
In more ways than we may sometimes care to acknowledge, the human being is just another primate--it is certainly only very rarely that researchers into cognition, emotion, personality, and behavior in our species and in other primates come together to compare notes and share insights. This book, one of the few comprehensive attempts at integrating behavioral research into human and nonhuman primates, does precisely that--and in doing so, offers a clear, in-depth look at the mutually enlightening work being done in psychology and primatology.
Relying on theories of behavior derived from psychology rather than ecology or biological anthropology, the authors, internationally known experts in primatology and psychology, focus primarily on social processes in areas including aggression, conflict resolution, sexuality, attachment, parenting, social development and affiliation, cognitive development, social cognition, personality, emotions, vocal and nonvocal communication, cognitive neuroscience, and psychopathology. They show nonhuman primates to be far more complex, cognitively and emotionally, than was once supposed, with provocative implications for our understanding of supposedly unique human characteristics. Arguing that both human and nonhuman primates are distinctive for their wide range of context-sensitive behaviors, their work makes a powerful case for the future integration of human and primate behavioral research.
Today, there is a growing demand for designed landscapes—from public parks to backyards—to be not only beautiful and functional, but also sustainable. With Principles of Ecological Landscape Design, Travis Beck gives professionals and students the first book to translate the science of ecology into design practice.
This groundbreaking work explains key ecological concepts and their application to the design and management of sustainable landscapes. It covers topics from biogeography and plant selection to global change. Beck draws on real world cases where professionals have put ecological principles to use in the built landscape.
A valuable resource with productive avenues for inquiry
In this collection of essays dealing with the prophetic material in the Hebrew Bible, scholars explore the motifs, effects, and role of forced migration on prophetic literature. Contributors focus on the study of geographical displacement, social identity ethics, trauma studies, theological diversification, hermeneutical strategies in relation to the memory, and the effects of various exilic conditions in order to open new avenues of study into the history of Israelite religion and early Judaism.
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Frank Waters lived for three years among the Hopi people of Arizona and was quickly drawn into their culture. Pumpkin Seed Point is a beautifully written personal account of Waters’s inner and outer experiences among the Hopi.
The novels and nonfiction work of writer Frank Waters stand as a monument to his genius and to his lifetime quest to plumb the spiritual depths that he found for himself in the landscape and people of his beloved Southwest. In a career spanning more than half a century, he shared, through his many books, his insights and discoveries with countless readers across the globe.
Now, drawn from rare editorials, speeches, and essays that Frank Waters authored over the years as a reflection and a formation of his life-long themes, Pure Waters provides a treasure trove of exciting new material from this giant of the American Southwest.
In celebration of the centenary of his birth, Swallow Press is pleased to offer this new collection by one of its bestselling and most inspiring authors.
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