A SCHOLARLY BOOK REPOSITORY29 start with B start with B
An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance.
Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf
Contributors: Karen Barbour, Christine Bellerose, Robert Bingham, Kara Bond, Hillel Braude, Sondra Fraleigh, Kimerer LaMothe, Joanna McNamara, Vida Midgelow, Ami Shulman, and Amanda Williamson.
Twenty years ago, a gang attacked four Chicano student activists and shot down their leader, Rocky Ruiz. Now the survivors, Montez's former compatriots in the movement, are in danger. One is killed, another beaten, and a third driven into hiding. Enter Teresa Fuentes, a beautiful young lawyer determined to solve the mystery and just as determined to avoid becoming involved with Montez. To save his friends, Montez must reexamine the central event of their shared past-the murder of Rocky Ruiz. Just as difficult, he finds, may be to untangle his feelings for Teresa Fuentes.
This dynamic collection documents the rich and varied history of social dance and the multiple styles it has generated, while drawing on some of the most current forms of critical and theoretical inquiry. The essays cover different historical periods and styles; encompass regional influences from North and South America, Britain, Europe, and Africa; and emphasize a variety of methodological approaches, including ethnography, anthropology, gender studies, and critical race theory. While social dance is defined primarily as dance performed by the public in ballrooms, clubs, dance halls, and other meeting spots, contributors also examine social dance’s symbiotic relationship with popular, theatrical stage dance forms.
Contributors are Elizabeth Aldrich, Barbara Cohen-Stratyner, Yvonne Daniel, Sherril Dodds, Lisa Doolittle, David F. García, Nadine George-Graves, Jurretta Jordan Heckscher, Constance Valis Hill, Karen W. Hubbard, Tim Lawrence, Julie Malnig, Carol Martin, Juliet McMains, Terry Monaghan, Halifu Osumare, Sally R. Sommer, May Gwin Waggoner, Tim Wall, and Christina Zanfagna.
Research with human subjects has long been controversial because of the conflicts that often arise between promoting scientific knowledge and protecting the rights and welfare of subjects. Twenty-five years ago the National Commission for the Protection of Human Subjects of Biomedical and Behavioral Research addressed these conflicts. The result was the Belmont Report: Ethical Principles and Guidance for Research Involving Human Subjects, a report that identified foundational principles for ethical research with human subjects: respect for persons, beneficence, and justice.
Since the publication of Belmont, these three principles have greatly influenced discussions of research with human subjects. While they are often regarded as the single-most influential set of guidelines for biomedical research and practice in the United States (and other parts of the world), not everyone agrees that they provide adequate guidance. Belmont Revisited brings together a stellar group of scholars in bioethics to revisit the findings of that original report. Their responses constitute a broad overview of the development of the Belmont Report and the extent of its influence, especially on governmental commissions, as well as an assessment of its virtues and shortcomings.
Belmont Revisited looks back to reexamine the creation and influence of the Belmont Report, and also looks forward to the future of research—with a strong call to rethink how institutions and investigators can conduct research more ethically.
In Better Bankers, Better Banks, Claire A. Hill and Richard W. Painter look back at the history of banking and show how the current culture of bad behavior—dramatized by the corrupt, cocaine-snorting bankers of The Wolf of Wall Street—came to be. In the early 1980s, banks went from partnerships whose partners had personal liability to corporations whose managers had no such liability and could take risks with other people’s money. A major reason bankers remain resistant to change, Hill and Painter argue, is that while banks have been faced with large fines, penalties, and legal fees—which have exceeded one hundred billion dollars since the onset of the crisis—the banks (which really means the banks’shareholders) have paid them, not the bankers themselves. The problem also extends well beyond the pursuit of profit to the issue of how success is defined within the banking industry, where highly paid bankers clamor for status and clients may regard as inevitable bankers who prioritize their own self-interest. While many solutions have been proposed, Hill and Painter show that a successful transformation of banker behavior must begin with the bankers themselves. Bankers must be personally liable from their own assets for some portion of the bank’s losses from excessive risk-taking and illegal behavior. This would instill a culture that discourages such behavior and in turn influence the sorts of behavior society celebrates or condemns.
Despite many sensible proposals seeking to reign in excessive risk-taking, the continuing trajectory of scandals suggests that we’re far from ready to avert the next crisis. Better Bankers, Better Banks is a refreshing call for bankers to return to the idea that theirs is a noble profession.
As a writer who, beginning in the 1930s, illuminated the lives of ordinary people, Steinbeck came to be the conscience of America. He witnessed and recorded with clarity much of the political and social upheaval of the 20th century: The Great Depression, World War II, the Cold War, and Vietnam. Yet his place in the literary canon of American literature has been much debated and often dismissed by academics. Beyond Boundaries argues persuasively for Steinbeck's relevance, offering a fuller, more nuanced and international appreciation of the popular Nobel laureate and his works.
Topics treated in these wide-ranging essays include the historical and literary contexts and the artistic influence of the eminent novelist; the reception and translation of Steinbeck works outside the United States; Steinbeck’s worldview, his social vision, and his treatment of poverty, of self, and of patriotism; influence on Native American writers; the centrality of the archetypal feminine throughout his fiction; and the author's lifelong interest in science and philosophy.
International in scope, this timely study reevaluates the enduring and evolving legacy of one of America's most significant writers.
"Tell 'em I'm a farmer with a mandolin and a high tenor voice," Bill Monroe said. Known as the Father of Bluegrass Music, Monroe pioneered a whole new category of music and inspired generations of musicians and fans. Yet from his founding of the original bluegrass band through six decades of performing, he remained an enigmatic figure, a compelling mixture of fierce intensity, homespun modesty, and musical integrity.
Determined to play the mandolin in a way it had never been played before, Monroe distinguished himself in the mid-1930s with the Monroe Brothers then began forming his own band, the Blue Grass Boys, in 1938. By the mid-1940s other bands were copying his sound, and a new style, bluegrass music, was born. While country music moved toward electrification, Monroe maintained his acoustic ensemble and developed his "high, lonesome sound," performing nearly up to his death in 1996.
In this eclectic, richly illustrated reader, former Blue Grass Boy Tom Ewing gathers the most significant and illuminating of the many articles that have been written about Monroe. Through the writings of nearly sixty observers, interviewers, admirers, folklorists, and other scholars, along with Ewing's astute commentary, The Bill Monroe Reader offers a multifaceted view of one of the most influential country musicians of the twentieth century.
Lively, heartfelt, and informative, The Bill Monroe Reader is a fitting tribute to the man and the musician who transformed the traditional music of western Kentucky into an international sensation.
In this remarkable testimony, Cuban novelist and anthropologist Miguel Barnet presents the narrative of 105-year-old Esteban Montejo, who lived as a slave, as fugitive in the wilderness, and as a soldier in the Cuban War of Independence. Honest, blunt, compassionate, shrewd, and engaging, his voice provides an extraordinary insight into the African culture that took root in the Caribbean.
Fiftieth Anniversary Edition
Originally published in 1966, Miguel Barnet’s Biography of a Runaway Slave provides the written history of the life of Esteban Montejo, who lived as a slave, as a fugitive in the wilderness, and as a soldier fighting against Spain in the Cuban War of Independence. A new introduction by one of the most preeminent Afro-Hispanic scholars, William Luis, situates Barnet’s ethnographic strategy and lyrical narrative style as foundational for the tradition of testimonial fiction in Latin American literature. Barnet recorded his interviews with the 103-year-old Montejo at the onset of the Cuban Revolution. This insurgent’s history allows the reader into the folklore and cultural history of Afro-Cubans before and after the abolition of slavery. The book serves as an important contribution to the archive of black experience in Cuba and as a reminder of the many ways that the present continues to echo the past.
One cannot help being struck with wonder at the vivid pink of 10,000 flamingos rising from Lake Nakuru or the glowing red gorget of a ruby-throated hummingbird feeding outside the kitchen window. How birds produce the brilliant and striking coloration of their feathers and other body parts is the focus of this first volume of Bird Coloration. It has been more than 40 years since the mechanisms of color production of birds have been reviewed and synthesized and in those 40 years new pigments have been discovered, new genetic mechanisms have been described, new theories have been developed, and hundreds of new experiments have been conducted.
Geoffrey Hill and Kevin McGraw have assembled the world’s leading experts in perception, measurement, and control of bird coloration to contribute to this book. This sumptuously illustrated volume synthesizes more than 1,500 technical papers in this field. The focus is on the three primary mechanisms of color production—melanin pigmentation, carotenoid pigmentation, and structural coloration—but less common as well as newly described mechanisms of color production are also reviewed in detail. The visual perception of birds and the best ways to collect and analyze color data are, for the first time, presented as part of the review of mechanisms of coloration. This book will be essential reading for biologists studying animal coloration, but it will also be treasured by anyone curious about how birds produce and perceive their bold and brilliant color displays.
In this companion volume to Bird Coloration, Volume 1: Mechanisms and Measurements, Geoffrey E. Hill and Kevin J. McGraw have assembled some of the world’s leading experts in the function and evolution of bird coloration to contribute to a long-overdue synthesis of a burgeoning field of inquiry. In Volume 2, the authors turn from the problem of how birds see and produce color, and how researchers measure it, to the function of the colorful displays of birds and the factors that shape the evolution of color signals.
The contributors to this volume begin by examining the function of coloration in a variety of contexts from mate choice, to social signaling, to individual recognition, synthesizing a vast amount of recent findings by researchers around the world. The volume and the series conclude with chapters that consider coloration from an explicitly evolutionary perspective, examining selective pressures that have led to the evolution of colors and patterns on body and plumage. These functional and evolutionary studies build from research on mechanisms of production and controls of expression, covered in the previous volume, bringing the study of color full circle.
This sumptuously illustrated book will be essential reading for biologists studying animal coloration, but it will also be treasured by anyone curious about why birds are colorful and how they got that way.
For several years, the armies of Napoleon III deployed some 450 Muslim Sudanese slave soldiers in Veracruz, the port of Mexico City. As in the other case of Western hemisphere military slavery (the West India Regiments, a British unit in existence 1795-1815), the Sudanese were imported from Africa in the hopes that they would better survive the tropical diseases that so terribly afflicted European soldiers. In both cases, the Africans did indeed fulfill these expectations. The mixture of cultures embodied by this event has piqued the interest of several historians, so it is by no means unknown. Hill and Hogg provide a particularly thorough account of this exotic interlude, explaining its background, looking in detail at the battle record in Mexico, and figuring out who exactly made up the battalion. Much in their account is odd and interesting, for example, the Sudanese superiority to Austrian troops and their festive nine-day spree in Paris on the emperor's tab. The authors also assess the episode's longer-term impact on the Sudan, showing that the veterans of Mexico, having learnt much from their extended exposure to French military practices, rose quickly in the ranks, then taught these methods to others.
From questioning forces that have constrained sexual choices to examining how Blacks have forged healthy sexual identities in an oppressive environment, Black Sexualities acknowledges the diversity of the Black experience and the shared legacy of racism. Contributors seek resolution to Blacks' understanding of their lives as sexual beings through stories of empowerment, healing, self-awareness, victories, and other historic and contemporary life-course panoramas and provide practical information to foster more culturally relative research, tolerance, and acceptance.
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.
In this urbane and delightful book, Walter Muir Whitehill follows the course of Boston's history, describing the changing face of the city and the society that changed with it, through more than three hundred years. This edition includes a chapter describing the major changes of the city since 1958, as well as new pictures. Generously illustrated, written with a knowledge of and affection for a great city that are visible on every page, this book speaks equally to those who know Boston well and those who are discovering the city for the first time.
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