front cover of East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe
East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe
Isabelle Tillerot
J. Paul Getty Trust, The, 2024
An insightful look at how East Asian notions of space transformed Western painting.

This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art.

This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.
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The Egyptian Labor Corps
Race, Space, and Place in the First World War
Kyle J. Anderson
University of Texas Press, 2021

During World War I, the British Empire enlisted half a million young men, predominantly from the countryside of Egypt, in the Egyptian Labor Corps (ELC) and put them to work handling military logistics in Europe and the Middle East. British authorities reneged on their promise not to draw Egyptians into the war, and, as Kyle Anderson shows, the ELC was seen by many in Egypt as a form of slavery. The Egyptian Labor Corps tells the forgotten story of these young men, culminating in the essential part they came to play in the 1919 Egyptian Revolution.

Combining sources from archives in four countries, Anderson explores Britain’s role in Egypt during this period and how the ELC came to be, as well as the experiences and hardships these men endured. As he examines the ways they coped—through music, theater, drugs, religion, strikes, and mutiny—he illustrates how Egyptian nationalists, seeing their countrymen in a state akin to slavery, began to grasp that they had been racialized as “people of color.” Documenting the history of the ELC and its work during the First World War, The Egyptian Labor Corps also provides a fascinating reinterpretation of the 1919 revolution through the lens of critical race theory.

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front cover of Empty Spaces
Empty Spaces
perspectives on emptiness in modern history
Edited by Courtney J. Campbell, Allegra Giovine, and Jennifer Keating
University of London Press, 2019
Emptiness is a challenging concept: slippery in definition and elastic in meaning. It implies not simply a total lack of content, but an absence: of people, things, ideas and so forth. It thus follows that emptiness is a matter of perception, and as such
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front cover of The Ethics of Space
The Ethics of Space
Homelessness and Squatting in Urban England
Steph Grohmann
HAU, 2020
Across the Western world, full membership of society is established through entitlements to space and formalized in the institutions of property and citizenship. Those without such entitlements are deemed less than fully human as they struggle to find a place where they can symbolically and physically exist. Written by an anthropologist who accidentally found herself homeless, The Ethics of Space is an unprecedented account of what happens when homeless people organize to occupy abandoned properties.
 
Set against the backdrop of economic crisis, austerity, and a disintegrating British state, Steph Grohmann tells the story of a flourishing squatter community in the city of Bristol and how it was eventually outlawed by the state. The first ethnography of homelessness done by a researcher who was formally homeless throughout fieldwork, this volume explores the intersection between spatial existence, subjectivity, and ethics. The result is a book that rethinks how ethical views are shaped and constructed through our own spatial existences.
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front cover of Ethnic Renewal in Philadelphia's Chinatown
Ethnic Renewal in Philadelphia's Chinatown
Space, Place, and Struggle
Kathryn Wilson
Temple University Press, 2015
Philadelphia’s Chinatown, like many urban chinatowns, began in the late nineteenth century as a refuge for immigrant laborers and merchants in which to form a community to raise families and conduct business. But this enclave for expression, identity, and community is also the embodiment of historical legacies and personal and collective memories.
 
In Ethnic Renewal in Philadelphia’s Chinatown. Kathryn Wilson charts the unique history of this neighborhood. After 1945, a new generation of families began to shape Chinatown’s future. As plans for urban renewal—ranging from a cross-town expressway and commuter rail in the 1960s to a downtown baseball stadium in 2000—were proposed and developed, “Save Chinatown” activists rose up and fought for social justice.
 
Wilson chronicles the community’s efforts to save and renew itself through urban planning, territorial claims, and culturally specific rebuilding. She shows how these efforts led to Chinatown’s growth and its continued ability to serve as a living community for subsequent waves of new immigration.  
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front cover of Extinct Lands, Temporal Geographies
Extinct Lands, Temporal Geographies
Chicana Literature and the Urgency of Space
Mary Pat Brady
Duke University Press, 2002
A train station becomes a police station; lands held sacred by Apaches and Mexicanos are turned into commercial and residential zones; freeway construction hollows out a community; a rancho becomes a retirement community—these are the kinds of spatial transformations that concern Mary Pat Brady in Extinct Lands, Temporal Geographies, a book bringing together Chicana feminism, cultural geography, and literary theory to analyze an unusual mix of Chicana texts through the concept of space. Beginning with nineteenth-century short stories and essays and concluding with contemporary fiction, this book reveals how Chicana literature offers a valuable theoretics of space.

The history of the American Southwest in large part entails the transformation of lived, embodied space into zones of police surveillance, warehouse districts, highway interchanges, and shopping malls—a movement that Chicana writers have contested from its inception. Brady examines this long-standing engagement with space, first in the work of early newspaper essayists and fiction writers who opposed Anglo characterizations of Northern Sonora that were highly detrimental to Mexican Americans, and then in the work of authors who explore border crossing. Through the writing of Sandra Cisneros, Cherríe Moraga, Terri de la Peña, Norma Cantú, Monserrat Fontes, Gloria Anzaldúa, and others, Brady shows how categories such as race, gender, and sexuality are spatially enacted and created—and made to appear natural and unyielding. In a spatial critique of the war on drugs, she reveals how scale—the process by which space is divided, organized, and categorized—has become a crucial tool in the management and policing of the narcotics economy.

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