Known for his fearlessness in both the political arena and the battlefield, Frank Blair is a Missouri legend. As a member of one of the most prominent and powerful political families in America during the nineteenth century, possibly the equivalent of the twentieth-century Kennedys, Frank was steeped in politics at an early age. The youngest son of Francis Preston Blair, editor of Andrew Jackson's Washington Globe and adviser to Presidents Andrew Jackson through Andrew Johnson, Frank Blair was greatly influenced by his father, who had high political expectations of him.
Volatile and combative, Blair was either strongly admired or hated by the public figures of his day. He held adamantly to his opinions and fought hard for his political causes. He was an ardent supporter of Abraham Lincoln and championed the president's program in Congress and in Missouri against the frequent assaults of the Radicals. Credited with being the principal leader in saving Missouri for the Union in 1861, Blair later served with great distinction at Vicksburg, Chattanooga, and in the Sherman campaigns throughout Georgia and the Carolinas. He is one of only two Missourians ever honored by his state in Statuary Hall in the U.S. Capitol.
Frank Blair: Lincoln's Conservative reveals the full extent of Blair's importance as a national political figure. Specialists in nineteenth-century America, students of Missouri history, and Civil War buffs will welcome this study, which will long stand as the definitive work on this influential and colorful character.
From boyhood adventures to the creation of visionary buildings like the Guggenheim Museum, Frank Lloyd Wright and His New American Architecture chronicles the vibrant life of one of the world's most famous architects.
Wright's love of architecture was nurtured early on-from paintings of European cathedrals hung in his childhood room; to "Froebel Gifts" building blocks, which he crafted into crude structures; to long walks near the Wisconsin River, where his mother pointed out patterns and colors in nature. Wright also learned, from summers spent on his uncle's Spring Green farm, that adversity is part of life. And perhaps this helped him weather a life beset with both tragedy and triumph.
Wright's prolific career spanned more than 70 years, and he created more than 1,100 designs. Author Bob Kann brings readers into the eccentric stories behind some of Wright's landmark buildings. Find out about Wright's Oak Park home, known to locals as "the house with a tree growing through it;" the Robie House, which is shaped like a battleship; and Fallingwater, which is built on a waterfall. Learn how Wright successfully built the Imperial Hotel in Tokyo to withstand earthquakes, and how the Johnson Wax Building and Guggenheim Museum set new standards in institutional architecture.
The Wisconsin-born Frank Lloyd Wright (1867–1959) is recognized worldwide as an iconic architectural genius. In 1911 he designed Taliesin to use as his personal residence, architectural studio, and working farm. A century later Randolph C. Henning has assembled a splendid collection of rare vintage postcards, some never before published, that provides a revealing and visually unique journey through Wright’s work at Taliesin. Included are intimate images of Taliesin at various stages and views of the building just after the tragic 1914 fire. The postcards also depict nearby buildings designed by Wright, including the Romeo and Juliet windmill and two buildings for the Hillside Home School. Henning provides useful explanations that highlight relevant details and accompany each image. Frank Lloyd Wright’s Taliesin documents and celebrates Wright’s 100-year-old masterpiece.
Winner, Wayland D. Hand Prize, American Folklore Society, 2018
Originating in a homicide in St. Louis in 1899, the ballad of “Frankie and Johnny” became one of America’s most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown.
In this innovative book, Stacy I. Morgan explores why African American folklore—and “Frankie and Johnny” in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan’s research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.
In the early days of swing dancing, Frankie Manning stood out for his moves and his innovative routines; he created the "air step" in the Lindy hop, a dance that took the U.S. and then the world by storm. In this fascinating autobiography, the choreographer and Tony Award winner (Black and Blue) Frankie Manning recalls how his first years of dancing as a teenager at Harlem's Savoy Ballroom led to his becoming chief choreographer and a lead dancer for Whitey's Lindy Hoppers, a group that appeared on Broadway, in Hollywood musicals, and on stages around the globe. Manning brings the Swing Era vividly back to life with his recollections of the crowded ballrooms, and of Lindy hoppers trying to outdo each other in spectacular performances. His memories of the many headliners and film stars, as well as uncelebrated dancers with whom he shared the stage, create a unique portrait of an era in which African American performers enjoyed the spotlight if not a star's prerogatives and salary.
With collaborator Cynthia Millman, Manning traces the evolution of swing dancing from its early days in Harlem through the post-World War II period, until it was eclipsed by rock 'n' roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended. He has been performing, choreographing, and teaching ever since.
These three volumes cover Roosevelt's first administration 1933-1937. The documents relating to foreign affairs during his first administration form a diverse body of information on such issues as war debts, currency stabilization, tariff matters, naval parity, neutrality legislation, diplomatic recognition of Russia, the rise to power of Hitler and Mussolini, the St. Lawrence Waterway Treaty, the Italian-Ethiopian War, the Spanish Civil War, and the "good neighbor" policy.
Foreign affairs has been defined in broad terms by the editor of these volumes, and materials selected relate not only to the President's handling of foreign relations, but also to the domestic background, particularly Roosevelt's efforts to gain support for his policies. Included are press conference transcripts, messages to Congress, speeches, press releases, memoranda to and from executive officers, and correspondence with legislators, ambassadors, heads of state, organizations, and individual citizens. Of the 1,400 documents selected from the papers in the Roosevelt Library at Hyde Park, all but a few are published here for the first time.
Franklin Furnace is a renowned New York–based artsorganization whose mission is to preserve, document, and present works of avant-garde art by emerging artists—particularly those whose works may be vulnerable due to institutional neglect or politically unpopular content. Over more than thirty years, Franklin Furnace has exhibited works by hundreds of avant-garde artists, some of whom—Laurie Anderson, Vito Acconci, Karen Finley, Guillermo Gómez-Peña, Jenny Holzer, and the Blue Man Group, to name a few—are now established names in contemporary art.
Here, for the first time, is a comprehensive history of this remarkable organization from its conception to the present. Organized around the major art genres that emerged in the second half of the twentieth century, this book intersperses first-person narratives with readings by artists and scholars on issues critical to the organization's success as well as Franklin Furnace's many contributions to avant-garde art.
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In his time Benjamin Franklin (1706–1790) was the most famous American in the world. Even those personally unacquainted with the man knew him as the author of Poor Richard’s Almanack, as a pioneer in the study of electricity and a major figure in the American Enlightenment, as the creator of such life-changing innovations as the lightning rod and America’s first circulating library, and as a leader of the American Revolution. His friends also knew him as a brilliant conversationalist, a great wit, an intellectual filled with curiosity, and most of all a master anecdotist whose vast store of knowledge complemented his conversational skills. In Franklin in His Own Time, by reprinting the original documents in which those anecdotes occur, Kevin Hayes and Isabelle Bour restore those oft-told stories to their cultural contexts to create a comprehensive narrative of his life and work.
The thirty-five recollections gathered in Franklin in His Own Time form an animated, collaborative biography designed to provide a multitude of perspectives on the “First American.” Opening with an account by botanist Peter Kalm showing that Franklin was doing all he could to encourage the development of science in North America, it includes on-the-spot impressions from Daniel Fisher’s diary, the earliest surviving interview with Franklin, recollections from James Madison and Abigail Adams, Manasseh Cutler’s detailed description of the library at Franklin Court, and extracts from Alexander Hamilton’s unvarnished Minutes of the Tuesday Club. Franklin’s political missions to Great Britain and France, where he took full advantage of rich social and intellectual opportunities, are a source of many reminiscences, some published here in new translations. Genuine memories from such old friends as Thomas Jefferson and John Adams, as opposed to memories influenced by the Autobiography, clarify Franklin’s reputation. Robert Carr may have been the last remaining person who knew Franklin personally, and thus his recollections are particularly signific
The most original and most delightful of the Founding Fathers, Benjamin Franklin was publisher and printer, essayist and author, businessman and “general,” scientist and philologist, politician and diplomat, moralist and sage—and a thoroughly rational patriot who was a major force in winning his country’s independence and securing its life in the Constitution. Born poor in Cotton Mather’s Boston, he was soon at ease in Quaker Philadelphia, and later in royal London, and in elegant Paris. Born with no advantages, he died wealthy and esteemed. He was the quintessential American, almost totally free of the limits of his environment, ready to accept any challenge, to speculate, experiment, and question.
Esmond Wright, the distinguished English scholar of America, sees Franklin as an Old England Man and a reluctant revolutionary; civilized, urbane, devious, and on occasion just a little unscrupulous. For, despite his charm and genius, Franklin was not admired by everybody. His contemporary John Adams thought little of his political abilities, and the Federalist pamphleteer William Cobbett called him a “crafty and lecherous old hypocrite.” In the next century, Mark Twain, Hawthorne, and Melville did not value him; still later, D. H. Lawrence despised the middle-class morality he promoted. Many today deplore his lack of interest in the arts or metaphysics, his lack of passionate commitment, his opportunism, his occasional coarseness. Yet his success in business, his many-faceted public career, his ingenious inventions and world-renowned scientific genius, his splendid prose style, his worldly wisdom, and the attractive personality that shines through his remarks and writings, made Benjamin Franklin the “new man” of the eighteenth-century dream and also vastly appealing to the modern temper. Wright’s new biography presents a fully rounded portrait of this remarkable man for all ages.
This first comprehensive biography of Franklin in fifty years has taken advantage of Yale’s massive edition-in-progress of Franklin’s papers and of the many specialized studies inspired by the correspondence. Franklin of Philadelphia, designed for the general reader, is also a work for scholars, for the author appends a thorough analysis of other interpretations of Franklin’s career and personality.
Americans today often think of thrift as a negative value—a miserly hoarding of resources and a denial of pleasure. Even more telling, many Americans don’t even think of thrift at all anymore. Franklin’s Thrift challenges this state of mind by recovering the rich history of thrift as a quintessentially American virtue.
The contributors to this volume trace how the idea and practice of thrift have been a vital part of the American vision of economic freedom and social abundance. For Benjamin Franklin, who personified and promoted the idea, thrift meant working productively, consuming wisely, saving proportionally, and giving generously. Franklin’s thrift became the cornerstone of a new kind of secular faith in the ordinary person’s capacity to shape his lot and fortune in life. Later chapters document how thrift moved into new domains in the nineteenth and twentieth centuries. It became the animating idea behind social movements to promote children’s school savings, create mutual savings banks and credit unions for working men and women, establish a federal savings bond program, and galvanize the nation to conserve resources during two world wars.
Historians, enthusiasts of Americana or traditional American virtues, and anyone interested in resolving our society’s current financial woes will find much to treasure in this diverse collection, with topics ranging from the inspirational lessons we can learn from the film It’s a Wonderful Life to a history of the roles played by mutual savings banks, credit unions, and thrift stores in America’s national thrift movement. It also includes actual policy recommendations for our present situation.
Until the early nineteenth century, “risk” was a specialized term: it was the commodity exchanged in a marine insurance contract. Freaks of Fortune tells the story of how the modern concept of risk emerged in the United States. Born on the high seas, risk migrated inland and became essential to the financial management of an inherently uncertain capitalist future.
Focusing on the hopes and anxieties of ordinary people, Jonathan Levy shows how risk developed through the extraordinary growth of new financial institutions—insurance corporations, savings banks, mortgage-backed securities markets, commodities futures markets, and securities markets—while posing inescapable moral questions. For at the heart of risk’s rise was a new vision of freedom. To be a free individual, whether an emancipated slave, a plains farmer, or a Wall Street financier, was to take, assume, and manage one’s own personal risk. Yet this often meant offloading that same risk onto a series of new financial institutions, which together have only recently acquired the name “financial services industry.” Levy traces the fate of a new vision of personal freedom, as it unfolded in the new economic reality created by the American financial system.
Amid the nineteenth-century’s waning faith in God’s providence, Americans increasingly confronted unanticipated challenges to their independence and security in the boom and bust chance-world of capitalism. Freaks of Fortune is one of the first books to excavate the historical origins of our own financialized times and risk-defined lives.
Freda Kirchwey—writer, editor, publisher, opinionmaker, feminist, wife, and mother—was a salient figure in twentieth-century America, a beacon for liberals and activists of her era. A journalist with The Nation from 1918 to 1955—owner, editor, and publisher after 1937—she was an advocate of advanced ideas about sexual freedom and birth control and a tireless foe of fascism. The quintessential new woman, she combined a private and highly visible public life.
In this first full-scale biography of Kirchwey, Sara Alpern weaves the strands of gender-related issues with larger social explorations. An early feminist, from a privileged and progressive background, Kirchwey was determined to enjoy both career and marriage, but the early deaths of two of her three sons and strained relations with her husband led to self-doubt about her identity. Yet despite any hidden misgivings, her humanitarianism and outstanding journalistic and critical gifts projected her onto the larger stage of public life. Alpern richly describes Kirchwey’s extraordinary work editing The Nation, one of the longest surviving American liberal journals, and shaping public opinion on domestic and international affairs. Kirchwey focused on large political and international issues—the Spanish Civil War, democracy versus fascism and Nazism, pacifism and collective security, the plight of refugees and Zionism, McCarthyism and censorship, and, finally, the peaceful employment of atomic power.
Freda Kirchwey’s life story introduces a remarkable woman to a new generation struggling with personal and career goals as it recalls the efflorescence of liberalism for an older generation of readers.
Freddie Steinmark tells the story of a legendary University of Texas football player whose courage on the field and in battling cancer still inspires the Longhorn nation.
Freddie Steinmark started at safety for the undefeated University of Texas Longhorns in 1969. In the thrilling “Game of the Century,” a come-from-behind victory against Arkansas that ensured Texas the national championship, Steinmark played with pain in his left leg. Two days later, X-rays revealed a bone tumor so large that it seemed a miracle Steinmark could walk, let alone play football. Within a week of the Arkansas game, his leg was amputated.
A gritty, undersized player, Steinmark had quickly become a fan favorite at Texas. What he endured during the Longhorns’ memorable 1969 season, and what he encountered afterward, captivated not only Texans but the country at large. Americans watched closely as Steinmark confronted life’s ultimate challenge, and his openness during his battle against savage odds helped reframe the national conversation surrounding cancer and the ongoing race for a cure.
Written with unfettered access to the Steinmark family and archives, Freddie Steinmark: Faith, Family, Football is the exploration of a brief but full life, one that began humbly but ended on a grand stage. It is a fitting tribute to a legendary Longhorn whose photograph, emblazoned with the word “Heart,” flashes on the Freddie Steinmark Scoreboard’s Jumbotron prior to each home football game in UT’s Darrell K Royal–Texas Memorial Stadium at Joe Jamail Field.
This work in the MSU Press Rhetoric and Public Affairs Series chronicles Frederick Douglass's preparation for a career in oratory, his emergence as an abolitionist lecturer in 1841, and his development and activities as a public speaker and reformer from 1841 to 1845. Lampe's meticulous scholarship overturns much of the conventional wisdom about this phase of Douglass's life and career uncovering new information about his experiences as a slave and as a fugitive; it provokes a deeper and richer understanding of this renowned orator's emergence as an important voice in the crusade to end slavery.
Contrary to conventional wisdom, Douglass was well prepared to become a full-time lecturer for the Massachusetts Anti-Slavery Society in 1841. His emergence as an eloquent voice from slavery was not as miraculous as scholars have led us to believe. Lampe begins by tracing Douglass's life as slave in Maryland and as fugitive in New Bedford, showing that experiences gained at this time in his life contributed powerfully to his understanding of rhetoric and to his development as an orator. An examination of his daily oratorical activities from the time of his emergence in Nantucket in 1841 until his departure for England in 1845 dispels many conventional beliefs surrounding this period, especially the belief that Douglass was under the wing of William Lloyd Garrison. Lampe's research shows that Douglass was much more outspoken and independent than previously thought and that at times he was in conflict with white abolitionists.
Included in this work is a complete itinerary of Douglass's oratorical activities, correcting errors and omissions in previously published works, as well as two newly discovered complete speech texts, never before published.
Whether flying a kite in Franklin Park, gardening in the Fens, or jogging along the Riverway, today’s Bostonians are greatly indebted to the legacy of Frederick Law Olmsted. The man who dreamed of an “emerald necklace” of parks for Boston completed his plans in 1895, yet his invigorating influence shapes the city to this day, despite the encroachment of highways and urban sprawl. Cynthia Zaitzevsky’s book is the first fully illustrated account of Olmsted’s work: the process of “getting the plan” of a park, supervising its construction, adding the necessary “furniture” of bridges and other structures, and selecting plants, shrubs, and trees.
Frederick Law Olmsted’s stellar career in landscape architecture began with his design for Central Park in New York City. Public concern for open spaces led Boston to commission Olmsted to design peaceful “country parks” for the mental and physical refreshment of those who lived in the expanding city. He planned the system of five parks and connecting parkways extending out from the original Boston Common and Public Garden, as well as harbor and riverfront improvements—a vast set of projects involving 2,000 acres of open land. He and his firm also designed many smaller parks, playgrounds, and suburban subdivisions.
This book will be invaluable to anyone interested in landscape architecture, city planning, the history of Boston, or the nineteenth-century urban park movement and its current revival.
Mark A. Lause describes how the working class radicalized during the war as a response to economic crisis, the political opportunity created by the election of Abraham Lincoln, and the ideology of free labor and abolition. His account moves from battlefield and picket line to the negotiating table, as he discusses how leaders and the rank-and-file alike adapted tactics and modes of operation to specific circumstances. His close attention to women and African Americans, meanwhile, dismantles notions of the working class as synonymous with whiteness and maleness.
In addition, Lause offers a nuanced consideration of race's role in the politics of national labor organizations, in segregated industries in the border North and South, and in black resistance in the secessionist South, creatively reading self-emancipation as the largest general strike in U.S. history.
In recent years hundreds of high-profile ‘free speech’ incidents have rocked US college campuses. Milo Yiannopoulos, Ben Shapiro, Ann Coulter and other right-wing speakers have faced considerable protest, with many being disinvited from speaking. These incidents are widely circulated as examples of the academy’s intolerance towards conservative views.
But this response is not the spontaneous outrage of the liberal colleges. There is a darker element manufacturing the crisis, funded by political operatives, and designed to achieve specific political outcomes. If you follow the money, at the heart of the issue lies the infamous and ultra-libertarian Koch donor network.
Grooming extremist celebrities, funding media platforms that promote these controversies, developing legal organzations to sue universities and corrupting legislators, the influence of the Koch network runs deep. We need to abandon the ‘campus free speech’ narrative and instead follow the money if we ever want to root out this dangerous network from our universities.
Does America have a free press? Many who answer yes appeal to First Amendment protections that shield the press from government censorship. But in this comprehensive history of American press freedom as it has existed in theory, law, and practice, Sam Lebovic shows that, on its own, the right of free speech has been insufficient to guarantee a free press.
Lebovic recovers a vision of press freedom, prevalent in the mid-twentieth century, based on the idea of unfettered public access to accurate information. This “right to the news” responded to persistent worries about the quality and diversity of the information circulating in the nation’s news. Yet as the meaning of press freedom was contested in various arenas—Supreme Court cases on government censorship, efforts to regulate the corporate newspaper industry, the drafting of state secrecy and freedom of information laws, the unionization of journalists, and the rise of the New Journalism—Americans chose to define freedom of the press as nothing more than the right to publish without government censorship. The idea of a public right to all the news and information was abandoned, and is today largely forgotten.
Free Speech and Unfree News compels us to reexamine assumptions about what freedom of the press means in a democratic society—and helps us make better sense of the crises that beset the press in an age of aggressive corporate consolidation in media industries, an increasingly secretive national security state, and the daily newspaper’s continued decline.
Describes landmark free speech decisions of the Supreme Court while highlighting the issues of language, rhetoric, and communication that underlie them.
At the intersection of communication and First Amendment law reside two significant questions: What is the speech we ought to protect, and why should we protect it? The 20 scholars of legal communication whose essays are gathered in this volume propose various answers to these questions, but their essays share an abiding concern with a constitutional guarantee of free speech and its symbiotic relationship with communication practices.
Free Speech on Trial fills a gap between textbooks that summarize First Amendment law and books that analyze case law and legal theory. These essays explore questions regarding the significance of unregulated speech in a marketplace of goods and ideas, the limits of offensive language and obscenity as expression, the power of symbols, and consequences of restraint prior to publication versus the subsequent punishment of sources. As one example, Craig Smith cites Buckley vs. Valeo to examine how the context of corruption in the 1974 elections shaped the Court's view of the constitutionality of campaign contributions and expenditures.
Collectively, the essays in this volume suggest that the life of free speech law is communication. The contributors reveal how the Court's free speech opinions constitute discursive performances that fashion, deconstruct, and reformulate the contours and parameters of the Constitution’s guarantee of free expression and that, ultimately, reconstitute our government, our culture, and our society.
This study is the first major attempt to estimate what would happen in Canada if all trade restrictions between that country and the United States were removed.
In an intensive and far-reaching examination, the authors begin by confronting the generally held assumption that the lowering or eliminating of tariff protection would be disastrous for Canadian manufacturing. On the contrary, their findings lead them to conclude that, given present wage and exchange rates, the Canadian industrial complex would benefit substantially. The basis for this conclusion is a detailed analysis of the growth prospects—in the event of free trade—of five Canadian regions along with thirteen similarly definable regions in the United States. Sixteen manufacturing sectors (food, paper, textiles, etc.) are covered.
The second part of the study explores resulting general equilibrium pressures on wages and exchange. The probability, the authors believe, is that the Canadian dollar would rise to parity, and Canadian wages would reach the U.S. average level although they would remain below wage rates in contiguous areas of the U.S. North. The adjustments would necessarily be of a long-term nature and would be contingent on an effective reorganization of Canadian industry.
The historical effects of protection on Canada are then considered. Inefficiencies in Canadian production are estimated by comparing recent Canadian costs with costs which would exist in a free-trade situation. (The auto industry is singled out for special treatment, and an analysis of recent developments in that industry is appended.) The conclusion is that Canadian per capita real income is 10 to 11 percent lower because of protection. Higher Canadian prices explain about 4 percent of this figure, and lower money incomes 6 to 7 percent.
Finally, the authors discuss the possible structure and implications of various alternative forms of economic integration (Free Trade Area, Customs Union, Common Currency Area); various means of staging tariff reductions; and proposals for adjustment assistance. The techniques they suggest, although focusing specifically on Canada and the United States, are applicable to other countries considering similar programs.
Contributors. Ralph S. Brown, Matthew W. Finkin, Jordan E. Kurland, Michael W. McConnell, Walter P. Metzger, Robert M. O'Neil, David M. Rabban, Rodney A, Smolla, Janet Sinder, Judith Jarvis Thomson, William W. Van Alstyne
Friends of the Dallas Public Library Award, 2006
Best Book on East Texas, East Texas Historical Association, 2007
In the decades following the Civil War, nearly a quarter of African Americans achieved a remarkable victory—they got their own land. While other ex-slaves and many poor whites became trapped in the exploitative sharecropping system, these independence-seeking individuals settled on pockets of unclaimed land that had been deemed too poor for farming and turned them into successful family farms. In these self-sufficient rural communities, often known as "freedom colonies," African Americans created a refuge from the discrimination and violence that routinely limited the opportunities of blacks in the Jim Crow South.
Freedom Colonies is the first book to tell the story of these independent African American settlements. Thad Sitton and James Conrad focus on communities in Texas, where blacks achieved a higher percentage of land ownership than in any other state of the Deep South. The authors draw on a vast reservoir of ex-slave narratives, oral histories, written memoirs, and public records to describe how the freedom colonies formed and to recreate the lifeways of African Americans who made their living by farming or in skilled trades such as milling and blacksmithing. They also uncover the forces that led to the decline of the communities from the 1930s onward, including economic hard times and the greed of whites who found legal and illegal means of taking black-owned land. And they visit some of the remaining communities to discover how their independent way of life endures into the twenty-first century.
Much has been written about black urban empowerment and about the candidates—particularly the winning candidates—who are the public face of such shifts in power. Authors invariably mention the important role played by black political organizations in electing black officials or organizing communities, but Micah W. Kubic goes further, making, for the first time, one such organization the focus of a book-length study. Kubic tells the story of black political empowerment in Kansas City through the prism of Freedom, Inc., the nation’s oldest existing black political organization.
Using interviews and observation of participants as well as archival research, Kubic offers historical and political analysis of Freedom, Inc. from its founding in 1962 through its role in municipal elections of 2007. Kubic asserts that strong local organizations are living, dynamic organisms and that they, rather than charismatic candidates or interracial alliances, are the crucial players in both determining political outcomes and advancing black interests in urban areas.
In the long decade between the mid-1950s and the late ’60s, jazz was changing more than its sound. The age of Max Roach’s Freedom Now Suite, John Coltrane’s A Love Supreme, and Charles Mingus’s The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain’t is the first book to tell the broader story of this period in jazz—and American—history.
The story’s central figures are jazz musicians like Coltrane and Mingus, who rewrote the conventions governing improvisation and composition as they sought to infuse jazz with that gritty exuberance known as “soul.” Scott Saul describes how these and other jazz musicians of the period engaged in a complex cultural balancing act: utopian and skeptical, race-affirming and cosmopolitan, they tried to create an art that would make uplift into something forceful, undeniable in its conviction, and experimental in its search for new possibilities. Freedom Is, Freedom Ain’t considers these musicians and their allies as a cultural front of the Civil Rights movement, a constellation of artists and intellectuals whose ideas of freedom pushed against a Cold War consensus that stressed rational administration and collective security. Capturing the social resonance of the music’s marriage of discipline and play, the book conveys the artistic and historical significance of the jazz culture at the start, and the heart, of the Sixties.
In the 1950s, the exclusion of women and of black and Latino men from higher-paying jobs was so universal as to seem normal to most Americans. Today, diversity in the workforce is a point of pride. How did such a transformation come about?
In this bold and groundbreaking work, Nancy MacLean shows how African-American and later Mexican-American civil rights activists and feminists concluded that freedom alone would not suffice: access to jobs at all levels is a requisite of full citizenship. Tracing the struggle to open the American workplace to all, MacLean chronicles the cultural and political advances that have irrevocably changed our nation over the past fifty years.
Freedom Is Not Enough reveals the fundamental role jobs play in the struggle for equality. We meet the grassroots activists—rank-and-file workers, community leaders, trade unionists, advocates, lawyers—and their allies in government who fight for fair treatment, as we also witness the conservative forces that assembled to resist their demands. Weaving a powerful and memorable narrative, MacLean demonstrates the life-altering impact of the Civil Rights Act and the movement for economic advancement that it fostered.
The struggle for jobs reached far beyond the workplace to transform American culture. MacLean enables us to understand why so many came to see good jobs for all as the measure of full citizenship in a vital democracy. Opening up the workplace, she shows, opened minds and hearts to the genuine inclusion of all Americans for the first time in our nation’s history.
Led by the Office of Economic Opportunity, Lyndon Johnson's War on Poverty reflected the president's belief that, just as the civil rights movement and federal law tore down legalized segregation, progressive government and grassroots activism could eradicate poverty in the United States. Yet few have attempted to evaluate the relationship between the OEO and the freedom struggles of the 1960s. Focusing on the unique situation presented by Texas, Freedom Is Not Enough examines how the War on Poverty manifested itself in a state marked by racial division and diversity—and by endemic poverty.
Though the War on Poverty did not eradicate destitution in the United States, the history of the effort provides a unique window to examine the politics of race and social justice in the 1960s. William S. Clayson traces the rise and fall of postwar liberalism in the Lone Star State against a backdrop of dissent among Chicano militants and black nationalists who rejected Johnson's brand of liberalism. The conservative backlash that followed is another result of the dramatic political shifts revealed in the history of the OEO, completing this study of a unique facet in Texas's historical identity.
As the chief human rights official of the Clinton Administration, John Shattuck faced far-flung challenges. Disasters were exploding simultaneously--genocide in Rwanda and Bosnia, murder and atrocities in Haiti, repression in China, brutal ethnic wars, and failed states in other parts of the world. But America was mired in conflicting priorities and was reluctant to act. What were Shattuck and his allies to do?
This is the story of their struggle inside the U.S. government over how to respond. Shattuck tells what was tried and what was learned as he and other human rights hawks worked to change the Clinton Administration's human rights policy from disengagement to saving lives and bringing war criminals to justice. He records his frustrations and disappointments, as well as the successes achieved in moving human rights to the center of U.S. foreign policy.
Shattuck was at the heart of the action. He was the first official to interview the survivors of Srebrenica. He confronted Milosevic in Belgrade. He was a key player in bringing the leaders of genocide in Bosnia and Rwanda to justice. He pushed from the inside for an American response to the crisis of the Haitian boat people. He pressed for the release of political prisoners in China. His book is both an insider's account and a detailed prescription for preventing such wars in the future.
Shattuck criticizes the Bush Administration's approach, which he says undermines human rights at home and around the world. He argues that human rights wars are breeding grounds for terrorism. Freedom on Fire describes the shifting challenges of global leadership in a world of explosive hatreds and deepening inequalities.
Around 1785, a woman was taken from her home in Senegambia and sent to Saint-Domingue in the Caribbean. Those who enslaved her there named her Rosalie. Her later efforts to escape slavery were the beginning of a family's quest, across five generations and three continents, for lives of dignity and equality. Freedom Papers sets the saga of Rosalie and her descendants against the background of three great antiracist struggles of the nineteenth century: the Haitian Revolution, the French Revolution of 1848, and the Civil War and Reconstruction in the United States.
Freed during the Haitian Revolution, Rosalie and her daughter Elisabeth fled to Cuba in 1803. A few years later, Elisabeth departed for New Orleans, where she married a carpenter, Jacques Tinchant. In the 1830s, with tension rising against free persons of color, they left for France. Subsequent generations of Tinchants fought in the Union Army, argued for equal rights at Louisiana's state constitutional convention, and created a transatlantic tobacco network that turned their Creole past into a commercial asset. Yet the fragility of freedom and security became clear when, a century later, Rosalie's great-great-granddaughter Marie-José was arrested by Nazi forces occupying Belgium.
Freedom Papers follows the Tinchants as each generation tries to use the power and legitimacy of documents to help secure freedom and respect. The strategies they used to overcome the constraints of slavery, war, and colonialism suggest the contours of the lives of people of color across the Atlantic world during this turbulent epoch.
The original book on the renowned Freedom quilters of Gee's Bend
In December of 1965, the year of the Selma-to-Montgomery march, a white Episcopal priest driving through a desperately poor, primarily black section of Wilcox County found himself at a great bend of the Alabama River. He noticed a cabin clothesline from which were hanging three magnificent quilts unlike any he had ever seen. They were of strong, bold colors in original, op-art patterns—the same art style then fashionable in New York City and other cultural centers. An idea was born and within weeks took on life, in the form of the Freedom Quilting Bee, a handcraft cooperative of black women artisans who would become acclaimed throughout the nation.
For many of the 200,000 black soldiers sent to Europe with the American Expeditionary Forces in World War I, encounters with French civilians and colonial African troops led them to imagine a world beyond Jim Crow. They returned home to join activists working to make that world real. In narrating the efforts of African American soldiers and activists to gain full citizenship rights as recompense for military service, Adriane Lentz-Smith illuminates how World War I mobilized a generation.
Black and white soldiers clashed as much with one another as they did with external enemies. Race wars within the military and riots across the United States demonstrated the lengths to which white Americans would go to protect a carefully constructed caste system. Inspired by Woodrow Wilson’s rhetoric of self-determination but battered by the harsh realities of segregation, African Americans fought their own “war for democracy,” from the rebellions of black draftees in French and American ports to the mutiny of Army Regulars in Houston, and from the lonely stances of stubborn individuals to organized national campaigns. African Americans abroad and at home reworked notions of nation and belonging, empire and diaspora, manhood and citizenship. By war’s end, they ceased trying to earn equal rights and resolved to demand them.
This beautifully written book reclaims World War I as a critical moment in the freedom struggle and places African Americans at the crossroads of social, military, and international history.
The Freedom to Remember examines contemporary literary revisions of slavery in the United States by black women writers. The narratives at the center of this book include: Octavia E. Butler’s Kindred, Sherley Anne Williams’s Dessa Rose, Toni Morrison’s Beloved, J. California Cooper’s Family, and Lorene Cary’s The Price of a Child.
Recent studies have investigated these works only from the standpoint of victimization. Angelyn Mitchell changes the conceptualization of these narratives, focusing on the theme of freedom, not slavery, defining these works as “liberatory narratives.” These works create a space to problematize the slavery/freedom dichotomy from which contemporary black women writers have the “safe” vantage point to reveal aspects of enslavement that their ancestors could not examine. The nineteenth-century female emancipatory narrative, by contrast, was written to aid the cause of abolition by revealing the unspeakable realitiesof slavery. Mitchell shows how the liberatory narrative functions to emancipate its readers from the legacies of slavery in American society: by facilitating a deeper discussion of the issues and by making them new through illumination and interrogation.
People running from slavery made many hard journeys to find freedom—on steamboats and in carriages, across rivers and in hay-covered wagons. Some were shot at. Many were chased by slave catchers. Others hid in tunnels and secret rooms. But these troubles were worth it for the men, women, and children who eventually reached freedom. Freedom Train North tells the stories of fugitive slaves who found help in Wisconsin. Young readers (ages 7 to 12) will meet people like Joshua Glover, who was broken out of jail by a mob of freedom workers in Milwaukee, and Jacob Green, who escaped five times before he finally made it to freedom.
This compelling book also introduces stories of the strangers who hid fugitive slaves and helped them on their way, brave men and women who broke the law to do what was right. As both a historian and a storyteller, author Julia Pferdehirt shares these exciting and important stories of a dangerous time in Wisconsin’s past. Using manuscripts, letters, and artifacts from the period, as well as stories passed down from one generation to another, Pferdehirt takes us deep into our state’s past, challenging and inspiring us with accounts of courage and survival.
In this revised edition of his earlier biography, Paul Simon provides an inspiring account of the life and work of Elijah Lovejoy, an avid abolitionist in the 1830s and the first martyr to freedom of the press in the United States.
Lovejoy was a native New Englander, the son of a Congregational minister. He came to the Midwest in 1827 in pursuit of a teaching career and succeeded in running his own school for two years in St. Louis. Teaching failed to challenge Lovejoy, however, so he bought a half interest in the St. Louis Times and became its editor. In 1832, after experiencing a religious conversion, he returned east to study for the ministry at Princeton Theological Seminary. After his graduation, Lovejoy was called back to St. Louis by a group of Christian businessmen to serve as the editor of a new religious newspaper, the Observer, promoting religion, morality, and education. It was through this forum that Lovejoy took an ever stronger stance against slavery.
In the slave state of Missouri, such a view was not onlyunpopular, but in the eyes of many, criminal. As a result, Lovejoy and his family suffered repeated persecution and acts of violence from angry mobs. In July 1836, in hopes of finding a more tolerant community in a "free" state, he moved both his printing press and his family across the Mississippi River to Alton, Illinois.
The move to Alton was a fateful one. Lovejoy’s press was dismantled and thrown into the river by a mob on the night of its arrival. Lovejoy ordered a new printing press, and it, too, was destroyed eleven months later. A determined and dedicated man, Lovejoy ordered a third press, and city officials took special precautions to ensure its safety after delivery. Nevertheless, an organized and angry mob rolled this third press, still in its crate, into the river exactly one month after Lovejoy’s second press had been destroyed. A fourth press, housed in a large stone warehouse and guarded by Lovejoy and his supporters, met the same fate but only after a drunken mob had killed Lovejoy himself. He was buried two days later, 9 November 1837, on his thirty-fifth birthday. No one was ever convicted of his murder.
Rather than suppressing the abolitionist movement, Lovejoy’s death caused an eruption of antislavery activity throughout the nation. At a protest meeting in Ohio, John Brown dedicated his life to fighting slavery, and Wendell Phillips emerged from a Lovejoy protest meeting in Boston to become a leader in the antislavery fight.
Simon defines Lovejoy’s fight as a struggle for human dignity and the oppressed. He distinguishes Lovejoy as a courageous and admirable individual and his story as an important and enduring one for both the cause of freedom for the slaves and the cause of freedom of the press.
Freedom's Ferment was first published in 1944. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In this historical synthesis of men and movements, Alice Felt Tyler shows in action the democratic faith of the young American republic. She tells the stories of the reform movements and social and religious experiments characteristic of the early half of the nineteenth century.
The early efforts toward social and economic equality — later engulfed in the urgent issues of the Civil War—are here depicted and interpreted in their relation to the history of American thought and action.
Freedom's Ferment divides the movements of the early 1800's into two groups: the cults and utopias of varied origins and the humanitarian crusades. A wave of revivalistic religions swept the country. Here is the story of the Millerites, who believed the end of the world would come on October 22, 1844, of the Spiritualists, Rappites, the Mormons, the Shakers.
Many experiments in communal living were instituted by religious groups, but others were entirely social in concept. Life at Brook Farm, in Robert Owen's colony, in the Oneida Community, and a score of others, is interestingly reconstructed.
Humanitarian reforms and crusades represent the other phase of the movements. Tyler, "exasperated by all the silly twaddle being written about the eccentricities" of the early American republic, shows these movements and the leaders—event the crackpots—as manifestations of the American creed of perfectibility.
Prison and educational reforms, work for delinquents and unfortunates, crusades for world peace, temperance, and women's rights flourished. All to be overshadowed by the antislavery movement and submerged temporarily by the Civil War.
Freedom's Ferment pictures the days when the pattern for the American way of life and the fundamentals of the American faith were being set by crusaders who fought for righteousness. The changes in out social picture have altered the form of the humanitarian movements but not the purpose.
Interpretative and critical, the book show the ferment of the period and the urge to reform, found in every phase of life, to be the result of the fusion of religious freedom and political democracy.
This historical and inspiring coming-of-age novel for young readers explores topics of both historical and contemporary relevance as it follows a harrowing year in the life of its intrepid teenaged narrator.
Lexington, Kentucky, 1833: Calendula “Cal” Farmer, a thirteen-year-old white girl, has been raised by her abolitionist, freethinking mother to reason for herself, consult her inner wisdom, and come to her own conclusions. But when a flash flood devastates her family’s home, Cal is unexpectedly thrust into domestic service in a wealthy family’s mansion. There, she encounters firsthand the physical, intellectual, and emotional brutalities of slavery. Later, a cholera outbreak kills a quarter of the population, including Cal’s mother, and Cal enters an orphanage, where she bravely begins another chapter in her young life.
Cal’s story is sure to captivate readers as she confronts the injustices and uncertainties of racism, class consciousness, epidemic disease, and personal loss with independent thinking, perseverance, and love.
Complex and paradoxical, Nehemiah Matson (1816–1873) celebrated the occupation of the Middle West by European pioneers even as he labored to preserve the memory of the natives these pioneers replaced. He perpetuated the memory of the Indians who were driven out of the territory, but he nevertheless accumulated wealth selling their land to the pioneers. Rodney O. Davis notes in his new foreword to this book that Matson combined the attributes of a scholar with those of a salesman and promoter.
Matson settled in Princeton, Illinois, in 1836. He left behind a library partially endowed by him, named for him, and finally completed in 1913. According to Davis, however, Matson’s other legacy, “of equal significance in his own eyes, consisted of the five books he authored on northern Illinois and Illinois River history and cartography, volumes based not only on conscientious scholarship but also on both Indian and white reminiscence and on local folklore.”
Matson’s historical writings are valuable even when he deals with well-known events because his personal perspective makes his observations unique. Without the stories and reminiscences he collected, much valuable information would have been lost, especially since many of his informants, both Indian and European, were illiterate. Because his informants often told conflicting stories, Matson admitted that “harmonizing all conflicting accounts . . . has not been a success.”
Although Matson’s sources may not always have agreed, and sometimes his heart may have overruled his head and colored his accounts, he was a conscientious and committed author. “Obviously,” Davis explains, “this book must be evaluated as what it is, a piece of colorful local history, romantically anchored in legend yet rooted also in invaluable research and produced by a dedicated amateur whose standards were high. . . . French and Indians of Illinois River is a model of its type, indeed a minor classic.”
As the first European settlers in Michigan, the French Canadians left an indelible mark on the place names and early settlement patterns of the Great Lakes State. Because of its importance in the fur trade, many French Canadians migrated to Michigan, settling primarily along the Detroit- Illinois trade route, and throughout the fur trade avenues of the Straits of Mackinac. When the British conquered New France in 1763, most Europeans in Michigan were Francophones. John DuLong explores the history and influence of these early French Canadians, and traces, as well, the successive 19th- and 20th-century waves of industrial migration from Quebec, creating new communities outside the old fur trade routes of their ancestors.
A tectonic shift has occurred in the gastronomic field in France, upsetting the cultural imagination. In a European country captivated by a high-stakes power struggle between chefs and restaurants in the culinary field, the mass marketing of factory-processed industrial cuisine and fast foods has created shock waves in French society, culture, and the economy.
In this insightful book, French Gastronomy and the Magic of Americanism, Rick Fantasia examines how national identity and the dynamics of cultural meaning-making within gastronomy have changed during a crucial period of transformation, from the 1970s through the 1990s. He illuminates the tensions and surprising points of cooperation between the skill, expertise, tradition, artistry, and authenticity of grand chefs and the industrial practices of food production, preparation, and distribution.
Fantasia examines the institutions and beliefs that have reinforced notions of French cultural supremacy—such as the rise and reverence of local cuisine—as well as the factors that subvert those notions, such as when famous French chefs lend their names to processed, frozen, and pre-packaged foods available at the supermarket. Ultimately, French Gastronomy and the Magic of Americanism shows what happens to a cultural field, like French gastronomy, when the logic and power of the economic field imposes itself upon it.
2005 — San Antonio Conservation Society Citation
Original articles that explore the French presence and influence on Texas history, arts, education, religion, and business.
The flag of France is one of the six flags that have flown over Texas, but all that many people know about the French presence in Texas is the ill-fated explorer Cavelier de La Salle, fabled pirate Jean Laffite, or Cajun music and food. Yet the French have made lasting contributions to Texas history and culture that deserve to be widely known and appreciated. In this book, François Lagarde and thirteen other experts present original articles that explore the French presence and influence on Texas history, arts, education, religion, and business from the arrival of La Salle in 1685 to 2002.
Each article covers an important figure or event in the France-Texas story. The historical articles thoroughly investigate early French colonists and explorers, the French pirates and privateers, the Bonapartists of Champ-d'Asile, the French at the Alamo, Dubois de Saligny and French recognition of the Republic of Texas, the nineteenth-century utopists of Icaria and Reunion, and the French Catholic missions. Other articles deal with French immigration in Texas, including the founding of Castroville, Cajuns in Texas, and the French economic presence in Texas today (the first such study ever published). The remaining articles look at painters Théodore and Marie Gentilz, sculptor Raoul Josset, French architecture in Texas, French travelers from Théodore Pavie to Simone de Beauvoir who have written on Texas, and the French heritage in Texas education. More than seventy color and black-and-white illustrations complement the text.
The American Civil War through the eyes of a French Jesuit chaplain.
"This book has a tantalizing quality, and it certainly is fresh literature for those who have watched the story of the Civil War unfold. . . . One cannot help but marvel at the research undertaken by Fr. Buckley. These letters of Fr. Gache cover such subjects as the duties of a chaplain, the lack of stimulating conversation in camp, whiskey as medication for diarrhea, the chaplain’s uniform, the oversupply of Catholic chaplains, descriptions of battles—Chancellorsville, Fredericksburg—chaplains as prisoners of war, the possibility of General Lee being chosen as the second president of the Confederacy, making candles for the alter and bleaching wax, procuring sacramental wine, conflicts with Protestant preachers, and the surrender of Richmond. Such subjects allow the personality and character of Hippolyte to stand out. . . . [The book] is interesting reading for all who love and admire the Jesuits. Its wealth of information makes it a must for others whose concern is the Confederate soldier and his God."
—Journal of Southern History
Albert Coryer, the grandson of a fur trade voyageur-turned-farmer, had a gift for storytelling. Born in 1877, he grew up in Prairie du Chien hearing tales of days gone by from his parents, grandparents, and neighbors who lived in the Frenchtown area. Throughout his life, Albert soaked up the local oral traditions, including narratives about early residents, local landmarks, interesting and funny events, ethnic customs, myths, and folklore.
Late in life, this lively man who had worked as a farm laborer and janitor drew a detailed illustrated map of the Prairie du Chien area and began to write his stories out longhand, in addition to sharing them in an interview with a local historian and folklore scholar. The map, stories, and interview transcript provide a colorful account of Prairie du Chien in the late nineteenth century, when it was undergoing significant demographic, social, and economic change. With sharp historical context provided by editors Lucy Eldersveld Murphy and Mary Elise Antoine, Coryer’s tales offer an unparalleled window into the ethnic community comprised of the old fur trade families, Native Americans, French Canadian farmers, and their descendants.
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