Gender, Space, and Experience at the Renaissance Court investigates the dynamic relationships between gender and architectural space in Renaissance Italy. It examines the ceremonial use and artistic reception of the Palazzo Te from the arrival of the Holy Roman Emperor Charles V in 1530 to the Sack of Mantua in 1630. This book further proposes that we conceptualise the built environment as a performative space, a space formed by the gendered relationships and actors of its time. The Palazzo Te was constituted by the gendered behaviors of sixteenth-century courtiers, but it was not simply a passive receptor of gender performance. Through its multivalent form and ceremonial function, Maria F. Maurer argues that the palace was an active participant in the construction and perception of femininity and masculinity in the early modern court.

Brings together feminist and geographical approaches to the gendered dimensions of various types of infrastructure across the globe.
 
The first book to take a feminist geographical approach to infrastructure, Gendered Infrastructures delves into the complex relationships between identity, social relations, and infrastructure. By drawing on feminist scholarship to enable new frameworks for critical study, this edited volume explores the gendered nature of infrastructures as diverse as Senegal’s waste disposal, Vietnam’s cement industry, and Lilongwe’s water kiosks. The chapters consider how infrastructural assemblages rework and shape gendered relations, identities, and meanings across space, while tracing the intersectionality of relations and uneven geographies that surround infrastructure. Ultimately, the contributors show how gender is always present in the quotidian building blocks that organize the socio-material world and daily life.
 
Edited by Yaffa Truelove and Anu Sabhlok, and the third book in Amy Trauger and Jennifer Fluri’s Gender, Feminism, and Geography series, the original essays in Gendered Infrastructures respond to and build upon a “new infrastructural turn in critical scholarship”—one that has helped enliven studies of identity across scale. The volume is relevant to geographers, anthropologists, architects, sociologists, urban researchers, and other interdisciplinary scholars interested in the gendered and social dimensions of infrastructure.
 

First popularized by newspaper coverage of the Underground Railroad in the 1840s, the underground serves as a metaphor for subversive activity that remains central to our political vocabulary. In Going Underground, Lara Langer Cohen excavates the long history of this now familiar idea while seeking out versions of the underground that were left behind along the way. Outlining how the underground’s figurative sense first took shape through the associations of literal subterranean spaces with racialized Blackness, she examines a vibrant world of nineteenth-century US subterranean literature that includes Black radical manifestos, anarchist periodicals, sensationalist exposés of the urban underworld, manuals for sex magic, and the initiation rites of secret societies. Cohen finds that the undergrounds in this literature offer sites of political possibility that exceed the familiar framework of resistance, suggesting that nineteenth-century undergrounds can inspire new modes of world-making and world-breaking for a time when this world feels increasingly untenable.

From the celebrated author of Quantum Mechanics and Experience comes an original and exhilarating attempt at making sense of the strange laws of quantum mechanics.

A century ago, a brilliant circle of physicists around Niels Bohr argued that the search for an objective, realistic, and mechanical picture of the inner workings of the atom—the kind of picture that had previously been an ideal of classical physics—was doomed to fail. Today, there is widespread agreement among philosophers and physicists that those arguments were wrong. However, the question of what that picture might look like, and how it might fit into a comprehensive picture of physical reality, remains unsettled.

In A Guess at the Riddle, philosopher David Z Albert argues that the distinctively strange features of quantum mechanics begin to make sense once we conceive of the wave function, vibrating and evolving in high-dimensional space, as the concrete, fundamental physical “stuff” of the universe. Starting with simple mechanical models, Albert methodically constructs the defining features of quantum mechanics from scratch. He shows how the entire history of our familiar, three-dimensional universe can be discerned in the wave function’s intricate pattern of ripples and whorls. A major new work in the foundations of physics, A Guess at the Riddle is poised to transform our understanding of the basic architecture of the universe.