BiblioVault - Books about Short Stories (single author)

If I Were Boss

The Early Business Stories of Sinclair Lewis

Edited by Anthony Di Renzo

Southern Illinois University Press, 1997

Anthony Di Renzo makes available for the first time since their original publication some eighty years ago a collection of fifteen of Sinclair Lewis’s early business stories.

Among Lewis’s funniest satires, these stories introduce the characters, themes, and techniques that would evolve into Babbitt. Each selection reflects the commercial culture of Lewis’s day, particularly Reason Why advertising, self-help manuals, and the business fiction of the Saturday Evening Post. The stories were published between October 1915 and May 1921 (nine in the Saturday Evening Post, four in Metropolitan Magazine, one in Harper’s Magazine, and one in American Magazine).

Because some things have not changed in the American workplace since Lewis’s day, these highly entertaining and unflinchingly accurate office satires will appeal to the fans of Dilbert and The Drew Carey Show. In a sense, they provide lay readers with an archaeology of white-collar angst and regimentation. The horror and absurdities of contemporary corporate downsizing already existed in the office of the Progressive Era. For an audience contemplating the death of the American middle class, Lewis’s stories provide an important retrospective on earlier times and a preliminary autopsy on the American dream.

Appearing just in time to celebrate the seventy-fifth anniversary of the publication of Babbitt, this collection rescues Lewis’s best early short fiction from obscurity, provides extensive information about his formative years in advertising and public relations, and analyzes both his genius for marketing and his carefully cultivated persona as the Great Salesman of American letters.

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If I'd Known You Were Coming

Kate Milliken

University of Iowa Press, 2013

In these twelve award-winning stories, Kate Milliken unflinchingly shows us what can happen when the uninvited guest of our darkest desires comes to call. Whether surrounded by the white noise of a Hollywood celebration or enduring a stark winter in Maine, the characters of If I’d Known You Were Coming yearn to heal old wounds with new hurts. With a wry wit and a keen eye for emotive detail, the author of this unforgettable collection sets intersections in motion that will leave you both winded and wanting more.

In one story, a mother, driven by greed, unwittingly finds out how far her needs will push her. A hand model surprises himself and everyone else at the birthday party of an old friend’s daughter in another. With poetic deftness, a woman evaluates the meaning, the familial stories, that we carry with us from birth. In a story ripped from the headlines, a woman pines for the legs her husband lost in a freak accident at a Santa Monica farmer's market. A medical clerk, restless and alone, takes advantage of a disabled neighbor.

Kate Milliken knows the ties that bind and how tautly we will pull them. These are stories about desire, betrayal, love, regret, and family. Like all great fiction, If I’d Known You Were Coming possesses that uncanny ability to reveal us to ourselves.

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In Other Lifetimes All I've Lost Comes Back to Me

Stories

Courtney Sender

West Virginia University Press, 2023

“A deep and howling portrait of longing and loneliness.” —Boston Globe
“A distinctive debut from a promising author.” —Kirkus Reviews
“A stunner from the very first page.” —Deesha Philyaw, author of The Secret Lives of Church Ladies, in the Millions
And praise from Ann Patchett, Alice McDermott, Danielle Evans, Elisa Albert, and Aimee Bender

Populated with lovers who leave and return, with ghosts of the Holocaust and messages from the dead, Courtney Sender’s debut collection speaks in a singular new voice about the longings and loneliness of contemporary love. The world of these fourteen interlocking stories is fiercely real but suffused with magic and myth, dark wit, and distinct humor. Here, ancient loss works its way deep into the psyche of modern characters, stirring their unrelenting lust for life.

In “To Do With the Body,” the Museum of Period Clothes becomes the perfect setting for a bloody crime. In “Lilith in God’s Hands,” Adam’s first wife has an affair in the Garden of Eden. And in the title story, a woman spends her life waiting for any of the men who have left her to come back, only to find them all at her doorstep at once.

For readers of Elena Ferrante, Nicole Krauss, and Carmen Maria Machado, and for anyone who has known love and loneliness, In Other Lifetimes All I’ve Lost Comes Back to Me is a wise and sensual collection of old hauntings, new longings, and unexpected returns, with a finale that is a rousing call to the strength we each have, together or alone.

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In The Box Called Pleasure

Kim Addonizio

University of Alabama Press, 1999

The unique product of a poet with a gift for a kind of fiction that is full of formal bravado, strange incident, and a stranger but very human pathos

These gutsy and post feminist stories will elicit the shock of recognition from women and may reveal to men something about the further regions of the female psyche. By turns graphic and funny, these urban tales present characters who are teetering on the edge. Indifferent or absent lovers, too much alcohol, too many cigarettes, obsession, paranoia, a desire that is always fresh in spite of the facts—this is the macabre landscape of these very unusual and unrestrained works.

In "Reading Sontag," Addonizio invades and recasts Susan Sontag's essay "The Pornographic Imagination" while describing a monumentally failed relationship. In "The Gift," a woman finds a dildo on the street and is magically transformed into a man.These are fictions to prepare us for the real millennium.

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In the House

Lynn K. Kilpatrick

University of Alabama Press, 2010

A collection of stories that limn the dangers of domesticity

In Lynn K. Kilpatrick’s In the House, anything can happen. A collection of shorts—lists, character sketches, directions, scripts, and instructions—In the House reveals the often conspicuous, yet frequently overlooked, dangers of relationships gone awry.

In a home suffused with fragility or in a kitchen surrounded by knives, Kilpatrick’s men and women navigate around one another’s eccentricities with caution, highlighting the unspoken desires and veiled needs of domestic routine. In these stories those desires collide, illuminating the dangers that can lurk in seemingly insignificant places such as the pantry, a basement, the Miss America pageant, dioramas, or in the mind of the one you love.

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In the Shade of the Shady Tree

Stories of Wheatbelt Australia

John Kinsella

Ohio University Press, 2012

In the Shade of the Shady Tree is a collection of stories set in the Western Australian wheatbelt, a vast grain-growing area that ranges across the southwestern end of the immense Australian interior. Kinsella’s stories offer glimpses into the lives of the people who call this area home, as the reader journeys from just north of the town of Geraldton to the far eastern and southern shires of the region.

Cast against a backdrop of indigenous dispossession, settler migration, and the destructive impact of land-clearing and monocultural farming methods, the stories offer moments of connection with the inhabitants, ranging from the matter-of-fact to the bizarre and inexplicable. Something about the nature of the place wrestles with all human interactions and affects their outcomes. The land itself is a dominant character, with dust, gnarled scrubland, and the need for rain underpinning human endeavor. Inflected with both contemporary ideas of short fiction and the “everyman” tradition of Australian storytelling, this collection will introduce many readers to a new landscape and unforgettable characters.

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Interloper

Poems

L. S. Klatt

University of Massachusetts Press, 2009

In the United States, where much of the daily discourse appears to be reduced to matters of dollars and cents, the poet is an interloper who traffics where he doesn't belong. L. S. Klatt is vividly aware of this phenomenon. For him, words are musical and versatile, more about play than utility, and he seeks to dislocate language, to freelance and maneuver, to alter common sense on the way to new sense.

The poems in Interloper unsettle frontiers between disparate worlds so that the imagination is given room to roam: pears become guitars, racks of ribs are presented as steamboats, and helicopters transmute into diesel seraphs. The poetry aspires acrobatically in the manner of prayers and pilots, but adventure throughout the book is viewed as precarious and the will to conquest leads to apocalypse and ruin. The interloper wanders through crime scenes and crash sites as he glosses the landscape—at home and not at home with the America of yesterday and tomorrow. In symbols that scat and ricochet, the interloper scores a new song, one that composes—and decomposes—on the page.

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Invite

Glen Pourciau

University of Iowa Press, 2008

Intense inner and outer monologues resonate through the lives of Glen Pourciau’s characters. We hear the voice of a man who will not stop talking, the voice of a man who does not want to talk, the voice of a man stunned into silence by his sudden awareness of a desire he did not know he felt, and the voice of a man struggling to accept his imminent death.

Inhabiting an outwardly bland landscape that overlays internal questions and recurring confusion, the narrators of these ten intensely felt stories strive to understand their varied predicaments. Conflicts with neighbors arise, troubling memories return, suspicions and fears lead people into isolated corners as distances open up inside them and around them. And in those open spaces, the sometimes humorous, sometimes obsessive voices continue their quest. In the final story, “Deep Wilderness,” the voices seem to fragment as a family comes apart.

While his characters struggle to come to terms with their inner wilderness, Glen Pourciau’s spare, riveting voice maintains a constant presence. Invite is a debut collection that speaks volumes.

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It Was Like My Trying to Have a Tender-Hearted Nature

A Novella and Stories

Diane Williams

University of Alabama Press, 2007

This work by Diane Williams delves into the strange relationships of men and women. From marital betrayal to spousal abuse and unrelenting desire, Williams illuminates the lives of her characters in prose as sparse and stark as it is beautiful. These stories are as short as prose poems and as complex as novels. In them, meanings remain ambiguous and consequences seem uncertain. In the novella “On Sexual Strength” she describes the intense and sometimes strange relationship between two neighboring couples and the rage that comes with adultery, and a narrator whose social inadequacies and lack of inhibitions lead to destruction.

The world Williams creates is a sensual place where quiet epiphanies—such as the one that occurs after an extramarital affair— are also possible: “It was like

My Trying to Have a Tender-Hearted nature. This is how love can be featured.” Such flashes of insight and emotion glue together the fragments of life Williams lays before the reader, and the reader rejoices at the revelations.

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It Wasn't All Dancing and Other Stories

Mary Ward Brown

University of Alabama Press, 2001

This eagerly anticipated second volume of short stories is offered by nationally acclaimed writer Mary Ward Brown, often referred to as the “first lady” of Alabama letters

With the 11 stories in this long-awaited collectiong, Mary Ward Brown once again offers her devoted fans a palette of new literary pleasures. The hallmarks of her style, so finely wrought in the award-winning Tongues of Flame (1986)—the fully realized characters, her deep sensitivity, a defining sense of place and time—are back in all their richness to involve and enchant the reader.

All but one of the stories are set in Alabama. They deal with dramatic turning points in the lives of characters who happen to be southerners, many jaxtaposed between Old South sensibility and manners and New South modernity and expectations. Among these is a new widow who is not consoled by well-meaning, proselytizing Christians; a middle-aged waitress in love with the town “catch”; a bedridden belle dependent upon her black nurse; a “special” young man in a newspaper shop; a young faculty wife who attempts generosity with a lower-class neighbor; and a lawyer caught in the dilemma of race issues. Through their diverse voices, Brown proves herself a graceful and gifted storyteller who writes with an authoritative pen, inventing and inhabiting the worlds of her set of characters with insight, compassion, and wit.

Most of the stories in It Wasn't All Dancing have appeared previously in prominent national magazines and literary journals, including the Atlantic Monthly, Grand Street, and Threepenny Review. This fine collection should appeal to a wide audience among writers, literature scholars, and general readers alike.

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Italian Chronicles

Raymond N. Stendhal

University of Minnesota Press, 2017

Nineteenth-century French writer Marie-Henri Beyle, better known by his pen name Stendhal, is one of the earliest leading practitioners of realism, his stories filled with sharp analyses of his characters’ psychology. This translation of Stendhal’s Chroniques italiennes is a collection of nine tales written between 1829 and 1840, many of which were published only after his death. Together these collected tales reveal a great novelist working with highly dramatic subject matter to forge a vision of life lived at its most intense.

The setting for these tales is a romanticized Italy, a place Stendhal viewed as unpolluted by bourgeois inhibitions and conformism. From the hothouse atmosphere of aristocratic convents to the horrors of the Cenci family, the tales in Italian Chronicles all feature passionate, transgressive characters engaged in “la chasse au bonheur”—the quest for happiness. Most of the tragic, violent tales are based on historical events, with Stendhal using history to validate his characters’ extreme behaviors as they battle literal and figurative oppression and try to break through to freedom.

Complete with revenge, bloody daggers, poisonings, and thick-walled nunneries, this new translation of Italian Chronicles includes four never-before-translated stories and a fascinating introduction detailing the origins of the book. It is sure to gratify established Stendhal fans as well as readers new to the writer.

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