Calling attention to the local cultural scene as well as to events taking place in Europe, Matthew Baigell considers the art produced by Jewish artists who were inspired to respond to the murders of their fellow Jews during World War II.
Although there were only a few instances of visual documentation of events until the war’s later stages, responses to news reports and the very few authentic images received of the atrocities of the Holocaust varied from avoidance and denial to scattered attempts to create direct visual representations. Those artists who chose the latter alternative did so with little support from the Jewish intelligentsia of New York City. Art critics such as the influential Clement Greenberg purposely avoided addressing this issue at all. Jewish artists were left to cope with the events of the war in isolation, without a collective visual memory to deal with the traumas presented by news reports.
Baigell discusses how the limited access to images, information, and support during the war led to a unique artistic response created not only by the conflict itself, but also by the anti-Semitic social climate of the United States. Surveys taken in the U.S. between 1940 and 1946 demonstrate that the general population considered Jews a greater menace to the welfare of the country than the Germans or the Japanese.
Artists featured include Marc Chagall, Jacques Lipchitz, Barnett Newman, Abraham Rattner, Mark Rothko, and Max Weber.
At the turn of the twentieth century, over forty percent of the world’s Jews lived within the Russian Empire, almost all in the Pale of Settlement. From the Baltic to the Black Sea, the Jews of the Pale created a distinctive way of life little known beyond its borders. This led the historian Simon Dubnow to label the territory a Jewish “Dark Continent.”
Just before World War I, a socialist revolutionary and aspiring ethnographer named An-sky pledged to explore the Pale. He dreamed of leading an ethnographic expedition that would produce an archive—what he called an Oral Torah of the common people rather than the rabbinic elite—which would preserve Jewish traditions and transform them into the seeds of a modern Jewish culture. Between 1912 and 1914, An-sky and his team collected jokes, recorded songs, took thousands of photographs, and created a massive ethnographic questionnaire. Consisting of 2,087 questions in Yiddish—exploring the gamut of Jewish folk beliefs and traditions, from everyday activities to spiritual exercises to marital intimacies—the Jewish Ethnographic Program constitutes an invaluable portrait of Eastern European Jewish life on the brink of destruction.
Nathaniel Deutsch offers the first complete translation of the questionnaire, as well as the riveting story of An-sky’s almost messianic efforts to create a Jewish ethnography in an era of revolutionary change. An-sky’s project was halted by World War I, and within a few years the Pale of Settlement would no longer exist. These survey questions revive and reveal shtetl life in all its wonder and complexity.
Among the Kalman cousins are an art gallery owner, a body builder, a radio personality, a former chief financial officer of a prominent U.S. bank, and a sculptor. They discuss Zionism, anti-Semitism, what it means to root for the German soccer team, Schindler’s List, money, success, marriage and intermarriage, and family history. They reveal their different levels of engagement with Judaism and involvement with local Jewish communities. Kalman is a pseudonym, and their anonymity allows the family members to talk with passion and candor about their relationships and their lives as Jews.
This is a new edition of a classic and highly controversial book that examines the history and consequences of Jewish Fundamentalism in Israel. Fully updated, with new chapters and a new introduction by Norton Mezvinsky, it is essential reading for anyone who wants a full understanding of the way religious extremism has affected the political development of the modern Israeli state.
Acclaimed writer and human rights campaigner Israel Shahak was, up util his death in 2001, one of the most respected of Israel’s peace activists – he was, in the words of Gore Vidal, ‘the latest – if not the last – of the great prophets.’ Written by Shahak together with American scholar Norton Mezvinsky, this books shows how Jewish fundamentalism in Israel, as shown in the activities of religious settlers, is of great political importance.
The authors trace the history and development of Jewish fundamentalism. They place the assassination of Prime Minister Rabin in the context of what they see as a tradition of punishments and killings of those Jews perceived to be heretics. They conclude that Jewish fundamentalism is essentially hostile to democracy.
The Jewish Graphic Novel is a lively, interdisciplinary collection of essays that addresses critically acclaimed works in this subgenre of Jewish literary and artistic culture. Featuring insightful discussions of notable figures in the industryùsuch as Will Eisner, Art Spiegelman, and Joann Sfarùthe essays focus on the how graphic novels are increasingly being used in Holocaust memoir and fiction, and to portray Jewish identity in America and abroad
Featuring more than 85 illustrations, this collection is a compelling representation of a major postmodern ethnic and artistic achievement.
Israel Shahak was a remarkable man. Born in the Warsaw ghetto and a survivor of Belsen, Shahak arrived in Israel in 1945. Brought up under Jewish Orthodoxy and Hebrew culture, he consistently opposed the expansion of the borders of Israel from 1967.
In this extraordinary and highly acclaimed book, Shahak embarks on a provocative study of the extent to which the secular state of Israel has been shaped by religious orthodoxies of an invidious and potentially lethal nature. Drawing on the Talmud and rabbinical laws, Shahak argues that the roots of Jewish chauvinism and religious fanaticism must be understood before it is too late.
Written from a humanitarian viewpoint by a Jewish scholar, this is a rare and highly controversial criticism of Israel that will both excite and disturb readers worldwide.
Jewish Studies, the first volume in a groundbreaking new series, Key Words in Jewish Studies, introduces the basic approach of the series by organizing discussion around key concepts in the field that have emerged over the last two centuries: history and science, race and religion, self and community, identity and memory. The book is oriented by contemporary critical theory, especially feminist and postcolonial studies, and the multidisciplinary approaches of cultural studies.
By looking backward and forward—and across continents and disciplines—to unearth the evolution of the scholarly study of Jews, Andrew Bush provides a comprehensive introduction to the development of Jewish studies from the turn of the nineteenth century to the present. In the course of engaging scholarship on periods from the classical to the contemporary and from the disciplines of history, philosophy, sociology, anthropology, psychology, and literary studies, Bush questions male-dominated and Ashkenazi-centric visions of the field. He concludes with an experimental exposition of a new Jewish studies for a time where attention to difference has overtaken the security of canons and commonalities.
This is the first full-scale history of the only organized American Jewish opposition to Zionism during the 1940s. Despite extensive literature on the Zionist movement, the Jewish opposition to Zionism has received only marginal and usually negative attention. In this impartial study, Thomas A. Kolsky examines the neglected phenomenon of Jewish anti-Zionism, its roots, and its results.
In 1942, a number of dissident Reform rabbis founded the American Council for Judaism, the first and only Jewish organization created to fight against Zionism and the establishment of a Jewish state. Emphasizing the purely religious nature of Judaism and unequivocally rejecting Jewish nationalism, the Council supported free Jewish immigration and equal rights for Jews throughout the world. For Palestine, specifically, it advocated establishment of a democratic state wherein all citizens, regardless of their religion, would enjoy equal political rights.
Summarizing both the history of Zionism and the history of American Jews, Kolsky traces the effects of the Holocaust on the Zionist movement and the personalities that shaped the leadership of the Council. Its position toward Zionism has particular contemporary relevance in understanding the historical relationship between Israel and the Palestinians.
For the first time, this collection makes available a selection of documents on the history of Jews in old Rus’ that provide unique insight into Slavic–Jewish relations, offering both the original texts in Latin, Hebrew, Church Slavonic, and Arabic, and their English translations.
Adding nuance to our understanding of the difficult relations Rus’ had with Khazaria, Jews in Old Rus’ also realigns the position of East European Jews within the larger diaspora of European Jews. This collection meticulously presents legal rulings, religious and liturgical customs, practices regarding food and garments, linguistic acculturation, and the political loyalties of Jews in old Rus’.
Why do well-educated, highly Americanized, and financially secure Jews join a synagogue and participate in its religious life? This study of Conservative Jews examines the largest movement of synagogue-affiliated Jews in the United States, a group that outnumbers the combined membership of Reform and Orthodox congregations and a population that adheres to a centrist version of Judaism. The scholars who contribute to this study ask a series of provocative questions: How do these Jews negotiate the tensions between the traditional values of their religion and modern sensibilities? What meaning do they find in synagogue participation? How crucial are rabbis in the "success" of congregations?
Written by a team of scholars employing the tools of demography, ethnography, sociology, history, and comparative religious studies, Jews in the Center offers the most comprehensive view of any religious movement within American Judaism----and indeed, one of the most detailed studies of any denomination in American religious life.
Jews in the Center seeks to understand how synagogues function as congregations and to what extent they allow for individual self-expression. By focusing on a mainstream population, this book sheds light on religious people who generally receive the least attention----the broad center who neither retreat from society nor blur all boundaries between their religion and modern American culture.
Why do well-educated, highly Americanized, and financially secure Jews join a synagogue and participate in its religious life? This study of Conservative Jews examines the largest movement of synagogue-affiliated Jews in the United States, a group that outnumbers the combined membership of Reform and Orthodox congregations and a population that adheres to a centrist version of Judaism. The scholars who contribute to this study ask a series of provocative questions: How do these Jews negotiate the tensions between the traditional values of their religion and modern sensibilities? What meaning do they find in synagogue participation? How crucial are rabbis in the "success" of congregations?
Written by a team of scholars employing the tools of demography, ethnography, sociology, history, and comparative religious studies, Jews in the Center offers the most comprehensive view of any religious movement within American Judaism----and indeed, one of the most detailed studies of any denomination in American religious life.
Jews in the Center seeks to understand how synagogues function as congregations and to what extent they allow for individual self-expression. By focusing on a mainstream population, this book sheds light on religious people who generally receive the least attention----the broad center who neither retreat from society nor blur all boundaries between their religion and modern American culture.
Jews have called New Jersey home since the late seventeenth century, and they currently make up almost 6 percent of the states residents. Yet, until now, no book has paid tribute to the richness of Jewish heritage in the Garden State. The Jews of New Jersey: A Pictorial History redresses this lack with a lively narrative and hundreds of archival and family photographsmany rarethat bring this history to life.
Patricia Ard and Michael Rockland focus on representative Jewish communities throughout the state, paying particular attention to the extraordinary stories of ordinary people. Through the joys and struggles of homemakers, storekeepers, factory workers, athletes, children, farmers, activists, religious leaders, and Holocaust survivors, the authors tell the stories of how these communities have evolved, thrived, and changed. They note the difficulties posed by intermarriage and assimilation and, at the same time, depict a burgeoning revival of Jewish orthodoxy and traditions.
The Jews of New Jersey will please both the historian and general reader. Its heartwarming stories and pictures truly make the point that it is through the joys, triumphs, and defeats of everyday people that history is made.
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